scholarly journals Dharma jako praktyczne studium umierania. Przyczynek do studiów nad podstawami mistyki buddyjskiej

2021 ◽  
Vol 17 ◽  
pp. 7-17
Author(s):  
Krzysztof Kosior

Inspired by the Platonic defi nition of philosophy as preparation for death, the author sketches the way indicated by the Buddha (dharma) as an action aimed at ending the elementary circumstances of life. In addition, he tries to show that despite interpretative controversy and changing cultural context, this action is reproduced in the history of Buddhism. So it has solid, unchanging foundations. To make his reasoning clear, the author explains the key concepts present in Buddhist doctrine: dharma, kamma (karman) and skilful means (upaya kauśalya).

2020 ◽  
Vol 7 (1) ◽  
pp. 42
Author(s):  
Dimas Wihardyanto ◽  
Sudaryono Sudaryono

Arsitektur merupakan salah satu produk budaya hasil pemikiran manusia yang mampu menggambarkan secara komprehensif bagaimana hubungan dirinya dengan konteks sosial maupun seting lingkungan yang ada. Tidak terkecuali arsitektur kolonial Belanda di Indonesia. Kolonialisasi di Indonesia terutama yang dilakukan oleh Belanda merupakan salah satu babak sejarah penting di Indonesia karena mampu merubah cara berfikir arsitektur di Hindia Belanda semakin modern mendekati yang terjadi di Barat. Pengaruh modernisme dalam arsitektur tersebut tentunya tidak dapat dilepaskan dari perkembangan cara berfikir masyarakat barat yang bertitik tolak dari cara memandang alam dan manusia melalui pendekatan kategorisasi dan analogi. Setelah melalui kurun waktu yang cukup panjang arsitektur kolonial Belanda di Indonesia akhirnya tidak dapat memaksakan penggunaan arsitektur barat secara penuh. Konteks sosial budaya serta seting lingkungan dan iklim yang berbeda akhirnya mampu mengajak para arsitek untuk mengedepankan cara berfikir yang bertitik tolak pada alam melalui pendekatan analogi alih-alih menonjolkan arsitektur barat sebagai simbol manusia modern melalui pendekatan kategorisasi. Kemunculan arsitektur Indis adalah salah satu buktinya. Selanjutnya melalui metode kajian literatur terhadap sejarah perkembangan filsafat barat, metodologi penelitian arsitektur, dan teori-teori mengenai arsitektur kolonial Belanda di Indonesia peneliti mencoba merunut dan merumuskan bagaimana Posisi keilmuan arsitektur kolonial Belanda di Indonesia dalam konteks sejarah filsafat dan filsafat ilmu. Hasil yang didapatkan dari penelitian ini adalah bahwasanya perkembangan arsitektur kolonial di Indonesia berawal dari cara berfikir dualisme dengan mengambil alam sebagai tidak tolak, kemudian beralih menjadi cara berfikir monisme dengan revolusi industri sebagai latar belakang, dan kemudian kembali ke cara berfikir dualisme dengan menempatkan alam sebagai titik tolak pada abad ke 20.DUTCH COLONIAL ARCHITECTURE IN INDONESIA IN THE HISTORICAL CONTEXT OF PHILOSOPHY AND PHILOSOPHY OF SCIENCE                                                  Architecture is one of the cultural products of human thought that can to comprehensively describe how its relationship with the social context and the existing environmental settings. Dutch colonial architecture in Indonesia is no exception. Colonialism in Indonesia, especially those carried out by the Dutch, is one of the important historical phases in Indonesia because it can change the way of thinking architecture in the Dutch East Indies increasingly modern that is happening in the West. The influence of modernism in architecture indeed cannot be separated from the development of western society's way of thinking, which starts from the way of looking at nature and humans through a categorization and analogy approach. After a long period of time, Dutch colonial architecture in Indonesia finally could not force the full use of western architecture. The socio-cultural context and the different environmental and climatic settings were finally able to invite the architects to put forward the way of thinking that starts with nature through an analogy approach instead of highlighting western architecture as a symbol of modern humans through the categorization approach. The emergence of Indis architecture is one of the proofs. Furthermore, through the method of studying literature on the history of the development of western philosophy, architectural research methodology, and theories about Dutch colonial architecture in Indonesia researchers try to trace and formulate the scientific position of Dutch colonial architecture in Indonesia in the context of the history of philosophy and philosophy of science. The results obtained from this study are that the development of colonial architecture in Indonesia started from the way of thinking of dualism by taking nature as not rejecting, then turning into monism with the industrial revolution as a background, and then returning to the way of thinking of dualism by placing nature as a point starting in the 20th century.


