Design Empowerment

2011 ◽  
Vol 31 (4) ◽  
pp. 423-437 ◽  
Author(s):  
Maged Senbel ◽  
Sarah P. Church

Empowering community residents to participate in neighborhood design may help overcome the tension between the urban densification requirements of climate change planning and the political infeasibility of rapid change. This research employed accessible visualization media in public workshops to test the capacity of the media to enable empowerment. In a community facing imminent development we found processes of mitigated empowerment through which residents accessed and generated information, were inspired to act in the face of complex problems, and expressed their ideas. The media did not enable design empowerment in the areas of community inclusion or integration into the design process.

2021 ◽  
Vol 84 ◽  
pp. 25-48
Author(s):  
Emili Samper ◽  
◽  
Carme Oriol ◽  

Catalonia is in a situation of political conflict with the Spanish State regarding its right to self-determination, a conflict that has been exacerbated in recent years by the growing demand from a part of Catalan society for an independent state. Throughout this situation rumours have appeared in relation to events as they unfold. One of the key moments in the conflict was the referendum on self-determination, which was approved, prepared, and held on 1 October 2017, in the face of continuous opposition from the Spanish State. The tensions, uncertainties, and fears experienced by those in favour of the referendum were fuelled by rumours that in many cases were ultimately proven to be false. The present paper will analyse the rumours that emerged in relation to the referendum and the political atmosphere at that time. The study will analyse the rumours relating to aspects such as the logistics required to hold the referendum, the key figures in the process, the organizations that support it and the actions of the media, among others.


2012 ◽  
Vol 45 (3) ◽  
pp. 685-710 ◽  
Author(s):  
Anne-Marie Gingras

Résumé.Dans ce texte, nous tentons d'évaluer le rôle sociopolitique des journalistes en posant les éléments fondamentaux d'une conceptualisation du rôle des médias en démocratie et en analysant les résultats d'une recherche empirique sur l'engagement des journalistes envers la démocratie menée de l'été 2008 au printemps 2010. Notre étude prend appui sur la dichotomie entre un rôle actif des médias et un rôle instrumental face au système politique, dichotomie que nous faisons porter sur les journalistes. Nous prétendons que les médias et les journalistes jouent le rôle de « médiateurs » dans les sociétés libérales, c'est-à-dire d'agents individuels ou collectifs par qui transitent des messages explicites ou implicites; ces agents ajoutent une couche de sens par diverses méthodes dont la sélection des nouvelles, la hiérarchisation des sujets ou le cadrage de personnes ou d'événements.Abstract.This paper aims to assess the sociopolitical role of journalists through a conceptual approach linking media and democracy and through an analysis of the data resulting from an investigation of journalists' commitment to democracy that was conducted from the summer of 2008 to the spring of 2010. Our study is founded on the dichotomy between an active role for the media and an instrumental one in the face of the political system, and this dichotomy is applied to journalists. We believe that the media and journalists function as “mediators” in liberal societies, that is, as individual or collective agents through whom explicit or implicit messages pass; these agents add a layer of signification by diverse methods, among which are the selection of news, the categorization of issues or the framing of individuals or events.


2019 ◽  
Vol 38 (2) ◽  
pp. 248-266 ◽  
Author(s):  
Kasia Paprocki

What are the political imaginaries contained within representations of urban climate futures? What silent but corollary rural dispossessions accompany them? I investigate these questions through the experience of migrants from rural coastal Bangladesh to peri-urban Kolkata. The threats posed to their villages by a variety of ecological disruptions (both loosely and intimately linked with climate change) drive their migration in search of new livelihoods. Their experiences suggest that the demise of rural futures is entangled with the celebration of urban climate futures. However, social movements in this region resisting agrarian dispossession point to alternative political imaginaries that resist teleologies of urbanization at the expense of agrarian livelihoods. Current work in both agrarian studies and urban studies theorizes these linked dynamics of rural–urban transition, seeking to understand them in relation to broader political economies. I bring these debates into conversation with one another to highlight the importance of attention to counter-hegemonic agrarian political imaginaries, particularly in the face of predictions of the death of the peasantry in a climate-changed world. It won’t be possible to identify or pursue just climate futures without them.


