scholarly journals Podmiot groteskowy w dramatach Olega Bogajewa

2020 ◽  
Vol 45 (2) ◽  
Author(s):  
Agnieszka Juchniewicz
Keyword(s):  
Object Relations ◽  
Postal Service ◽  
The Real ◽  
Language Level ◽  
The Subject ◽  
The Fantastic ◽  
The Relationship ◽  
The Voice ◽  
The Grotesque

The article analyses three dramas written by Oleg Bogayev (The Russian National Postal Service. A Room of Laughter for a Lonely Pensioner; Bashmachkin and Sansara). The purpose of the work was primarily to expose various forms, due to which we can talk about the grotesqueness of the subject, i.e. the relationship I – Others, the violation of the boundary between the categories of significant and signified, subject-object relations, the subject of the act of behaviour and the act of speech as well as the occurrence of the Voice as a separate unit from the subject. The author emphasises the fact that the contemporary figure of the subject has been reduced to the language level and experiences a crisis of self-identification, which in turn leads to the crisis of the drama itself. Comic characters balance between the real and the fantastic world. Their statements are often pictures-simulations, heavily saturated with irony, the grotesque and absurdity.

scholarly journals The specifics of interpretation of the history in the story by A. Doronin «A Wolf Ravine»

2021 ◽  
Vol 11 (1) ◽  
pp. 139-147
Author(s):  
S. V. Sheyanova ◽  
◽  
N. M. Yusupova ◽  
Keyword(s):  
Literary Criticism ◽  
Historical Narrative ◽  
Volga Region ◽  
Psychological States ◽  
The Real ◽  
The Subject ◽  
The Individual ◽  
Relationship Of ◽  
First Time ◽  
The Relationship

Introduction: at present the reader’s audience is particularly interested in creative experiments in which the historical fate of the Russian peasantry in the «turning» eras is artistically comprehended. The article is devoted to the study of the problem-thematic range of modern Mordovian historical prose. The subject of analysis is the peculiarity of the reception of the period of collectivization and dekulakization in the story by Erzyan prose writer A. Doronin «A Wolf Ravine». Objective: to reveal the features of the artistic reconstruction of the events of the 1930s, the modeling of the relationship between a man and society in the story by A. Doronin «A Wolf Ravine».Research materials: the story by A. Doronin «A Wolf Ravine». Results and novelty of the research: the historical story « A Wolf Ravine » for the first time becomes the object of scientific understanding and is introduced into the context of Finno-Ugric literary criticism. A. Doronin artistically interprets the real events and circumstances of the resettlement of dispossessed peasants of the Volga region to the uninhabited steppes of Kazakhstan. As a result of the study, we conclude that the actualization of this problem-thematic cluster is due to the creative concept of the historical writer; the individual author’s approach to the reconstruction of historical narrative can be traced in the writer’s desire to realistically reveal the relationship of personality and society in the tragic 1930s; to analyze intentions of people and of the psychological states of the characters. Problems of a sociopolitical nature, actualized in the story, are filled with philosophical, axiological content, and lead to a multi-faceted understanding of the «man and history» problem.

The Coptic Church in Popular Fiction on the Eve of the Arab Spring:Youssef Ziedan’s Azazeel

2018 ◽  
Author(s):  
Nichole Perera
Keyword(s):  
Popular Fiction ◽  
The Novel ◽  
Academic Scholarship ◽  
The Subject ◽  
Coptic Church ◽  
Significant Addition ◽  
Theological Controversy ◽  
The Arab Spring ◽  
The Relationship ◽  
The Voice

