This chapter presents some crucial aspects of the itinerant motif as it is developed in early hasidism. At the outset, two distinct typologies can be distinguished, although only the latter is rooted in teachings ascribed to the Besht. The first involves the use of the walking motif as a symbol for the spiritual progression through various grades, culminating ultimately in a state of devekut, cleaving or attachment to God. This usage is found in a wide range of authors including two of the most prominent followers of the Besht. One can distinguish between at least two models of cleaving to God in hasidic sources: (a) a vertical one, which entails the metaphor of ascent and descent, and (b) a horizontal one, which entails the metaphor of traversing from place to place. Hasidic writers used both models to delineate the individual's intimate relationship with God. The second typology, which is traceable to the Besht himself, or so one may gather from the hasidic sources, is decidedly soteriological in its orientation: it emphasizes two acts whose redemptive nature, from the kabbalistic perspective, is beyond question, namely the liberation of the sparks of light trapped in the demonic shells and the unification of the masculine and feminine aspects of the divine.