A Review of the Iris Recognition Methods Used for the Individual Authentication

2020 ◽  
Vol 8 (6) ◽  
pp. 16-27
Author(s):  
Amina A. Abdo ◽  
Ahmed O. Lawgali ◽  
Mohamed Abdalla

The automatic iris recognition has become one of the most important techniques for authenticating the identity of individuals. The analysis of human iris is a reliable tool for the individual authentication due to the iris structure. Iris patterns constitute one of the uniqueness, permanence, and performance biometric traits. Moreover, the iris is considered as not easily tampered biometric traits. Therefore, this paper considers investigating the common automated methods of iris recognition. It surveys the development of utilizing iris images as an authentication means through the explanation of the historical improvement of the processes of the iris analysis. The contribution of this paper is to provide readers with huge information collected and discussed from more than 40 papers of iris recognition studies which have been published in a period of more than 20 years.

2014 ◽  
Vol 3 (2) ◽  
pp. 10
Author(s):  
Anna Sedrak Hovakimyan ◽  
Siranush Gegham Sargsyan ◽  
Arshak Nazaryan

Human iris is  a good subject of biometrical identification, since  iris patterns are unique like fingerprints. Iris is well protected against damage, unlike fingerprints, which can be harder to recognize after years of certain types of manual labor.A problem of iris recognition is considered in the paper. In machine learning, pattern recognition is the assignment of a label to a given input value. Pattern classification is an example of pattern recognition: it attempts to assign each input value to one of a given set of classes. Nowadays various techniques are used for this purpose, and in particular artificial neural networks.For iris recognition problem solving  Kohenen Self Organizing Maps are suggested to use. The software for iris recognition is developed  which is customizable and allows to select the appropriate parameters of the neural network to obtain the most satisfactory results. The developed Self-Organizing Map Library of classes can be used for various kinds of object classification problem solving as well as for any problems suitable to solve with Self-Organizing Maps.


Biometric identification is highly reliable for human identification. Biometric is a field of science used for analyzing the physiological or behavioural characteristics of human. Iris features are unique, stable and can be visible from longer distances. It uses mathematical pattern-recognition techniques on video images of one or both iris of an individual's. Compared to other biometric traits, iris is more challenging and highly secured tool to identify the individual. In this paper iris recognition based on the combination of Discrete Wavelet Transform (DWT), Inverse Discrete Wavelet Transform (IDWT), Independent Component Analysis (ICA) and Binariezed Statistical Image Features (BSIF) are adopted to generate the hybrid iris features. The first level and second level DWT are employed in order to extract the more unique features of the iris images. The concept of bicubic interpolation is applied on high frequency coefficients generated by first level decomposition of DWT to produce new set of sub-bands. The approximation band generated by second level decomposition of DWT and new set of sub-bands produced by second level decomposition of DWT are applied on IDWT to reconstruct the coefficients. The ICA 5x5 filters and BSIF are adopted for selecting the appropriate images to extract the final features. Finally based on the matching score between the database image and test image the genuine and imposters are identified. Using CASIA database, training and testing of the features is performed and performance is evaluated considering different combinations of Person inside Database (PID) and Person outside Database (POD).


2019 ◽  
Vol 8 (4) ◽  
pp. 2225-2230

The iris biometrics is an important biological feature of the human. The iris is the part of human eye. The human eye consists of many features. Iris is one of the unique features of human eye. In this paper we propose an algorithm to extract the features of iris. The existing algorithms are based on combined biological features of iris. We are going to introduce separate biological features and extract them one by one using suitable algorithms. The proposed method is used to extract the biological features of human iris. The proposed method uses crypts, pigment layers, and Wolfflin nodules features of iris. Each feature is extracted initially and suitable feature selection algorithm is identified. The manual cropping is initially applied in the eye image which extracts iris layer. The manual cropping is further applied on iris to locate the biological layers. Canny edge detection is applied on each iris feature. The FAST, SURF, MinEigen, BRISK, and MSER feature points are collected from each biological layer. The MinEigen extracts 218 feature points from the crypt layer. The BRISK extracts 161 and 89 feature points from the pigment and Wolfflin nodules. The proposed system can be used in iris recognition system all over the world for various authentication and security purposes. The individual feature extraction helps to make the recognition system more secure and accurate as compared to the existing systems which uses combined biological features. Thus, the proposed system is advantageous as compared to the existing systems and the efficiency will also be high if it is used for iris recognition.


