Dress and Gulf imagery in two Malayalam films: Pathemari and Marubhoomiyile Aana

2020 ◽  
Vol 9 (2) ◽  
pp. 177-192 ◽  
Author(s):  
Musthafa Mubashir ◽  
M. Shuaib Mohamed Haneef
Keyword(s):  
Public Sphere ◽  
Thematic Analysis ◽  
Symbolic Capital ◽  
Semiotic Analysis ◽  
The Public ◽  
Power And Control ◽  
The Status ◽  
History Of ◽  
The Public Sphere ◽  
And Control

Malayalam films since the 1970s have captured the history of Gulf migration from Kerala, which occurs primarily due to the desperate need of its people for jobs and for money. Predominantly, the discourses of migrants in the films are embedded in various things, including dress from the Gulf, the insignia of opulence that depict the status of the migrants in the public sphere. Using thematic analysis of two Malayalam films, Pathemari and Marubhoomiyile Aana, this study argues that the motif of the Gulf is associated with power and control in the cultural discourse of Kerala. Drawing on the semiotic analysis of Barthes, we contend that the replacement of mundu, a traditional attire of Kerala men, by trousers, is one among several mythical markers of modernity, including perfumes and watches brought from the Gulf. The performativity and materiality of dress in these two films produce imageries of the Gulf by which the wearers, mostly male, accumulate social and symbolic capital and assert dominance in the film’s narration.

State contestations in constructions of 1Malaysia

2017 ◽  
Vol 41 (1) ◽  
pp. 46-65
Author(s):  
Mary Varghese ◽  
Kamila Ghazali
Keyword(s):  
National Identity ◽  
Public Sphere ◽  
Prime Minister ◽  
Status Quo ◽  
The Public ◽  
Malaysian Population ◽  
Body Of Knowledge ◽  
The Status ◽  
The Public Sphere ◽  
The Relationship

Abstract This article seeks to contribute to the existing body of knowledge about the relationship between political discourse and national identity. 1Malaysia, introduced in 2009 by Malaysia’s then newly appointed 6th Prime Minister Najib Razak, was greeted with expectation and concern by various segments of the Malaysian population. For some, it signalled a new inclusiveness that was to change the discourse on belonging. For others, it raised concerns about changes to the status quo of ethnic issues. Given the varying responses of society to the concept of 1Malaysia, an examination of different texts through the critical paradigm of CDA provide useful insights into how the public sphere has attempted to construct this notion. Therefore, this paper critically examines the Prime Minister’s early speeches as well as relevant chapters of the socioeconomic agenda, the 10th Malaysia Plan, to identify the referential and predicational strategies employed in characterising 1Malaysia. The findings suggest a notion of unity that appears to address varying issues.

The History of the Public Sphere

1992 ◽  
Vol 42 (2) ◽  
pp. 163-171
Author(s):  
John Nerone
Keyword(s):  
Public Sphere ◽  
The Public ◽  
History Of ◽  
The Public Sphere

scholarly journals The corporate takeover of the online public sphere: A critical examination, with reference to 'the New Zealand case'

2005 ◽  
Vol 11 (1) ◽  
pp. 90-112 ◽  
Author(s):  
Lincoln Dahlberg
Keyword(s):  
New Zealand ◽  
Mass Media ◽  
Public Sphere ◽  
Critical Examination ◽  
The Internet ◽  
The Public ◽  
Multiple Alternative ◽  
The Public Sphere ◽  
The One ◽  
And Control

Much communications research is in agreement about the failure of mass media to adequately facilitate a public sphere of open and reflexive debate necessary for strong democratic culture. In contrast , the internet's decentralised, two-way communication is seen by many commentators to be extending such debate. However, there is some ambivalence among critical theorists as to the future role of the internet in advancing the public sphere. On the one hand, the internet is providing the means fot the voicing of positions and identities excluded from the mass media. On the other hand, a number of problem are limiting the extensiveness and effetivness of this voicing. One of the most significant problems is the corporate colonisation of cyberspace, and subsequent marginalisation rational-critical communication. It is this problem that i will focus on in this article, with reference to examples from what I refer to as the 'New Zealand online public sphere'. I show how online corporate portals and media sites are gaining the most attention orientated to public communication, including news, information, and discussion. These sites generally support conservative discourse and consumer practices. The result is a marginalisation online of the very voices marginalised offline, and also of the critical-reflexive form of communication that makes for a strong public sphere. I conclude by noting that corporate colonisation is as yet only partial, and control of attention and media is highly contested by multiple 'alternative' discursive spaces online.

scholarly journals Formation of Subcultural Entity under the Influence of Public Sphere

2020 ◽  
Author(s):  
Yuliya Kuzovenkova ◽  
Keyword(s):  
Public Sphere ◽  
Urban Space ◽  
Symbolic Capital ◽  
The Public ◽  
Youth Subcultures ◽  
Long Time ◽  
New Space ◽  
The Public Sphere ◽  
Short Time ◽  
The City

