scholarly journals A Review of P. LOZOVYUK, A. PRIGARIN, A.O., ETNOLOGIYA ODESSY V ISTORICHESKOY I SOVREMENNOY PERSPEKTIVAKH [THE ETHNOLOGY OF ODESSA FROM HISTORICAL AND CONTEMPORARY PERSРECTIVES]. Odessa: Irbis, 2017, 387 pp.

2020 ◽  
Vol 16 (47) ◽  
pp. 229-240
Author(s):  
Julia Buchatskaja ◽  
◽  
Denis Ermolin ◽  
Keyword(s):  
Everyday Life ◽  
Urban Life ◽  
Urban Spaces ◽  
Virtual Image ◽  
Festive Culture ◽  
The Press ◽  
The Everyday ◽  
Cultural Reality ◽  
The City ◽  
Tools And Methods

The reviewed monograph is devoted to the ethnology of Odessa in the broadest sense — from the stages of the formation of individual districts of the city and the image of Odessa in fiction, the press and memoirs, to various aspects of contemporary urban life, such as the functioning of markets, festive culture, the virtual image of the city, or the everyday life of sailors’ wives. The authors of the monograph primarily aim to examine the formation and stages of the evolution of Odessa as a multifaceted city with emphasis on certain subjects of urban everyday life. In the opinion of the reviewers, however, there is practically no analysis of urban spaces in the monograph, in spite of the “successful urbanistic model” of Odessa proposed by the authors. It is also important to emphasize that — with the existing insider knowledge and experience of living in Odessa — the authors of the monograph under review did not fully problematize the described social and cultural reality and the range of modern problems that the city and its inhabitants face with varying degrees of intensity. They thus remain within the comfortable captivity of the so-called “Odessa” myth and, to some extent, end up reproducing rather than deconstructing it through the theoretical tools and methods at their disposal.

Some Reflections on Making Popular Culture in Urban Africa

2008 ◽  
Vol 51 (3) ◽  
pp. 75-89 ◽  
Author(s):  
AbdouMaliq Simone
Keyword(s):  
Popular Culture ◽  
Everyday Life ◽  
Urban Residents ◽  
The Everyday ◽  
Urban Africa ◽  
The City ◽  
Ways Of Being

Abstract:In contemporary urban Africa, the turbulence of the city requires incessant innovation that is capable of generating new ways of being. Rather than treating popular culture as some distinctive sector, this article attempts to investigate the popular as methods of bringing together activities and actors that on the surface would not seem compatible, and as experimental forms of generating value in the everyday life of urban residents. This investigation, sited largely in Douala, Cameroon, looks at how youth from varying neighborhoods attempt to get by, and at the unexpected forms of contestation that can ensue.

Precarious city: home-making and eviction in Buenos Aires, Argentina

2017 ◽  
Vol 25 (3) ◽  
pp. 411-424 ◽  
Author(s):  
Solange Muñoz
Keyword(s):  
Everyday Life ◽  
Buenos Aires ◽  
City Center ◽  
Place Making ◽  
Domestic Spaces ◽  
The Everyday ◽  
Temporal And Spatial ◽  
The City ◽  
Traditional Roles

This article expands on current conceptualizations and applications of precarity by exploring the everyday socio-spatial complexities of migrant squatters living in informal hotels in the center of Buenos Aires, Argentina. Through ethnographic methods, this research investigates squatters’ practices of negotiating access to shared domestic spaces and resources, while experiencing long-term waiting for eviction from their home and potentially from the city center. Employing a cultural geographies approach, this work is concerned with understanding the ways in which precarity is routinely experienced in the micro-spaces of everyday life. Precarity is examined in its temporal and spatial manifestations, with particular emphasis on gendered experiences and home-making practices. Moving through daily spaces and routine situations, I document how precarity is embedded in the mundane tasks of the domestic, and as a result, unevenly impacts women whose traditional roles as mothers and caretakers mean that they are often at the fore of place-making practices and responsibilities.

scholarly journals Transformasi Makna dan Fungsi Ruang di RPTRA Kalijodo dalam Pergulatan Citra Kota Jakarta

2018 ◽  
Vol 16 (2) ◽  
pp. 13-27
Author(s):  
Eka Permanasari ◽  
◽  
Thomas Lientino ◽  
Keyword(s):  
Everyday Life ◽  
Human Trafficking ◽  
Community Center ◽  
Highway Bridge ◽  
City Image ◽  
Top Down ◽  
Green Belt ◽  
The Everyday ◽  
The Relationship ◽  
The City

Kalijodo has a long history in terms of gambling, prostitution, human trafficking and other illicit activities. Although it is a green belt area, the location had always being filled with semipermanent buildings. The area was changed its meaning in 2016 when the late Governor of Ahok with the help of the police and army, eradicated these housing and transformed this place as the community center (RPTRA-Ruang Publik Terpadu Ramah Anak). Together with Yori Antar, Basuki changed Kalijodo into a new center for Jakarta with its mural and skatepark. Former illicit users have been pushed out from the site. Some built a temporary shelter under the highway bridge while others went to their villages. After the fall of Basuki due to the blasphemy crime, the image of RPTRA Kalijodo was contested. Within a day, the area was filled with illegal parking and prostitution returned in different forms taking place under the highway bridge. Layers of meaning and use of Kalijodo transforms rapidly and in results changes the image of the city. Through observation, interviews and archival research, this paper analyses the contestation of the city image by investigating the relationship between the top-down approach and the everyday life uses of space.

