scholarly journals Thinking in colors

2021 ◽  
pp. 12-38
Author(s):  
Nikolai Aleksandrovich Kormin
Keyword(s):  
Cultural Identity ◽  
Color Harmony ◽  
Color Determination ◽  
The World ◽  
New Interpretation ◽  
The Aesthetic ◽  
First Time ◽  
Philosophy Of Arithmetic

This article reveals the philosophical grounds of the aesthetics of color, analyzes the correlation between the structures of philosophical and artistic comprehension of coloristics. Interaction of philosophy and art as the forms of cultural identity manifests in the sphere of intellectual understanding of the perception of color and its semantics in painting. In the hidden logic of contemplation of color, can be traced the outlines of the problematic of transcendental and intelligible in art conditions for the aesthetic approach towards chromatic space. Color creates the visual beauty, thus it is apparent why the aesthetic knowledge seeks to clarify to which extent we can assess the experience of color – the result of coloration of light. The art itself creates the so-called color ontology of the world. First the first time, the beauty of color and its perception are analyzed in the context of correlation between art and transcendental traditions of philosophizing  (Descartes, Kant, early Husserl –  his work “The Philosophy of Arithmetic”) that allows matching the key to a new interpretation of the tradition of color. Determination of its meaning requires comparing history and structure of the philosophical and artistic metaphor of color. It is demonstrated that the phenomenon of color is of crucial significance for the aesthetics, as it implies not only comprehension of the problem of correlation between nature and art, but also cognition of the beauty of color, its universal value for all forms of art, profound structures of perception of coloristic phenomena, picturesque unveiling of the color harmony of the painting.

scholarly journals Satirical Weekly “Iskra”: Post-Folklore, Post-Irony and Post-Modern

2021 ◽  
Vol 20 (6) ◽  
pp. 19-34
Author(s):  
A. E. Kozlov
Keyword(s):  
Literary Criticism ◽  
Russian Empire ◽  
Left Wing ◽  
General Audience ◽  
Post Modernism ◽  
The Everyday ◽  
New Interpretation ◽  
The Russian Empire ◽  
The Aesthetic ◽  
First Time

Purpose. The reputation of the satirical weekly Iskra is traditionally determined by the political context of the Russian Empire in 1860s. Despite the fact that in the first years of its existence, the publication attracted writers of various fractions, views, and convictions, Iskra was perceived as a radical magazine, “…another department of Sovremennik”. Moreover, Iskra’s defamations and attacks against provincial and capital officials, and writers have become an inte gral part of the everyday life of the 1860s. Individual articles and whole issues have been banned and censored, though this policy only promoted and strengthened the reputation of weekly. Later, reflecting the importance of the magazine, the Soviet literary criticism established a typological relationship between Iskra by Kurochkines brothers and the left-wing newspaper of the same name published by V. I. Lenin at the beginning of the 20th century. This article attempts to reinterpret Iskra, implying a “weakening” of the sociological and political aspects of interpretation in favor of the aesthetic ones.Results. The article put forward a hypothesis that publications such as Charivari, Punch, and Iskra can be considered from perspective of modern discursive practices: post-folklore (the phenomenon of variable text and multiple authorship), post-modernity (discrediting the classical heritage or its carnival rethinking) and post-irony (deconstruction of modern leaders of opinion, self-exposure). Based on the study of prosaic and poetic parodies and satire, graphic texts - cartoons and serials (comics), the author analyzes the specificity of the construction and presentation of Russian reality as an anti-world. The article contains fragments of prose and poetic feuilletons by D. D. Minaev, V. P. Burenin, and M. Stopanovsky, many of which are published for the first time.Conclusion. Iskra as a product of the polemical journalism of the Russian Empire in 1860s displayedan experience of a new aesthetics (a kind of anti-aesthetics), synthesizing schoolchildren (cartoons) and decadent subcultures (Baudelaire translations). Apparently, the 8000 subscribers included not only a radical and democratic reader but also a general audience, equally tired of the official tone of government periodicals and the moralizing of the progressive camp. Demonstrating Russian life as the so-called ‘antiworld’, Iskra proposed a version of “carnival liberation”, which was probably reflected in the poetics of many contemporaries: M. E. Saltykov-Shchedrin, N. S. Leskov, F. M. Dostoevsky. In this regard, the issue of post-folklore, post-modernism, post-truth, and post-irony on the pages of Iskra rather remained unresolved. However, the change in perspective, it seems to us, enables reinterpretation of the previously collected data, allowing us to give a new interpretation. 