Author(s):  
Sergii Golubnychyi

The organic combination of music and choreography in the conception of ballet performances thanks to co-creation of the conductor and the choreographer is considered. Insufficient research of the chosen theme, the need for a thorough analysis of the implementation of ballet performances in traditional and untypical conditions are detected. The specifics of conducting practice in opera and ballet theater are compared. The common features and differences in conducting techniques and approaches in the specified types of arts are outlined. The crucial role of the orchestra in the reproduction of the inner and outer life of stage characters in a ballet performance is clarified. The task of the conductor in the work on the score of the ballet performance and in identifying the line of its stage action is singled out. The interaction of dance parties and orchestra in traditional and non-traditional locations of ballet performances is analyzed. The attention is given to the specifics of the conductor's work in these conditions, the accompaniment of ballet, taking into account the difficulties of choreography. Conducting techniques in simultaneous performance of ballet parts by dancers and an orchestra in traditional circumstances of demonstration of performances are illustrated. The peculiarities of the conductor 's work in non-traditional locations of ballet performances are investigated. Conducting approaches to the realization of ballet performances in non-standard conditions of their demonstrations are determined on the basis of the experience of leading artists and the author of the article. Emphasis is placed on the need to find individual solutions to ensure the simultaneous performance of parts by the orchestra and dancers. It is proved that in traditional conditions to achieve the integrity of the orchestral sound and performance of dance parts, the conductor must take into account the individual characteristics and capabilities of ballet dancers to ensure the appropriate tempo- rhythm. In untypical locations of ballet performances, the conductor must be creative, find individual techniques to ensure his visual contact with the artists, synchronizing their performance with the orchestral sound. 


Author(s):  
Margaret C. Stevenson ◽  
Cynthia J. Najdowski

This introductory chapter provides an overview of the goals of the present volume and a preview of the individual chapters herein. Specifically, it reviews research on various understudied and cutting-edge topics related to the intersection of psychological research and criminal jury decision-making. This research is placed in a real-world context by relating it to actual criminal cases that exemplify each topic addressed in the volume. In doing so, the chapter focuses on the common themes that are reflected in all of the chapters of the volume: the need to understand how issues such as societal attitudinal shifts, technological advances, and juror experiences affect the structure, function, and performance of the modern criminal jury; the merits of implementing legal innovations and practices informed by empirical research; and important avenues for future empirical exploration.


1997 ◽  
Vol 2 (1) ◽  
pp. 13-18 ◽  
Author(s):  
KRISTINE H. BURNS

Over the past five years, a digital community of CD-ROM artists has begun to emerge. The one element that serves as the common thread to this particular community is that these artists and their works are based on a new musical presentation, one fully tied to a visual element, an interactive, exploratory world that is tailored to the individual user's progress through a finite number of elements. In short, although intermedia works have a long history, now the user may explore at his/her own pace. This unique manner of presentation has emerged into the worlds of art music, underground music, and performance art.


Author(s):  
Anthony A. Paparo ◽  
Judith A. Murphy

The purpose of this study was to localize the red neuronal pigment in Mytilus edulis and examine its role in the control of lateral ciliary activity in the gill. The visceral ganglia (Vg) in the central nervous system show an over al red pigmentation. Most red pigments examined in squash preps and cryostat sec tions were localized in the neuronal cell bodies and proximal axon regions. Unstained cryostat sections showed highly localized patches of this pigment scattered throughout the cells in the form of dense granular masses about 5-7 um in diameter, with the individual granules ranging from 0.6-1.3 um in diame ter. Tissue stained with Gomori's method for Fe showed bright blue granular masses of about the same size and structure as previously seen in unstained cryostat sections.Thick section microanalysis (Fig.l) confirmed both the localization and presence of Fe in the nerve cell. These nerve cells of the Vg share with other pigmented photosensitive cells the common cytostructural feature of localization of absorbing molecules in intracellular organelles where they are tightly ordered in fine substructures.


Author(s):  
Andrew M. Yuengert

Although most economists are skeptical of or puzzled by the Catholic concept of the common good, a rejection of the economic approach as inimical to the common good would be hasty and counterproductive. Economic analysis can enrich the common good tradition in four ways. First, economics embodies a deep respect for economic agency and for the effects of policy and institutions on individual agents. Second, economics offers a rich literature on the nature of unplanned order and how it might be shaped by policy. Third, economics offers insight into the public and private provision of various kinds of goods (private, public, common pool resources). Fourth, recent work on the development and logic of institutions and norms emphasizes sustainability rooted in the good of the individual.


Author(s):  
Pete Dale

Numerous claims have been made by a wide range of commentators that punk is somehow “a folk music” of some kind. Doubtless there are several continuities. Indeed, both tend to encourage amateur music-making, both often have affiliations with the Left, and both emerge at least partly from a collective/anti-competitive approach to music-making. However, there are also significant tensions between punk and folk as ideas/ideals and as applied in practice. Most obviously, punk makes claims to a “year zero” creativity (despite inevitably offering re-presentation of at least some existing elements in every instance), whereas folk music is supposed to carry forward a tradition (which, thankfully, is more recognized in recent decades as a subject-to-change “living tradition” than was the case in folk’s more purist periods). Politically, meanwhile, postwar folk has tended more toward a socialist and/or Marxist orientation, both in the US and UK, whereas punk has at least rhetorically claimed to be in favor of “anarchy” (in the UK, in particular). Collective creativity and competitive tendencies also differ between the two (perceived) genre areas. Although the folk scene’s “floor singer” tradition offers a dispersal of expressive opportunity comparable in some ways to the “anyone can do it” idea that gets associated with punk, the creative expectation of the individual within the group differs between the two. Punk has some similarities to folk, then, but there are tensions, too, and these are well worth examining if one is serious about testing out the common claim, in both folk and punk, that “anyone can do it.”


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