The last two decades have been a time of serious transformation of youth subcultures. Researchers speak about the formation of the postmodernism paradigm of subculture and the virtualisation of sociocultural phenomena. The subcultural subject and the power that formed it continue to exist in the new realities, but are undergoing a transformation. Changes having occured to the public sphere were especially significant for a subcultural entity since it is the public sphere where a subcultural entity can present itself to authorities, thereby maintaining its social subsistence. Our research was aimed at studying how the transformation of the public sphere has affected the entity’s subculture. For the study, the authors employed the method of a qualitative half-structurated interview and draw on the disciplinary authority concept suggested by M. Foucault. The analysis was based on materials of interviewing some representatives of the graffiti subculture in the city of Samara (twenty-two people) from 2016 to 2018. The author has established that the subcultural subject is processual and dependent on the practices in use; a change in practices leads to a change in the subject. Changes of practices in the graffiti subculture were a result of the virtualisation of culture. The author has identified the changes that have taken place in the subcultural subject under the influence of the transformation of the public sphere (the ‘short time’ of instantaneous fame prevails over the ‘long time’ of the symbolic capital of the nickname, new space-time coordinates within which the entity exists, the ‘digital body’ of the subcultural entity becomes ever more informative rather than that which was created via sketches placed in urban space). Unlike the public sphere, the private sphere under the influence of a subculture ideology remains unchanged.

Introduction

2020 ◽  
pp. 1-14
Author(s):  
Kim T. Gallon
Keyword(s):  
Twentieth Century ◽  
African American ◽  
Public Sphere ◽  
Interwar Period ◽  
Black Press ◽  
The Public ◽  
Introductory Section ◽  
African American Sexuality ◽  
History Of ◽  
The Public Sphere

This introductory section introduces the book’s major arguments and provides an overview of the history of the Black Press in the early twentieth century. The introduction also explores the theoretical conceptualization of the public sphere in relationship to African American life and the scholarship on pleasure and class in African American history. In laying out these terms, the introductory section of the book makes the case that they are useful categories of analysis for a deeper understanding of African American sexuality, pleasure, and the Black Press. Finally, the introduction features a discussion of the significance of the interwar period and its relationship to the history of African American sexuality in the Black Press.

scholarly journals Science in the Public Sphere: A History of Lay Knowledge and Expertise

Ambix ◽  
2017 ◽  
Vol 64 (2) ◽  
pp. 199-200
Author(s):  
Bernadette Bensaude-Vincent
Keyword(s):  
Public Sphere ◽  
Lay Knowledge ◽  
The Public ◽  
History Of ◽  
The Public Sphere

Towards a History of Geography in the Public Sphere

1999 ◽  
Vol 37 (1) ◽  
pp. 45-78 ◽  
Author(s):  
Charles W. J. Withers
Keyword(s):  
Public Sphere ◽  
The Public ◽  
History Of Geography ◽  
History Of ◽  
The Public Sphere

The nation and the South in the work of Rosario Romeo: A debate between John Dickie, Lucy Riall and Giuseppe Galasso: The idea of nation in Romeo

Modern Italy ◽  
2002 ◽  
Vol 7 (1) ◽  
pp. 59-84
Author(s):  
John Dickie ◽  
Lucy Riall ◽  
Giuseppe Galasso
Keyword(s):  
National Identity ◽  
Public Sphere ◽  
National Character ◽  
Political Climate ◽  
Italian History ◽  
The Public ◽  
Political Forces ◽  
History Of ◽  
Anglo American ◽  
The Public Sphere

The last seven or eight years have brought a flood of printer's ink dedicated to the issue of national identity in Italy. At the same time, the new political forces that have emerged since Tangentopoli have all, in various ways, contributed to the re-emergence of patriotism in the language of the public sphere. What would Rosario Romeo have said about this new cultural and political climate? How would he have sought to intervene? It seems likely that he would have turned his famously acerbic critical intelligence on many of the volumes published. A signi. cant number of them merely offer versions of the same old pathologizing version of Italian history, or even, ahistorically, of the Italian national character. All the Sicilian historian would have to do would be to dust off his criticisms of those Anglo-American and Marxist historians who portrayed Italy, in his view, as having had the ‘wrong’ history, of having certain aboriginal defects.

The Lost Lullaby and Other Stories about Being an Armenian in Turkey

2006 ◽  
Vol 34 ◽  
pp. 67-92 ◽  
Author(s):  
Melissa Bilal
Keyword(s):  
Public Sphere ◽  
Cultural Politics ◽  
Lived Experiences ◽  
The Public ◽  
The Past ◽  
Armenian Identity ◽  
History Of ◽  
The Public Sphere ◽  
Different Cultures

Nınçir mangig im sirasun, Oror yem asum, Baydzar lusinn e meğm hayum, Ko ororotsum.By analyzing the transmission of Armenian lullabies within the changing contexts of identity and cultural politics in Turkey, this paper addresses displacement and loss as two interrelated experiences shaping the sense of being an Armenian in Turkey. I criticize the liberal multiculturalist perspective that represents cultures in a way that cuts the link between the past and the present, by dissociating different cultures from the history of their presence in Anatolia and the destruction of that presence. I argue that in such a context where cultures are detached from lived experiences and memory, it becomes impossible to share the stories of violence and pain in the public sphere; hence, the loss itself becomes the experience of being Armenian. Finally, I try to explain how today young generations of Armenians in İstanbul, in their search for an Armenian identity, have developed a certain way of belonging to the space and culture, a way of belonging that is very much shaped by the experience of loss.

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