Comparisons between Forms of Visual Narration

Author(s):  
Maaheen Ahmed

After tracing the means of generating openness in comics in the genres discussed in the previous chapters, the last chapter of analyses concentrates on related visual narratives such as illustrated novels and artists’ books. This chapter begins with two comics, or graphic novel versions, of literary texts, City of Glass and Dr. Jekyll and Mr. Hyde. These comics’ adaptations are compared with the transposition of Franz Kafka’s stories in Dave Mairowitz and Robert Crumb’s Introducing Kafka and Oliver Deprez’s version of The Castle. The chapter ends with a discussion of the variety of complex relationships (between words and images as well as images alone) and the role of materiality in artists’ books, comparing them with those discernible in more open comics in order to show how both incorporate indirect and multivalent word-image relationships to create greater interpretational scope, which is frequently complemented by aesthetic appeal.

Author(s):  
Lena Wånggren

This book examines late nineteenth-century feminism in relation to technologies of the time, marking the crucial role of technology in social and literary struggles for equality. The New Woman, the fin de siècle cultural archetype of early feminism, became the focal figure for key nineteenth-century debates concerning issues such as gender and sexuality, evolution and degeneration, science, empire and modernity. While the New Woman is located in the debates concerning the ‘crisis in gender’ or ‘sexual anarchy’ of the time, the period also saw an upsurge of new technologies of communication, transport and medicine. This book explores the interlinking of gender and technology in writings by overlooked authors such as Grant Allen, Tom Gallon, H. G. Wells, Margaret Todd and Mathias McDonnell Bodkin. As the book demonstrates, literature of the time is inevitably caught up in a technological modernity: technologies such as the typewriter, the bicycle, and medical technologies, through literary texts come to work as freedom machines, as harbingers of female emancipation.


Author(s):  
Laura Quick

This chapter argue that ritual behaviours might be just as good a source as literary texts for the diffusion of traditional cursing and treaty material across different cultures in the ancient Near East. In particular, the role of ad hoc oral Targum in the ritual process could have been an important means by which traditions were shared between different language communities. Recognition of the ritual context of this material also provides insights for the comparative method, the dating and authorship of Deuteronomy 28, and the subversive impetus thought to have stood behind its composition. Ultimately, the function of the written word in a largely oral world is shown to be fundamental to understanding the composition, function and the early history of the curses in the book of Deuteronomy.


Author(s):  
Johannes Riquet

The Aesthetics of Island Space discusses islands as central figures in the modern experience of space. It examines the spatial poetics of islands in literary texts (from The Tempest to The Hungry Tide), journals of explorers and scientists (such as Cook and Darwin), and Hollywood cinema (e.g. The Hurricane and King Kong), tracing how islands have offered vivid perceptual experiences as well as a geopoetic oscillation between the poetic energies of words and images and the material energies of the physical world. Its chapters focus on America’s island gateways (e.g. Roanoke and Ellis Island), tropical islands (e.g. Tahiti and imagined South Sea islands), the islands of the Pacific Northwest, and mutable islands (e.g. the volcanic and coral islands in Wells’s fiction). The book argues that the modern voyages of discovery posed considerable perceptual challenges to spatial experience, and that these challenges were negotiated via the poetic engagement with islands. Postcolonial theorists maintain that islands have been imagined as geometrical abstractions subjected to the colonial gaze. There is, however, a second story of islands in the Western imagination which runs parallel to this colonial story: the experience of islands in the age of discovery also went hand in hand with a disintegration of received models of global space. Rethinking (post-)phenomenological, geocritical, and geopoetic theories, The Aesthetics of Island Space suggests that the modern encounters with islands as mobile and shifting territories implied a diversification of spatial experience, and explores how this disruption is registered and negotiated by non-fictional and fictional responses.


Author(s):  
Beata Zagórska-Marek ◽  
Magdalena Turzańska ◽  
Klaudia Chmiel

AbstractPhyllotactic diversity and developmental transitions between phyllotactic patterns are not fully understood. The plants studied so far, such as Magnolia, Torreya or Abies, are not suitable for experimental work, and the most popular model plant, Arabidopsis thaliana, does not show sufficient phyllotactic variability. It has been found that in common verbena (Verbena officinalis L.), a perennial, cosmopolitan plant, phyllotaxis differs not only between growth phases in primary transitions but also along the indeterminate inflorescence axis in a series of multiple secondary transitions. The latter are no longer associated with the change in lateral organ identity, and the sequence of phyllotactic patterns is puzzling from a theoretical point of view. Data from the experiments in silico, confronted with empirical observations, suggest that secondary transitions might be triggered by the cumulative effect of fluctuations in the continuously decreasing bract primordia size. The most important finding is that the changes in the primary vascular system, associated with phyllotactic transitions, precede those taking place at the apical meristem. This raises the question of the role of the vascular system in determining primordia initiation sites, and possibly challenges the autonomy of the apex. The results of this study highlight the complex relationships between various systems that have to coordinate their growth and differentiation in the developing plant shoot. Common verbena emerges from this research as a plant that may become a new model suitable for further studies on the causes of phyllotactic transitions.


