scholarly journals CODE-MIXING TO ENGLISH LANGUAGE AS A MEANS OF COMMUNICATION IN JORDANIAN ARABIC

Dialectologia ◽  
2021 ◽  
Keyword(s):  
English Language ◽  
Jordanian Arabic ◽  
Code Mixing

Borrowing As A Tool To Fill The Ideological Thoughts: The Role Of Code-Mixing In An American Brat By Bapsi Sidhwa And The Escape By Qaisra Shiraz

2020 ◽  
Vol 3 (II) ◽  
Keyword(s):  
Short Story ◽  
English Language ◽  
English Literature ◽  
Native People ◽  
British Imperialism ◽  
Native Languages ◽  
Post Colonial ◽  
Bapsi Sidhwa ◽  
Code Mixing ◽  
Language And Literature

This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason of these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.

Borrowing As A Tool To Fill The Ideological Thoughts: The Role Of Code-Mixing In An American Brat By Bapsi Sidhwa And The Escape By Qaisra Shiraz

2019 ◽  
Keyword(s):  
Short Story ◽  
English Language ◽  
English Literature ◽  
Native People ◽  
British Imperialism ◽  
Native Languages ◽  
Post Colonial ◽  
Bapsi Sidhwa ◽  
Code Mixing ◽  
Language And Literature

This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason for these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.

Code-Switching and Code Mixing in the Selected Tracks of the Hip Hop Music of Flavour and 9ice

2021 ◽  
Vol 2 (3) ◽  
pp. 55-70
Author(s):  
Balogun Sarah ◽  
Murana Muniru Oladayo
Keyword(s):  
Hip Hop ◽  
English Language ◽  
Mother Tongue ◽  
First Language ◽  
Music Industry ◽  
Positive Influence ◽  
Code Switching ◽  
National Language ◽  
Code Mixing ◽  
Unique Identity

This article attempts a comparative analysis of code-switching and code-mixing in the Nigerian music industry, using the lyrics of Flavour and 9ice as a case study. Although the English language is the national language in Nigeria and the language used by most of the musicians for the composition of their songs, and due to the linguistic plurality of Nigeria, most of these musicians tend to lace their songs chunks of words and phrases from their mother tongue or at least one of the three major languages in Nigeria, which are Hausa, Igbo, and Yoruba. The Markedness Model by Myers-Scotton (1993) is used as the framework to interrogate the switching and mixing in the codes used by these selected musicians and we find that while most code-switching is done in three languages – English, Nigerian Pidgin and the artist’ first language (mother tongue)  – their mother tongue plays the prominent role. Code-switching or code-mixing in these songs, therefore, becomes a depiction of the Nigerian state with its diverse languages and it provides the links between the literates and the illiterates thereby giving the artiste the popularity desired. The study concludes that the unique identity created by code-switching and code-mixing in the Nigerian music industry has a positive influence on music lovers, helping artists to achieve wide patronage and reflecting the ethnolinguistic diversity of the Nigerian nation.

scholarly journals PENGIKISAN BAHASA DALAM MASYARAKAT JAWA Catatan tentang Proses Kepunahan Bahasa Jawa

2017 ◽  
Vol 10 (2) ◽  
Author(s):  
Hendarto Suparta
Keyword(s):  
Foreign Language ◽  
English Language ◽  
Mother Tongue ◽  
National Language ◽  
High Status ◽  
Young Generation ◽  
Language Death ◽  
Global Era ◽  
Code Mixing ◽  
The Status

Will Javanese language die in ten to fifteen years to go? The answer tends to be “no”. How about in coming two or three generations? The answer will be “possibly yes”. The fact, since the day of the independence declaration of the Republik of Indonesia, Javanese language has been undergoing a process what may be called language obsolescent or language replacement, or language demise or language death, in a certain degree. There are at least two reasons to support the prediction on that undesired destiny of the Javanese language in next generation periods. First, in this global era caused by the speed development of science and technology especially in transportation and communication, half of the total languages in the world, around 6000 languages, were dead in the past three centuries and ten languages will die every year. Some local languages have been replaced by, not many but powerful and dominant international languages, like English, and by national language like Indonesian in Indonesia. In Semarang and possibly other cities in Java not including Surakarta and Yogyakarta, Javanese people rarely speak krama, in a situation where it should be, while at least in rural area where ngoko was used, now in certain domains are replaced by Indonesian language significantly, where the speakers are young generation. Javanese language, said many people, has been a foreign language taught in elementary school to senior high school. Today, however, in informal situation among those who are familiar one with another, especially between people from lower status, lower Javanese or ngoko is still used in many places, and full Javanese (ngoko and krama) is still used in areas such as Demak, Purwodadi, Salatiga, and Pekalongan. This phenomena will unlikely change in 5 to 10 years to go. But no one, I think, will dare to guarantee if people use one to two generations as criterion. Now people with different backgrounds have been without hesitant to choose Indonesian as their children’s mother tongue since 30 to 35 years ago, with many different reasons. Two among other reasons are, first, for their children’s success in school, and second, parents don’t want their children speak with them using ngoko, so it seems no choice but Indonesian. How about with krama? It is not a secret any more that some parents in Semarang city tend not having communicative competence to speak krama. Entering global era in this reformation period, English language has been used everywhere in this country although actually people still use Indonesian, so what I mean is that that is a case of code-mixing. What is important to note here is that people’s attitude toward that foreign language can be considered to endanger the status of Indonesian because of the high status of that foreign language in the situation only few people speak standard Indonesian, an Indonesian prestigious variety. It is clear without saying with the fate of Javanese language if no people are aware with the situation. This article proposes some suggestions to anticipate the situation described above beside the fact that Javanese people are still proud with their culture.

