Ephemeral venues: Architectural illustrations and depictions of the masses in Perón’s ‘New Argentina’

2020 ◽  
Vol 7 (1) ◽  
pp. 19-39 ◽  
Author(s):  
Luigi Patruno

During the Peronist years (1943‐55), architect Jorge Sabaté designed several exhibitions and ephemeral installations to be erected in the central streets of Buenos Aires. These interventions were aimed at transforming the face of the city, repurposing its spaces for unprecedented uses and expressing the right ‘the people’ had gained to free time, outings and leisure. In this article, I examine the architectural illustrations that Sabaté appended to the rest of his plans. The incorporation into his drawings of the social practices of metropolitan strolling is one of the ways in which the Peronist exhibitions designed by Sabaté relate to urban culture. By staging the masses in these materials, Sabaté proposes a whole new form of conviviality in public space and depicts the popular sectors aspiring to a new lifestyle made possible by the intersection of technological progress and expanded access to consumer goods.

2019 ◽  
Vol 23 (2) ◽  
pp. 586
Author(s):  
Valdeci Reis

Estudo etnográfico, com revisão de literatura sobre a construção social do conceito juventude, tem como objetivo relatar e analisar narrativas juvenis em torno do direito à educação. A análise empírica seleciona duas ondas de mobilizações protagonizadas por jovens estudantes: Atos em defesa das Universidades e Institutos Federais ocorridos na cidade de Florianópolis-SC; Na capital da Argentina, Buenos Aires, a narrativa etnográfica se debruça na análise de mobilizações protagonizadas por jovens portenhos que tomaram as ruas exigindo a manutenção da Ley Nacional de Educación, além de se posicionarem radicalmente contra as medidas de austeridade anunciadas pelo Governo Maurício Macri. A análise dos dados etnográficos aponta que a pauta em defesa da educação é capaz de unir coletivos e organizações dos mais variados espectros ideológicos.Palavras-chave: Juventude. Neoliberalismo. Participação social. Etnografia. América Latina.NARRATIVES ON THE RIGHT TO EDUCATION IN DISPUTE: anthropological lights to understand youth mobilizationsAbstractEthnographic study, with a review of the literature on the social construction of the concept of youth, in order to report and analyze youth narratives around the right to education.The empirical analysis selected two waves of mobilizations carried out by young students: Acts in defense of public educational institutions occurred in the city of Florianópolis-SC, Brazil;In the capital of Argentina, Buenos Aires, the ethnographic narrative focused on the analysis of mobilizations carried out by young people who went to the streets demanding the maintenance of the “National Education Law”, as well as to stand radicallyagainst the austerity measures announced by the MaurícioMacri Government. The analysis of the ethnographic data indicates that the agenda in defense of education is capable of uniting collectives and organizations affiliated to the mostdiverse ideological currents.Keywords: Youth. Neoliberalism. Social participation. Ethnography. Latin America.


2021 ◽  
Vol 14 (4) ◽  
pp. 127-153
Author(s):  
Pablo Baisotti

This article presents an overview of Buenos Aires, city and neighbourhoods, from the viewpoints of several authors who participated in the literary life of the 1920s and 1930s, portraying the evolution of modernity and the social question –inequalities. Novels, short stories, poems and magazines from the period in question were used to frame these issues and unravel the objectives set. It concludes by exposing the variety and diversity of the city and the neighbourhoods of Buenos Aires, as well as the people who inhabited them and the Buenos Aires literary currents of the period, headed by Jorge Luis Borges, on the one hand (Florida group), and Roberto Arlt (Boedo group), on the other.


2020 ◽  
Vol 9 (1-2) ◽  
pp. 97-106
Author(s):  
Rana Haddad

This article focuses on the importance of reclaiming our rights as citizens and our public spaces by documenting two different public installations/performances that took place in Beirut. The first took place in Spring 2018 and was organized by BePublic Lab at the American University of Beirut, and the second was the Architectural Association Visiting School that took place in Beirut in Summer 2019. Both installations led to a series of interventions on the stretch between Gemmayzeh and Mar Mikhael, an area that has been witnessing gentrification in recent years. Both projects aim to trigger political engagement and raise public awareness in the face of the lack of public space, especially for the youth, in a city that is gradually moving towards a near total privatization of its public places. They emerged as a response to the sociopolitical strategies of depriving the citizens of their basic needs by privatizing what was once everyone’s. This article argues that urban interventions are an opportunity to address sociopolitical issues through spatial and temporal public installations. These installations, tailored to a human scale and anchored in the city as both art and architecture, reflect on the power of public interventions as urban catalytic tactics that engage with the people and challenge the blasé attitude of the citizens, pushing them to claim their rights to the city.


