Introduction

2021 ◽  
pp. 1-29
Author(s):  
Thomas Albert Howard

This chapter begins with discussion of the three organizations drawn from numerous comparable ones established in the late twentieth and early twenty-first centuries: the interfaith center of New York, the Interreligious Council of Bosnia and Herzegovina, and the King Abdullah bin Abdulaziz International Centre for Interreligious and Intercultural Dialogue (KAICIID). The chapter seeks to understand where interreligious dialogue came from and where is it headed. It also evaluates its broader historical, social, and ethical significance. The chapter hazards answers to these questions through an inquiry into several major turning points in the history of interreligious dialogue, for even as many today extol, practice, theorize, and/or theologize about interreligious dialogue, few have attended carefully to its genesis and past. The chapter takes the premodern world as a starting point, where it examines several harbingers of interreligious dialogue. Canvassing the premodern world for harbingers helps us to see that while contemporary interfaith dialogue is in some respects a novelty, it is nonetheless not altogether discontinuous with the past. Ultimately, the chapter recognizes the distinction between interfaith dialogue and interfaith social action.

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.


Author(s):  
Alfred L. Brophy

This chapter discusses the role of historical analysis in property law. The history of property has been used to offer support for property rights. Their long history makes the distribution of property look normal, indeed natural and something that cannot or should not be challenged. However, historically in the U.S there have been competing visions of property. From the Progressive era onward especially, the history of property has been used to show the unequal distribution of property and to offer an alternative vision that expands the rights of non-owners of property. In the late twentieth and early twenty-first century, the history of opposition to feudalism and protection of the rights of non-owners was used to protect the rights of non-owners. Thus, the history of property has been a tool of judges and legislators to support property rights and it has also been, less frequently, a tool of critique.


Author(s):  
Thomas Albert Howard

In recent decades, organizations committed to interreligious or interfaith dialogue have proliferated, both in the Western and non-Western worlds. Why, how so, and what exactly is interreligious dialogue? These are the touchstone questions of this book, the first major history of interreligious dialogue in the modern age. The book narrates and analyzes several key turning points in the history of interfaith dialogue before examining, in the conclusion, the contemporary landscape. While many have theorized about and/or practiced interreligious dialogue, few have attended carefully to its past, connecting its emergence and spread with broader developments in modern history. Interreligious dialogue — grasped in light of careful, critical attention to its past — holds promise for helping people of diverse faith backgrounds to foster cooperation and knowledge of one another while contributing insight into contemporary, global religious pluralism.


This book is the first collection of scholarly essays on alternate history in over a decade and features contributions from a mixture of major figures and rising stars in the field of science fiction studies. Alternate history is a genre of fiction which, although connected to the genres of utopian, dystopian and science fiction, has its own rich history and lineage. With roots in the writings of ancient Rome, alternate history matured into something close to its current form in the essays and novels of the nineteenth century. In more recent years a number of highly acclaimed novels have been published as alternate histories, by authors ranging from science fiction bestsellers to Pulitzer Prize-winning literary icons. The success and popularity of the genre is reflected in its success on television with original concepts being developed alongside adaptations of iconic texts. This important collection of essays seeks to redress an imbalance between the importance and quality of alternate history texts and the available scholarship and critical readings of texts, providing chapters by both leading scholars in the field and rising stars. The chapters in this book acknowledge the long and distinctive history of the genre whilst also revelling in its vitality, adaptability, and contemporary relevance, with many of the chapters discussing late-twentieth and early-twenty-first century contemporary fiction texts which have received little or no sustained critical analysis elsewhere in print.


2020 ◽  

This collective monograph is a comprehensive study of the causes, evolution and outcomes of complex processes in the contemporary history of the countries of Central and South-Eastern Europe, and aims in particular to identify common and special characteristics in their socio-economic and political development. The authors base their work on documentary evidence; both published and unpublished archival materials reveal the specifics of the development of the political landscapes in these countries. They highlight models combining both European and nationally oriented (and even nationalist) components of the political spheres of particular countries; identify markers which allow the stage of completion (or incompletion) of the establishment of a new political system to be estimated; and present analyses of the processes of internal political struggle, which has often taken on ruthless forms. The analysis of regional and country-specific documentary materials illustrates that the gap in the development of the region with “old Europe” in general has not yet been overcome: in the post-Socialist period, the situation of the region being “ownerless” and “abandoned”, characteristic of the period between the two world wars, is reoccurring. The authors conclude that during the period from the late twentieth to the early twenty-first centuries, the region was quite clearly divided into two parts: Central (the Visegrad Four) and South-Eastern (the Balkans) Europe. The authors explore the prevailing trends in the political development of Hungary and Poland related to the leadership of nationally and religiously oriented parties; in the Czech Republic and Slovakia the pendulum-like change in power of the left and right-wing parties; and in Bulgaria and Romania the domestic political processes permanently in crisis. The authors pay special attention to the contradictory nature of the political evolution of the states that emerged in the space of the former Yugoslavia. For the first time, Greece and Turkey are included in the context of a regional-wide study. The contributors present optimal or resembling transformational models, which can serve as a prototype for shaping the political landscape of other countries in the world. The monograph substantiates the urgency of the new approach needed to study the history and current state of the region and its countries, taking into account the challenges of the time, which require strengthening national and state identity. The research also offered prognostic characteristics of transformational changes in the region, the Visegrad Four, and the Balkans.


