scholarly journals Kesenian Tradisional Sebagai Sarana Strategi Kebudayaan di Tengah Determinasi Teknologi Komunikasi

2017 ◽  
Vol 12 (1) ◽  
pp. 90
Author(s):  
Agus Maladi Irianto
Keyword(s):  
Cultural Identity ◽  
Everyday Life ◽  
Human Behavior ◽  
Adaptive Strategy ◽  
Specific Role ◽  
Communications Technology ◽  
Traditional Art ◽  
Performing Art

Traditional art in this paper is seen as cultural identity for its sup­ported community, that has a specific role socially and ritually. The supported community, in ad­dition, believes that this traditional art is not only acted as an entertainment, but also a facilitator for their hopes and prays. Despite some changes have influenced the differences of style and vari­ation in the performing art, however, the changes themselves are the manifestation of adaptive strategy had from the supported community to preserve and conservetraditional art. Determination of communications technology or the exposure of communications technology present in the midst of society and influence the worldview and human behavior in everyday life.

scholarly journals The Development of Jathilan Performance as an Adaptive Strategy Used by Javanese Farmers

2016 ◽  
Vol 16 (1) ◽  
pp. 38 ◽  
Author(s):  
Agus Maladi Irianto
Keyword(s):  
Literature Review ◽  
Cultural Identity ◽  
Field Study ◽  
Qualitative Method ◽  
Adaptive Strategy ◽  
Specific Role ◽  
Traditional Art ◽  
Fundamental Nature ◽  
Central Java ◽  
Performing Art

<p>This paper is aimed at describing adaptive strategy used by supported community to preserve and develop <em>Jathilan</em>, Javanese traditional ritual art performance. In describing the aim, the most fundamental nature and meaning attached in the artistic performance had been studied. Qualitative method was employed through literature review and field study. This study located in Magelang Regency, Central Java. The <em>Jathilan</em> in this paper is seen as cultural identity for its supported community, that has a specific role socially and ritually. The supported community, in addition, believes that this traditional art is not only acted as an entertainment, but also a facilitator for their hopes and prays. Despite some changes have influenced the differences of style and variation in the performing art, however, the changes themselves are the manifestation of adaptive strategy had from the supported community to preserve and conserve <em>Jathilan</em> performing art.</p>

GAMBUS PASER PERFORMANCE AS A CULTURAL LITERACY ENHANCEMENT OF PASER CULTURE FOR INDONESICAN CAPITAL RELOCATION TO EAST BORNEO

2021 ◽  
Vol 1 (4) ◽  
pp. 341-346
Author(s):  
Asril Gunawan
Keyword(s):  
Qualitative Research ◽  
Analytical Method ◽  
Coastal Area ◽  
The Other ◽  
Cultural Literacy ◽  
Music Literacy ◽  
Traditional Art ◽  
Other Hand ◽  
Performing Art

Gambus Paser music is one among traditional perfoming arts belongs to Paser tribe. Contextually, gambus Paser performing art cannot be detacted from its socio-culural since it geographically affects the characteristic of that cultural music. Generally, the culture of Gambus Paser music has its various values according to its various geographical dispositions. Geographically varied characteristic of Gambus Paser music is reflected on the interpretation of the music especially on the style of pentengan (picking technique) and the lyric of Gambus song. Gambus Paser music is also characteristically identified by the use of that pentengan style. On the other hand, coastal area also affects Gambus Paser characateristic which tends to be expressive and dynamic. Conceptually speaking, this research is qualitative research with descriptive analytical method. This research focuses on Gambus Paser performing art as the cultural (music) literacy enhancement. The purpose is to analyze the form of Gambus Paser performance as Paser cultural literacy. The result shows that literature related to Paser art is still hardly found, while on the other hand, we have also found how potential this performance as sustainable literacy and identity enhancement for Paser community to welcome the Indonesian capital relocation to East Borneo. A concrete step which is taken is to documenting and disseminating the Gambus Paser performance to create a cultural literacy and a sustainable traditional art.

scholarly journals 'To do or not to do'? The neurobiology of decision-making in daily life: I. Getting the basics

2007 ◽  
Vol 1 (1) ◽  
pp. 10-17 ◽  
Author(s):  
André Palmini ◽  
Victor Geraldi Haase
Keyword(s):  
Decision Making ◽  
Everyday Life ◽  
Theory And Practice ◽  
Moral Issues ◽  
Temporal Perspective ◽  
Prefrontal Cortical ◽  
Cortical Regions

