Conceptualizing social media sub-platforms: The case of mourning and memorialization practices on Facebook

2021 ◽  
pp. 146144482110357
Author(s):  
Sarit Navon ◽  
Chaim Noy

This article offers a conceptual framework of Facebook’s sub-platforms: Profiles, Groups, and Pages. We demonstrate the crucially different affordances that these sub-platforms possess, and the various resulting social practices and dynamics that they enable. With mourning and memorialization as a case study, our findings point at emergent practices ranging along a personal-to-public spectrum of communicative functions and media uses: Profiles offer a personal quality, albeit differently for the bereaved’s Profile and the deceased’s Profile; Groups possess a hybrid nature, combining self-expression alongside public aspects, reviving thus premodern bereaved communities; and Pages possess a distinctly public quality, serving as online memorialization centers where the deceased becomes an icon and a resource for mobilizing broad social change. This comparative and integrated approach may be applied productively to other contexts and other social media (sub-)platforms.

2021 ◽  
Vol 13 (17) ◽  
pp. 9591
Author(s):  
Sepehr Abrishami ◽  
Rocío Martín-Durán

The main goal of this study is to explore the adoption of a design for manufacturing and assembly (DfMA) and building information management (BIM) approach during the whole lifecycle of assets. This approach aims to tackle issues inherent in the design of traditional construction methods, such as low productivity and quality, poor predictability and building performance, and energy use, through the implementation of a BIM library of off-site components. In recent years, a renewed interest has been directed to the attempt to provide solutions to these urgent problems through the adoption of new advancements in technologies. However, while there are studies focussing on a BIM-DfMA approach, there is a lack of research regarding how this approach should be adopted during the whole lifecycle of the assets. Furthermore, to the best of our knowledge, defining an efficient way of developing a component-based BIM object library has not yet been included in any of the available studies. A mixed methodology approach has been used in this research. A conceptual framework was developed as the result of an extensive literature review to investigate new advancements in the AEC sector. Following the literature review, the framework was tested and validated through a case study based on the production and adoption of a BIM library of off-site components at the design stage of an asset. The architecture, engineering, and construction (AEC) industry has recognised the necessity of a new approach that helps to resolve the well-known issues presented in traditional methods of construction. The conceptual framework and case study proposed presents a valuable new method of construction that support the implementation of a BIM and DfMA approach, highlighting their benefits. This framework has been created using many valuable and reliable sources of information. The result of this research supports the idea of a novel new construction method that focuses on a manufacturing-digital-driven industry, with the use of DfMA in a BIM-integrated approach. This novel method will add significance and be beneficial for a wide range of aspects in the construction sector, contributing to the theoretical and practical domain.


2018 ◽  
Vol 15 (1) ◽  
pp. 56-62
Author(s):  
Aleksandra Laucuka

Abstract Despite the initial function of hashtags as tools for sorting and aggregating information according to topics, the social media currently witness a diversity of uses diverging from the initial purpose. The aim of this article is to investigate the communicative functions of hashtags through a combined approach of literature review, field study and case study. Different uses of hashtags were subjected to semantic analysis in order to disclose generalizable trends. As a result, ten communicative functions were identified: topic-marking, aggregation, socializing, excuse, irony, providing metadata, expressing attitudes, initiating movements, propaganda and brand marketing. These findings would help to better understand modern online discourse and to prove that hashtags are to be considered as a meaningful part of the message. A limitation of this study is its restricted volume.


