scholarly journals In between: Time and self evaporations during quarantine

2020 ◽  
Vol 3 (1) ◽  
pp. 82
Author(s):  
Elena Tragou

This pandemic forced upon us a change in our work and life habits. As all professionals in the mental health area, I started working from home, using digital platforms for online psychotherapy sessions. That helped me and my clients stay connected, strengthening our sense of synergy, alliance and care. As confidentiality and safety protocol issues remained intact, I was feeling more at ease with internet use, embracing the digital world and concentrating on my therapeutic work.  As that was happening, my therapeutic relational choices took an uncommon turn, bringing forth some interesting creative work between my clients and myself. I started feeling “in between”, as if my sense of self was evaporating in time and space, flirting around with a freshly emerged sense of intra- and inter-connections. This vignette outlines how this trancestic experience unfolded and how much intrapsychic travelling took place with zero tolerance to physical or social distance.

2017 ◽  
Author(s):  
◽  
Kodjo Atiso

[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation is a qualitative study of institutional repository (IR) adoption among research scientists (RS) in Ghana. In view of the importance of this platform, which is used to disseminate and promote scholarship in the digital age. This work aims at understanding the factors affecting its adoption, which could potentially create the baseline for developing a culturally appropriate IR for the Ghanaian research community. It has been argued that scientific research on the African continent is lagging behind other regions in the world, and in order to increase research visibility, more resources will have to be provided for research and dissemination. One such resource for disseminating scholarship is the IR. IRs are emerging digital platforms that showcase the research capability of universities and research organizations. IRs are increasing in visibility within academic circles around the globe, and they have potential to benefit Ghana. In the digital world, IRs are important for scholarship in order to ensure visibility of local content and to build a community of researchers. They also have potential to enable the research community to overcome access restrictions due to hikes in journal prices leading to inability of libraries to subscribe to them. In Ghana, acceptance and adoption of IR among RS is minimal, in spite of the potential benefits that come with such adoption. A critical review of the literature indicates that technology developers do not attend to users' attitudes and behavioral factors pertaining to different environments to the same extent that they invest in the technology. As a consequence, new technologies sometimes fail to meet users' expectations. Technology serves different purposes in diverse communities and the need to include the community user group at the outset of its development cannot be underestimated. This qualitative study aims at investigating the factors affecting IR adoption among research scientists in Ghana. Three qualitative methods were used, 1) document review, 2) observation, and 3) in-depth interviews with three groups of participants: the heads of institute research libraries (librarians), directors (administrators) of the institutes, and RS who constitute the main users of institute libraries. The multiple methods of data collection were supported by systematic data analysis, allowing themes to emerge which were consistent with how participants view IRs in the scholarship process. The themes that emerged from the data illuminated users' perceptions and behavioral patterns affecting IR adoption among the research community in Ghana. The research findings generated seven general themes that reflected participants' perception of IRs. The first four were common to all participant types and were thus classified as major themes: (education and sensitization, collaboration and visibility, uninterrupted electricity supply and incentives). The last three were classified as minor themes, as they were particular to the different participation groups (data security for research scientists, funding for administrators and technology for librarians). Based on the findings, this study lays out recommendations for developing a culturally appropriate IR for one of Ghana's foremost research organization, the Council for Scientific and Industrial Research (CSIR) researchers. Finally, this study recommends further investigation into IRs, which could lead to improved understanding of scholarly communication within the CSIR and also with possible extension to the entire research community in Ghana. In short, this study pieces together themes that lay out a possible roadmap for a culturally appropriate IR system, first for the CSIR scientific community and then for Ghana as a whole.


Author(s):  
Murat Seyfi

The concept of identity is changing and developing with digitalization. Macro and national identities, which are the basis of conflicts in the world, have started to decrease and lose their importance against micro-identities introduced by digitalization. This forms the basis of re-shaping the concept of power in the world. Digital identities play a key role in sustaining conflicts and peace in this new balance of power. With digitalization, individuals get numerous identities and have the opportunity to form a joint identity with other individuals and groups at a micro level. These new identities formed in micro level against macro identities are becoming an organic structure that has horizontal and vertical components in order to establish peace in the world by creating time, place and memories. This enables the concept of peace to have multiple intelligence in digital platforms. The aim of this study is to search the power and effect of micro-identities which are formed in virtual platforms and in the process of building social peace in the digital world.