Author(s):  
Fernanda da Silva de Andrade Moreira ◽  
Karen de Nazareth Santos Nogueira

ANALYSIS OF URBAN PUBLIC SPACE: the case of Mangal das Garças ParkANÁLISIS DEL ESPACIO PÚBLICO URBANO: el caso del Parque Mangal das GarçasOs espaços públicos urbanos têm sido objeto de estudos frequentes, pois, são nesses espaços que ocorre a produção social da cidade. Entendem-se como espaços públicos, em seu sentido físico, a praça, a rua, os parques entre outros. O presente estudo tem como objetivo central analisar o espaço do Parque Mangal das Garças, investigando os conceitos de espaços públicos e suas novas formas de exteriorização, no intuito de perceber de que maneira a população de Belém o percebe como espaço público no seu sentido mais amplo: o de instrumento para a promoção do direito à cidade. A metodologia utilizada foi a de entrevista orientada com 20 transeuntes no dia 18 de setembro de 2017 aplicada sob o suporte teórico de estudiosos da área.Palavras-chave: Urbanização; Espaços Públicos; Produção Social; Acessibilidade.ABSTRACTThe urban public spaces have been the object of frequent study, since it is in these spaces that the social production of the city occurs. They are understood as public spaces, in their physical sense, the square, the street, the parks among others. This study aims to analyze the space of Mangal das Garças Park, investigating the concepts of public spaces, and their new forms of exteriorization, in order to understand how the population of Belém perceives it as a public space in its broadest sense the instrument for the promotion of the right to the city. The methodology used was an interview with 20 passers-by on September 18, 2017 applied to the theoretical support of scholars in the area.Keywords: Urbanization; Public Spaces; Social Production; Accessibility.RESUMENLos espacios públicos urbanos han sido objeto de estudio frecuente, pues, son en esos espacios que ocurre la producción social de la ciudad. Se entiende como espacios públicos, en su sentido físico, la plaza, la calle, los parques entre otros. Este estudio tiene como objetivo central analizar el espacio del Parque Mangal das Garças, investigando los conceptos de espacios públicos, y sus nuevas formas de exteriorización, con el fin de percibir de qué manera la población de Belén lo percibe como espacio público en su sentido más amplio : el de instrumento para la promoción del derecho a la ciudad. La metodología utilizada fue la de entrevista orientada con 20 transeúntes el día 18 de septiembre de 2017 aplicada al soporte teórico de estudiosos del área.Palabras clave: Urbanización; Espacios Públicos; Producción Social; Accesibilidad.


2020 ◽  
pp. 107-122
Author(s):  
Taher Abdel-Ghani

Cinema has taken up the role of a social agent that introduced a variety of images and events to the public during critical times. This paper proposes the idea of using films as a tool to reclaim public space where a sense of belonging and dialogue restore to a meaningful place. During the January 2011 protests in Egypt, Tahrir Cinema, an independent revolutionary project composed of filmmakers and other artists, offered a space in Downtown Cairo and screened archival footage of the ongoing events to the protestors igniting civic debate and discussions. The traditional public space has undergone what Karl Kropf refers to as the phylogenetic change, i.e. form and function that is agreed upon by society and represents a common conception of certain spatial elements. Hence, the framework that this research will follow is a two-layer discourse, the existence of cinema in public spaces, and the existence of public spaces in cinema. Eventually, the paper seeks to enhance the social relationship between society, spaces, and cinematic narration – a vital tool to raise awareness about the right to the city.