The originality of the “estate topos” in the A.N. Tolstoy’s novel “Peter the First”

2020 ◽  
pp. 262-272
Author(s):  
Anna S. Akimova ◽  
Keyword(s):  
Everyday Life ◽  
The Novel ◽  
Childhood Memories ◽  
Research History ◽  
The Everyday ◽  
Peasant Household ◽  
History Of ◽  
Ancient Times ◽  
Poor Peasant ◽  
The City

Moscow is the city which united the characters of A.N. Tolstoy’s novel “Peter the First”. Kitay-Gorod is the space where the action of the first book is mainly set. In the novel Tolstoy showed in great detail the everyday life of the city and its inhabi- tants. According to the I.E. Zabelin’s research (“History of the city of Moscow”) in late 17 — early 18 th centuries Moscow was like a big village that is why Tolstoy relied on his childhood memories about the life in the small village Sosnovka (Samara Region) describing the streets of Moscow. The novel begins with the description of a poor peasant household of Brovkin near Moscow, then Volkov’s noble estate is depicted and Menshikov’s house. The space of the city is expanding with each new “address”. Moscow estates, and in particular, connected with the figure of “guardian, lover of the Princess-ruler” V.V. Golitsyn, in Tolstoy’s novel are inextricably linked with the character’s living and with the life of the country. The description of the palace built by Golitsyn at the peak of his career is based on the Sergei Solovyov’s “History of Russia in ancient times”. Golitsyn left it and went to his estate outside Moscow Medvedkovo and from there in exile.

Spatial Agency, Territory, and the Right to the City

2021 ◽  
pp. 257-286
Author(s):  
Quill R Kukla
Keyword(s):  
Public Spaces ◽  
Urban Life ◽  
Urban Spaces ◽  
Right To The City ◽  
Henri Lefebvre ◽  
Complex Relationships ◽  
The Right ◽  
The City

This chapter argues that inclusion in a city or neighborhood requires more than the right to physically reside in it; it requires what Henri LeFebvre, Don Mitchell, and others have called the “right to the city.” The right to the city is not just a formal right to be inside a city without being thrown out; it should be conceived, according to this chapter, as a right to inhabit the city. This requires that we have voice and authority within a city; that we be able to participate in tinkering with it and remaking it; and that we belong in it rather than just perching in it. The chapter explores the complex relationships between public spaces, inclusive spaces, and the right to the city. It examines what sorts of spaces city dwellers need in order to have a flourishing urban life and exercise their spatial agency. It explores some of the barriers that different kinds of bodies face to being included in urban spaces and speculates about what it would take to build a more just and inclusive city.

Debord, Guy (1931–1994)

2018 ◽  
Author(s):  
Ryan Robert Mitchell
Keyword(s):  
Everyday Life ◽  
City Planning ◽  
Urban Spaces ◽  
Art Practice ◽  
Situationist International ◽  
Art And Politics ◽  
Avant Garde ◽  
Political Theorist ◽  
Advanced Capitalism ◽  
The City

Guy Ernest Debord (1931–1994) was a French radical political theorist, writer, activist and filmmaker. After his early involvement with French avant-garde art movements in the 1950s, Debord founded a revolutionary organization, the Situationist International (SI), in 1957. Inspired by earlier avant-garde movements like Dada and surrealism, Debord sought to create an explicitly political and critical art practice that could be employed to transform everyday life. The SI attracted sound poets, architects, writers, activists, graphic artists and painters. The movement sought to merge everyday life, art and politics through such practices as radical city planning, the beautification of the city through graffiti, and rambling psycho-geographic drifts through urban spaces, seeking to uncover the desire and beauty that had been hidden by advanced capitalism.