Abstract The constant conflict between decisions leading to immediate pleasurable consequences versus behaviors aiming at long-term social advantages is reviewed here in the framework of the evolutionary systems regulating behavior. The inescapable temporal perspective in decision-making in everyday life is highlighted and integrated with the role of the executive functions in the modulation of subcortical systems. In particular, the representations of the 'non-existent' future in the prefrontal cortical regions and how these representations can bridge theory and practice in everyday life are addressed. Relevant discussions regarding the battle between emotions and reasons in the determination of more complex decisions in the realm of neuroeconomics and in moral issues have been reserved for a second essay.

scholarly journals Thinking in colors

2021 ◽  
pp. 12-38
Author(s):  
Nikolai Aleksandrovich Kormin
Keyword(s):  
Cultural Identity ◽  
Color Harmony ◽  
Color Determination ◽  
The World ◽  
New Interpretation ◽  
The Aesthetic ◽  
First Time ◽  
Philosophy Of Arithmetic

This article reveals the philosophical grounds of the aesthetics of color, analyzes the correlation between the structures of philosophical and artistic comprehension of coloristics. Interaction of philosophy and art as the forms of cultural identity manifests in the sphere of intellectual understanding of the perception of color and its semantics in painting. In the hidden logic of contemplation of color, can be traced the outlines of the problematic of transcendental and intelligible in art conditions for the aesthetic approach towards chromatic space. Color creates the visual beauty, thus it is apparent why the aesthetic knowledge seeks to clarify to which extent we can assess the experience of color &ndash; the result of coloration of light. The art itself creates the so-called color ontology of the world. First the first time, the beauty of color and its perception are analyzed in the context of correlation between art and transcendental traditions of philosophizing &nbsp;(Descartes, Kant, early Husserl &ndash;&nbsp; his work &ldquo;The Philosophy of Arithmetic&rdquo;) that allows matching the key to a new interpretation of the tradition of color. Determination of its meaning requires comparing history and structure of the philosophical and artistic metaphor of color. It is demonstrated that the phenomenon of color is of crucial significance for the aesthetics, as it implies not only comprehension of the problem of correlation between nature and art, but also cognition of the beauty of color, its universal value for all forms of art, profound structures of perception of coloristic phenomena, picturesque unveiling of the color harmony of the painting.

scholarly journals The virtual return of "fourth" and "fifth" generation migrants

2006 ◽  
pp. 77-88
Author(s):  
Stjepan Gredelj
Keyword(s):  
Cultural Identity ◽  
Everyday Life ◽  
Cultural Background ◽  
Capital Investments ◽  
Know How ◽  
Fifth Generation ◽  
Mother Country ◽  
Insight Into

The main aims of the project are twofold: the first one is to get insight into scope, structure, everyday life, opinions and plans of our people who live abroad as the fourth and fifth generations of emigrants, specially those who left the country during 90s. The second is checking and recording their preparedness for "return" to mother-country through complex set of activities and arrangements: return (repatriation), capital investments, know-how and skills investments, preservation and strengthening cultural identity of our people abroad and development their links with the ethnic/cultural background and inheritance.

Emblems of Cultural Identity in Early Andean Art

2018 ◽  
pp. 131-155
Author(s):  
Yumi Park Huntington
Keyword(s):  
Cultural Identity ◽  
Social Group ◽  
Formal Analysis ◽  
Traditional Art ◽  
Complex Interactions ◽  
Ritual Space ◽  
Private Context ◽  
Cultural Networks ◽  
Historical Methods ◽  
Trade Partners

This chapter employs the traditional art historical methods of formal analysis and iconography to understand head motifs engraved on Cupisnique ceramics that were made between 1200 and 200 BCE. Rather than characterizing a small social group operating in isolation, these motifs and objects serve as indicators of cultural identity, affiliation, and transmission, expressing complex interactions between neighboring cultures. In other words, the head motifs on Cupisnique ceramics display the cultural networks inside of which the Cupisnique people saw themselves. Through conscious combination of various techniques and symbols appropriated from other cultures, Cupisnique artists created innovative objects unique to their own society. In particular, the Cupisnique people combined the post-firing engraving techniques of the Chorrera and Machalilla cultures of Ecuador with head motifs appropriated from the architectural friezes of Huaca de los Reyes, a public ritual space, to create small, personal items. These objects with imagery and techniques appropriated into a new, private context become a key distinction of the Cupisnique culture against its neighbors, antecedents, and trade partners.

Qasab: Kutch Craftswomen’s Producer Co. Ltd.

