scholarly journals НАРАТИВНІ СТРАТЕГІЇ В РОМАНІ ІЛЛАРІОНА ПАВЛЮКА БІЛИЙ ПОПІЛ

2021 ◽  
Vol 9 (1) ◽  
pp. 121-130
Author(s):  
Ołena Weszczykowa
Keyword(s):  
The Novel ◽  
Narrative Strategies ◽  
Narrative Strategy ◽  
Private Detective ◽  
Unreliable Narration

The article is devoted to the analysis of narrative strategies in the debut novel of Illarion Pavliuk White Ashes. Taking into consideration the author’s intention and tracking the influence of the textual indicia on the recipient, the article aims to find out how the narration is organized and what artistic effects the author was trying to achieve. The features of retrodetective and noir as “adrenaline” genres present in the novel are analyzed. The cinematic qualities of the work as a result of the author’s intention is marked. The leading narrative strategy used in the novel, the intertextuality, is highlighted, in particular, the intertextual interaction with the story of M. Hohol Vii, and the influence of intertextems on the reader’s interpretation of the text. The phenomenon of unreliable narration is considered on the basis of the selected material and it is proved that the homodiegetic narrator, private detective Taras Bilyi, is unreliable. The strategy of using prolepsis and provoking the reader’s hesitation which is realized through the formation of doubts about the nature of the artistic convention of the events described, is also examined.

scholarly journals NARRATIVE STRATEGIES IN L. ULITSKAYA ’S NOVEL THE KUKOTSKY ENIGMA

2020 ◽  
Vol 11 (3) ◽  
pp. 65-75
Author(s):  
I.S. Bukal ◽  
Keyword(s):  
Short Stories ◽  
Research Methodology ◽  
Research Result ◽  
The Novel ◽  
Narrative Strategies ◽  
Problem Statement ◽  
Narrative Strategy ◽  
The World ◽  
The Subject ◽  
Points Of View

Problem statement and goal. Lyudmila Ulitskaya is one of the most widely read contemporary Russian authors. L. Ulitskaya’s works are popular not only in Russia, but also in other countries. They arouse genuine research interest both among literary critics and linguists. Currently, there are more than two dozen dissertations, many review chapters in monographs, as well as scientific articles devoted to the analysis of such works of the author as novellas Sonechka, The Funeral Party, Women’s Lies; collections of short stories Poor Relatives, Girls, Gift not made with hands; novels Sincerely your Shurik, Medea and Her Children, Daniel Stein, Interpreter, The Big Green Tent. L. Ulitskaya’s novel The Kukotsky Enigma remains the least studied text of the author. In this article, the content of this novel is analyzed for narratology. The researcher reflects on one of the topical literary problems: the influence of narrative strategies on the reception of the author’s text. The research was based on the works by V. Tyupa, Yu. Lotman, N. Leiderman, and M. Lipovetsky. The research methodology is based on historical-cultural and structural-typological approaches. The subject of the research is the specifics of the implementation of narrative strategies in L. Ulitskaya’s novel The Kukotsky Enigma. Research result. Based on the analysis of L. Ulitskaya’s novel The Kukotsky Enigma, it is shown how the narrative strategy of the work affects its potential reception. Based on the concept by V. Tyupa, who defined the narrative strategy as a set of three equivalent bases (the narrative picture of the world, the narrative modality, and the narrative intrigue), the researcher identifies the changes that the narrative strategy undergoes in the course of the plot development, notes how these changes affect the poetics of the novel and its axiological content. Conclusion. The narrative strategy by which the narrative of the novel in question is organized can be defined as “the strategy of breaking the horizon of readers’ expectations”. Multiple changes in the narrative instance fill the work with a variety of points of view, creates a sense of ghostly, ephemeral events, and encourages the reader to independently search for the truth. The content of the novel is not directly dependent on the chronology of events. Fragments of the story are arranged inversely, segmentally, so that their juxtaposition contributes to the fullest understanding of the content. The narratives presented in the novel actualize the “ontological intrigue”, based on the representation of individual mythopoetic models and revealing the plot of comprehension of truth and purpose.

