Manifesto of Post-Futurism – Literally

Maska ◽  
2016 ◽  
Vol 31 (177) ◽  
pp. 38-45
Author(s):  
Nika Arhar ◽  
Pia Brezavšček ◽  
Katja Čičigoj ◽  
Saška Rakef ◽  
Jasmina Založnik
Keyword(s):  
The Body ◽  

If the future is already here, what comes after? Tortoises, singular rhythms, disarming femininity, knowing the world, sages, the body, bearded man, sleep, ecstasy, sharing of imaginations, sweet energy... and more.

1992 ◽  
Vol 3 (1) ◽  
pp. 49-58
Author(s):  
Willow Rain ◽  
Donna Martin ◽  
James Royster ◽  
Judith Lasater ◽  
Laureen Mac Leod

*Chopra's presentation of the body-mind connection provides a context for examining the work of Jacob Liberman, O.D., Ph.D., who has pioneered the application of light and color to healing imbalances in the bodymind. *The Hakomi method offers a therapeutic system which is a synthesis of other approaches including Gestalt, Bioenergetics, Feldenkrais, Reichian work and NLP. Swami Ajaya, in his comment on the back cover of the book, calls it a 'breakthrough in integrating principles of mediation and holism into psychotherapy." *These three books by Georg Feuersteinnn—who has been described by Ken Wilber as "a scholar-practitioner of the first magnitude"—constitute a core library on yoga (and more broadly on Hinduism) that will serve most people comprehensively. The author has been studying and practicing yoga for over 25 years. In these three books we find a scholarly grasp of the facts combined with experiential insight. *When I was asked to review this book, I wondered why the world needed yet another book about Yoga. As it turn-ed out, I need not have worried at all. Rodmell Press and author Jean Couch have produced an accessible, helpful and straight forward book about Yoga in twentieth century America. *It was obvious as I watched this video that Felicity Green is comfortable in her role as teacher in the Iyengar Yoga tradition. She creates an instructive classroom setting with three students, each at a different level of practice (beginning, intermediate and advanced levels), as she guides the viewer through common corrections focusing on basic problems encountered in twelve fundamental asanas.


Author(s):  
Suzanne Raitt

For Sinclair, the past was a wound. She feared being unable to escape it, and she feared in turn her own persistence in a form that she could not control. Mystic ecstasy – what she called the “new mysticism” – was a way of entering a timeless realm in which there was no longer any past to damage her. But she was also fascinated by what could never be left behind – hence her interest in heredity, the unconscious, and the supernatural. However, the immanence of the future can also emancipate us from the past, in Sinclair’s view, and this is the key to why mystical experience was so immensely appealing to her. Mystical experience could take the self out of the body and thus out of past traumas and into the future. False dying – like that which creates ghosts – traps the psyche in its own pain and forces it to re-experience the suffering of its life; real dying – mystical dying – involves forgetting the self and the world.


Author(s):  
Haily Merritt

In languages around the world, many of the words used to talk about time originate in the domain of space (e.g. ‘a long meeting’ vs. ‘a long table’). This leads us to ask: Does Hakha Chin conform to the documented pattern of using spatial terms to talk about time? In answering this question, we also learn what components are necessary to form temporal adverbial phrases. The data presented here suggest that in the context of temporal adverbial phrases, Hakha Chin does employ spatial terms to talk about time. Specifically, the body terms hnu (literally ‘back) and hmai (literally ‘face’) are used to mean ‘last’ (as in ‘last week’) and ‘next’ (as in ‘next week’), respectively. Formation of a temporal adverbial phrase requires such a body term (hnu or hmai), which orients to either the future or past, and a term to indicate the temporal period (e.g. week, year).