The 5th century CE was a period of intense theological controversy concerning the relationship between the human and divine in Christ. This dispute led to the permanent separation of the Egyptian Coptic church from Imperial Orthodoxy. The events of the 5th century, previously confined to academic scholarship, have recently become the subject of popularizing works like Agora (2009), The Jesus Wars (2010), and 428 AD (2009). The Arabic novel Azazeel (2009), written by the Egyptian Islamic scholar Youseff Ziedan, is a significant addition to these other works. Like The Da Vinci Code in its use of “actual” historical evidence, Azazeel purports to be a compilation of newly discovered Syriac scrolls written by the Coptic monk Hypa, which detail his spiritual trials between 411 and 437 CE. The novel sparked great controversy in Egypt among Coptic Christians for creating a misleading picture of important figures and events in their early history. Copts felt that a Muslim scholar was appropriating the voice of a Coptic monk without clearly signalling it was a work of fiction in order to produce a false account of Coptic origins. Though published before the Arab Spring, it soon became further evidence of the oppressive intentions of the Muslim majority against a Coptic minority in Egypt. Azazeel is different from other similar works in English because the events of the 5th century are still part of the living identity of Copts.

СРАВНИТЕЛЬНО-ИСТОРИЧЕСКИЙ АНАЛИЗ ПОНУДИТЕЛЬНОГО ЗАЛОГА (на материале кыргызского и турецкого языков)

2020 ◽  
pp. 8-12
Author(s):  
Айгүл Турсунова
Keyword(s):  
Point Of View ◽  
The Real ◽  
History Of ◽  
The Subject ◽  
Semantic Point ◽  
Linguistic Methods ◽  
The Relationship

Баарыбызга маалым болгондой аркылуу мамиле этишке мүнөздүү категория. Мамиле категорияларынын эӊ негизги өзгөчөлүгү - кыймыл-аракеттин субъектиси менен объектисинин ортосундагы мамиле, б.а. сүйлөмдө ээлик милдет аткарган сөздүн же кыймыл-аракеттин чыныгы аткаруучусунун субъект же объект экендигин аныктайт. Алардын ичинен аркылуу мамиле кыймыл-аракеттин башка бирөө тарабынан иштелгенин билдирет. Биз бул эмгегибизде кыргыз тилиндеги мамиле категорияларынан - аркылуу мамилени тарыхый жана маанилик жактан анализдемекчибиз. Маанилерди аныктоодо бул мамиленин байыркы Көктүркчөдөн азыркы убакка чейинки басып өткөн жолу талданып, кандай лигвистикалык методдор менен түзүлөрүнө да кеӊири токтолдук. Макалабызда кыргыз тили менен түрк тили негизге алынды. Категория залога - есть необходимая категория языковой мысли, присущая общению. Важнейшей особенностью категорий залога является отношение между субъектом и объектом действия. В предложении данная категория определяет, является ли реальный исполнитель слова или действия, выполняющий функцию, субъектом или объектом, и означает ли что действие было разработано кем-то другим. В этой статье мы проанализируем категорию залога с исторической и семантической точек зрения в кыргызском языке. Определяя значения, мы будем анализировать историю этих залогов от древнего Коктюрского времени до наших дней и подробно обсуждать лингвистические методы, с помощью которых они сформированы. Наша статья основана на материале кыргызского и турецкого языков. The collateral category is a necessary category of linguistic thought inherent in communication. The most important feature of the categories of collateral is the relationship between the subject and the object of the action. In a sentence, this category determines whether the real performer of a word or action performing a function is a subject or an object, and means that the action was designed by someone else. In this article, we will analyze the category of collateral from a historical and semantic point of view in the Kyrgyz language. By defining the meanings, we will analyze the history of these pledges from ancient Cocturian times to the present day and discuss in detail the linguistic methods by which they were formed. Our article is based on the material of the Kyrgyz and Turkish languages.

scholarly journals The Voice and the Gaze as ‘objet petit a’

2021 ◽  
Vol 13 (4) ◽  
Author(s):  
Utsav Banerjee ◽  
Keyword(s):  
English Translation ◽  
Symbolic Order ◽  
The Real ◽  
The Gaze ◽  
Objet Petit A ◽  
The Subject ◽  
The Voice ◽  
Lost Object

