scholarly journals Interpreting the Maritime and Overland Trade Regulations of 1882 between Chosŏn and the Qing: How logics of appropriateness shaped Sino–Korean relations

2019 ◽  
Vol 23 (1) ◽  
pp. 114-132
Author(s):  
Jung Mee Park ◽  
Chun-Ping Wang

Prior research on Qing China’s relationship towards Chosŏn Korea in the late 19th century suggested that China’s influence over Korea was a continuation of the tribute system. However, the Qing’s awareness of Westphalian laws altered Sino–Korean relations. In 1882, Qing China signed the Maritime and Overland Trade Regulations with Chosŏn Korea. Unlike the previous treaties that China signed with western states, the Qing negotiated terms economically beneficial to China in the agreement. The Qing officials determined much of the terms found in the Regulations. The Qing officials had leverage over Chosŏn officials partly because China had amassed cultural capital through centuries of tributary exchanges. The logics of appropriateness (LoA) or ‘bounded rationality’ of the tribute system shaped the Qing’s and Chosŏn’s responses, even in treaty negotiations. We argued that the Regulations reflected the Qing’s attempts to ‘modernize’ tributary relations with Westphalian LoA in light of the Qing’s own domestic crisis. Domestic insurrections such as the Taiping Rebellion led members of the self-strengthening ( Ziqiang) movement to focus on foreign affairs and adopt Westphalian international laws. The Qing’s goals to self-strengthen via an unequal agreement with Chosŏn, however, failed when westerners criticized China’s perceived suzerain authority over Korea. The criticisms highlighted the cleavages between the tributary and Westphalian systems as individuals attempted to justify their roles within these institutions.

2019 ◽  
pp. 256-281
Author(s):  
E.M. Kopot`

The article brings up an obscure episode in the rivalry of the Orthodox and Melkite communities in Syria in the late 19th century. In order to strengthen their superiority over the Orthodox, the Uniates attempted to seize the church of St. George in Izraa, one of the oldest Christian temples in the region. To the Orthodox community it presented a threat coming from a wealthier enemy backed up by the See of Rome and the French embassy. The only ally the Antioch Patriarchate could lean on for support in the fight for its identity was the Russian Empire, a traditional protector of the Orthodox Arabs in the Middle East. The documents from the Foreign Affairs Archive of the Russian Empire, introduced to the scientific usage for the first time, present a unique opportunity to delve into the history of this conflict involving the higher officials of the Ottoman Empire as well as the Russian embassy in ConstantinopleВ статье рассматривается малоизвестный эпизод соперничества православной и Мелкитской общин в Сирии в конце XIX века. Чтобы укрепить свое превосходство над православными, униаты предприняли попытку захватить церковь Святого Георгия в Израа, один из старейших христианских храмов в регионе. Для православной общины он представлял угрозу, исходящую от более богатого врага, поддерживаемого Римским престолом и французским посольством. Единственным союзником, на которого Антиохийский патриархат мог опереться в борьбе за свою идентичность, была Российская Империя, традиционный защитник православных арабов на Ближнем Востоке. Документы из архива иностранных дел Российской Империи, введены в научный оборот впервые, уникальная возможность углубиться в историю этого конфликта с участием высших должностных лиц в Османской империи, а также российского посольства в Константинополе.


1996 ◽  
Vol 4 (3-4) ◽  
pp. 263-278 ◽  
Author(s):  

AbstractWith the beginning of glasnost in the former USSR, ethnic problems that were claimed to have been solved during the Soviet regime quickly developed into open conflicts, revealing different 'cultures of violence'. The analysis of the initial, often symbolic, stage of the conflict is of special interest, since it can better reveal the peculiarities of national patterns of violence in different cultural traditions, these patterns usually becoming indistinguishable soon after the conflict grows into a real war. The article analyses the first nine months of the Armenian - Azerbaijani conflict (February-November 1988), indicating the quite different models of aggressive behaviour of the groups involved in the conflict. It shows how national violence has been shaped by historical and/or mythological patterns (the militant branch of the Armenian national movement of the late 1980s reflecting the fedayi movement of the late 19th century in the Ottoman empire; the Chechen terrorists reflecting the heroes of the North Caucasian Nartian epic). The article also discusses the hidden forms of national violence (the ecological movement in Estonia addressed firstly towards the native Russians; the self-damaging ecological movement in Armenia; pseudo-ecological anti-Armenian rallies in Azerbaijan, etc).


