The Aesthetics and Politics of the Abstract Line in Bhimayana: Experiences of Untouchability

2021 ◽  
pp. 2455328X2110378
Author(s):  
Punnya Rajendran

When Bhimayana: Experiences of Untouchability, a graphic biography of the life of B. R. Ambedkar, was first published in 2011, it was welcomed as an enunciation of Dalit identity and as a uniquely Indian counterpart to the Western sequential art of comics in its use of Pardhan Gond artistic practices. My argument for moving beyond the twin poles of ‘Dalit identity’ and ‘tribal art’ is threefold. First, a close reading of Bhimayana reveals that the narrative emphasis is not so much on caste as identity as it is a critique of the processes involved in that very identity. Second, the visual style of Bhimayana does not merely mirror the political concerns of the text; the images are an aesthetic response to the ‘problem’ of identity as enunciated in the linear narrative. Third, in order to identify how exactly the images form such a response, we need to arm ourselves with an alternative methodology. The question is therefore how to read, how to look—what is the ideal spectatorial position for the pages of Bhimayana such that it critically intersects with the question of identity? The analysis of the visual object at a ‘subrepresentative’ realm, therefore, becomes the key to breaking out of old habits of looking at the image as a site of representation towards the possibility that the politics of image-making lies instead in its aesthetic intensities.

Author(s):  
Emily Frey

This chapter looks at Rimsky-Korsakov's Snegurochka (The Snow Maiden) in the political context of the era, namely within a particular branch of 1870s populism that extolled “harmonious communal ritual, agrarian prehistory, and the development of individual feeling.” Together, the Snegurochkas of Alexander Ostrovsky and Rimsky-Korsakov offer perhaps the clearest representations in art of the populist notion of the ideal past, depicting the prehistoric village as a site of social cooperation and humane politics. Indeed, in his adaptation of Snegurochka, Rimsky-Korsakov united an idealized vision of the past with the progress of private, inner feeling. Meanwhile, Russia's thick journals of the seventies brimmed with articles by populist thinkers like Nikolai Mikhailovsky and stories about village life by writers such as Gleb Uspensky and Nikolai Zlatovratsky.


Author(s):  
Ruqaya Saeed Khalkhal

The darkness that Europe lived in the shadow of the Church obscured the light that was radiating in other parts, and even put forward the idea of democracy by birth, especially that it emerged from the tent of Greek civilization did not mature in later centuries, especially after the clergy and ideological orientation for Protestants and Catholics at the crossroads Political life, but when the Renaissance emerged and the intellectual movement began to interact both at the level of science and politics, the Europeans in democracy found refuge to get rid of the tyranny of the church, and the fruits of the application of democracy began to appear on the surface of most Western societies, which were at the forefront to be doubtful forms of governece.        Democracy, both in theory and in practice, did not always reflect Western political realities, and even since the Greek proposition, it has not lived up to the idealism that was expected to ensure continuity. Even if there is a perception of the success of the democratic process in Western societies, but it was repulsed unable to apply in Islamic societies, because of the social contradiction added to the nature of the ruling regimes, and it is neither scientific nor realistic to convey perceptions or applications that do not conflict only with our civilized reality The political realization created by certain historical circumstances, and then disguises the different reality that produced them for the purpose of resonance in the ideal application.


2020 ◽  
Vol 5 (2) ◽  
pp. 206-235
Author(s):  
Yury Korgunyuk

Abstract The article analyzes the weak points of the Manifesto Project’s methodology, such as its emphasis on issue salience, instead of issue positions; bringing the content of manifestos under too broad categories formulated at the beginning of the project; not quite the appropriate technique of factor analysis etc. An alternative methodology is proposed that focuses on party positions on issues which generate the largest polarization in the political space. It also enriches the empirical base of the studies and adjusts the technique of factor analysis. In order to reveal political cleavages inside these dimensions, the so called electoral cleavages (factors of territorial differences in voting for various parties) are taken as a starting point: factor loadings of parties in the electoral and political spaces are compared through correlation and regression analyses. The proposed methodology is applied to an analysis of election results in Russia (2016) and Germany (2017).


Author(s):  
Ronald J. Schmidt, Jr

Reading Politics with Machiavelli is an anachronistic reading of certain key concepts in Machiavelli’s The Prince and The Discourses (as well as some of his correspondence). In 1513, soon after the Medici returned to power in Florence, Machiavelli lost his position as First Secretary to the Republic, and he was exiled. On his family farm, he began a self-consciously anachronistic reading of great political figures of antiquity, and, in combination with his own experience as a diplomat, crafted a unique perspective on the political crises of his time. At our own moment of democratic crisis, as the democratic imagination, as well as democratic habits and institutions face multiple attacks from neoliberalism, white nationalism, and authoritarianism, I argue that a similar method, in which we read Machiavelli’s work as he read Livy’s and Plutarch’s, can help us see the contingency, and the increasingly forgotten radical potential, of our politics. Louis Althusser argued that Machiavelli functions for us as an uncanny authority, one whose apparent familiarity is dispelled as we examine his epistolary yet opaque account of history, politics, and authority. This makes his readings a potentially rich resource for a time of democratic crisis. With that challenge in mind, we will examine the problems of conspiracy, prophecy, torture, and exile and use a close reading of Machiavelli’s work to make out new perspectives on the politics of our time.