The manipulations of time: On the temporal embeddedness of urban insecurity

Urban Studies ◽  
2017 ◽  
Vol 56 (4) ◽  
pp. 836-851 ◽  
Author(s):  
Daniel E Agbiboa
Keyword(s):  
Everyday Life ◽  
Linear Time ◽  
Urban Life ◽  
Future Time ◽  
Popular Imagination ◽  
Flow Of Time ◽  
Popular Arts ◽  
Sub Saharan ◽  
The City ◽  
Structure Of Everyday Life

Turning the table on Henri Lefebvre’s argument that the structure of everyday life is closely associated with the non-accumulative routing of cyclical or immanent time whereas it lags behind the forward-moving linear or transcendent time, I argue that cyclical and linear time are in fact intertwined in lived reality and popular imagination. This suggests that the ebb and flow of time cannot be grasped in rigidly binary terms such as the opposition of cyclical and linear time. Interrogating popular arts like the entextualised slogans painted on the mobile bodies of commercial minibus-taxis ( danfos) and tricycles ( keke napeps) in Nigeria’s – and in fact, sub-Saharan Africa’s – most populous city, I argue that the interaction of these seemingly conflicting representations of time affects and ultimately shapes the grounds of our meaning(lessness), (in)security and being-in-the-city. At these interfaces and interstices of conflicting notions of time, and in the interchange between familiar and unfamiliar termini, a powerful sense of unknown (or future) time can emerge, which in turn reinforces the need for a more experimental re-positioning and re-orientation in everyday urban life.

scholarly journals The sustainable urban design on the example of Oświęcim

2018 ◽  
Vol 49 ◽  
pp. 00080
Author(s):  
Krystyna Paprzyca
Keyword(s):  
Quality Of Life ◽  
Urban Environment ◽  
Urban Design ◽  
Urban Life ◽  
Urban Spaces ◽  
Environmental Aspects ◽  
Spatial Management ◽  
The Many ◽  
The City

The quality of the urban environment determines a lasting relationship between a man and his place of residence. Sustainable management of the urban spaces is crucial as it directly affects their quality. The article analyses the results of the sustainability regarding spatial, socio-economic, technical and environmental aspects, which are one of the many conditions that contribute to the proper functioning of urban life. They also influence the quality of life and residence in the urban environment. There are different ways of expressing the development of the cities defined by specific indicators. They focus mainly on development of the quality of life - social, economic and environmental development. The sustainable urban design is related to issues connected with the form and spatial management. This topic is presented on the example of the city of Oświęcim - the Old Town district with the surrounding area.

The urban incubator: (De)constructive (re)presentation of heterotopian spatiality and virtual image(ries)

First Monday ◽  
2006 ◽  
Author(s):  
Wael Salah Fahmi
Keyword(s):  
Place Identity ◽  
Urban Spaces ◽  
Virtual Image ◽  
De Re ◽  
Time Compression ◽  
Visual Semiotics ◽  
Production And Consumption ◽  
Spatio Temporal ◽  
The City ◽  
Real City

This paper provides an imaginary navigation with the camera’s eye to grasp the psychogeography of post-modern urban spatial fragments, whilst considering the proliferation and fragmentation in production and consumption of phantasmagoric other (‘unconscious’ and ‘hidden’) urban spaces. Through an 'imaginary' Urban Incubator, the paper proposes a (de)(re)constructive reading of a conflation of real cities under space-time compression, mapped into fictional terrain of heterotopian imagery and virtuality. Such urban experimentation within cit(y)(ies) involves a sequence of digital images and video stills, constructing spatio-temporal narratives as means of navigation between imaginary (sense of) place identity, and cognitive imaging. In an attempt to capture the spirit of the 'nocturnal city' as an 'urban navigator' or as a 'flâneur', other (unconscious and hidden) urban spaces in various metropolises are represented as digital collages, experimental diagrams, virtual installations, visual semiotics, and spatial narratives. Digital fragments and diagrams will bring urban images into sharp juxtaposition, 'de-solidifying' the physical and dissolving spatial distinctions between reality and mythical spaces, between the screen and the imagination, between the virtual urbanity of the information machine and the actual urbanity of the city. Such representation will call into play the possibility of a coterminous and dialectic merging of very real city of bricks and a conceptual 'city of pixels'.

Street Performance and the City

2011 ◽  
Vol 14 (4) ◽  
pp. 415-430 ◽  
Author(s):  
Paul Simpson
Keyword(s):  
Everyday Life ◽  
Public Space ◽  
Social Relations ◽  
The Everyday ◽  
Street Performance ◽  
The City

This article examines the performative transformation of street spaces into performance places by considering the practices of street performers. Street performance here refers to a set of practices whereby either musical or nonmusical performances are undertaken in the street with the aim of eliciting donations from passersby. Drawing on ethnographic observations undertaken in Bath, U.K., and situating the discussion in recent conceptions of everyday life and public space, the specific sociospatial interventions that street performances make into Bath’s everyday life are considered. In doing so, the article focuses on the fleeting social relations that emerge from these interventions and what these can do to the experience of the everyday in terms of producing moments of sociality and conviviality. This is also reflected on in light of the various debates that have occurred in Bath as a result of these interventions relating to the increased regulation of street performances. The article then highlights the conflicted and contentious position that street performers occupy in the everyday life of such cities.

Sign in / Sign up

Export Citation Format

Share Document