2010 ◽  
Vol 2 (4) ◽  
pp. 294-299 ◽  
Author(s):  
Lesley Duxbury

Abstract The uncertainties concerning climate change debated daily in the media polarize political leaders and the general public alike. While daily weather is something that can be experienced by everyone and changes in the weather can be accounted for within the timeframe of a human lifetime, climate change is more difficult to comprehend or connect with in an appreciable way because of its remoteness in time and unpredictability. General populations can be alienated by the overwhelming proliferation of scientific data and statistics and, in the face of potentially cataclysmic events, feel paralyzed and incapable of action. Scientific evidence alone may not be working to encourage or initiate changes in behaviors with the potential to curtail the perceived changes to life as we know it. This paper sets out to explicate alternative ways of comprehending and addressing some of the complex problems of climate change through art by focusing on the ways people perceive and sense the changing world around them. It contends that artists have the potential to engage society in emotional and experiential ways to promote behavioral and cognitive change. Drawing on the work of certain artists and art commentators, this paper argues that, far from being a purely imaginative or aesthetic activity, art is integral to meaningful communication between humans and the changing world.


Author(s):  
Jens Wolling ◽  
Dorothee Arlt

The annual climate summits (Conferences of the Parties, or COPs) are major political events that receive considerable media attention. In this way, the topic of climate change returns regularly to both the media and the political agenda. It makes sense, therefore, that communication research regards COPs as occasion to investigating how the media cover climate change. Nevertheless, this strategy has two shortcomings: On the one hand the focus on the conferences might provide a distorted picture—because of the political character of the conferences, the role of political actors and policy-related frames might be overestimated. On the other hand, the political character of the conferences is not always considered appropriately. Most research is mainly interested in the coverage on climate change in the context of the conferences and not in the political discussions taking place at the summits. Future research should address these discussions more intensively, giving more attention especially to the debates in the various online media.


COMPASS ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 18-35
Author(s):  
Megan Paranich

Climate change, as a scientifically defined global phenomenon, threatens the cultural resiliency of societies the world over. Anthropology has accrued a rich body of ethnographic research that has illuminated the potential of cultural resiliency for indigenous and non-Western societies. This information is vital for understanding the political, social, and economic movement of these societies. However, the same research focus and academic rigor has not been applied to non-indigenous, Western societies. These societies have been examined for economic and ecological resilience, but there is a detrimental vacuum of ethnographic understanding. Research relevant to climate change is restricted to etic, survey analysis. This research is invaluable but cannot resolve deeper “why” questions regarding political, social, and economic movements in the West. Furthermore, the survey data from within Canada is severely limited, making any analysis of non-indigenous Canadian society vague and riddled with caveats. This paper discusses the academic neglect regarding the cultural resiliency of non-indigenous, Western societies. From existing literature, the author constructs a research framework for Alberta, Canada—the province placed at the crux of the national climate change debate. Anthropological institutions must ask themselves why this demographic is excluded from the same critical analysis applied to indigenous and non-Western societies and move to correct this discrepancy.