2019 ◽  
Vol 12 (2) ◽  
pp. 129-151
Author(s):  
Antti Saari

Writing qualitative research texts often involves the acknowledgement of the researcher being imbued in the systems of meaning that he or she is studying. This provides a background for incitement to reflexivity, i.e. how one’s own life history and broader cultural context is etched in epistemological and ontological assumptions about the object. This article studies the reflexive style of writing in Michel Foucault’s archaeology of the human sciences, which constantly problematises its own assumptions about studying discourses. His style is described with the analogy of a Moebius strip, highlighting the way the ‘outside’ history of the human sciences turns into the ‘inside’ conditions of possibility for analysing discursive formations in the history of educational research.


2005 ◽  
Vol 22 (4) ◽  
pp. 680-701 ◽  
Author(s):  
MARCUS ZAGORSKI
Keyword(s):  

ABSTRACT Adorno's engagement with postwar music is reflected in the complex history of his reception among composers, theorists, and critics of the time. His work was seen both as pointing the way forward and as hopelessly outmoded, and his ideas were often eagerly adopted only to be transformed into something very nearly their opposite. This tangled and contradictory reception stems in part from misreadings of his texts, but it also parallels his changing positions on the music and ideas of the period. Changes and constants in Adorno's thinking can be seen by comparing two of his central essays on postwar music: ““Das Altern der Neuen Musik”” and ““Vers une musique informelle.”” Key concepts in these essays (and his music philosophy in general) include material, time, subjectivity, and the ethics of new music. An analysis of these essays and concepts reveals that despite relevant changes, Adorno's narrow reading of an Austro-German compositional tradition is a constant that defines the standard for his engagement with postwar music.


Author(s):  
Virginia M. Lewis

Chapter 5 explores the odes for Psaumis of Kamarina and Ergoteles of Himera. After a brief survey of the history of the two cities and the cultural context for the poems, the chapter then argues that Psaumis and Ergoteles offer contrasting examples of the way that Pindar mitigates the status of hybrid citizens in Sicily by writing the victors themselves into their local landscapes and civic ideology that is bound to the landscape. As examples of an immigrant (Ergoteles) and, at least possibly, a Greek of Sikel ethnicity (Psaumis), Ergoteles and Psaumis contrast with the tyrants Hieron and Theron. The poet, it suggests, emphasizes Psaumis’ control of both the landscape and cityscape of Kamarina in Olympian 4 and Olympian 5 and converts him into a quasi-mythical benefactor of the city. On the other hand, Ergoteles, an exiled Cretan, is integrated into the civic fabric of Himera through a bath in the hot springs of the Nymphs. This chapter proposes that Pindar’s emphasis on landscape in the Sicilian odes is a feature that transcends the divide between tyrant and non-tyrant victors. As in the odes for Syracusans and Akragantines, local landscapes in the odes for Kamarina and Himera participate in the formation of civic traditions. It argues, however, that in the cases of odes for victors who are themselves establishing their civic status the victor himself becomes affiliated with the local landscape through Pindar’s poetry.


2018 ◽  
Vol 35 (1-2) ◽  
pp. 111-123
Author(s):  
P. D. Premasiri

The Alagadd?pama Sutta is the 22nd discourse of the Majjhima-nik?ya of the Pali canon. In the sutta itself it is mentioned that the Buddha’s delivery of this discourse was necessitated by the need to refute a wrong view held by one of his disciples named Ari??ha. Parallel versions of the sutta are found preserved in the Chinese ?gamas. The two main similes used in the sutta, those of the snake and of the raft, are referred to in the scriptures of a number of non-Therav?da Buddhist traditions as well, showing that the Buddhist doctrine represented in it is early and authentic and the message contained in the sutta was considered to be extremely significant by many early Buddhist traditions. The Alagadd?pama Sutta shows the Buddha’s role as one of the earliest thinkers in the history of philosophy who engaged in a critique of the craving for metaphysics and dogma frequently exhibited in those who propound worldviews. The Buddha did not value a belief or a worldview on grounds of the logical skill with which it was constructed but on grounds of the transformative effect it could have on the character of an individual and the sense of wellbeing it could promote. There are several discourses of the Pali canon which give prominence to this aspect of the Buddha’s teaching. Among them the Brahmaj?la Sutta of the D?gha-nik?ya and the A??hakavagga of the Suttanip?ta need special mention. The Buddha is seen to have consistently avoided engagement in speculative metaphysics, pointing out that the goal of his teaching goes beyond all such engagement. The Buddha himself distinguished his own worldview as a Teaching in the Middle (majjhena) avoiding the common tendency of humankind to be trapped by either of the two extremes, Eternalism or Annihilationism. These distinctive standpoints of the Buddha are all seen to be amply represented in the Alagadd?pama Sutta.