2012 ◽  
Vol 45 (1-2) ◽  
pp. 33-52
Author(s):  
Margarete Rubik

This article examines the English repertoire of the German theatre in Ljubljana in the last decades of the Habsburg monarchy and its reception by the local German newspaper, Laibacher Zeitung. It considers only drama, not operas or operettas. The English plays were, of course, performed in translation, in German, as opposed to the plays performed in the Slovenian language from the late 18th century on and especially within the Dramatično društvo circle established in 1867. The choice of performances gives interesting insights into the late 19th century attitude towards English culture as well as the self-image fostered by the German stage in Ljubljana.


2003 ◽  
Vol 34 (1) ◽  
pp. 99-125
Author(s):  
Alexander Hooke

AbstractSilence and madness can be likened to irritating cousins. Both introduce questionable or negative elements to the ideals of dialogue and rational communication. Silence can disturb and disrupt the rational pursuit of truth, while madness can noisily provoke a mockery of any meaningful or reciprocal exchange of ideas and thoughts. In the work and life of philosopher Friedrich Nietzsche, silence and madness highlight more positive features.To study and articulate these features, this paper relies on the central themes of two prominent thinkers, the archaeological and genealogical studies from the late Michel Foucault and the revived forces of phenomenology from American philosopher Alphonso Lingis, to present the case that Nietzsche embraced a late 19th century disorder called the fugue. This disorder, what Ian Hacking calls a transient mental illness, involves nomadic life. Nietzsche exemplified such a life. His writings and experiences comprise a mixture of travels, arts of the self, willful forgetfulness, and a philosophical play with madness. From conventional perspectives, this play is viewed as irrelevant or detrimental to Nietzsche's philosophical importance. From Nietzsche's own perspective, however, this play might be appreciated as a gift from the insights of madness and the enriching contacts with silence.


New Sound ◽  
2017 ◽  
pp. 35-51
Author(s):  
Mirjana Zakić ◽  
Sanja Ranković

Ethnomusicological and ethnochoreological research of the central part of Kosovo and Metohija has been conducted since the late 19th century up to the present. However, the gathered data are sparse and provide insufficient (and only partial) information regarding the music and dance tradition of this area. This fact was the main motive for arranging our own field trip to the region, during 2015 and 2016. The recorded material and numerous informants' narratives provided an important insight into the state of both previous and contemporary music and dance practice, enabling one to examine the transformations regarding music and dance that have taken place since the 1990s from several viewpoints: national and multinational, professional and amateur, local and regional. The causes of the changes that have occurred over the course of the last few decades, will be discussed in this paper through the political, ideological, sociological, and cultural prism. Thus, our attention will focus particularly on the national ensembles Shota (Pristina) and Venac (Gračanica), as well as on the local repertoire of different ethnic groups - Serbian, Albanian, Romani and Croatian, in former and contemporary conditions. An especially intriguing question is to what extent, and in what ways did geopolitical restructuring and cultural evaluations in the post-socialist period influence the sustainability, i.e. the change in music and dance forms, as important aspects of the self-representation of the ethnicities that exist in this region?


2004 ◽  
Vol 38 (2) ◽  
pp. 283-326 ◽  
Author(s):  
Benjamin A. Elman

In the 1950s and 1960s, Chinese, Western, and Japanese scholarship debated the success or failure of the government schools and regional arsenals established between 1865 and 1895 to reform Qing China (1644-1911). For example, Quan Hansheng contended in 1954 that the Qing failure to industrialize after the Taiping Rebellion (1850-64) was the major reason why China lacked modern weapons during the Sino-Japanese War. This position has been built on in recent reassessments of the ‘Foreign Affairs Movement’ (Yangwu yundong) and Sino-Japanese War of 1894-95 (Jiawu zhanzheng) by Chinese scholars. They argue, with some dissent, that the inadequacies of the late Qing Chinese navy and army were due to poor armaments, insufficient training, lack of leadership, vested interests, lack of funding, and low morale. In aggregate, these factors are thought to demonstrate the inadequacies of the ‘Self-Strengthening era’ and its industrial programs.


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