Author(s):  
Timothy Wilson ◽  
Mara Favoretto

In the 20th century Argentina experienced a series of dictatorial regimes of varying intensity, but the last dictatorship stands apart. The Process of National Reorganization or Proceso (1976–1983) was not only the most brutally repressive, “disappearing” 30,000 of its own citizens into concentration camps, but also the most ambitious in terms of ideological mission. Its campaign, officially called “the war against subversion,” was committed to the total eradication of leftist ideas from the political landscape of the country by any means necessary. This radical transformation was to be brought about not only in the torture chamber, but in the media as well. The regime planned an Orwellian redefinition of words: the systematic creation of a national vocabulary that would exclude certain ideas and parties. In order to achieve its overt project of the appropriation of language, the junta maintained obsessive control over the media, instituted strict censorship reinforced by terror, and bombarded the airwaves and newspapers with official communiqués. In the face of this repression, most journalists and writers and many artists could not express dissent of any kind. Yet singers of a new Argentine music genre that came to be known as rock nacional developed codified and oblique metaphorical expression in their lyrics that allowed them to evade censorship and to continue to criticize the military regime with relative impunity. Moreover, many Argentine youths found solace in the music and used it to create communities in which they could meet and express themselves. The regime had sought to deny young Argentines a forum for public speech; however, together artists and listeners created a rock nacional culture that provided community for the isolated and lent a voice to the silenced.


2017 ◽  
Vol 5 (2) ◽  
pp. 110-124 ◽  
Author(s):  
Lisa M. Hodgetts ◽  
Edward J. H. Eastaugh

ABSTRACTClimate change is impacting archaeological sites around the globe, and Arctic sites are among the most vulnerable because the region is experiencing particularly rapid change. In the face of this threat, archaeologists, heritage managers, and northern communities need to develop strategies for documenting and monitoring Arctic sites and prioritizing them for further investigation. Using three case studies from Banks Island in the western Canadian Arctic, we demonstrate how magnetometer survey could assist in this process, despite the region's poorly developed soils, widespread glacial tills, and periglacial geomorphology, which pose challenges for the technique. The case studies illustrate the utility of magnetometry in mapping both archaeological and permafrost features in the Arctic, allowing it to rapidly investigate site structure and assess the level of threat due to climate change.


1998 ◽  
Vol 60 (1) ◽  
pp. 33-60 ◽  
Author(s):  
Jean Spence

The majority of the women who campaigned to save the Vane Tempest Colliery from closure in 1993 were involved because of their political understanding and allegiances rather than as a consequence of their practical involvement in mining life. Even those women who were married to miners did not conform to the stereotypical conception of ‘miner's wife’. However, the supporting labour movement and the media persisted in conceptualizing the Women's Vigil through romantic and masculinist discourses of miners and mining communities which could only locate the women as ‘wives’, which confined the campaign within historical stereotypes no longer appropriate to the actual situation and which persistently set the idea of socialism against that of feminism. This not only situated the women's campaign as secondary and subject to that of the NUM but it also subverted the possibilities of the women fully articulating their own experience and understanding within the campaign. The situation was further complicated by memories of the miners’ strike of 1984–5 in which women played such an important role. One aspect of this role, that of maintaining mining families in the face of hardship, continued to inform understanding of the women's role in the fight to prevent closure, although it was no longer appropriate. The Women's Vigil engaged with a much wider set of concerns and with a wider range of individuals and groups than did that of the miners themselves. There were serious possibilities for broadening the political campaign around the women's slogan of ‘Jobs, community and environment’ which were never fully exploited because of the difficulties of admitting that women could inhabit any position other than that of ‘miners’ wives’. This experience of the Vane Tempest Vigil indicates the significance and the centrality of gender issues within class based political action.


2021 ◽  
Vol 53 (4) ◽  
pp. 49-66
Author(s):  
Oscar Samario Hernandez ◽  

This year the international community recalled under a common celebration about the achievement of humanity that managed to put man on Earth's satellite; Moon. On July 20, 1969 the media reported this event, this year is still remembered, but it is also news that from the photographs sent by the Apollo missions taken from the space in which the splendor of the Earth with its characteristic blue color, we call it the Great Blue Marble, the home of humanity today at risk of threat from pollution, the scientific community, organizations and international organizations have warned of the consequences and risks if this deterioration continues. This work is a recognition of this concern, but it is also a call to the responsibility of mankind to act in the face of the imminent danger of climate change.


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