Repression of the Real is a function of the coming-into-being of the Symbolic Order. That which is repressed resurfaces in the Symbolic, thereby threatening its order. What resurfaces is the non-repressible remainder, an excess that can neither be conceptualized nor can be eliminated. This remainder of the Real is what Lacan refers to as objet petit a or simply objet a. Objet is French for object, petit is French for small, and a is the first letter in the French autre, meaning other. In casual English translation, therefore, the objet a is essentially the small other. For Lacan, the objet a is a signifier of the Real that is lost in the process of symbolic constitution of the subject which resurfaces in the Symbolic Order. Its name is a misnomer in that it is not an object at all. It is rather a non-object because what is originarily lost is nothing—the original loss or the lost object is only a retroactive construction. And it is this loss that becomes the cause of desire, precisely because of the fact as a loss/lack it provides the necessary immaterial basis for desire—we desire what we have lost or currently lack. In other words, objet a is the object-cause of desire. It is equivalent of the partial object in Freud. Freud speaks of three partial objects—namely, breasts, faeces, and phallus; in Lacan, we find two more—namely, the voice and the gaze. This paper examines the voice and the gaze as objet a in Lacan.

scholarly journals IRONY AND FANTASY

2020 ◽  
pp. 116-126
Author(s):  
D. Ajdačić
Keyword(s):  
Real World ◽  
Literary Fiction ◽  
Ontological Status ◽  
Fictional World ◽  
The Real ◽  
What Is Said ◽  
Starting Point ◽  
The World ◽  
The Subject ◽  
The Relationship

The absence of a typology of irony in the theory of fiction stems from the fact that irony and fiction differently form and transform reality – fiction is a kind of fictional depiction of amazing worlds or phenomena. On the contrary, irony does not create worlds; in it, the subject comments on reality, adding another vision, a vision with a reassessment and deviation from what is said or presented. Irony can comment on the realities of different ontological status, that is, irony can relate to the real world and the fictional world, whether it is real or amazing. Fantasy transforms the world – it distorts, destroys or completes, or builds new worlds, and irony already adds a different vision to the ideas and views presented, regardless of whether they are real or fictional. The terminological and literary-theoretical aspects of the use of irony in works of literary fiction are discussed in the text. Dragan Stojanović’s book “Irony and Meaning” and the author’s terms “Ironical Focus” and “Meaning Pressure” are used as a theoretical starting point. After highlighting the touchpoints of irony and fiction and their special qualities and roles, is proposed a typology of the use of irony in fiction that separates ironic actions concerning the real world, the marvelous world and problematizing the relationship between the real and the marvelous world.

scholarly journals The possible impact of animals on Job’s body image: A psychoanalytical perspective

2021 ◽  
Vol 77 (2) ◽  
Author(s):  
Pieter Van der Zwan
Keyword(s):  
Body Image ◽  
Object Relations ◽  
Significant Others ◽  
The Body ◽  
Object Relations Theory ◽  
Book Of Job ◽  
Cultural Aspect ◽  
The Subject ◽  
External Stimuli ◽  
The Relationship

The body plays an important role in the book of Job – as do animals. According to psychoanalytical specifically object-relations theory, a subjective body image was partly constructed through the internalisation of external stimuli from significant others who mirrored the subject through their feedback or through their own bodies, which served as an ideal or critique to the subject. Amongst the external stimuli, animals constitute such significant others. Animals could therefore have impacted Job’s subjective body image, particularly as their bodies were described in detail by God as a response to Job’s complaints and searching.Contribution: Two theoretical and interrelated problems were acknowledged although they cannot be satisfactorily solved: the cultural aspect of the body image and the relationship to animals.