2008 ◽  
Vol 82 (6) ◽  
pp. 1161-1172 ◽  
Author(s):  
Patrick Ryan Getty ◽  
James Whitey Hagadorn

Based on a thorough examination of field and museum Climactichnites specimens, two species of this trace are recognized, each representing a unique behavioral variant produced by a soft-bodied animal in Late Cambrian intertidal environments. C. wilsoni represents surface-produced trails, whereas C. youngi is re-erected for burrows produced below the surface. Burrowing behavior is supported by: 1) the presence of C. youngi within, rather than on, the surface of beds; 2) the orientation of some burrows inclined to bedding; and 3) the occasional presence of distinct burrow fills. Burrows can also be distinguished morphologically from surface traces by the absence of lateral ridges and the presence of fine, mm-scale striations or grooves superimposed on the transverse bars and furrows. Burrowing behavior for the Climactichnites trailmaker was previously unknown and thus represents a new, although not entirely unexpected, behavior for this mollusk or mollusk-like animal. The body impression of the sedentary animal is removed to Musculopodus sedentarius n. igen. and isp. In the future, Musculopodus may be expanded to include the resting traces of other soft-bodied animals known from the fossil record. Currently, Climactichnites is known only from very shallow to emergent strata of North America; reports of this fossil in other parts of the world are misidentified trails produced by other animals.


2019 ◽  
Vol 170 ◽  
pp. 25-40
Author(s):  
Izabella Malej

Birds of paradise of Alexander Blok and Viktor VasnetsovHeavenly creatures — Alkonost, Sirin and Gamajun — are mythological hybrids with the body of a bird and the head of a beautiful woman. Their origins come from the old Slavonic and Russian folklore. They are described as mythical beings that hypnotised people through singing. Russian artists, including the painter Viktor Vasnetsov and the poet-symbolist Alexander Blok, also succumbed to their charm. Blok, fascinated by Vasnetsov’s canvases Sirin and Alkonost. The Birds of Joy and Sorrow, 1896; Gamajun, the Prophetic Bird, 1895 created poetic versions of these in 1899. In the case of both artists, there is a reference to the semantics of these magical birds, known from the folklore. Alkonost means happiness and hopes, unlike Sirin, an inhabitant of the underground world. Therefore, alkonosts announce joy, while sirins, treating men with hostility, symbolize sadness, suffering and despair. The third bird connecting Blok and Vasnetsov is Gamajun — a bird, the messenger of the gods, their herald, who sings divine hymns to people and predicts the future of those who know how to listen and are open to mysteries. Special attention must be paid to colorful and linear symbolism, to which both creators refer to, as well as to mythical reminiscences Cosmic Tree. Both the painted and lyrical depictions of birds of paradise are an example of creation of a new, modernist myth, the roots of which go back to the oral culture and whose essence defines the philosophical question of the dualism of the world and man’s place in it.Райские птицы Александра Блока и Виктора ВаснецоваРайские существа — Алконост, Сирин и Гамаюн, являются мифологическим гибри- дом тела птицы и головы красивой девы. Истоки их образов восходят к древнеславянскому и русскому фольклору. Они описаны как мифологические существа, которые своим пением гипнотизируют людей. Их колдовству поддались также русские художники, среди которых были живописец Виктор Васнецов и поэт-символист Александр Блок. Блок, очарованный картинами Васнецова Сирин и Алконост. Песнь радости и печали, 1896; Гамаюн, птица вещая, 1895, создал их поэтические версии в 1899 г. В интерепретации райских суще- ствобоих художников прослеживается отсылка к магическим птицам, представленным в фольклоре. Алконост обозначает счастье и надежду, в противовес Сирин как жительницы подземного мира. Таким образом алконосты — вестники радости, зато сирины, враждебно направленные к человеку, символизируют печаль, страдание и отчаяние. Третья птица, со- единяющая Блока и Васнецова, — это Гамаюн, птица вещая, посланник богов, их герольд, услаждающая людей пением Божественных гимнов и предвещающая будущее для тех, кто умеет слушать и открыт для тайны. Особого внимания заслуживают цветовые и линейные символы, а также мифические реминисценции космическое дерево, к которыми оба творца прибегают. Живописные и лирические изображения райских птиц являются примером создания нового, модернистского мифа, корни которого лежат в устной культуре, зато суть помещается в философском вопросе о дуализм мира и место человека в нем.


