Hollywood y Viena. Funciones y connotaciones del atonalismo en el cine y la ópera.
2020 ◽
Vol 1
(18)
◽
pp. 85-98
In our investigation we make an approach to the uses of atonal music in the opera of the Vienese School and the cinema that became known in the second half of the 20th century. Likewise, we make a comparative study on the meanings in both media, that are constituted by the needs within this two kinds of drama that have certain similarities and differences.
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Keyword(s):
2012 ◽
Vol 524-527
◽
pp. 3308-3312
2021 ◽
Vol 4
(4)
◽
pp. 60-93
2017 ◽
Vol 12
(4)
◽
pp. 452-460
2020 ◽
pp. 207-230