1. Festivals that (did not) Matter : Festivals’ Archival Practices and the Field Imaginary of Festival Studies

2020 ◽  
pp. 39-76
Keyword(s):  
Archival Practices

scholarly journals These Stories Must Be Told: Preliminary Observations by a Black Scholar Practitioner on Silences in the Archive

Collections ◽  
2020 ◽  
pp. 155019062098103
Author(s):  
Shonda Nicole Gladden
Keyword(s):  
Critical Race Theory ◽  
United States Of America ◽  
Social Enterprise ◽  
The United States ◽  
Oral Histories ◽  
Systemic Racism ◽  
Black Scholar ◽  
Arts And Humanities ◽  
The Times ◽  
Archival Practices

As a scholar practitioner, a trained philosophical theologian, Methodist clergywoman, and social enterprise founder who is conducting oral histories as part of my doctoral internship in the IUPUI Arts and Humanities Institute, my scholarly lens and methodological skills are being defined as I interrogate the COVID-19 archive. In this article I attempt to offer some preliminary reflections on my oral history curation focused on how Black and brown artists and activists, primarily based in Indianapolis, IN, frame their lived experiences of death, dying, mourning, and bereavement in the wake of COVID-19 utilizing critical archival practices: those practices that take seriously the methods of critical race theory, critical gender theory, Womanist, mujerista, and feminist methodologies, to name a few. The COVID-19 archive is a collection of oral histories, stories and artifacts depicting the times in which we are living, through the lenses of storytellers grappling with the pandemics of systemic racism, COVID-19, distrust in government, and various relics representing the idea of the United States of America in 2020, as such, I conclude with a brief exploration of how art emerges as both an outlet for creators and a mode of illumination for consumers.

scholarly journals Design Principles: Literature Review, Analysis, and Future Directions

2016 ◽  
Vol 138 (10) ◽  
Author(s):  
Katherine K. Fu ◽  
Maria C. Yang ◽  
Kristin L. Wood
Keyword(s):  
Design Science ◽  
Design Principles ◽  
Grand Challenge ◽  
Formal Approach ◽  
Design Problems ◽  
Future Directions ◽  
Future Design ◽  
The Future ◽  
Tools And Techniques ◽  
Archival Practices

Design principles are created to codify and formalize design knowledge so that innovative, archival practices may be communicated and used to advance design science and solve future design problems, especially the pinnacle, wicked, and grand-challenge problems that face the world and cross-cutting markets. Principles are part of a family of knowledge explication, which also include guidelines, heuristics, rules of thumb, and strategic constructs. Definitions of a range of explications are explored from a number of seminal papers. Based on this analysis, the authors pose formalized definitions for the three most prevalent terms in the literature—principles, guidelines, and heuristics—and draw more definitive distinctions between the terms. Current research methods and practices with design principles are categorized and characterized. We further explore research methodologies, validation approaches, semantic principle composition through computational analysis, and a proposed formal approach to articulating principles. In analyzing the methodology for discovering, deriving, formulating, and validating design principles, the goal is to understand and advance the theoretical basis of design, the foundations of new tools and techniques, and the complex systems of the future. Suggestions for the future of design principles research methodology for added rigor and repeatability are proposed.

Out of the box, onto the web: Digitizing images in the Tuzin Archive for Melanesian Anthropology

2020 ◽  
Vol 8 (2) ◽  
pp. 251-268 ◽  
Author(s):  
Cristela Garcia-Spitz ◽  
Kathryn Creely
Keyword(s):  
Twentieth Century ◽  
San Diego ◽  
New Technologies ◽  
First Century ◽  
University Of California ◽  
Online Access ◽  
Twenty First Century ◽  
The University ◽  
Archival Practices ◽  
The Web

How are ethnographic photographs from the twentieth century accessed and represented in the twenty-first century? This report from the Tuzin Archive for Melanesian Anthropology at the University of California San Diego Library provides an overview of the photographic materials, arrangements and types of documentation in the archive, followed by summaries of specific digitization projects of the photographs from physician Sylvester Lambert and anthropologists Roger Keesing and Harold Scheffler, among others. Through the process of digitization and online access, ethnographic photographs are transformed and may be discovered and contextualized in new ways. Utilizing new technologies and forming broad collaborations, these digitization projects incorporate both anthropological and archival practices and also raise ethical questions. This is an in-depth look at what is digitized and how it is described to re/create meaning and context and to bring new life to these images.