scholarly journals CAMPUR KODE BAHASA INGGRIS DALAM TUTURAN BERBAHASA INDONESIA PADA PROGRAM PW BANGET RADIO ELRIA BUANA JAMBI

2020 ◽  
Vol 4 (1) ◽  
pp. 9
Author(s):  
Ade Rahima ◽  
Repha Krisdianti
Keyword(s):  
Content Analysis ◽  
English Language ◽  
Language Ability ◽  
Dominant Factor ◽  
Code Mixing ◽  
Analysis Technique ◽  
English Language Ability ◽  
Qualitative Descriptive

This research is aimed at describing two things, 1) the forms of English code-mixing in the Indonesian utterance on the program PW Banget by Radio announcer Elria Buana Jambi, 2) the factors of code-mixing of English into Indonesian language by Radio announcer Elria Buana Jambi. This research is qualitative descriptive with content analysis technique. The data of this research was acquired from the broadcast record of Radio Elria Buana Jambi and interview with announcer of Radio Elria Buana Jambi. The result of this research are. 1) the forms of code-mixing in the form of word, phrase, and clause are as follows: there are 38 quotations in the form of word pieces; there are 15 quotations in the form phrase pieces;  there are 2 quotations in the form of clause pieces; and the most dominant of code-mixing code occured is word pieces. 2) The dominant factor which causes the code-mixing by announcer of Radio Elria Buana Jambi is  the identification of role which covers social and registral which is derived from three causes: a) the choice of language is adjusted with the condition of broadcasting program;  b) the lack of English language ability of the announcer; c)  the use of uncommon English language by the youth (unconventional).

scholarly journals CODE MIXING USED BY STUDENTS OF FRENCH STUDY PROGRAM STATE UNIVERSITY OF MEDAN

2019 ◽  
Vol 3 (1) ◽  
pp. 41-48
Author(s):  
Windi Sahputra Barus ◽  
Mhd. Pujiono ◽  
Hesti Fibriasari
Keyword(s):  
English Language ◽  
Communication Process ◽  
State University ◽  
Study Program ◽  
Conversational Discourse ◽  
Code Mixing ◽  
Data Collection Strategy ◽  
French Study ◽  
Verb Phrases ◽  
Entire Society

The communication process involving a code mixing is an alternative to avoid misunderstandings in a bilingual community, a community having the phenomenon of speaking and understanding two or more languages, referring either to individuals or the entire society. This study aims to analyze the forms of code mixing using qualitative method. The data were obtained from recording of conversational discourse. The data collection strategy used the referral method, supported by basic techniques, namely tapping and advanced techniques, the skillful in-flight listening technique (SBLC). The results show that there are code mixing with the insertion of morphological elements in forms of nouns, numerals, verbs (infinitive and conjugation), adverbs (question and time), and adjectives;   the insertion of phrase in terms of noun phrases (objects and numerals), verb phrases, and adverb phrases); the insertion of clause in the forms of noun clauses, numeral clauses, verb clauses, and adverb clauses; and the insertion of idiomatic forms.  Code mixing of students of French language is also found in English language.

scholarly journals Mixing and switching of speech codes of Ukrainian emigration (on the example of memoirs and epistolary works by Ulas Samchuk)

2018 ◽  
Vol 24 (2) ◽  
pp. 254-276
Author(s):  
Mariia Panhelova
Keyword(s):  
Foreign Language ◽  
English Language ◽  
Code Switching ◽  
Linguistic Competence ◽  
Language Play ◽  
Linguistic Performance ◽  
Speech Codes ◽  
Code Mixing ◽  
Cultural Specificity ◽  
Single Text