Author(s):  
Mohd Sahid Khan ◽  

Facebook, the most popular social media (SM) platform has penetrated every nook and corner of the world. SM is now treated as the ‘fifth Estate’, other than legislative, executive, judiciary, and mainstream media. The power of SM as a critique is widely acknowledged. Establishments are finding it difficult to deal with it at times. Due to its ease of usage and relative anonymity, the general public finds it very convenient to put across their viewpoints, even if it’s against the establishment. Some establishments at times are at loggerheads with champions of freedom of speech including civil rights activists. SM has been used for propaganda, marketing, and awareness campaigns. In this paper, we are proposing to use this powerful tool towards social change. Through a case study, a detailed process is being proposed for using social media particularly Facebook as an an-ti-stereotyping tool. The response to an online survey, the outcome of opinion min-ing, and the enthusiastic response to our case study by the targeted audience validate our hypothesis that Facebook can be effectively utilized as an anti-stereotyping tool.


2019 ◽  
Vol 33 (4) ◽  
pp. 485-511
Author(s):  
Aleksandar Takovski

AbstractAs many social movements demonstrate, humor can serve as an important resource to resist oppression, fight social injustice and bring social change. Existing research has focused on humor’s role within social movements and its positive effects on the free expression of criticism, reduction of fear, communication, mobilization of participants and so on. However, the current literature on the activist use of humor also expresses some reservations about its political efficacy. While humor may steam off the energy necessary to counteract oppression and injustice, other tools of achieving the same political ends have been successfully deployed, primarily social media. Building upon this research, the present case study explores the 2016 Macedonian social movement called the Colorful Revolution. In particular, through the analysis of social media and activists’ reflection on the political use of humor, this case study examines how on-line humor contributed to the emergence and development of the movement. Factoring in activists’ opinions on the role of humor in society and especially in movements, while also paying attention to the role of social media, this case study tends to re-interpret the role of humor in the totality of the actions and circumstances underpinning the development of a social movement.


2015 ◽  
Vol 115 (5) ◽  
pp. 769-802 ◽  
Author(s):  
Eric W.T. Ngai ◽  
Ka-leung Karen Moon ◽  
S.S. Lam ◽  
Eric S. K. Chin ◽  
Spencer S.C. Tao

Purpose – In recent years, social media have attracted considerable attention. Hence, the purpose of this paper is to conduct a critical literature review of social media research with the aim of developing a conceptual framework to explain how social media applications are supported by various social media tools and technologies and underpinned by a set of personal and social behavior theories or models. Design/methodology/approach – This study adopted a two-stage approach. The first stage involves a critical literature review of academic journals in social media research, followed by the proposal of a conceptual framework that highlights the tools and technologies as well as theories and models that serve as the foundation of social media applications. The second stage involves the use of an actual case to demonstrate how the proposed framework facilitates the development of a social media application for a regional division of an international non-government organization. Findings – The literature review indicated that social media have been applied in diverse business areas with the support of various social media tools and technologies and underpinned by a range of personal and social behavior theories and models. Based upon such findings, a conceptual social media application framework was devised and its usability illustrated via a real-life case study. Managerial implications are also discussed. Research limitations/implications – Social media covers a wide range of research topics and thus, the literature review presented in this study may not be exhaustive. Nevertheless, the proposed framework and case study can both serve as reference for future research and provide recommendations for practitioners in the design and development of their own social media applications. Practical implications – This study not only explains the importance of applying social media in various business sectors, but also enhances the understanding of the infrastructure of social media applications. The study also provides insights for improving the efficiency of application solutions. Organizations are advised to adopt social media in their business based on the proposed conceptual framework. Originality/value – With a literature review of social media research and a real-life case study, this study presents a conceptual framework using extant theories and models to form a foundation for social media applications. The framework extends existing knowledge on the design and development of information systems.


2012 ◽  
Vol 18 ◽  
pp. 200-210
Author(s):  
Robert Rattle

Internet and communication technologies (ICTs) are revolutionising how people communicate and connect. While these have catalyzed calls for increasing societal change, social messages, not the technologies, motivate these actions. This paper will use the case study of Canada and the application of ICTs to argue why they are no less likely to support social change in modern economies than any previous technology. Drawing on examples of federal policy changes in Canada, the paper will argue ICTs and social media can be used to suppress democracy, undermine science and expand social impacts, even where they are intended to specifically address those problems. The paper will then discuss the roles of values in social change to argue that ICTs and social media are influenced by larger societal forces and that these are often better predictors of outcomes than the application of any one technology for social change.