Author(s):  
Hallie M. Franks

In the Greek Classical period, the symposium—the social gathering at which male citizens gathered to drink wine and engage in conversation—was held in a room called the andron. From couches set up around the perimeter of the andron, symposiasts looked inward to the room’s center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the specter of Dionysos, the god of wine, riding in his chariot or on the back of a panther. This book takes as its subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, it argues that the andron’s mosaic imagery actively contributed to a complex, metaphorical experience of the symposium. In combination with the ritualized circling of the wine cup from couch to couch around the room and the physiological reaction to wine, the images of mosaic floors called to mind other images, spaces, or experiences, and, in doing so, prompted drinkers to reimagine the symposium as another kind of event—a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.


Author(s):  
Matthew Clayton ◽  
Andres Moles

Is the political community morally permitted to use neurointerventions to improve the moral conduct of children? Putting aside difficult questions concerning the institutionalization of moral enhancement, the authors address this question, first, by arguing that is not, in itself, always morally impermissible for the community to impose neurointerventions on adults. Although certain ideals, such as the ideal of individual autonomy, limit the permissible employment of neurointerventions, they do not generate a moral constraint that always forbids their use. Thereafter, they argue that because young children lack certain moral capacities that adults possess, the moral limits that pertain to the use of neurointerventions to improve their moral behaviour are, in principle, less restrictive than they are for adults.


Author(s):  
Hem Borker

This ethnography provides a theoretically informed account of the educational journeys of students in girls’ madrasas in India. It focuses on the unfolding of young women’s lives as they journey from home to madrasa and beyond. Using a series of ethnographic portraits and bringing together the analytical concepts of community, piety, and aspiration, it highlights the fluidity of the essences of the ideal pious Muslim woman. It illustrates how the madrasa becomes a site where the ideals of Islamic womanhood are negotiated in everyday life. At one level, girls value and adopt practices taught in the madrasa as essential to the practice of piety (amal). At another level, there is a more tactical aspect to cultivating one’s identity as a madrasa-educated Muslim girl. The girls invoke the virtues of safety, modesty, and piety learnt in the madrasa to reconfigure conventional social expectations around marriage, education, and employment. This becomes more apparent in the choices exercised by the girls after leaving the madrasa, highlighted in this book through narratives of madrasa alumni pursuing higher education at a central university in Delhi. The focus on journeys of girls over a period of time, in different contexts, complicates the idealized and coherent notions of piety presented by anthropological literature on women’s participation in Islamic piety projects. Further, the educational stories of girls challenge the media and public representations of madrasas in India, which tend to caricature them as outmoded religious institutions with little relevance to the educational needs of modernizing India. Mapping madrasa students’ personal journeys of becoming educated while leading pious lives allows us to see how these young women are reconfiguring notions of Islamic womanhood.


Author(s):  
Edward Bellamy

‘No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity.’ Julian West, a feckless aristocrat living in fin-de-siècle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people’s everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy’s Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont’s lively edition explores the political and psychological peculiarities of this celebrated utopian fiction.


Author(s):  
Joseph Winters

This chapter engages humanism and its fundamental assumptions by working through critical theory, black feminism, and black studies. It contends that there is a tension at the heart of humanism—while the ideal human appears to be the most widespread and available category, it has been constructed over and against certain qualities, beings, and threats. To elaborate on this tension, this chapter revisits the work of authors like Karl Marx and Michel Foucault. Marx acknowledges that the human is a site of conflict and antagonism even as his thought betrays a lingering commitment to progress and humanism. Foucault goes further than Marx by underscoring the fabricated quality of man and the ways in which racism functions to draw lines between those who must live and those who must die. In response to Marx and Foucault’s tendency to privilege Europe, this chapter engages black feminism and Afro-pessimism—Sylvia Wynter, Hortense Spillers, and Frank Wilderson—who show how the figure of the human within humanism is defined in opposition to blackness.


1995 ◽  
Vol 16 (01) ◽  
pp. 1-16
Author(s):  
Mary Anne Perkins

A few months ago I read Peter Nicholson's The Political Philosophy of the British Idealists for the first time. In the index I found more than a hundred references to Hegel and only one to Samuel Taylor Coleridge. However, as many of the latter's writings, published for the first time in recent years, become generally accessible there is an increasing sense that he has been unfairly deprived of his due status as a philosopher. This is partly, no doubt, the syndrome of the prophet in his own country and partly the inevitable consequence of much of his later work remaining unpublished until recent years. Coleridge himself, with what some would take to be confirmation of an over-sensitivity to criticism, felt the neglect of his work went deeper and betrayed an anti-philosophical trait in British character. Despite his close reading of the work of many of his German contemporaries it seems that he did not read more than sixtyone pages of Hegel's Wissenschaft der Logik. His margin notes to this work are, on the whole, negative in their criticism. However, despite significant disagreements, there is much common ground in theme, argument and conclusion between his many drafts of the ‘Logosophia’, his intended magnum opus, and Hegel's system.


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