scholarly journals Performative resilience: How the arts and culture support austerity in post-crisis capitalism

2019 ◽  
pp. 136754941988603 ◽  
Author(s):  
Jack Newsinger ◽  
Paula Serafini

Resilience is a key theme in contemporary post-crisis capitalism, prominent across government policy, popular discourses, business and management thinking and academia. This article is about the deployment of the concept of resilience in cultural policy and practice under conditions of austerity. It is based on an extensive engagement with literature, an analysis of cultural policy discourse and qualitative data drawn from 23 in-depth interviews with freelance cultural practitioners. The findings contribute to the literature on the politics of resilience in policy and society and the effects of austerity on culture. We adapt Robin James’ concept of resilience to show how arts leaders and practitioners generate performative narratives that seek to publicly represent their capacity to adapt to austerity, and we explore the different versions of resilience thinking that these narratives mobilise. We argue that resilience in cultural policy and practice unwittingly produces a discursive surplus which becomes reinvested in institutions, providing subsequent justification for the processes of post-crisis austerity itself.

2021 ◽  
Vol 7 (1) ◽  
pp. 1
Author(s):  
I Gde Agus Jaya Sadguna ◽  
I Gusti Agung Mas Krisna Komala Sari ◽  
I G.P. Fajar Pranadi Sudhana

The various potentials of each village or area in Bali has made it an island of prosperous wonders for tourism. Tri Eka Buana Village currently is in the process of becoming a tourism village, where Arak, a local liquor, is the main magnet. The aim of this research is 1) identify other aspects that support the development for the tourism village; 2) to identify the arts and cultures to be a capital that can support the development of the tourism village; 3) the attitude of the artists in the village towards the development of the tourism village. This research is a qualitative research, using purposive sampling to retrieve qualitative data from five determined interviewees, and uses the concept of tourism village and green tourism as the applicative theory. The result shows that, 1). although Tri Eka Buana Village’s main magnet is arak, arts and culture reside together in the village as an important aspect for the establishment of the tourism village; 2). this village has several forms of arts and culture such as Utamaning Malini Dance, Jaga-jaga Dance, pesantian, drama gong (theater), and traditional dances that are commonly used as entertainment; and 3).the artists in this village is willing to support the establishment of the tourism village by creating new dances and performances that are more suitable to showcase to future tourists.


2002 ◽  
Vol 27 (2) ◽  
Author(s):  
Robin Higham

Abstract: This discussion paper proposes that those who would champion a higher ranking for culture and the arts on the national agenda should take a leaf from the Asian martial arts training manuals: the pages which explain how to employ an opponents' own strengths to your advantage. Since "good business" is where "good policy" begins in contemporary capitalistic democracies, rather than competing directly with economic priorities for ranking on the national agenda, cultural policy warriors should make their arguments in the language of economics. They must demonstrate the contribution of culture and the arts to society through their role as determinants of social capital and as marketeconomy facilitators. Résumé: Cet article propose que ceux et celles voulant que la culture et les arts occupent une place plus importante dans le discours national devraient s'inspirer des manuels d'instruction d'arts martiaux - surtout leur idée d'utiliser les atouts de l'adversaire à son propre avantage. Puisque les « bonnes politiques » commencent par les « bonnes affaires » dans les démocraties capitalistes contemporaines, les supporters de politiques culturelles devraient parler un langage économique pour appuyer leur cause, plutôt que de faire concurrence directe avec les priorités économiques du gouvernement. Ils devraient démontrer comment arts et culture contribuent à la société en produisant du capital social et en soutenant l'économie de marché.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Flavia I. Gonsales

Purpose The paper aims to introduce social marketing (SM) as a tool to overcome the low cultural participation, a problem of the arts and culture sector that has worsened in the post-pandemic scenario. Design/methodology/approach The study uses a multidisciplinary literature review (SM, museum marketing, museology and cultural policy) to address the problem of museums and other cultural heritage institutions, at both the macro-level (prevailing cultural policies and antecedents, barriers and consequences to cultural participation) and micro-level (challenges faced by museums in the 21st century and marketing as a management instrument). Findings The downstream, midstream and upstream approaches can be used to design and implement SM interventions intended to address the problem of low cultural participation in museums. The three approaches should be considered holistically, with their synergetic and recursive effects. Research limitations/implications Due to its introductory and conceptual nature, the study provides a comprehensive intervention framework to be used as a platform for future theoretical and empirical research. Further investigations may expand on the specificities of each approach (down, mid and upstream) and extend the framework to other nonprofit cultural institutions beyond museums, such as libraries and archives, cultural heritage sites and theater, music and dance companies. Practical implications The paper proposes a comprehensive SM intervention framework that integrates three interdependent approaches (downstream, midstream and upstream). Originality/value The paper provides a starting point for the holistic application of SM in the arts and culture sector. It also encourages researchers, cultural policymakers and cultural heritage professionals to investigate, design and implement SM programs that better understand, expand and diversify the audience and strengthen the legitimacy and relevance of cultural actors and activities to transform them into inclusive, accessible and sustainable institutions.