Helping the novel: Neoliberalism, self-help, and the narrating of the self in Mohsin Hamid’s How to Get Filthy Rich in Rising Asia

2016 ◽  
Vol 52 (1) ◽  
pp. 139-150 ◽  
Author(s):  
Angelia Poon
Keyword(s):  
Modern Technology ◽  
The Self ◽  
Individual Choice ◽  
The Novel ◽  
Historical Contingency ◽  
Narrative Strategies ◽  
Important Place ◽  
Realist Novel ◽  
Self Help ◽  
Vantage Points

Self-help books sell the myth of self-determinism, empowerment and the eternal hope of reinvention, reasons no doubt for their enormous popularity. In this article, I examine Pakistani-born Mohsin Hamid’s latest novel, How to Get Filthy Rich in Rising Asia (2013) which, with its catchy, hyperbolic title signalling its masquerade as a self-help book, openly and ironically advertises itself as a satire. The object of the novel’s satire is the capitalist, neoliberal notion of the self that is predicated on an overweening sense of control and complete agency. Neoliberal subjectivity endorses the care and transformation of the self in order to take best advantage of a market economy, since the means to achieving material affluence is seen simply as a matter of individual choice and personal will. In the novel, Hamid brings into productive tension the conventions and assumptions of the self-help genre with those of the more traditional realist novel in order to interrogate not just the neoliberal self but the very ways in which the self is narrated and constructed. Engaging in particular with the affordances of technology in his novel as a thematic, Hamid appropriates the vantage points and perspectival positions made possible by modern technology to undermine the solipsistic self of the self-help book. He further exploits the narrative energies of the novel form to foreground a sense of historical contingency to lay bare various modes of self-constitution and self-narration. Through his use of metatextual narrative strategies, Hamid raises fundamental questions about the genre of the novel itself and the ways in which it is intimately invested in the insinuation of the development of a self. These questions, I argue, ultimately underline his affirmation of the novel’s important place and the ethical role it can play at this contemporary moment of late and global capitalism.

Multiple Narratives in the Novel

2019 ◽  
pp. 23-38
Author(s):  
Deepra Dandekar
Keyword(s):  
Life Stories ◽  
Religious Conversion ◽  
Social Groups ◽  
Important Case ◽  
The Novel ◽  
Narrative Strategies ◽  
Christian Morality ◽  
Strong Statement ◽  
Emotional Representations

The politics of a multilayered text like The Subhedar’s Son does not lie in its strong statement of ideological issues but in its silences and its emotional representations. Dinkar Shankar Sawarkar, the author of The Subhedar’s Son, deliberately connected Christian morality with specific social groups, according them relative political significance, while disregarding others as morally and spiritually bankrupt. This chapter discusses the various narrative strategies employed by Sawakar in the Marathi novel. It explores how The Subhedar’s Son is simultaneously a Christian narrative and a Brahmin narrative that makes an important case for the Brahmin-Christian contribution to vernacular nativism and nationalism, against colonialism. The chapter describes how the novel stages religious conversion to Christianity as a modern and individualist Brahmin and upper-caste decision, the analysis of which cannot be afforded within structural explorations, but personal motivations and life stories.

From the Harz Mountains to the Atlantic and Back Again

Daphnis ◽  
2017 ◽  
Vol 45 (3-4) ◽  
pp. 620-638
Author(s):  
Matthias Meyer
Keyword(s):  
The Political ◽  
The Novel ◽  
Narrative Strategies ◽  
Harz Mountains ◽  
Narrative Technique ◽  
Production Of Knowledge ◽  
Newspaper Editor

Abtract This essay concerns the newspaper Stolbergische Sammlung neuer und merckwürdiger Weltgeschichte (1735, 1736, 1738), as published by Schnabel, as well as the novel Insel Felsenburg. It focuses on the relation between the production of knowledge and narration. Schnabel’s methods as a newspaper editor are compared with contemporary usage as well as with his narrative technique as a novelist. It is significant how Schnabel makes use of narrative strategies not only in the small news items in the category “Sonderbare [Weltgeschichte]” but also in order to create a coherent narrative in the political sections of his newspaper, spanning longer periods of time.