The problem of switching and mixing codes is extremely relevant in foreign and domestic linguistic science over the past decades. In this case, if code-switching is understood by all researchers more or less equally (switching from one language to another within a single text – dialog or monologue), then by mixing the code (code-mixing), the case looks much more complicated. The term «mixing of codes» is understood by different researchers in fundamentally different ways: from the introduction into one language of the elements of another language in almost unlimited quantities and in the unadapted (phonetically and grammatically) form before switching codes within the same sentence, that is, the kind of switching codes (the second approach thus postulates the process of speaking in two languages and removes the fundamental difference between switching codes and mixing codes). The study of the mixing of speech codes is an interesting and promising branch of research on the theory of language contacts. Among the fundamental works on this subject should be the study of P. Muysken (Muysken, 2000), where he provides a detailed typology of situations of mixing language codes. In linguistic research, there is a widespread practice of using «mixing codes» and «switching codes» as interchangeable, as well as a series of studies where the term «mixing codes» is used to describe and switch codes and massive borrowings. While the term «switching codes» emphasizes the transition of bilingual from one grammatical system to another, the term «mixing codes» implies the presence of hybrid forms associated with both grammars. In other words, mixing codes emphasizes the formal aspects of linguistic structures or linguistic competence, while code switching emphasizes linguistic performance. The psycho-linguistic direction concerning the study of the switching of speech codes among the bilingual environment explains which aspects of the linguistic competence of bilinguals allow them to modify the codes. Often, the choice of a foreign language involves a waiver of the synonymous form in the language of the successor of the language, thus opposed to an alternative way of expressing communicative intentions in a foreign language. The purpose of our scientific studio is to present function the mixing and switching codes on the materials of the memoirs («Planet DP») and the epistolary works of Ukrainian writers-emigrants in Canada, in particular, by Ulas O. Samchuk with his colleagues, publishers, etc. The main methods of research used were: the method of comparative analysis, which allows to detect English-language infusions as units of English, which determine the national-cultural specificity of the English language; the method of component analysis, which allowed to reveal the semantic interrelations of British realities; descriptive method and method of content analysis. In the course of the study, we came to the conclusion that the addressee and addressees, real masters of the artistic word, almost do not allow the English language to be spoken in Ukrainian, or such spraying is deliberately used and is a means of language play.

scholarly journals A Linguistic Landscape Study of Advertising Signage on Skytrain

MANUSYA ◽  
2016 ◽  
Vol 19 (3) ◽  
pp. 53-71
Author(s):  
Kritnucha Sutthinaraphan
Keyword(s):  
Quantitative Data ◽  
English Language ◽  
Linguistic Landscape ◽  
Technological Advancement ◽  
Rapid Transit ◽  
Transit System ◽  
Symbolic Function ◽  
Thai Language ◽  
Code Mixing ◽  
Key Players

The aim of this study is to examine to what extent and in what ways Thai and other languages, especially English, are used in the rapid transit system in Thailand and to describe the bilingual strategies used. The data were collected through photographs of advertising signage in the BTS2 Skytrain system and open-ended interviews. Three stations, Mochit, Payathai and Siam, were selected to be analyzed. The results revealed that the majority of the signs (65%) are in bilingual Thai and English by script. On the whole, the Thai language is used for informational purpose, while English is used for symbolic function to express senses of luxury, technological advancement and internationalism. It is found that there are many types of code-mixing, the combination of English and Thai script, lexicon, syntax and phonology. To supplement the quantitative data, key players (i.e., advertising employees) were interviewed, who stated that the reasons for inclusion of English language in advertising are stylishness and flamboyance.

scholarly journals Snapshot or Signpost? The Role of English in Tadhg Ó Neachtain’s Early Eighteenth-Century Manuscripts

2010 ◽  
Vol 5 ◽  
pp. 29-46
Author(s):  
Liam Mac Mathúna ◽  
Keyword(s):  
Eighteenth Century ◽  
English Language ◽  
Language Change ◽  
Code Mixing ◽  
Early Eighteenth Century ◽  
Relationship Of ◽  
The Relationship ◽  
The City

Seán Ó Neachtain (c. 1640–1729) and his son Tadhg (c. 1671–c. 1752) were at the centre of an extensive circle of Gaelic scholars in the city of Dublin in the early part of the eighteenth century. Seán Ó Neachtain composed a broad range of creative literature. Although primarily written in Irish, his works include examples of Irish/English code-mixing as well as pieces composed entirely in English. His son, Tadhg Ó Neachtain, is credited with having written over 25 surviving manuscripts. He makes considerable use of English sources and of English itself in a number of these manuscripts, which are either pedagogical in nature, devoted to geography and history, or are characterised by frequent commonplace entries referring to contemporary events. This paper examines the interaction of the two languages in these manuscripts, exploring (1) the use of English language sources (textbooks and Dublin newspapers), (2) the content of the English portions of the manuscripts in question, and (3) the relationship of the English material to the Irish in the immediate compositional context. The paper seeks to assess whether the permeating bilingualism of these manuscripts is merely indicative of the contemporary socio-linguistic milieu in which the Ó Neachtains functioned, or can be regarded as harbinger of the subsequent community language change from Irish to English.

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