2015 ◽  
Vol 2 ◽  
pp. 41-48
Author(s):  
Camilo Ramírez Cely

Resumen: Este trabajo hace parte de la investigación “Transformaciones urbanas en Bogotá: sentido e identidad en la década de 1990“que el autor adelanta en la UBA (Universidad de Buenos Aires) como soporte para la tesis con la que aspira al título de Magister en Urbanismo y aborda la temática de la ciudad educadora a través del espacio público y el valor pedagógico de las prácticas sociales. Este artículo muestra el ejercicio académico desarrollado con estudiantes y los elementos teóricos que sustentaron una investigación parcial sobre las representaciones de un grupo poblacional (estudiantes de arquitectura) sobre la capacidad educadora de la ciudad. Se plantea la revisión de conceptos en relación con los elementos urbanos, el uso y la significación de la ciudad, cuya articulación permitirá la construcción de nuevos imaginarios en los participantes de la práctica académica. Para tal fin se recogen los imaginarios que tienen los estudiantes universitarios de Bogotá a través de la elaboración de un taller teóricopráctico realizado en la Universidad Piloto de Colombia con alumnos de la carrera de arquitectura que cursan el X semestre. Es de destacar el valor de los relatos y de los gráficos como herramientas básicas, que muestran los lugares de los acontecimientos en la ciudad. El principal aporte del ejercicio didáctico, además de identificar significados formales y de uso de la urbe, consistió en proporcionar un instrumento que puede ayudar a la construcción del arraigo en la ciudad. Así, se intentan nuevas alternativas de análisis urbanos más cercanas a los afectos de los habitantes, a la cultura y a la narrativa del lugar. ___Palabras clave: ciudad, pedagogía, relato, espacio público. ___Abstract: This work is part of the research “Urban Transformations in Bogota: meaning and identity in the 1990s,” that the author advances in the UBA (University of Buenos Aires) as a support for the thesis with which he aspires to the title of Master of Urbanism and addresses the issue of educating city through public space and the educational value of social practices. This article shows the academic year developed by students and theoretical elements that supported a partial investigation of the representations of a population group (students of architecture) on the educational ability of the city. It is reviewing concepts regarding urban elements, the use and significance of the city, whose articulation allow the construction of a new imaginary in the participants in academic practice. To that end, the imaginary of university students in Bogota was collected through the development of a theoretical and practical workshop at the University Pilot of Colombia with students of the X semester of architecture. It is to emphasize the value of the stories and graphics as basic tools, showing the locations of the events in the city. The main contribution of the training exercise, in addition to identifying formal use and meanings of the city, was to provide a tool that could help to build the sense of belonging in the city. Thus, new alternatives closer to the affections of the people, culture and narrative analysis urban place are attempted. ___Keywords: city, pedagogy, story, public space. ___Recibido: 25 de mayo de 2015. Aceptado 30 de septiembre de 2015.


2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Daniela Verónica Maza

The present work explores the factors that led to the change in social behavior to provide care. The results obtained in a qualitative investigation carried out in the City of Buenos Aires on the familiarization and judicialization of the care of people with disabilities is shown. Deepening the origin of the transformation of care based on the factors (objective and subjective) that promoted the change contributes to the identification of the causes that generated the self-care deficit presented by the people who care.


This research article focuses on the theme of violence and its representation by the characters of the novel “This Savage Song” by Victoria Schwab. How violence is transmitted through genes to next generations and to what extent socio- psycho factors are involved in it, has also been discussed. Similarly, in what manner violent events and deeds by the parents affect the psychology of children and how it inculcates aggressive behaviour in their minds has been studied. What role is played by the parents in grooming the personality of children and ultimately their decisions to choose the right or wrong way has been argued. In the light of the theory of Judith Harris, this research paper highlights all the phenomena involved: How the social hierarchy controls the behaviour. In addition, the aggressive approach of the people in their lives has been analyzed in the light of the study of second theorist Thomas W Blume. As the novel is a unique representation of supernatural characters, the monsters, which are the products of some cruel deeds, this research paper brings out different dimensions of human sufferings with respect to these supernatural beings. Moreover, the researcher also discusses that, in what manner the curse of violence creates an inevitable vicious cycle of cruel monsters that makes the life of the characters turbulent and miserable.


2020 ◽  
Vol 102 ◽  
pp. 656-676
Author(s):  
Igor V. Omeliyanchuk

The article examines the main forms and methods of agitation and propagandistic activities of monarchic parties in Russia in the beginning of the 20th century. Among them the author singles out such ones as periodical press, publication of books, brochures and flyers, organization of manifestations, religious processions, public prayers and funeral services, sending deputations to the monarch, organization of public lectures and readings for the people, as well as various philanthropic events. Using various forms of propagandistic activities the monarchists aspired to embrace all social groups and classes of the population in order to organize all-class and all-estate political movement in support of the autocracy. While they gained certain success in promoting their ideology, the Rights, nevertheless, lost to their adversaries from the radical opposition camp, as the monarchists constrained by their conservative ideology, could not promise immediate social and political changes to the population, and that fact was excessively used by their opponents. Moreover, the ideological paradigm of the Right camp expressed in the “Orthodoxy, Autocracy, Nationality” formula no longer agreed with the social and economic realities of Russia due to modernization processes that were underway in the country from the middle of the 19th century.


DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.


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