A Gadamerian perspective on financial crimes

2019 ◽  
Vol 26 (3) ◽  
pp. 836-860
Author(s):  
Michel Dion
Keyword(s):  
Longitudinal Studies ◽  
Codes Of Ethics ◽  
Narrative Strategies ◽  
Narrative Strategy ◽  
Content Type ◽  
Long Run ◽  
Financial Crimes ◽  
Self Interest ◽  
Recreational Vehicles ◽  
The Way

Purpose The purpose of this paper is to see to what extent Hans-Georg Gadamer’s hermeneutic philosophy could be used to unveil how corporate discourse about financial crimes (in codes of ethics) is closely linked to the process of understanding. Design/methodology/approach Corporate ethical discourse of 20 business corporations will be analyzed, as it is conveyed within their codes of ethics. The companies came from five countries (USA, Canada, France, Switzerland and Brazil). In the explanatory study, the following industries were represented (two companies by industry): aircrafts/trains, military, airlines, recreational vehicles, soft drinks, cigarettes, pharmaceuticals, beauty products, telecommunications and banks. Findings Historically-based prejudices in three basic narrative strategies (silence, chosen items and detailed discussion) about financial crimes are related to the mindset, to the basic outlook on corporate self-interest or to an absolutizing attitude. Research limitations/implications The historically-based prejudices that have been identified in this explanatory study should be analyzed in longitudinal studies. Practical implications The historically-based prejudices that have been identified in this explanatory study should be analyzed in longitudinal studies. Historically-based prejudices could be strengthened by the way corporate codes of ethics deal with financial crimes. They could, thus, have a deep impact on the organizational culture in the long-run. Originality/value The paper analyzes the way corporate codes of ethics use given narrative strategies to address financial crimes issues. It also unveils historically-based prejudices that follow from the choice of one or the other narrative strategy.

Intercultural Communication in Translingual Literary Text (based on the cycle of A. Zhaksylykov “Dreams of the Damned”)

2020 ◽  
Vol 2 (6) ◽  
pp. 241-251
Author(s):  
Olga A. Valikova ◽  
◽  
Nina V. Shchennikova ◽  
Sheker A. Kulieva
Keyword(s):  
Narrative Analysis ◽  
Literary Text ◽  
Modern World ◽  
The Novel ◽  
Narrative Strategies ◽  
New Novel ◽  
Original Culture ◽  
The World ◽  
The Creation ◽  
Artistic Images

The purpose of this article is to analyze the transcultural literary text as a space for the “meeting” of languages and cultures. The modern world exists in the conditions of global transculturalism (F. Ortiz), when sign systems interact, giving rise to new images of the world. The language, which translates into a wide communicative space the elements of the original culture for the author, experiences its influence on itself. The literary text acquires multidimensionality and “convexity” due to the inclusion in it of alternative genre forms, narrative strategies and tactics, archetypes. On the basis of the novel series “Dreams of the Damned”, written by the Kazakh writer A. Zhaksylykov, we demonstrate in this work the mechanisms of “internal intercultural interaction” between Kazakh and Russian cultures, using the methods of hermeneutic commentary, mythopoetic and narrative analysis. We come to the conclusion that cultural content requires the creation of adequate forms of artistic representation. The result is the creation of new novel forms of depiction, the complication of the artistic images of the world and the strengthening of the empathic effect that a literary text can provide.

The Body as Argument: Helen in Four Greek Texts

1997 ◽  
Vol 16 (1) ◽  
pp. 151-203 ◽  
Author(s):  
Nancy Worman
Keyword(s):  
Visual Field ◽  
Fifth Century ◽  
The Body ◽  
Double Vision ◽  
Narrative Strategies ◽  
Narrative Strategy ◽  
Field Of Vision ◽  
Physical Presence ◽  
Poetic Narrative ◽  
Mind's Eye

Certain Greek texts depict Helen in a manner that connects her elusive body with the elusive maneuvers of the persuasive story. Her too-mobile body signals in these texts the obscurity of agency in the seduction scene and serves as a device for tracking the dynamics of desire. In so doing this body propels poetic narrative and gives structure to persuasive argumentation. Although the female figure in traditional texts is always the object of male representation, in this study I examine a set of images of a female body whose representation ultimately seems to frustrate the narrative strategies for which its depiction was created. What emerges in the fifth century as a rhetorical technique begins in Book 3 of the Iliad as a narrative strategy that uses Helen's cloaked and disappearing body to catalyze plot, and develops in Sappho's fr. 16 into a logic of desire shaped by the movement of Helen's and other bodies in the visual field. Gorgias, in the Encomium of Helen, transforms these depictions of Helen into an argument that is structured by Helen's body, an argument that Helen herself employs in Euripides' Troades, where her own body serves as the anatomy of her argument. These texts all associate Helen's body with a type of persuasive narrative that repeatedly invokes the field of vision, describing physical presence in terms that aim at attracting the eye. At the same time this verbal portraiture disrupts the audience's perspective by depicting bodies as cloaked, mobile, and/or half seen, and by obscuring distinctions between desirer and desired, viewer and viewed. As both subject and object in this viewing process, Helen's body comes to be associated with the double vision of seduction (i.e., the shunting of her body from desiring eye to desired object) and the distracting power of persuasive images, which seduce the mind's eye while eluding the mind's grasp.