2021 ◽  
Vol 12 (1) ◽  
pp. 301-313
Author(s):  
Jennifer Boum Make

Following the increase in migratory flows since 2015, in the Euro-Mediterranean region, bandes dessinées are mobilized to stir up compassion and prompt engagement with marginalized biographies. It begins with the premise that aesthetic approaches of bandes dessinées reveal a testing zone to juxtapose modalities of representation and expression of refugees and ways to interact with otherness. To interrogate the relationship between aesthetic devices and the formation of solidarity, this article considers the first volume of Fabien Toulmé’s trilogy, L’Odyssée d’Hakim: De la Syrie à la Turquie (2018). How does Toulmé’s use of aesthetic devices make space for the other, in acts of dialogue and exchange? What are the ethical implications for the exercise of bearing witness to migrant and refugee narratives, especially in the transcription and translation in words and drawing of their biographies? This article argues that visual narratives can provide for the creation of a hospitable testimonial space for migrants and refugees’ voices. The article outlines the aesthetic methodology deployed in graphic storytelling, reflects on what it means for the perception of refugees, and questions the use and ethical appeal of visual narratives as a form to curate hospitality.


2018 ◽  
Vol 22 (2) ◽  
pp. 264
Author(s):  
Indrė Žakevičienė

The author of the article will discuss the problem of validity thinking about the basic statements of Literary Ethics. Though the problems Literary Ethics emphasizes are global and at the same time rather abstract, the efforts of literary researchers to educate readers with the help of novels are understandable but seem ineffectual. Young readers are not capable of understanding complicated texts of the previous century because of the different contents of their mental spaces or the different schemes of thinking. Literary Ethics speaks about the importance of the role of emotions while reading novels, but the spectrum of primary emotions young readers experience while reading complicated literary texts blocks all the ways to deeper understanding and the ability to analyze specific ethical issues encoded in the novels. The theory of emotions explains the situation and in a way rehabilitates young readers. Nevertheless, particular transformations of genres or of the original form of literary texts could evoke the readers’ interest and make them think deeper or extend the realm of interpretations by relating particular “genre markers” and rethinking their codes.


2016 ◽  
Vol 11 (7) ◽  
pp. 292
Author(s):  
Abdelhakim Ben Ali

<p>The objective of our research is to show the role of “game theory” as a scientific discipline permitting better explanation of the nature of complex relationships between the different stakeholders of the company. Motivated by the current discussions on the choice of the composition of the college auditors, we try to study the combination of auditors to ensure a better audit quality; and to demonstrate the gains and losses of the two players in the game studied during the period 2005-2010.</p>The empirical results reveal that the best audit quality is conditioned by the presence of pair heterogeneous auditors (Big4_Non Big4). Added to that, the audit quality is affected by a high level of audit fees, minimizing the debt ratio, a large reflection of the business performance and financial means to enable it to meet the economic crises that surround it.


2021 ◽  
Vol 5 (S4) ◽  
Author(s):  
Viktoriia Oliinyk

The relevance of the research is due both to the lack of research that would comprehend a graphic novel as an independent phenomenon and subject of art history, the youth of the genre, and its relative non-proliferation in the Ukrainian literary space. The vast majority of Russian publications touch on the analysis of specific graphic novels in the context of modern literary studies, which focuses on the narrative and ideological components of individual works without taking into account the role of the visual component for the genre as a whole. Theoretical analysis and practical application of new synthetic methods and means of transmitting visual socio-cultural codes are of value not only in the context of design but also for other multimodal-oriented industries. The structural approach is the main approach to the study of this problem, which uses the methods of linguistics and semiotics, bringing them to the meta-level regarding design, as well as discursive analysis, in the subject field of which there is a question of the cultural and historical conditionality of a graphic novel as a genre and the nature of its perception. 


2020 ◽  
pp. 161-172
Author(s):  
Agnieszka Miernik

This text’s main objective is to introduce the assumptions of the Jungian depth psychology to the bibliotherapeutic process. Bibliotherapy as an interdisciplinary method using psychology and literary studies enriched with the theory of integral psychology formulates a new theoretical perspective and constitutes a proposition of holistic view of bibliotherapy. The extension of the theoretical basis of bibliotherapy will help to augment the therapeutic effect, activate the unconscious (the sphere neglected in school education), and strengthen psyche. Integral bibliotherapy shall create conditions to expand the dialogue between the rational side and unconscious one, and it will contribute to a positive stimulation of the integration processes. Providing archetypal patterns reflecting the rules of life in culture, and drawing attention to the regulatory role of literary works, will enrich both the intellectual and spiritual side of the development of the participant of the bibliotherapeutic process. Archetypal content present in literary texts studied by the participant according to the bibliotherapeutic procedure will achieve an integral orientation focused on the humanistic dimension of existence.


Babel ◽  
2021 ◽  
Vol 67 (2) ◽  
Author(s):  
Pilar Ordóñez-López

Abstract In recent years, attempts have been made to unveil the role of women in the history of translation and have brought to light women’s contributions to translation, which had generally been overlooked in mainstream discourse on the history of translation. This study focuses on Zenobia Camprubí’s (1887–1956) contribution to translation. Camprubí, the wife of the Spanish poet and Nobel laureate Juan Ramón Jiménez (1881–1958), translated literary and non-literary texts extensively from English into Spanish. In order to critically evaluate her impact as a translator, a thorough analysis is carried out, based on a mixed range of sources, such as newspapers, private correspondence, previous studies on Camprubí’s work as a translator, and contemporary research on translation history. The results provide new insights regarding into the reception of Camprubí’s translations at the time of publication (characterized by frequent comments with value judgments typically for women as well as unfounded questioning of her role as a translator), her unusual and distinctive (co-)translation method, and her presence in contemporary translation literature. Ultimately, this study reveals how, despite her undoubted commitment to translation, Camprubí never really stepped out of her husband’s shadow, which is, regrettably, the case of many other women translators.


Sign in / Sign up

Export Citation Format

Share Document