Bodily Archiving in 69 Positions

2018 ◽  
Vol 9 (1) ◽  
pp. 4-13
Author(s):  
Josefine Löfblad
Keyword(s):  
Theoretical Framework ◽  
The Body ◽  
Specific Focus ◽  
Guided Tour ◽  
Archival Practices

Abstract Recently, an interest in archives and archiving has been noticeable amongst artists as well as scholars. This paper analyses Mette Ingvartsen’s 69 Positions (2014), a dance work in which the audience participates in a guided tour through Ingvartsen’s own “archive”. The aim is to look at how archival traces and archival practices “perform” in the work, with a specific focus on bodily archiving. As a theoretical framework, I draw mainly on André Lepecki’s (2016) conceptualization of “the body as archive”, whereby reenacting becomes a mode of inventive archiving that actualizes not-yet utilized potential in a work. In this analysis, I propose that Ingvartsen’s body and the bodies of the audience create a collective body-archive, which collectively actualizes (previously virtual) intimacy. In addition, I argue that blurring the distinctions between body and archive and between reenactment and archiving are ways of insisting that dance does not disappear but remains, counter to “archival logic” (Schneider 2011, 99), by being stored in bodies and transmitted between bodies and by repeatedly reappearing–always more or less altered–in or as performance.

scholarly journals Moving Archival Practices Upstream: An Exploration of the Life Cycle of Ecological Sensing Data in Collaborative Field Research

2008 ◽  
Vol 3 (1) ◽  
pp. 114-126 ◽  
Author(s):  
Jullian C. Wallis ◽  
Christine L. Borgman ◽  
Matthew S. Mayernik ◽  
Alberto Pepe
Keyword(s):  
Decision Making ◽  
Life Cycle ◽  
Cumulative Effect ◽  
Field Research ◽  
Scientific Data ◽  
Ecological Research ◽  
Technology Research ◽  
Sensing Data ◽  
Active Involvement ◽  
Archival Practices

The success of eScience research depends not only upon effective collaboration between scientists and technologists but also upon the active involvement of data archivists. Archivists rarely receive scientific data until findings are published, by which time important information about their origins, context, and provenance may be lost. Research reported here addresses the life cycle of data from collaborative ecological research with embedded networked sensing technologies. A better understanding of these processes will enable archivists to participate in earlier stages of the life cycle and to improve curation of these types of scientific data. Evidence from our interview study and field research yields a nine-stage life cycle. Among the findings are the cumulative effect of decisions made at each stage of the life cycle; the balance of decision-making between scientific and technology research partners; and the loss of certain types of data that may be essential to later interpretation.

Locating the Black archive

2020 ◽  
pp. 207-218
Author(s):  
Hannah Ishmael ◽  
Ego Ahaiwe Sowinski ◽  
Kelly Foster ◽  
Etienne Joseph ◽  
Nathan E. Richards
Keyword(s):  
Cultural History ◽  
Archival Science ◽  
Archival Practice ◽  
Starting Point ◽  
Intellectual Traditions ◽  
History Of ◽  
The Caribbean ◽  
The Uk ◽  
Archival Practices

This chapter takes the concept of ‘living heritage’ as a starting point to show the ways in which focusing on tangibility and intangibility, the formal and the informal, can be used to stretch the concepts of archival practice. It highlights the cultural and intellectual traditions, tangible and intangible, found within the Caribbean, Africa, and across the Diaspora. Accordingly, the institutions, organisations, concepts, and practices discussed here have a ‘pre-history’ both internationally and in the UK — a prehistory inseparable from the development of the intellectual and cultural history of African and Caribbean communities in the Diaspora. Despite this, an archival science capable of dealing with these complexities has yet to be developed. The chapter thus considers the ways in which Black-led archival practices in the UK have historically sought to both disrupt and define heritage practices. It makes a claim for the active, political and cultural incursions, disruptions, and interventions in the heritage sector by Black-led archives and heritage practitioners.

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