scholarly journals Historical Narratives and the Defense of Stigmatized Industries

2021 ◽  
pp. 105649262110194
Author(s):  
Andrew Smith ◽  
Nicholas D. Wong ◽  
Anders Ravn Sørensen ◽  
Ian Jones ◽  
Diego M. Coraiola

This study examines how managers and entrepreneurs in stigmatized industries use historical narratives to combat stigma. We examine two industries, the private military contractors (PMC) industry in the United States and the cannabis industry in Canada. In recent decades, the representatives of these industries have worked to reduce the level of stigmatization faced by the industries. We show that historical narratives were used rhetorically by the representatives of both industries. In both cases, these historical narratives were targeted at just one subset of the population. Our research contributes to debates about stigmatization in ideologically diverse societies, an important issue that have been overlooked by the existing literature on stigmatized industries, which tends to assume the existence of homogeneous audiences when researching the efforts of industry representatives to destigmatize their industries.

2018 ◽  
Author(s):  
Oscar Lansen

My America: Immigration, historical education and vision of nationhoodEver since the United States of America was founded as a more perfect union, it has struggled to find a balance between a narrow, ascriptive, Eurocentric vision of nationhood favoring an explication of rational and/or divinely-sanctioned nation-building, and one that acknowledges the struggles and contributions of its ever-renewing immigrant citizenry in shaping its vision of self. This contrariety has played itself out in classrooms and textbooks where historical narratives of nation compete with societal reality; and in state houses where citizen-educators rather than academics seem to know history best. Whereas one can attribute this disconnect to curriculae catching up with changing demographics, in actuality, US History education’s de-facto role as the Great Americanizer has made it a factional battleground of what it means to be American; and a victim to the perversion of the very principles it seeks to instill. As a result, primary and secondary-school US History ranks amongst to lowest amongst subjects in terms of student proficiency and teacher competency. This article discusses the origins of the fraught relationship between vision of nationhood and citizenry education in the United States; and the necessitated steps to give renewed relevance and competence to historical education in developing the critical, informed citizenry fundamental to a well-functioning democracy. Moja Ameryka. Imigracja, edukacja historyczna i wizja bycia narodemOd chwili, gdy Stany Zjednoczone Ameryki stały się doskonalszą unią, kraj ten z mozołem szuka równowagi pomiędzy wąsko askryptywną eurocentryczną wizją bycia narodem, która sprzyja budowaniu narodu sankcjonowanemu racjonalnie i/lub przez boskość, a wizją, która uznaje obywatelski wysiłek i wkład imigrantów w kształtowanie jej własnego obrazu. Ta sprzeczność rozgrywa się w salach lekcyjnych i w podręcznikach, w których historyczne narracje o narodzie konkurują z realiami społecznymi, jak też w łonie instytucji państwowych, w których najlepiej znają historię, jak się wydaje, raczej obywatele – edukatorzy niż środowiska akademickie. Jakkolwiek tę rozłączność można przypisywać temu, że programy nauczania doganiają przemiany demograficzne, to jednak w rzeczywistości rola historii USA jako wielkiego amerykanizatora stała się w istocie polem zmagań o to, co to znaczy być Amerykaninem. Stała się też ofiarą przewrotności samych zasad, które chce wdrożyć. W rezultacie jako przedmiot nauczania historia Stanów Zjednoczonych zalicza się w szkołach podstawowych i średnich do tych przedmiotów szkolnych, które w kategoriach umiejętności uczniów i kompetencji nauczycieli mają najniższą rangę. Artykuł analizuje przyczyny tego brzemiennego w skutki związku między wizją bycia narodem a edukacją obywatelską w USA i docieka, jakie należy podjąć kroki po to, by poprzez rozwój krytycznej, świadomej postawy obywatelskiej o fundamentalnym znaczeniu dla kraju, przywrócić nauczaniu historii właściwą rangę i kompetencje. [Trans. by Jacek Serwański]


Author(s):  
Adam Herring

This chapter discusses the interpretive challenges that art historians and anthropologists have faced in approaching Inca intellectual and artistic achievements, which do not fit comfortably in Western categories. George Kubler took up the question of Inca art in the mid-twentieth century, creating a space in art history for studying the Incas. This development occurred at a time when archaeologists such as John Rowe worked to place the Incas within the broader context of Andean civilizations, and structuralists like Tom Zuidema were beginning to challenge historical narratives in search of underlying elements of Andean culture. The scholarly interest in Inca art, material culture, and intellect was but one aspect of the Inca focus of that time, as artists found inspiration in Inca ruins and museum galleries in the United States, and other countries began to exhibit Inca artifacts as an art to be approached on its own terms.


