The time(s) of the photographed

2019 ◽  
Vol 10 (2) ◽  
pp. 195-206 ◽  
Author(s):  
Reza Tavakol

The relationship between the photographic and optical images and time has been the subject of great deal of debate. Despite their differences, what many of these considerations have in common is their focus on the receiver, whether mechanical (the camera), biological (the eye‐brain as the optical receiver), social or the memory and imagination of the observer. My aim here is to shift the emphasis from the receiver to the object or vista that is photographed or viewed and to explore how the constraints implied by our modern understanding of the Universe, concerning space and time, impact on the way we perceive photographic and optical images. Viewed from this perspective, photographs can be treated as light projections of sections of the four-dimensional observable world onto two-dimensional spatial photographic or viewing surfaces. I shall show that despite the severe reduction that such projections imply, these modern considerations have the important consequence of bestowing a complex temporality upon optical images, including photographs. This realization dramatically changes the way we view photographs. I give examples of this rich temporality through considerations of terrestrial images ‐ and more significantly images of the Sky, where these temporal effects are far more pronounced.

Author(s):  
Laurence Raw

The relationship between translation and adaptation has remained problematic despite the appearance of two books on the subject. The difficulty lies in understanding how both terms are culturally constructed and change over space and time. Chapter 28 suggests that there is no absolute distinction between the two; to look at the relationship between translation and adaptation requires us to study cultural policies and the way creative workers respond to them, and to understand how readers over time have reinterpreted the two terms. The essay considers the lessons ecological models of learning in collaborative micro-cultures have to offer adaptation scholars and translation scholars alike.


2019 ◽  
Vol 31 ◽  
pp. 207
Author(s):  
Mikel Gago Gómez de Luna

Resumen: El objetivo de este trabajo es estudiar la relación entre J. César y D. Bruto en relación con los idus de marzo en la obra de R. Syme, así como la recepción de la visión del historiador oxoniense en esta materia. A tal fin, comenzaremos realizando una contextualización del tema sobre el que versa el escrito acusando la existencia de un cambio ostensible en el interés de Syme sobre César a partir de 1960. Seguidamente, efectuaremos un análisis de los trabajos del investigador neozelandés en los que se interesó por la cuestión César-Décimo. Y, en fin, estudiaremos los principales estudios que, tras Syme, han retomado el aspecto de la relación entre el dictador y Décimo. Syme reivindica un mayor peso en el cometido de Décimo en la trama criminal de los idus de marzo, y, a su juicio, la hipótesis de atribuir la paternidad de Décimo a César explica mejor el favor que aquel disfruto por parte de este durante toda su carrera. Las contribuciones de Syme allanarán el camino a futuras investigaciones, ora para suscribir sus tesis, ora para discrepar de ellas.Palabras clave: Ronald Syme, Julio César, Décimo Bruto, Historiografía, Historia de Roma.Abstract: The aim of this paper is to study the relationship between J. Caesar and D. Brutus in regard to the Ides of March in the work of R. Syme and the reception of his views on this matter. To this end, we will start contextualizing the subject of the work, noting the existence of an appreciable change in Syme’s interest in Caesar from 1960. Then, the analysis will take up the work of Syme, in which he addresses the issue of Caesar-Brutus. Finally, a review will take in the main works that, after Syme, have resumed the work on this relationship between Caesar and Brutus. Syme claimed Brutus to have played a more significant role in the criminal plot of the Ides of March, and he thinks that the hypothesis of attributing the paternity of Brutus to Caesar explains better the favour that Brutus enjoyed under Caesar throughout his career. Syme’s contributions will pave the way for future researchs, sometimes to concur with his thesis, sometimes to disagree with them.Key words: Ronald Syme, Julius Caesar, Decimus Brutus, Historiography, Roman History.