2002 ◽  
Vol 96 (4) ◽  
pp. 875-876
Author(s):  
Erik Jones

The “borderless world” is an early twenty-first century cliche, particularly in Europe. Overlapping processes of globalization and regional integration have done much over the past decades to alter the political and economic nature of geographic boundaries. As a result, the tendency is to anticipate a fundamental deterritorialization of politics and economics. However tempting, it would nevertheless be hazardous to rush to judgment. Through a series of overlapping case studies—essays, really—Malcolm Anderson and Eberhard Bort demonstrate that frontiers remain important both within the European Union (EU) and without. Politics and economics continue to be rooted in geography despite the transformations of the late twentieth century. This is true not only in practical terms but also in relation to individual and group identities. As the authors suggest, “there remains in Europe a highly developed sense of territoriality” (p. 11).


Tempo ◽  
2019 ◽  
Vol 73 (289) ◽  
pp. 30-41 ◽  
Author(s):  
Hunter Coblentz

AbstractThis article serves as an introduction to the twentieth- and twenty-first-century musical practices that have made use of glass instruments and objects. Emphasis is placed on those practices that use glass in a raw, acoustic manner, and those that take advantage of the precision with which glass can be tuned. First, a general history of glass music is presented, followed by an overview of the physical and acoustic aspects pertaining to the material that are relevant to those composers wishing to integrate glass into their works. Finally, the composers, performers and instrument builders who have made significant use of glass in the late twentieth and early twenty-first centuries are surveyed.


2018 ◽  
pp. 221-236
Author(s):  
Francesco Antonelli ◽  
Elisabetta Ruspini

This chapter details women's contribution to interfaith dialogue in the Mediterranean. This area is often referred to a uniform region and usually depicted as highly problematic, since conflicts and migration flows pose considerable risks to the security of the entire region. Moreover, the Mediterranean is not only an area of crisis and conflict, but also a space for opportunities and dialogue. Interreligious dialogue is a powerful tool for achieving peace and stability. Today, institutions for intercultural dialogue and cooperation, religious representatives, and interfaith organizations are working together to build mutual understanding in the region. This chapter shows that the interreligious dialogue has been changing its nature through a twofold enlargement centred on the gender dimension: vertical, by women belonging to intellectual elites; and horizontal, through a growing involvement of civil society.


Author(s):  
Christopher Sellers

The changing ways in which human surroundings interact with human bodies have yielded some of the field's most innovative scholarship. These developments reflect trends in health and medicine from the late twentieth into the early twenty-first centuries. This article concentrates on a few representative areas where this intermeshing of socio-cultural with Hippocratic history has proven especially fruitful. It begins with the changing consideration of industrial health history. It discusses that fuller range of social and political contexts and contingencies have shaped the recognition and control of the industrial hazards and have brought new depth and realism to our understanding of the health history of industrial workplaces. The assertions and conclusions about worker influence on the outcome of struggles over occupational health have helped generate greater interest in just how workers themselves perceived and experienced these ailments.


1989 ◽  
Vol 6 (1) ◽  
pp. 162-163
Author(s):  
Mumtaz Ahmad

The cause of interfaith dialogue, understanding and what is sometimesdescribed as "the wider ecumenismn has gained considerable momentum inrecent years. While interfaith conflicts and sectarian tensions continue to hitthe headlines, efforts to build bridges and arrive at some degree of mutualunderstanding are also underway. Recent years have witnessed the emergenceof many groups, agencies and organizations around the globe that are workingin the field of interreligious dialogue and understanding. These groupingshave held numerous interfaith seminars, cqnferences and workshops and havecontributed significantly in opening up new channels of communication andwider avenues of concord among the hitherto contending religious communityleaders. One such organization is The Council for the World's Religions (CWR).a New York based organization which aims to bring believers of all faithsinto mutual friendship and collaboration in the service of God and humanity.The Interfaith Directory sponsored by the CWR is one important step towarddisseminating information about other organizations and agencies workingfor interreligious harmony and concord.The Directory lists names, addresses and activities of about seven hundredinterfaith organizations throughout the world. These organizations have beenlisted in five different categories: 1) organizations with multifaith membership;2) organizations relating to two or three religions; 3) organizations basedon one religion. but with outreach to other religions; 4) universalist movementsfor spiritual unity; and 5) academic institutions which are also centers ofinterfaith dialogue and encounter. Some organizations receive multiple entriesbecause of the varied nature of their activities and programs. The Directoryalso includes two very useful indeces, one alphabetical and the othergeographical. As has been noted by the editor, these organizations may varyconsiderably in size, resources and effectiveness but all of them share thecommon goal of interreligious harmony. Francis Clark has contributed a verythoughtful introduction to the volume in which he discusses present trendsin the world-wide interfaith movement. He rightly points out that the interfaithmovement "is a deeper religious expression of the new sense of oneness ofthe human family and the new awareness of our coounon responsibilities,dangers and destiny in our one shared habitat." However, he is not oblivious ...


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