scholarly journals Research on a new spectrophotometric method for determinating trace amounts of fluoride

2019 ◽  
Vol 17 (12.1) ◽  
pp. 24
Author(s):  
Khuê Võ Anh
Keyword(s):  
Optimum Condition ◽  
Spectrophotometric Method ◽  
Xylenol Orange ◽  
Factors Affecting ◽  
Yellow Color ◽  
Red Color ◽  
Limit Of Quantitation ◽  
The World ◽  
First Time

A new spectrophotometric method for determinating trace amounts of fluoride has been introduced in this article. The principle of the method is based on the reaction of fluoride with a complex of aluminum ion and xylenol orange reagent (Al-XO). The concentration of fluoride in water is determined by measuring the red color of the Al-XO complex at 555 nm or measuring the yellow color of the XO reagent at 430 nm. The factors affecting the method for the determination of fluoride were examined. At the optimum condition, the limit of quantitation of this method is 0.08-2.1 mg/L. Based on an analysis of fluoride in the actual samples, the error of the method is less than 6%. A new point of this article is that this is the first time the type of calibration curve graph A = f (logC) in the spectrophotometric method (where: A – absorption; log - logarithm; C – concentration of fluoride) has been used in the world.

Cambrian series 3 agnostoid trilobites Ptychagnostus sinicus and Ptychagnostus atavus from the Machari Formation, Yeongwol Group, Taebaeksan Basin, Korea

2015 ◽  
Vol 89 (3) ◽  
pp. 377-384 ◽  
Author(s):  
Paul S. Hong ◽  
Duck K. Choi
Keyword(s):  
Principal Component ◽  
Taebaeksan Basin ◽  
The World ◽  
Principal Component Analyses ◽  
Machari Formation ◽  
First Time

AbstractThis paper reports the successive occurrence of Ptychagnostus sinicus Lu, 1957 and Ptychagnostus atavus (Tullberg, 1880) from the lower part of the Machari Formation, Yeongwol Group, Korea. Morphometric approaches of using the landmark and principal component analyses make it possible to differentiate P. sinicus from P. atavus with clarity: pygidia of P. sinicus have a relatively narrow M1, a transverse F2, and a weakly developed M2 tubercle, whereas those of P. atavus are characterized by a broadly arching M1, a chevron-shaped F2, and a prominent M2 tubercle. Recognition of P. atavus, for the first time in Korea, allows the determination of the base of the Drumian Stage in Korea and aids correlation with other parts of the world.

scholarly journals The functionality of comic techniques in the novel “The Days of Savely” by Grigory Sluzhitel

Neophilology ◽  
2021 ◽  
pp. 467-474
Author(s):  
Marina M. Glazkova
Keyword(s):  
Main Idea ◽  
World Order ◽  
The Novel ◽  
The World ◽  
Child Perception ◽  
New Interpretation ◽  
Changing Role

We investigate the comic as a special artistry mode, which consists in identifying at the compositional level the structural functionality of comic techniques when depicting the “inconsis-tency of the world order” on the example of the novel by G.M. Sluzhitel “The Days of Savely” with the help of characters playing their roles and changing role masks to show the relativity of everything in the world, except for the absoluteness of love as the most important category of eternity. We show that in the novel “The Days of Savely” various types of comic are used: direct and hidden mockery, laughter symbolism of details, stylization and fusion of various vocabulary layers, intertextual inclusions, new interpretation of precedent phenomena, etc. We substantiate the concept that the functionality of comic techniques in the work of Grigory Sluzhitel is extensive. The most important functions of the comic are: the ubiquitous images characterization; identifying the main “core” of the protagonist character and other heroes of the novel; interpretation of the events taking place in the “The Days of Savely” through the prism of the “wise child” perception – Savva cat; determining or predicting the fate of characters; expression of the author’s worldview, formulation of the work main idea; determination of the relativity of earthly life by playing various images in comparison with them.

scholarly journals Ways of religious-moral self-determination of the people and peculiarities in the "word about the Law and Grace" of Hilarion

2004 ◽  
pp. 119-127
Author(s):  
O.V. Marchenko
Keyword(s):  
Cultural Identity ◽  
Self Determination ◽  
Modern World ◽  
Moral Self ◽  
Cultural Life ◽  
The People ◽  
Cultural Self ◽  
The One ◽  
First Time