The Ontology of the Subject in Digitalization

2013 ◽  
pp. 45-63 ◽  
Author(s):  
Anna Croon Fors
Keyword(s):  
Digital Age ◽  
The Self ◽  
The Real ◽  
The World ◽  
Contemporary Life ◽  
The Subject ◽  
The Relationship

This chapter is about the ontology of subjects in digitalization. Questions of ontology emerge as a response to contemporary concerns about the ways digitalization is transforming our lives. In this chapter the author’s suggestion is that any understanding of digitalization and its relationship to identity and/or subjectivity need to be considered within a more general horizon of ontology such as for instance suggested by post-representational views on the relationship between identity, self and technology (Badio 2006, Barad 2003; 2007; 2010, Heidegger 1977, Hekman 2010, Pickering 1995; 2011). The chapter highlights three broad principal responses characterizing contemporary entanglements of the self and digitalization contemporary life (Technoselves) – Disclosure, Performativity, and the Real. These three responses are each exploratory illustrated as well as theoretical bracketed by among others Heidegger’s thinking on technology (Heidegger 1977). The chapter tentatively concludes that contemporary digitalization brings the subject back to fundamental ways of existence—that of being-in-the-world (Heidegger, 1996/1927: 49–58). As such, the author contends that any considerations regarding the ontology of the subject in the digital age need to take serious non-modern stances on existence in the search for new imaginaries of the world and the subject’s becoming.

The Trained Particles Circus: Dealing with Attractors, Automatons, Ghosts and Their Shadows

Leonardo ◽  
2019 ◽  
Vol 52 (4) ◽  
pp. 389-394
Author(s):  
Patxi Araujo
Keyword(s):  
Virtual Worlds ◽  
Physical Reality ◽  
The Real ◽  
The Fantastic ◽  
Light And Shadow ◽  
The Relationship

The Trained Particles Circus proposes an improbable, precarious and potentially dangerous meeting place caged between the real and the virtual worlds. Embodied in the relationship between synthetic biomechanics and an automaton, it recreates the figure of the circus artist, the puppet with its own life or the fantastic animal; and it places us as spectators into a contemporary spectacle of hybrid and augmented subjects that conjugate light and shadow, fake and magic, virtual and physical reality, machine and organism [1].

Study on the Relationship between Amount of Printing Ink and the Reproduction of Tone

2015 ◽  
Vol 731 ◽  
pp. 291-294
Author(s):  
Pu Jun Deng ◽  
Bo Cheng Cai ◽  
Yu Wang
Keyword(s):  
The Real ◽  
Solid Density ◽  
Printing Quality ◽  
Dot Gain ◽  
Fine Control ◽  
The Subject ◽  
Dot Density ◽  
Printing Ink ◽  
The Relationship ◽  
Printing Machine

During the process of printing, the relation between ink amount and the reproduction of tones is focused. There are errors in the results, because the solid density is the subject while there are some difficulties in controlling of ink amount. If it is done in the real production and fine control of ink, the effect of ink amount on the tone replication of the different dot area rate are analyzed, it will be better to provide the basis of printing quality. The experiments were done in the printing machine of Heidelberg SM 52. The ink amount is increased by 5% once to print for many times. According to these samples, this paper is got the results of density of different dot to different ink amount, dot gain and contrast, the laws and the relationship between ink amount change and the tone replication. The research results show that there are different laws between ink amount and dot density , ink amount and dot gains. The solid density is determined by analysis of contrast.

scholarly journals Trying Not to Lie...and Failing: Autoethnography, Memory, Malleability

2015 ◽  
Author(s):  
John Freeman
Keyword(s):  
Real World ◽  
The Real ◽  
Neutral Process ◽  
Research Findings ◽  
The Subject ◽  
Key Participants ◽  
The Relationship

All research is experiential, whether this is the experience of reading in the library or observing in the field. Autoethnographers take experience into narratives and are themselves key participants in their research, and often also its subject. For autoethnographers the idea of research as a neutral process is abandoned in favour of a self-reflective form that explores the researcher's perspective on the subject in question. Autoethnography inevitably negotiates the relationship between the stories we want to tell and the histories we have lived through; between the necessary fictions of publication/presentation and the real world experiences we draw upon. This article questions whether we can ever tell our experiences truthfully. This article questions what it might mean to write oneself into research findings and narrative reports, and it asks what happens when one's self goes further and becomes the research. It offers perspectives and provocations which are informed but not bound by autoethnography's extant body of thought and readers are invited on a brief journey through self-writing as it relates to the vagaries of memory and the illusion of truth.

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