Author(s):  
Zoe Adams ◽  
Henning Grosse Ruse-Khan

Abstract This article explores the challenges associated with creative work in the digital economy at both a conceptual and practical level, through the conjoined lenses of labour law and copyright law. We begin by developing a conception of the capitalist work relation and the distinct struggles intrinsic to it. This allows us to better understand the functions of creative work in contemporary ‘digital’ capitalism and the various regulatory challenges to which these different functions give rise. We then use this analysis to explore some of the conceptual and practical challenges that arise in both labour and copyright law when it comes to regulating creative work in an age of ‘digital platforms’, with a particular focus on the question of how to secure creators a fair remuneration, and potentially, a living, for their work. The concluding section discusses the potential and limits of new European Union rules on mandatory protections for authors and users to deal with these challenges.


2018 ◽  
Vol 29 (2) ◽  
pp. 159-173
Author(s):  
Mukta Kulkarni

The present study examines ritual-driven institutional maintenance, or the reproduction of social order, in a case where ritual attendance is not mandated, conformity to the recurring ritual enactment is not expected, and where the ritual assumes meaning only as it is performed in perfect coordination with an assumed rival. The study is based on the case of the Beating Retreat ritual conducted daily at the India–Pakistan border. Findings indicate that institutional maintenance rests on (a) distantiation, which serves to create physical and social distance between collectives as ritual participants gain a sense of self and the “other,” and (b) interpellation, which serves to reinforce institutional ideologies as ritual participants internalize and profess what is valued. I extend implications of present findings for social relations within work organizations.


2019 ◽  
Vol 35 (4) ◽  
pp. 797-811
Author(s):  
Silvia Dibeltulo ◽  
Sarah Culhane ◽  
Daniela Treveri Gennari

Abstract Is there a way to ensure older adults can bridge the digital divide and engage with online cultural heritage? How can cinema-going memories encourage cross-generational engagement? This article proposes to address these issues by using the Italian Cinema Audiences research project as a case study, and specifically cinema-going memories as intangible cultural heritage (Ercole et al., 2016, Cinema heritage in Europe: preserving and sharing culture by engaging with film exhibition and audiences. Editorial. Alphaville: Journal of Film and Screen Media, 11(Summer): 1–12. Web. ISSN: 2009-4078). It aims to tackle the difficulty of engaging the older generation with the digital world, by proposing and testing new ways to resolve it. Through a mixed-methods ethnographic approach, this article investigates different strategies: the use of social media platforms; a cross-generational activity involving Historypin, a digital, user-generated archive of crowdsourced historical material; an online dedicated archive built in collaboration with the older adults involved in the project. These different solutions aim not only at increasing digital engagement among older adults, but also at furthering younger generations’ involvement in shared cultural heritage in an online context. By focusing on the memories of cinema-going in 1950s Italy, the article explores the implications of the advantages and disadvantages of these different approaches. It also tests Anja K. Leist’s research findings (2013, Social media use of older adults: a mini-review. Gerontology, 59(4): 378–84) on the key role of moderators (the younger generation) to help novice users (the older generation) in the ‘continuous engagement’ in digital environments. We conclude that in order to bridge the digital divide two components are necessary simultaneously: the creation of digital platforms in which the older generations are both curators and users, and the support of and interaction with younger generations.


Author(s):  
Iva Josefsson

Creative workers, fuelled by the desire to be and be seen as creative, have come to epitomize some of the most intense identity struggles of any group of employees in modern times. This chapter begins by reviewing the significance of identity for creative work and by arguing for its heightened salience given its importance in both the processes and outcomes of creative work. Organizations play a role in inspiring and framing the creative identities that people construct. Echoing many broader discourses of creative work, organizations capitalize on these to delimit people’s aspired-to identities. While official discourses of autonomy and creativity offer the promise of self-making, they can also be understood as softer forms of control in organizations that aim to produce an ideal subject who is self-disciplining and invests him/herself in work. This chapter concludes by arguing that creative identities are often problematic as they can blur the lines between individual and organization, work and life, and further encourage (self-)exploitation of workers in potentially harmful ways that demand further research.