2020 ◽  
pp. 228-240
Author(s):  
Christopher J. Insole

This chapter shows how central it is, for Kant, that the concept of God only comes downstream from, and after, the possibility of belief in the ‘moral world’. This moral world is the realm of freedom, wherein autonomy is possible. Only if (deterministic) space and time do not go ‘all the way down’, are freedom, and autonomy, possible. If space and time are ‘things-in-themselves’, Kant asserts, ‘then freedom cannot be saved’ (A536/B564). Only if there is a dimension of reality beyond mechanism, is end-setting, and so autonomy, and the highest good possible. Not even God could achieve the highest good in a universe without end-setting, and without freedom, because this universe would be a sort of ‘desert’ with no ‘inner value’. The sequence of thought we find, both in the second Critique, and in other texts is this: first of all, Kant identifies a need for happiness in proportion to virtue; then Kant identifies the obstacle to the realization of such happiness, which is the mechanistic and deterministic structure of nature; and then Kant moves to the solution, which involves leaning into the realm of freedom, which realm includes God. The significance of the third phase in the progression of thought (the realm of freedom) has not been sufficiently considered, it is argued, when considering the Kant’s ‘moral proof’, and the relationship, for Kant, between morality, the highest good, and God.


Author(s):  
Filippo Sabetti

This article attempts to take stock of the state of research on democracy and culture by providing answers to several sets of questions. It seeks to improve the understanding of the relationship between culture and action, and between political culture and democratic outcomes. The article begins by exploring the way the literature has dealt with the possible meaning of culture and political culture and their relationship to action. It also suggests why there has been little contribution to democracy derived from political culture research, and identifies how the efforts to rethink how and why the subject matter is approached in certain ways led many analysts to break out of established epistemological demarcations. This eventually led to the reinvigorated tools of investigation and research on democracy and civic culture. The article concludes with a discussion on the implications of improved tools of investigation for future research.


2020 ◽  
Vol 4 (01) ◽  
pp. 79-97
Author(s):  
Achmad Khusnul Khitam

  This paper deals with a very specific problem in term of the relationship between sound and its meaning in the Qur’an. As a scripture revealed with Arabic language as its medium, the Qur’an often uses some words or sentences that have an intimate relation between its meaning and the way of its expression. It means that the sounds which construct those words or sentences have a huge rule to determine meaning, and therefore, a single word or sentence which is expressed by using different voices may produce different meaning. This paper shows that the Qur’an has a very intimate relation between sounds which construct words or sentences and their meaning. It covers some parts of segmental and suprasegmental phonemes discussion in linguistics tradition, including the preference of phonemes, intonation, stress, juncture and so on. This research based on library research, a research proceed by gathering some facts from various books, articles, and other literatures related to the subject. This research combines semantic and phonological approach with analytic description method. From this research, it is found that the words or sentences of the Qur’an have some ways to express its voices or phonemes which construct words and sentences in order to show certain meaning. It means that some words or sentences of the Qur’an produce certain meaning based on the preference of its phonemes or voices.


2021 ◽  
Vol 11 (1) ◽  
pp. 1-34
Author(s):  
James Bryson

In 1924 C.S. Lewis began work on a doctoral dissertation, the subject of which was to be the Cambridge Platonist Henry More (1614–1687). A number of scholars gloss this important moment in Lewis's intellectual and spiritual journey, and some offer penetrating, if cursory, analysis of how Lewis's close reading of More would have helped to shape the young scholar's philosophical and theological imagination. These important contributions notwithstanding, the influence of More and, by extension, the Platonic tradition longue durée are not properly understood in Lewis scholarship. This article argues that Cambridge Platonism and Henry More in particular were a crucial part of Lewis's initiation into, and appropriation of, the Platonic tradition. The tradition of Platonism to which the Cambridge Platonists introduced Lewis shaped the way he thought about a number of topics central to his own moral, philosophical, and religious outlook, including the relationship between the moral and the numinous, and imagination and reality, but also pneumatology, angelology, and his understanding of the supernatural, miracles, prophetic wisdom, and, especially, the nature of love.


