The shift to national Catholicism and the Falange in the Second World War: The case of Garbancito de la Mancha (1945)

2020 ◽  
Vol 6 (1) ◽  
pp. 81-106 ◽  
Author(s):  
Maria Pagès

This article analyses the political undercurrents running through the first European hand-drawn animated feature-length film, which was made in Barcelona in 1945. It was titled Garbancito de la Mancha and will be analysed at discursive, iconic and visual levels. The goal is to establish whether political events during the Second World War years as well as the early years (1939‐45) of the Franco dictatorship are reflected in the film. After the Spanish Civil War (1936‐39), two main political parties struggled to control the nation. One of them was the Spanish version of fascism (the Falange); the other was the Catholic Party (National-Catholicism). The end of the Second World War was to mark a showdown between the two parties for political hegemony. The outcome set the tone for the regime until its demise in 1975 with Franco’s death. Given that the film was made by key political figures of the period, the ideology of the film will be revealed by visualizing the myths and values for the period spanning from 1939 to 1951 when Spain pursued autarky (self-sufficiency).

Africa ◽  
2012 ◽  
Vol 82 (2) ◽  
pp. 187-211 ◽  
Author(s):  
John M. Cinnamon

ABSTRACTThrough narratives of an anti-‘fetish’ movement that swept through north-eastern Gabon in the mid-1950s, the present article traces the contours of converging political and religious imaginations in that country in the years preceding independence. Fang speakers in the region make explicit connections between the arrival of post-Second World War electoral politics, the anti-fetish movements, and perceptions of political weakening and marginalization of their region on the eve of independence. Rival politicians and the colonial administration played key roles in the movement, which brought in a Congolese ritual expert, Emane Boncoeur, and his two powerful spirits, Mademoiselle and Mimbare. These spirits, later recuperated in a wide range of healing practices, continue to operate today throughout northern Gabon and Rio Muni. In local imaginaries, these spirits played central roles in the birth of both regional and national politics, paradoxically strengthening the colonial administration and Gabonese auxiliaries in an era of pre-independence liberalization. Thus, regional political events in the 1950s rehearsed later configurations of power, including presidential politics, on the national stage.


2017 ◽  
pp. 253-262
Author(s):  
Marek Rajch

From all of the German literature distributed in Poland during the first half of the nineteen fifties, that of the GDR was the most strongly represented, because like the People's Republic, it was part of the Eastern Bloc. A substantial part of this literature touched upon the themes of the Second World War. As some prominent Eastern German authors had taken part in the Spanish Civil War in 1936-1939, this subject also couldn't be ignored.The introduction in 1949 of socialist realism as the most important criterion of art, and particulary strong political pressure, led to a great deal of confusion and insecurity, not only for Polish publishing houses, but also among the censors, whose task was to take decisions about what literature could be printed. Censors’ opinions in this period often differed, not only in terms of detailed matter, but also in the final decisions about the eventual fate of the title submitted for evaluation.


Author(s):  
E. V. Khakhalkina

The “Diary” of the Soviet diplomat I. M. Maisky, who worked in London for more than ten years first as a messenger, then as the Soviet ambassador to the UK, is one of the valuable sources for the interwar period and the Second World War. The “Diary” contains records of Maisky’s conversations with the leading British politicians and public figures and his own thoughts on a wide range of issues, including the problems of the British Empire. The author of the paper analyzes the views of the Tories on the prospects for the British Empire and the Commonwealth of the postwar period and reveals the plans for the reconstruction of the Empire and its transformation while maintaining the dominant position of Britain in the format of a new relationship with the dominions and colonies. The paper shows that within the British political establishment there was no consensus on the future of the empire and, as the materials of the “Diary of diplomat” evidence, the problem of the evolution of the Empire had a close relationship with other areas of foreign and domestic policy.


2021 ◽  
pp. 096834452110434
Author(s):  
Fabio De Ninno

During the interwar era, German naval history and naval doctrine exercised a profound influence on the development of the Italian Navy. The subject is relevant to understand how continental sea powers naval doctrines developed after the First World War, attempting to integrate new weapon systems to overcome the previous limits of the Fleet in being strategy. Italian naval thinkers incorporated the lessons offered by their German counterparts, preparing to repeat many of their mistakes, which explained in part the failures of Italian sea power in the early years of the Second World War.


Arthur Szyk ◽  
2004 ◽  
pp. 217-232
Author(s):  
Joseph P. Ansell

This chapter encompasses Arthur Szyk's final years. It shows his continued dedication to freedom struggles around the world even as it contemplates on the dwindling number of exhibitions he held during this period. During this time, the United States was also turning inward after the Second World War. This attitude was one which Szyk did not share and which his work, with its liberal and international themes, did not support. Moreover, the chapter reveals his growing sympathy towards the Soviet Union, which was so evident in the political cartoons and related works from the years of alliance during the Second World War. It also shows that, by the early years of the Cold War, his health was somewhat precarious, forcing him to choose his activities carefully.