Information ◽  
2021 ◽  
Vol 12 (11) ◽  
pp. 450
Author(s):  
Yancy Vance Paredes ◽  
I-Han Hsiao

Providing feedback to students is one of the most effective ways to enhance their learning. With the advancement of technology, many tools have been developed to provide personalized feedback. However, these systems are only beneficial when interactions are done on digital platforms. As paper-based assessment is still a dominantly preferred evaluation method, particularly in large blended-instruction classes, the sole use of electronic educational systems presents a gap between how students learn the subject from the physical and digital world. This has motivated the design and the development of a new educational technology that facilitates the digitization, grading, and distribution of paper-based assessments to support blended-instruction classes. With the aid of this technology, different learning analytics can be readily captured. A retrospective analysis was conducted to understand the students’ behaviors in an Object-Oriented Programming and Data Structures class from a public university. Their behavioral differences and the associated learning impacts were analyzed by leveraging their digital footprints. Results showed that students made significant efforts in reviewing their examinations. Notably, the high-achieving and the improving students spent more time reviewing their mistakes and started doing so as soon as the assessment became available. Finally, when students were guided in the reviewing process, they were able to identify items where they had misconceptions.


Author(s):  
Lluís Codina ◽  
Alejandro Morales-Vargas

Digital publishing platforms are complex academic communication systems that must incorporate information architecture solutions to enable content access at various levels, including the whole publication and each individual article. In addition, to truly harness the advantages offered by the digital world, such platforms must also offer information discovery functions as well as access to information. The former can be implemented by using hypertextuality and, more specifically, links based on semantic similarity. We present herein a review of the various solutions provided in these regards by five important digital platforms. Resumen Las plataformas digitales editoriales son complejos sistemas de comunicación académica que deben incorporar soluciones de arquitecturas de la información para diversos niveles de acceso a los contenidos. Entre tales niveles destacan el de la publicación como un todo, y el de cada artículo individual. Además, para potenciar las genuinas propiedades del mundo digital, estas plataformas deben ofrecer funciones de descubrimiento de la información, y no solamente de acceso. Las primeras pueden implementarse gracias a la hipertextualidad y, más en concreto, gracias a enlaces basados en semejanza semántica. En este trabajo presentamos una revisión de las diferentes soluciones aportadas en estos elementos por cinco plataformas digitales de gran significación.


Author(s):  
Payam Hanafizadeh ◽  
Sepideh Shafia

As digital technologies advance, the digital world is integrated with the real one through various digital platforms. Digital transformation in organizations is essentially based on emerging technologies and social and digital platforms. The purpose of this study is to help organizations choose the appropriate platforms to interact with customers and participate in the digital world in accordance with the maturity they gain in using these digital technologies. The present research, by synthesizing empirical studies on the use of various social platforms in organizations, provides a conceptual map of the relationship between the platform type and the maturity stage of organizations. According to the findings of this study, general social networks are suitable platforms for organizations with the first-stage maturity characteristics. Various social networks and creativity works sharing sites were recognized as suitable for the second stage; and public blogs and educational materials sharing for the third stage. Microblogs, discussion forums, and business networking sites are also appropriate for organizations with the characteristics of stages four and five. Using the findings of this research, organizations will be able to identify a social platform appropriate to their stage of readiness and maturity and make the most out of its benefits.


1986 ◽  
Vol 20 (1) ◽  
pp. 56-62
Author(s):  
Kenneth Bragan

The work and life of D. H. Lawrence is examined as an example of Kohut's notion of the anticipatory function of art and as providing a rich source of material for examination of the respective importance in personality development of Oedipal conflict and the pre-Oedipal establishment of a sense of self. The importance of self-psychology as an expansion of psychoanalysis is noted and some of the ways Lawrence anticipated this development are described. It is also suggested that Lawrence provides convincing confirmation of a self-psychology view of creative drive, and a thesis is briefly expounded that in his major novels he was pursuing his own self-healing.


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