1981 ◽  
Vol 31 (1) ◽  
pp. 140-146 ◽  
Author(s):  
Agnes Kirsopp Michels
Keyword(s):  
The Body ◽  
To Come ◽  

One of the major prophecies in the Aeneid is given to Aeneas in the underworld by Anchises, who had ordered his son to come to him to learn of his whole race and the city which would be given to him (5.737). In the prophecy (6.756–886), which covers more than a thousand years, Anchises identifies the spirits who will be born as his descendants, from Aeneas' son Silvius to the young Marcellus, and describes how they will win glory and world dominion for Rome. Aeneas sees the spirit of each man as he will appear in life, and hears Anchises' admonition to the Roman who embodies the race, in which he tells him how to rule the world (6.851–3). The speech is stirring, and one would expect that this vision of the future glory of his race would have some effect on Aeneas, but we may ask whether in fact it does.First, consider Aeneas' behaviour during his meeting with Anchises. At their first encounter all he asks is to embrace his father (6.697–8). Next, when he sees the spirits near the river Lethe, he shudders and asks who they are. When Anchises tells him that they are waiting to be reborn and that he is eager to point out his descendants, so that Aeneas will rejoice to have found Italy, Aeneas shows no curiosity about the spirits, but protests against the idea that they should have to leave Elysium and go back to the life of the body.


Author(s):  
Dr. Bechoo Lal ◽  
Fareeha ◽  
Ashna Farah

Background: COVID-19 is a pandemic, which covered to all over the world and started the end of 2019. COVID-19 spreading rapidly from person to person and from one environment to another environment. In the current situation the entire world is passing through a very critical situation and medical services almost collapse due to the span of COVID-19. The virus is directly threatening to human being's life and attack to their nervous system, collapse lungs, breathing problems and damage other parts of the body system. The researcher build a predictive model using a Gaussian approach to find out the current status of COVID-19 and its future prediction. This predictive model is very helpful for countries and before timely they can manage their health related services, make a change in their decision making policy to stop COVID-19 spreading. Method: in this research paper the researcher builds a predicting model using real time analytics to measure the intensity of spreading COVID-19 in major concern countries. The main objective of this research article to predict the rate of spreading COVID-19 cases, visualize, and represent the future trends of COVID-19 cases. For the predictive analysis the researcher used the Gaussian Prediction model, time series analysis, exploratory data analysis, and K-means clustering. The researcher used the parameters such as rate of spreading, slow down speed, a sudden change in rate, prediction of the number of cases and differences in mortality rate. The results: The researcher discussed the weekly, monthly rate of spreading COVID-19 cases and predicted how it covered the world entire populations. The predictive model is very helpful to the countries where a number of cases are rapidly spreading and showing the future trends whether it is decreasing or increasing ratio. The countries can manage their health related services and other possible resources to stop the COVID-19 cases in their countries. If the prediction is unknown that situation is horrible for the entire world. Conclusion: Finally the researcher concluded that the predictive model of COVID-19 cases has significant impact to all over countries to show the future spreading trends, the accuracy level of this predictive model is 92% which is verified by using Gaussian approach. In some cases prediction might be unfavorable to handle the health care industries that are only %8 chances. The researcher giving the assurance the developed predictive model is more reliable and efficient to predict the COVID-19 case and its future trends, so the countries and their health related unit can manage the health related services in rapid manner.


Author(s):  
O. Faroon ◽  
F. Al-Bagdadi ◽  
T. G. Snider ◽  
C. Titkemeyer

The lymphatic system is very important in the immunological activities of the body. Clinicians confirm the diagnosis of infectious diseases by palpating the involved cutaneous lymph node for changes in size, heat, and consistency. Clinical pathologists diagnose systemic diseases through biopsies of superficial lymph nodes. In many parts of the world the goat is considered as an important source of milk and meat products.The lymphatic system has been studied extensively. These studies lack precise information on the natural morphology of the lymph nodes and their vascular and cellular constituent. This is due to using improper technique for such studies. A few studies used the SEM, conducted by cutting the lymph node with a blade. The morphological data collected by this method are artificial and do not reflect the normal three dimensional surface of the examined area of the lymph node. SEM has been used to study the lymph vessels and lymph nodes of different animals. No information on the cutaneous lymph nodes of the goat has ever been collected using the scanning electron microscope.


2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.


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