The globalization changes that are taking place in the modern world, on the one hand, actualize the desire to erase all sorts of borders, and on the other - the passionate desire to preserve at the same time their ethno-cultural and personal identity, which, of course, implies the elucidation of national and cultural identity. people, the peculiarities of his mentality, which is most clearly expressed in philosophical thought. Strengthening the process of political and cultural self-identification of Ukraine, the awareness of our culture as an organic component of world-wide forms of cultural life, makes it urgent to address its origins, in particular, the spiritual culture of Kievan Rus, where for the first time the issues of self-determination of the people and personality in the context of attaching to Christianity were raised.

scholarly journals The emergence of radar in different countries: comparative-historical analysis

2020 ◽  
pp. 51-73
Author(s):  
Nina Borisova
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
Historical Analysis ◽  
Evolutionary Process ◽  
Military Operations ◽  
The World ◽  
History Of ◽  
Range Core ◽  
First Time

The subject of this research is the activity of participants of the first radar projects in the pioneer countries (Soviet Union, United States, Great Britain, Germany), aimed at creation of prototype models and improvement of technical characteristics of new equipment. The goal consists in determination of the role of Soviet works in the genesis of radar. The evolutionary process of creation of the first radars, unfolded in the prewar period (1930s), is viewed individually for each country, with identification of differences and similarities. At the time of joining the World War II, all countries were armed with dozens of radars of meter and decimeter wavelength ranges, which were not too distant and accurate. Invention of a powerful multi-resonant magnetron of centimeter wavelength range (" core " of the radar) became a revolutionary event, since the transition to the centimeter range was capable to improve the radar parameters for successful accomplishment of military operations. Special attention is given to the little-known events in the history of this invention. Comparative analysis of the origin of radar in different countries (including foreign research), which was carried out for the first time, proves that the unique construct of the Soviet multi-resonant magnetron Alekseev-Malyarov had a priority, and perhaps, copied by other countries. The research results consists in illustration of the origin of radar overall, and Soviet contribution to the world history of radar in particular. Popularization of national scientific and technological achievements by the mass media, museum and educational activities may become the sphere of application of the obtained knowledge.

SEROPREVALENCE OF HIV AND HBsAg AMONGST BLOOD DONORS IN A TERTIARY CARE HOSPITAL, CHHATTISGARH.

2019 ◽  
Vol 3 (8) ◽  
Author(s):  
Anusha P ◽  
Bankar Nandkishor J ◽  
Karan Jain ◽  
Ramdas Brahmane ◽  
Dhrubha Hari Chandi
Keyword(s):  
Hepatitis B ◽  
Blood Donors ◽  
Hepatitis B Surface Antigen ◽  
Tertiary Care ◽  
Laboratory Diagnosis ◽  
Blood Bank ◽  
Care Hospital ◽  
Medical College ◽  
The World ◽  
First Time

INTRODUCTION: India being the second highly populated nation in the world. HIV/AIDS has acquired pandemic proportion in the world. Estimate by WHO for current infection rate in Asia. India has the third largest HIV epidemic in the world. HIV prevalence in the age group 15-49 yrs was an estimate of 0.2%. India has been classified as an intermediate in the Hepatitis B Virus (HBV) endemic (HBsAg carriage 2-7%) zone with the second largest global pool of chronic HBV infections. Safety assessment of the blood supply, the quality of screening measures and the risk of transfusion transmitted infectious diseases (TTIs) in any country can be estimated by scrutinizing the files of blood donors. After the introduction of the blood banks and improved storage facilities, it became more extensively used. Blood is one of the major sources of TTIs like hepatitis B, hepatitis C, HIV, syphilis, and many other blood borne diseases. Disclosure of these threats brought a dramatic change in attitude of physicians and patients about blood transfusion. The objective of this study is to determine the seroprevalence of transfusion transmitted infections amidst voluntary blood donors at a rural tertiary healthcare teaching hospital in Chhattisgarh. MATERIAL AND METHODS: This retrospective study was carried out in Chandulal Chandrakar Memorial Medical College, Kachandur, Durg. Blood donors were volunteers, or and commercial donors who donated the blood and paid by patients, their families, or friends to replace blood used or expected to be used for patients from the blood bank of the hospital. After proper donation of blood routine screening of blood was carried out according to standard protocol. Laboratory diagnosis of HIV 1 and HIV 2 was carried out by ELISA test. Hepatitis B surface antigen was screened by using ELISA. RESULTS: A total of 1915 consecutive blood donors’ sera were screened at Chandulal Chandrakar Memorial Medical College, blood bank during study period. Of these 1914 were male and 1 female. The mean age of patients was found to be 29.34 years with standard deviation (SD) of 11.65 Years. Among all blood donors in present study, 759(39.63%) were first time donors and 1156(60.37%) were repeated donors. 1 patient was HIV positive in first donation group while 3 (75%) were positive in repeat donation group. 7 (38.9%) were HBsAg positive in in first donation group while 11(61.1%) were positive in repeat donation group. Two patients in first donation group had dual infection of HIV and HBsAg. CONCLUSION: Seropositivity was high in repeated donors as compared to first time donors. The incidence of HIV is observed to be 0.2% and that of HBsAg is 0.94%. Strict selection of blood donors should be done to avoid transfusion-transmissible infections during the window period.