Author(s):  
Marek Mejor

The Sanskrit term pratītyasamutpāda (Pāli, paṭiccasamuppāda) literally translates as ‘arising [of a thing] after encountering [its causes and conditions]’. This term, conventionally translated as ‘dependent origination’, ‘conditioned co-arising’ or ‘interdependent arising’, signifies the Buddhist doctrine of causality. This doctrine is usually applied to explain the origin of suffering (duḥkha) as well as the means of liberation from it. According to the Buddhist tradition, the Buddha discovered the law of dependent origination during his meditation on the night he attained his awakening. According to traditional accounts, he saw all his former lives and the lives of all other beings, understood the principle governing transmigration, and found the way of liberation. He then formulated the so-called Four Noble Truths, the Eightfold Noble Path and the Law of Dependent Origination. The twelve elements of the chain of dependent origination were designed to explain the mechanism of entanglement of a sentient being in a wheel of consecutive lives, and, at the same time, to explain how this entanglement is possible without admitting the concept of a permanent principle, like ‘self’, ‘ego’, and the like. These twelve members are: (1) ignorance, (2) formations (volitional dispositions), (3) consciousness, (4) name and form, (5) six bases of cognition, (6) contact, (7) feeling, (8) desire, (9) attachment, (10) existence, (11) rebirth, (12) ageing and death. In addition to the twelvefold formula, there is also the so-called ‘general formula’ of dependent origination, which goes ‘when this is, that arises; when this is not, that does not arise.’


Author(s):  
David Ephraim

Abstract. A history of complex trauma or exposure to multiple traumatic events of an interpersonal nature, such as abuse, neglect, and/or major attachment disruptions, is unfortunately common in youth referred for psychological assessment. The way these adolescents approach the Rorschach task and thematic contents they provide often reflect how such experiences have deeply affected their personality development. This article proposes a shift in perspective in the interpretation of protocols of adolescents who suffered complex trauma with reference to two aspects: (a) the diagnostic relevance of avoidant or emotionally constricted Rorschach protocols that may otherwise appear of little use, and (b) the importance of danger-related thematic contents reflecting the youth’s sense of threat, harm, and vulnerability. Regarding this last aspect, the article reintroduces the Preoccupation with Danger Index ( DI). Two cases are presented to illustrate the approach.


Somatechnics ◽  
2012 ◽  
Vol 2 (2) ◽  
pp. 250-262 ◽  
Author(s):  
Oron Catts ◽  
Ionat Zurr

The paper discusses and critiques the concept of the single engineering paradigm. This concepts allude to a future in which the control of matter and life, and life as matter, will be achieved by applying engineering principles; through nanotechnology, synthetic biology and, as some suggest, geo-engineering, cognitive engineering and neuro-engineering. We outline some issues in the short history of the field labelled as Synthetic Biology. Furthermore; we examine the way engineers, scientists, designers and artists are positioned and articulating the use of the tools of Synthetic Biology to expose some of the philosophical, ethical and political forces and considerations of today as well as some future scenarios. We suggest that one way to enable the possibilities of alternative frames of thought is to open up the know-how and the access to these technologies to other disciplines, including artistic.


This volume is an interdisciplinary assessment of the relationship between religion and the FBI. We recount the history of the FBI’s engagement with multiple religious communities and with aspects of public or “civic” religion such as morality and respectability. The book presents new research to explain roughly the history of the FBI’s interaction with religion over approximately one century, from the pre-Hoover period to the post-9/11 era. Along the way, the book explores vexed issues that go beyond the particulars of the FBI’s history—the juxtaposition of “religion” and “cult,” the ways in which race can shape the public’s perceptions of religion (and vica versa), the challenges of mediating between a religious orientation and a secular one, and the role and limits of academic scholarship as a way of addressing the differing worldviews of the FBI and some of the religious communities it encounters.


Author(s):  
Arezou Azad

Covering the period from 709 to 871, this chapter traces the initial conversion of Afghanistan from Zoroastrianism and Buddhism to Islam. Highlighting the differential developments in four regions of Afghanistan, it discusses the very earliest history of Afghan Islam both as a religion and as a political system in the form of a caliphate.  The chapter draws on under-utilized sources, such as fourth to eighth century Bactrian documents from Tukharistan and medieval Arabic and Persian histories of Balkh, Herat and Sistan. In so doing, it offers a paradigm shift in the way early Islam is understood by arguing that it did not arrive in Afghanistan as a finished product, but instead grew out of Afghanistan’s multi-religious context. Through fusions with Buddhism, Zoroastrianism, early Abrahamic traditions, and local cult practices, the Islam that resulted was less an Arab Islam that was imported wholesale than a patchwork of various cultural practices.


Sign in / Sign up

Export Citation Format

Share Document