Nuncius ◽  
2021 ◽  
Vol 36 (3) ◽  
pp. 754-778
Author(s):  
Dayana Ariffin

Abstract Mapping of “ethnic” or “racial” groups in the Philippines was an enterprise that was taken up through the direct interventions of the two colonial polities in Filipino history—Spain and the United States. The objective of mapping race or ethnicity in the Philippines was to identify the location of native racial groups for ethnological and administrative purposes. This article intends to explore the relationship between mapping and the scientific conceptualization of race during the changeover in colonial rule by examining two ethnographic maps, specifically the “Blumentritt Map” (1890) and the Atlas de Filipinas (1899). Maps are complex artefacts that can be read on various levels. Thus, the spatializing effects of mapping can extend well beyond the documentation of a geographic reality and capable of altering historical narratives and sociopolitical experiences.


Author(s):  
Elizabeth Dawes. Duraisingh

This paper reports on a study that invited 187 16–18-year-old students in the United States to draw diagrams showing connections between their own lives and the past. Interviews were subsequently held with 26 study participants. The degree to which students made connections between their own lives and the past, and the various ways in which they integrated personal and historical narratives, are discussed, with three examples explored in detail. The ways in which interviewed students talked about their diagrams point to the significance of individuals' understandings of the nature of historical knowledge for how they use the past to orient their own lives.


Author(s):  
Matthew J. Cressler

This chapter begins with the ten Black bishops declaring in 1984 that Black Catholics should be “authentically Black and truly Catholic.” It contrasts this statement with the story of Mary Dolores Gadpaille, who argued in 1958 that Catholicism “lifted her up above the color line.” It juxtaposes these two examples in order to introduce readers to the central questions that govern the book. Why did tens of thousands of African Americans convert to Catholicism in the middle decades of the twentieth century? What did it mean to be Black and Catholic in the first half of the twentieth century and why did it change so dramatically in the thirty years that separated Gadpaille from the bishops? How would placing Black Catholics at the center of our historical narratives change the ways we understand African American religion and Catholicism in the United States? The chapter situates the book in scholarship and briefly introduces readers to Black Catholic history writ large.


2013 ◽  
Vol 47 (2) ◽  
pp. 417-438 ◽  
Author(s):  
LEON WAINWRIGHT

Art of the transnational Caribbean has come to be positioned by an understanding of the African diaspora that is oriented to an American “centre,” a situation to be explored for what it reveals about the hegemonic status of the United States in the discipline of contemporary art history. The predominant uses of the diaspora concept both in art-historical narratives and in curatorial spaces are those that connect to United States-based realities, with little pertinence to a strictly transnational theorization. This has implications for how modern art and contemporary art are thought about in relation to the Caribbean and its diaspora, in a way that this article demonstrates with attention to a number of artists at multiple sites, in Trinidad, Guyana, Britain and America.


2011 ◽  
Vol 29 (2) ◽  
pp. 573-606
Author(s):  
Theresa Alfaro-Velcamp ◽  
Robert H. Mclaughlin

Immigration histories typically endeavor to describe and hold a nation–state accountable not only for the laws and policies by which it admits some immigrants, but also for those by which it refuses, excludes, or deports other immigrants. This article explores immigration to Mexico and to the United States with attention to its implications for the status of persons, and also for the conventional historical narratives in each country. The article focuses on three techniques of governance that each country has engaged in regard to immigration. These techniques include: 1) the assignment of nationality as a singular attribute of personhood; 2) the use of demonstrable and documentable characteristics as criteria of admission; and 3) centralized registration procedures to monitor and control the immigrant population. The techniques are analyzed together because of their concurrent emergence in each country during the late nineteenth and twentieth centuries. The techniques are also complementary. They form a set that, although not unique to the United States and Mexico, nevertheless illustrates parallels and an interplay between the two countries, and, more broadly, illustrates how immigration presents a common predicament across different times, places, and forms of government.


Author(s):  
Judy Tzu-Chun Wu

This chapter reinterprets the history of twentieth-century US feminism by foregrounding the importance of the global. Both international events and transnational flows of people, ideas, and goods have shaped the development of feminism in the United States. Recognizing the importance of the global foregrounds the diversity of political goals and political actors within movements for gender equality. Also, acknowledging US feminists’ engagement with the global reinforces the need for new narratives and periodizations for the multiple histories of US feminisms. To explore these ideas, this chapter first analyzes definitions of feminism and existing historical narratives of US feminism. The second half examines the significance of the global for feminist movements seeking political equality, economic justice, and sexual liberation.


2018 ◽  
Vol 49 (4) ◽  
pp. 75-76
Author(s):  
David A. Goss

Historical narratives reflect the biases of their creators. In order to promote his own interests, sporting goods magnate A.G. Spalding created a "creation myth" that baseball was a uniquely American sport which evolved from the English game "rounders." While historians later debunked this assertion and established an earlier and more complicated origin story for baseball, Spalding's historical narrative persists in popular culture. Optometry has a similar "creation myth" which holds that the profession began at the turn-of-the 20th century in the United States with the founding members of the American Optometric Association (AOA) and the move to make optometry a legislated profession. However, optometry's origins are much older, beginning in the late 13th century and, therefore, can be divided into periods. The period beginning in 1890 and which saw the founding of the AOA should be viewed as the beginning of "modern optometry." Optometry historians should recognize the importance of all periods of optometry history.


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