2018 ◽  
Vol 22 (02) ◽  
pp. 255-277
Author(s):  
Shweta Mittal ◽  
Vishal Gupta ◽  
Manoj Motiani
Keyword(s):  
Sustainable Development ◽  
Cultural Identity ◽  
Social Entrepreneurship ◽  
Social Innovation ◽  
Social Entrepreneur ◽  
Ethnic Communities ◽  
Traditional Art ◽  
The Social ◽  
Social Venture ◽  
The Impact

The ‘Qasab’ case is designed to teach students about the characteristics of social entrepreneurship and the impact it has on the society. It also describes how sustainable development and social innovation are interlinked. ‘Qasab’ was an organization whose main focus was to preserve the traditional art of the Kutch region. The case describes the genesis and the journey of ‘Qasab,’ how it preserved the traditional art forms, and the personality traits of Pankaj Shah (the social entrepreneur who started ‘Qasab’). The case talks about the problems faced by the artisans in the region, which led to the formation of this social venture. Also, it touches upon the HR challenges faced by a social entrepreneur. At the time this case was written, ‘Qasab’ had become a collective enterprise comprising 1,200 rural master craftswomen from 11 ethnic communities spread across 62 villages in the arid interiors of Kutch and has been formally structured and registered as a ‘Producer Company’ owned by traditional craftswomen. ‘Qasab’ included different communities such as — ‘Mutwa’, ‘Sodha Rajput’, ‘Jat-Daneta’, ‘Meghwal’, ‘Sindhi Memon’, ‘DhebariyaRabari’, ‘KacchiRabari’, ‘Ahir’, ‘Halepotra’, ‘Sumra,’‘Hingorja’ and ‘Pathan’ — that had distinct embroidery styles and emphasized maintaining these styles (since the embroideries were an integral part of their cultural identity) — to preserve their unique identities. ‘Qasab’ was known for its outstanding quality of authentic Kutch embroidery, appliqué and patchwork products, its hallmark being traditional motifs reflecting the cultural identity of each community in contemporary designs through items of premium quality. ‘Qasab’ had made artisans stakeholders in the organization and was able to preserve the distinct art of each community. The case is based on the theme of social entrepreneurship and analyzes the process of the emergence of such enterprises, their importance and the factors that lead to their success and sustainability. Students can assess how these organizations are different from other types of organizations. The case should help students to find the parameters that show that social innovation and sustainable development are interlinked. The case can be used to study the business model of social innovation.

Research on and Inheriting the Cultural Identity of the Rural Settlement in Northern Part of Shaanxi Province

2011 ◽  
Vol 368-373 ◽  
pp. 3465-3468
Author(s):  
Hao Zhong Yang ◽  
Han Yi ◽  
Shao Rui Wang
Keyword(s):  
Built Environment ◽  
Cultural Identity ◽  
Everyday Life ◽  
Social Factors ◽  
Field Research ◽  
Rural Settlement ◽  
Shaanxi Province ◽  
General Character ◽  
Rural Settlements ◽  
Traditional Architecture

This paper, taking the example of the rural settlement in north Shaanxi province, explores the effective approaches to preserving the traditional architecture and its culture and concentrates on study and protection of the cultural characteristics of the built environment. The paper serves to emphasize the investigation into the cultural identity of the physical and mental environment closely related to everyday life in a built environment, specialty and uncertainty of the cultural traits in a particular area and analyses of the interrelated social factors. The paper is established in the field research into a typical village in a particular area and comparative analysis of the general character and individuality of the cultural identity, resulting in a highly targeted concrete protection strategy. There are various factors that could have effects on the cultural identity of the physical and mental environment closely related to everyday life in a built environment, among which social factors are fairly dominant. The rural settlements embody the traditional cultural contexts in quite a few different aspects. Thus, it is of actual significance to formulate a corresponding inheriting strategy based on seeking for their influencing factors and embodiments.

Explaining Economic Change: The Interplay Between Cognition and Institutions

Legal Theory ◽  
1997 ◽  
Vol 3 (3) ◽  
pp. 211-226 ◽  
Author(s):  
Jack Knight ◽  
Douglass North
Keyword(s):  
Economic Theory ◽  
Everyday Life ◽  
Rational Choice ◽  
Human Behavior ◽  
Rational Choice Theory ◽  
Choice Theory ◽  
Basic Problem ◽  
Economic Change ◽  
Theory And Practice ◽  
Social Explanation

Economic theory is built on assumptions about human behavior—assumptions embodied in rational-choice theory. Underlying these assumptions are implicit notions about how we think and learn. These implicit notions are fundamentally important to social explanation. The very plausibility of the explanations that we develop out of rational-choice theory rests crucially on the accuracy of these notions about cognition and rationality. But there is a basic problem: There is often very little relationship between the assumptions that rational-choice theorists make and the way that humans actually act and learn in everyday life. This has significant implications for economic theory and practice. It leads to bad theories and inadequate explanations; it produces bad predictions and, thus, supports ineffective social policies.

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