Vladimir Nabokov's Invitation to a Beheading or the Artifice of Mortality

KronoScope ◽  
2008 ◽  
Vol 8 (1) ◽  
pp. 1-12
Author(s):  
Olga Peters Hasty
Keyword(s):  
Higher Order ◽  
Death Sentence ◽  
The Novel ◽  
Narrative Strategies ◽  
The World ◽  
Nous Croyons

AbstractInvitation was one of Nabokov's favorite novels, written “in one fortnight of wonderful excitement and sustained inspiration.” Although it reads like an attack on dictatorial rule, Nabokov denied it political relevance, aiming at totalitarianism of a higher order: the constraints of mortality that he seeks, as the epigraph indicates, to refute: “Comme un fou se croit Dieu, nous nous croyons mortels.” The novel rebels against the certainty that life is movement toward death operating in conjunction with the uncertainty of when death will come. Its hero is condemned to execution, but denied “compensation for a death sentence”—the “knowledge of the exact hour when one is to die.” His nearing end is manifested metaphorically, but it is in the construction of the world of Invitation that Nabokov—whom one reviewer called “almost as much a theorizer of fiction as a practitioner”—develops narrative strategies that engage the reader in his challenge to mortality. This article considers his strategies.

scholarly journals Poetics of Narrative in Kazuo Ishiguro’s Novel “A Pale View of Hills”

2019 ◽  
pp. 57-64
Author(s):  
Yaryna Oprisnyk
Keyword(s):  
Current Paper ◽  
First Person ◽  
The Novel ◽  
Psychological Processes ◽  
Narrative Strategies ◽  
Verbal Expression ◽  
Verbal Language ◽  
Japanese Aesthetics ◽  
Narrative Techniques

The current paper explores the narrative strategies and poetics of intermediality in Kazuo Ishiguro’s first novel “A Pale View of Hills” (1982). Particular attention is paid to the notions of narrative unreliability and subjectivity exemplified by the ambiguous first-person narrative in the novel. The researcher focuses on the narrative techniques, as well as on the numerous lexical and other literary means that emphasize the unreliability of the narrator, who is also the protagonist. It allows revealing the hidden emotions and tendency to self-deceit. In addition, the paper traces the features of Japanese aesthetics and literature in the novel. The most peculiar among them are concise verbal expression, lack of emotion, and audiovisuality, which is primary concentration of the narrative on the visual and auditory images, rather than on the characters’ internal psychological processes. A range of narrative strategies and special literary effects in “A Pale View of Hills”, being characteristic for the art of cinematography, make the novel a vivid example of the cinematographic (cinematic) literature, which requires a different, more image-oriented perception of the reader. Among such techniques, the most notable are the enhanced symbolism of sensual images; revealing the characters’ actual feelings and thoughts through their non-verbal language and dialogues; fragmented and elliptic nature of the narrative that resembles the technique of montage; and the plasticity of chronotope, which is represented by the active use of flashbacks in the novel.

scholarly journals The Representation of Cyprus’s Trauma in Andrea Busfield’s Aphrodite’s War: Conflict or Dialogue?

2017 ◽  
pp. 30
Author(s):  
Ingrida Eglė Žindžiuvienė
Keyword(s):  
Collective Memory ◽  
The Novel ◽  
Collective Trauma ◽  
Narrative Strategies ◽  
Transgenerational Trauma ◽  
Trauma Narrative ◽  
National Trauma ◽  
The Relationship ◽  
Trauma Fiction

The aim of this article is to examine the representation of the events in Cyprus in the middle and second half of the twentieth century as depicted in Andrea Busfield’s novel Aphrodite’s War (2010). The article discusses the methods and narrative strategies of disclosing collective trauma and considers the fact-fiction dimension, arguing the presence of it in a trauma narrative. Narrative strategies in trauma fiction are discussed and the author’s approach to the restatement of the national trauma is analysed. It is debated whether the novel can be described as a post-trauma testimony and whether the narrative is constructed on unified memory concepts. Postmemory is viewed within the framework of transgenerational trauma and the role of collective memory in the transmission of trauma is emphasised. Based on the ethical charge of the narrative, the reader’s status in the relationship with a trauma novel is questioned.

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