First report of Rinamba opacicollis Cameron (Hymenoptera: Braconidae, Doryctinae) in India as parasitoid of coffee stem borer, Xylotrechus quadripes (Chevrolat) (Coleoptera: Cerambycidae)

ENTOMON ◽  
2020 ◽  
Vol 44 (4) ◽  
pp. 311-314
Author(s):  
A. Roobakkumar ◽  
H.G. Seetharama ◽  
P. Krishna Reddy ◽  
M.S. Uma ◽  
A. P. Ranjith
Keyword(s):  
Integrated Control ◽  
Host Record ◽  
Stem Borer ◽  
Arabica Coffee ◽  
First Report ◽  
The World ◽  
First Time

Rinamba opacicollis Cameron (Hymenoptera: Braconidae) was collected from Chikkamagaluru, Karnataka, India for the first time from the larvae of white stem borer, Xylotrechus quadripes Chevrolat infesting arabica coffee. Its role in the biological or integrated control of X. quadripes remains to be evaluated. White stem borer could be the first host record of this parasitoid all over the world.

PERSPECTIVE DEVELOPMENT OF WORLD PRODUCTION OF FEEDS FOR AQUACULTURE: ALTERNATIVE SOURCES OF RAW MATERIALS

2017 ◽  
pp. 67-78
Author(s):  
Lina Yurievna Lagutkina
Keyword(s):  
Raw Materials ◽  
Limiting Factors ◽  
Current Status ◽  
Feed Production ◽  
The World ◽  
Market Trends ◽  
Alternative Sources ◽  
World Industry ◽  
First Time ◽  
A Current

The author of the article discloses the prospects of development of the world feed production for aquaculture based on the analysis of key innovative technological and market trends. The author specifies that shortage, high cost, low ecological compatibility of traditional raw materials - fish flour - are among major limiting factors in the development of production of feeds for aquaculture. This fact, in turn, limits sustainable development of aquaculture both in Russia, and in the world in general. The article presents the overview of a current status of the world industry of feed production in aquaculture, where the regional situation is studied, as well. For the first time, there is given the outlook of innovative technologies in feed production based on the alternative sources of protein (on the example of projects of leading aquabiotechnological companies) which will determine industry’s objectives for the mid-term perspective.

History Turmoil And Politico-Cultural Conditions of the Sub-Continental Men In Salman Rushdie’s Midnight’s Children

2015 ◽  
Vol 2 (2) ◽  
pp. 26-28
Author(s):  
Gunasekaran N ◽  
Bhuvaneshwari S
Keyword(s):  
Middle Class ◽  
Salman Rushdie ◽  
Fiction Writing ◽  
Pluralistic Society ◽  
Post Colonial ◽  
Cultural Conditions ◽  
The World ◽  
Midnight's Children ◽  
First Time

Salman Rushdie remains a major Indian writer in English. His birth coincides with the birth of a new modern nation on August 15, 1947. He has been justly labelled by the critics as a post-colonial writer who knows his trade well. His second novel Midnight’s Children was published in 1981 and it raised a storm in the hitherto middle class world of fiction writing both in English and in vernaculars. Rushdie for the first time burst into the world of fiction with subversive themes like impurity, illegitimacy, plurality and hybridity. He understands that a civilization called India may be profitably understood as a dream, a collage of many colours, a blending of cultures and nationalities, a pluralistic society and in no way unitary.

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