2018 ◽  
Vol 54 (4) ◽  
pp. 834-857
Author(s):  
Toni Morant i Ariño

Spanish fascist women played a very active role in the Falange’s cross-border relations with Nazi Germany and Fascist Italy during the Spanish Civil War and the Second World War. From the very beginning, fascist women took a preeminent place in these contacts and exchanges in order to see with their own eyes how both fascist models were at a practical level. These relationships between fascist women’s organizations were born out of deep ideological affinity and were especially fluid, firstly on a bilateral level and after 1940 on the ‘New Order’ Europe-wide multilateral, transnational collaboration. However, they lacked neither of political calculation nor could abstract from the wider frame of international politics in such an eminently war period. As this article will show, Falangist women used these fluid but less studied relationships to consolidate their own political position at home and explore other ways of political participation in a Nazi-Fascist New Europe, while at the same time trying to secure there a pre-eminent place for non-belligerent Spain. In the end, concerns about the own survival of the Franco dictatorship as the fate of war clearly changed in 1943, let ideological affinity succumb to the diplomatic conveniences they had once meant to overcome.


Author(s):  
James A. Baer

This introductory chapter sets out the book's purpose, which is to show how the ebb and flow of Spanish anarchist migrations to Argentina helps explain the development of both a transnational anarchist ideology and related organizations that connect these two countries. It follows the lives, careers, ideas, influence, and travel of dozens of individuals who moved between these two countries in the decades around the turn of the twentieth century. The life stories of individual immigrants allow us to explore their movements and understand how supranational links influenced the growth of the anarchist movements in Spain and Argentina. This study encompasses the period between 1868, when the ideas of Russian anarchist Mikhail Bakunin first became known in Spain, and the end of the Spanish Civil War, after which the regime of Generalíssimo Francisco Franco and the Second World War effectively ended the relationship between these two countries' anarchist movements. An overview of the subsequent chapters is also presented.


2005 ◽  
Vol 14 (2) ◽  
pp. 171-191 ◽  
Author(s):  
JULIUS RUIZ

This article considers whether the Franco regime pursued a genocidal policy against Republicans after the formal ending of hostilities on 1 April 1939. In post-war Spain, the primary mechanism for punishing Republicans was military tribunals. Francoist military justice was based on the assumption that responsibility for the civil war lay with the Republic: defendants were tried for the crime of ‘military rebellion’. This was, as Ramón Serrano Suñer admitted his memoirs, ‘turning justice on its head’. But although it was extremely harsh, post-war military justice was never exterminatory. The article stresses that the institutionalisation of military justice from 1937, following the arbitrary murders of 1936, contributed to a relative decline in executions. Although the regime's determination to punish Republicans for ‘military rebellion’ inevitably led to the initiation of tens of thousands of post-war military investigations, only a minority of cases ended in execution. This was especially the case from January 1940, when the higher military authorities ended the autonomy of military tribunals over sentencing. This reassertion of central control in January 1940 was part of a wider policy to ease the self-inflicted problem of prison overcrowding; successive parole decrees led to a substantial and permanent decrease in the number of inmates by 1945. Allied victory in the Second World War did not mark the beginning but the end of the process of bringing to a close mass military justice.


2010 ◽  
Vol 44 (3) ◽  
pp. 371-400
Author(s):  
GILDO MAGALHÃES SANTOS

AbstractThe unconventional correspondence between physicists Albert Einstein and Felix Ehrenhaft, especially at the height of the alleged production by the latter of magnetic monopoles, is examined in the following paper. Almost unknown by the general public, it is sometimes witty, yet it can be pathetic, and certainly bewildering. At one point the arguments they exchanged became a poetic duel between Einstein and Ehrenhaft's wife. Ignored by conventional Einstein biographies, this episode took place during the initial years of the Second World War, but was rooted in disputes dating back to the early years of the twentieth century. The interesting intersection of a series of scientific controversies also highlights some aspects of the personal dramas involved, and after so many years the whole affair in itself is still intriguing.


2019 ◽  
Vol 43 (1) ◽  
pp. 91-111
Author(s):  
Mohamad Sedighi ◽  
Dick van Gameren

This article discusses the transformation of the traditional Iranian courtyard house type and neighbourhood structure in the early 20th century Iran, and focuses on the design of public housing in the country’s early years of modernisation, after the second World War. It explores how (urban) legislations by Iranian reformists and modernists, and the compulsory unveiling law implemented between 1936 and 1943 contributed to change the image of urban areas and the everyday life of Iranians, particularly in Tehran. While this article provides a short overview of these transformations, it discusses how Iranian architects, educated in Europe, attempted to reconceptualise the ideal form of living, the courtyard-garden house (Khaneh-Bagh), for large-scale housing production, in the country. This article shows how the transformation of this house type became an instrument of accommodating both change and resistance in terms of local customs and habits, in Kuy-e Chaharsad-Dastgah, built between 1946 and 1950 in Tehran. To illustrate these, the design and development of this experimental housing project is analysed in details. It is also demonstrated how this project was developed based on a “planning document” revised by a group of modernist Iranian architects, who intended to improve the hygiene condition of living environments and to accommodate a large number of low-income civil servants in post-World War II, Tehran. It is argued that dual characteristics of the Iranian courtyard house allowed for both incorporating imported models, and simultaneously resisting universalising tendencies towards homogenisation, in the case of Chaharsad-Dastgah.


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