2020 ◽  
Vol V (I) ◽  
pp. 1-13
Author(s):  
Sheikh Ghulam Jilani ◽  
Ghulam Mujaddid

Insurgency is a violent political struggle borne out of grievances in a local community. The phenomenon of insurgency is old and the ways of tackling insurgencies have always been studied with interest. Pakistan has faced sporadic insurgencies in its Balochistan province. This study applies conceptual framework propounded by Scott Moore to Balochistan insurgency and analyzes the complex combination of Actions triggered by varied Beliefs and Structures of the Baloch society. In order to employ effective countermeasures to insurgency, an integrated approach needs to be worked out that seeks to create positive changes in the intertwined dimensions of Actions, Beliefs and Structures. The study finds that such an approach to handle insurgency in Balochistan has generally been successful. And the Baloch society has largely been mainstreamed in the national society and the state of Pakistan.


2022 ◽  
pp. 154231662110667
Author(s):  
Henry Redwood ◽  
Tiffany Fairey ◽  
Jasmin Hasić

This article provides an analytical case study of a participatory youth-led filmmaking project in Bosnia and Herzegovina. Using the conceptual framework of hybridity, it critically considers whether and to what extent youth centred, participatory arts projects can facilitate the emergence of a positive hybrid peace. It reflects on three themes—solidarity; creativity as politics; and participation as norm—that speak to the opportunities and challenges encountered during the project. The analysis demonstrates that while participatory arts have the potential to induce a more emancipatory vision of peace, that, and mirroring the warnings from development studies, their effects are not a given and challenges and blockages persist.


2020 ◽  
Vol 38 (3) ◽  
pp. 546-566 ◽  
Author(s):  
Samuel Merrill ◽  
Shanti Sumartojo ◽  
Angharad Closs Stephens ◽  
Martin Coward

This article examines the forms and feelings of togetherness evident in both Manchester city centre and on social media during the first anniversary of the 22 May 2017 Manchester Arena bombing. To do this, we introduce a conceptual framework that conceives commemorative public atmospheres as composed of a combination of ‘more or less digital’ elements. We also present a methodological approach that combines the computational collection and analysis of Twitter content with short-term team autoethnography. First, the article addresses the concept of public atmospheres before introducing the case study and outlining our methodology. We then analyse the shifting moods of togetherness created by the official programme of commemorative events known as Manchester Together and their digital mediatisation through Twitter. We then explore a grassroots initiative, #LoveMCRBees, and how it relied on the materialisation of social media logics to connect people. Overall, we demonstrate how public atmospheres, as constituted in more and less digital ways, provide a framework for conceptualising commemorative events, and how togetherness is reworked by social media, especially in the context of responses to terrorism.


2020 ◽  
Vol 7 (2-3) ◽  
pp. 133-155
Author(s):  
Laima Nomeikaite

In recent years, individual street artworks have been framed as cultural heritage. However, attempts to integrate street artworks and graffiti into formal heritage frameworks have not provided solutions to the philosophical and practical problems associated with their preservation. Rather than focusing on street artworks as passive objects to be conserved, preserved or managed, this research analyses the conservation of Dolk’s street artworks as an example of lively theatrical performance emerging from embodied actions, lived processes and social practices. Applying non-representational theory, heritage studies and cultural studies, the research argues that the conservation of street artworks is not passive, but active – a process in which humans, social media and artworks, themselves, are active, relational and equally important actors contributing to ‘heritagization’. The case illustrates that acts of destruction – as well as social media debates and street art performances that oppose conventional heritage practices and commodification – can serve as stimuli for not only reconsidering the meanings and values of street art but also protecting the rights of city commons.


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