2013 ◽  
Vol 38 (1) ◽  
pp. 1-32 ◽  
Author(s):  
Daniel Silver ◽  
Terry Nichols Clark

The global rise of arts and culture is transforming local politics. Though new to many academic urban analysts, this is a commonplace for many mayors and local policymakers around the world. We seek to overcome this divide by joining culture and the arts with classic concepts of urban politics. We offer an analytical framework incorporating the politics of cultural policy alongside the typical political economic concerns in the urban politics and development literatures. Our framework synthesizes several research streams that combine in global factors driving the articulation of culture into city politics. This frames our studies of the local processes through which this articulation occurs on the ground in Toronto and Chicago.


2020 ◽  
Vol 27 (4) ◽  
pp. 449-465
Author(s):  
Stanley N. Katz ◽  
Leah Reisman

AbstractThis article discusses the impact of the COVID-19 pandemic and the Black Lives Matter movement on the arts and cultural sector in the United States, placing the 2020 crises in the context of the United States’s historically decentralized approach to supporting the arts and culture. After providing an overview of the United States’s private, locally focused history of arts funding, we use this historical lens to analyze the combined effects of the pandemic and Black Lives Matter movement on a single metropolitan area – Philadelphia, Pennsylvania. We trace a timeline of key events in the national and local pandemic response and the reaction of the arts community to the Black Lives Matter movement, arguing that the nature of these intersecting responses, and their fallout for the arts and cultural sector, stem directly from weaknesses in the United States’s historical approach to administering the arts. We suggest that, in the context of widespread organizational vulnerability caused by the pandemic, the United States’s decentralized approach to funding culture also undermines cultural organizations’ abilities to respond to issues of public relevance and demonstrate their civic value, threatening these organizations’ legitimacy.


Healthcare ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 16
Author(s):  
Hyunjung Lee ◽  
Hyoung Eun Chang ◽  
Jiyeon Ha

The working environment of nurses contains numerous hazards that can be particularly harmful to pregnant women. In addition, pregnancy-induced changes can themselves cause discomfort. Therefore, it is necessary to analyze pregnant nurses’ experiences of clinical work. This qualitative study analyzed data collected through in-depth interviews. From January to June in 2020, 12 shift-work nurses who had experienced pregnancy within three years were interviewed. The main question was “Could you describe your clinical work experience during pregnancy?” Qualitative data from field notes and transcriptions of the interviews were analyzed using Colaizzi’s method. Six categories were extracted that described the nurses’ clinical work experience during pregnancy, as follows: “enduring alone,” “organizational characteristics of nursing,” “risky work environment,” “strengths that sustain work during pregnancy,” “growth as a nurse,” and “methods to protect pregnant nurses.” Pregnant nurses experienced various difficulties due to physical and mental changes during pregnancy, and the clinical working environment did not provide them with adequate support. The findings of this study will be helpful for developing and implementing practical maternity protection policies and work guidelines.


Author(s):  
Shytierra Gaston

African Americans are disproportionately victimized by various forms of racialized violence. This long-standing reality is rooted in America’s history of racist violence, one manifestation being racial lynchings. This article investigates the long-term, intergenerational consequences of racial lynchings by centering the voices and experiences of victims’ families. The data comprise in-depth interviews with twenty-two descendants of twenty-two victims lynched between 1883 and 1972 in the U.S. South. I employed a multistage qualitative analysis, revealing three main domains of harmful impacts: psychological, familial, and economic. The findings underscore that racist violence has imposed harm beyond victims and for many decades and generations after the violent event. These long-term, intergenerational harms, especially if multiplied across countless incidents, can fundamentally impact the well-being of individuals, families, and communities as well as contribute to structural and macrolevel forces. Findings from this study have implications for research, policy, and practice, including efforts toward redress and reparations.


Sign in / Sign up

Export Citation Format

Share Document