1882 ◽  
Vol 11 ◽  
pp. 162-173 ◽  
Author(s):  
A. Macfarlane

§ 1. In my previous papers on this subject I used the relationship terms, not in a representative but in a class sense; for instance, cA was employed to denote the children of the man A, and U was employed to denote the total assemblage of mankind, or a limited portion of that assemblage. I have found it useful for the purpose on hand to analyse these symbols into their component elements. Let U denote a man representatively, that is, any man, then mankind is appropriately represented by ΣU, where Σ has its ordinary mathematical meaning of taking the sum. Also UA is the appropriate mathematical expression for the man who has the name A, and A standing by itself is to be regarded as a contraction for UA. This notation is useful where, as in the present case, the universe of the investigation is composed of individuals; but since the universe may be continuous in its nature, by taking U to denote the whole, a more general basis is given to the Algebra of Logic, and accordingly I adopted that notation in my work on the subject.


2006 ◽  
Vol 23 (1) ◽  
pp. 9-26 ◽  
Author(s):  
Clare Amos

AbstractThe article begins by explaining the reason for the author's selection of the motif of reconciliation as a key to understanding Genesis in missional terms. She draws attention to the fact that though 'reconciliation' is often linked to mission, in reality the theological connections between mission and reconciliation are not always clearly spelt out. Additionally Robert Schreiter's seminal work on the subject has largely ignored the Old Testament.The article then identifies the key episodes in Genesis where reconciliation is explored, that between Jacob and Esau and that between Joseph and his brothers. She draws attention to the way that these two scenes are in effect the climax of a motif which has run through the entire book, the relationship between 'pairs', and particularly between brothers. The article suggests that the theme of reconciliation as it is explored in Genesis offers a significant challenge to a too ready focus on particularity.


2016 ◽  
Vol 33 (3) ◽  
pp. 217-225 ◽  
Author(s):  
Abdolghader Assarroudi ◽  
Abbas Heydari

SummaryResearch is an approach with which human beings can attempt to answer questions and discover the unknowns. Research methodology is something that is determined by the researcher’s attitude toward the universe as well as by the question he is trying to answer. Some essential questions regarding the research process are: “What is the nature of reality?”, “What is the nature of the relationship between the scholar and the subject of interest?”, and “How can one understand the subject, and what are the methods?”. Research approaches can be categorized as quantitative and qualitative. In the former, measurement, prediction, and control are the bases, while in the latter, exploring, describing, and explaining the phenomena are fundamental. Among qualitative research methods, phenomenography is one of the newest methods. However, in spite of proving to be useful in various disciplines, it has yet to become popular, and many scholars mistake it for phenomenology. The focus of phenomenography is on what is known as the second-order perspective and the different ways that people can experience the same phenomenon, while phenomenology primarily emphasizes the first-order perspective and the similar essences that are derived from various experiences. This article aims to provide a better understanding of phenomenography through explaining it and comparing it with phenomenology in order to facilitate its proper and timely application in medical studies.


2021 ◽  
Vol 21 (61) ◽  
pp. 25-38
Author(s):  
Alexandra Dias Fortes

Aldo Rossi offers a captivating account of the relationship between human life and material forms. Rossi says that he came to “the great questions”, and to his discovery of Ludwig Wittgenstein and Georg Trakl through Adolf Loos (Rossi 1982: 46). I will outline some connections between Loos, Trakl, and Wittgenstein that might help us to grasp the way in which Rossi’s assertive attitude concerning architecture gradually leans towards “forgetting architecture”. (The goal is not to try and justify how they might have influenced Rossi; rather the aim is to try to understand Rossi’s work with those connections as a backdrop; to outline a constellation of affinities.) The running thread being the internal relation between the object and the subject, i.e., “construction and the artist’s own life” (Lombardo 2003: 97). I will conclude by considering architectural form on the page, that is to say, in Rossi’s plans, “a graphic variation of the handwritten manuscript”, and drawings, “where a line is no longer a line, but writing” (Rossi 1981: 6), and finally by considering what he says about his architecture, namely, that it stands “mute and cold,” though it will still “creak” (Rossi 1981: 44), and give rise to “new meanings”.


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