scholarly journals The Conception and Perception of Traditional/Contemporary Urban Space About the City: Theory of Representation vs. Everyday Practices

2017 ◽  
Vol 6 (3) ◽  
pp. 95-99
Author(s):  
Ana Rusta
Keyword(s):  
Everyday Life ◽  
Urban Space ◽  
Methodological Approach ◽  
The Body ◽  
Urban Spaces ◽  
Henri Lefebvre ◽  
Contemporary Theory ◽  
Everyday Practices ◽  
The People ◽  
The City

AbstractIn this essay will be given a great importance to the traditional and contemporary conception and perception of urban space as elements referred to the city. Throughout the analysis, in the level of the contemporary perception of the city, will be presented the theory that insists on the conception and construction of urban space by the practices of everyday life and the so-called strategy of resistance. This refers not only to a new frame of sociology but also to a new methodological approach for the construction of the urban space. Regarding the latter, will be elaborated the thought of Henri Lefebvre and Michael De Certeau as a vector for the explanation of some problems observed in the methodological conception of urban space such as the city of Tirana. Through this approach, we will specifically disclose some problems observed about the use of certain urban spaces. Traditionally, the theory of representation emphasizes a conception of abstract and rational presentation of urban space analyzed from above, giving us an incredibly simplified bureaucratic view of the city. This theory does not analyze specifically micro-urban space and social problems facing the people in this space. Therefore, a new contemporary theory appears as a critique which aims to use a new anti-bureaucratic method that starts from the study of practices of everyday life, using instrumental analysis of the body and micro-social practices to present urban space in the most comprehensive frame.

scholarly journals POLITIZACIÓN DEL HABITAR EN LA CIUDAD DE BARCELONA: PRÁCTICAS COTIDIANAS MIGRANTES FRENTE AL COVID-19.

2020 ◽  
pp. 87-108
Author(s):  
Ulises Bernardino Márquez Pulido
Keyword(s):  
Everyday Life ◽  
Urban Space ◽  
Cultural Practices ◽  
Methodological Approach ◽  
State Of Emergency ◽  
Everyday Practices ◽  
The Social ◽  
Study Population ◽  
Set Up ◽  
The City

This article examines the “everyday practices” of the immigrant population of Barcelona in relation to the Covid-19 context during the first few months after the Spanish government declared a State of Emergency (Real Decreto 463/2020, March 14). The first section sets out the theoretical and methodological approach followed along with statistical information about the study population. It then goes on to investigate the “cultural practices” of the Red de Cuidados Antirracista, a network set up to help and support vulnerable migrants who live in Barcelona, also offering a brief discussion of other cases. Finally, it emphasizes the special relevance of everyday life in the social organization processes activated by migrants to cope with the pandemic, in particular how everyday life is expressed within specific practices in the city and the urban space, configuring a particular politicization of habitation.

scholarly journals POLITIZACIÓN DEL HABITAR EN LA CIUDAD DE BARCELONA: PRÁCTICAS COTIDIANAS MIGRANTES FRENTE AL COVID-19.

2021 ◽  
pp. 87-108
Author(s):  
Ulises Bernardino Márquez Pulido
Keyword(s):  
Everyday Life ◽  
Urban Space ◽  
Cultural Practices ◽  
Methodological Approach ◽  
State Of Emergency ◽  
Everyday Practices ◽  
The Social ◽  
Study Population ◽  
Set Up ◽  
The City

This article examines the “everyday practices” of the immigrant population of Barcelona in relation to the Covid-19 context during the first few months after the Spanish government declared a State of Emergency (Real Decreto 463/2020, March 14). The first section sets out the theoretical and methodological approach followed along with statistical information about the study population. It then goes on to investigate the “cultural practices” of the Red de Cuidados Antirracista, a network set up to help and support vulnerable migrants who live in Barcelona, also offering a brief discussion of other cases. Finally, it emphasizes the special relevance of everyday life in the social organization processes activated by migrants to cope with the pandemic, in particular how everyday life is expressed within specific practices in the city and the urban space, configuring a particular politicization of habitation.

scholarly journals Produção do espaço urbano pelos homens ordinários: antropologia de dois micro-espaços na cidade de Salvador

ILUMINURAS ◽  
2014 ◽  
Vol 15 (36) ◽  
Author(s):  
Urpi Montoya Uriarte
Keyword(s):  
Urban Space ◽  
Theoretical Background ◽  
Ethnographic Study ◽  
Urban Spaces ◽  
Recent Theory ◽  
Use Value ◽  
Henri Lefebvre ◽  
Production Of Space ◽  
Differential Spaces ◽  
The City

Este trabalho se insere no que se chama hoje de antropologia da cidade, que se preocupa com a forma como os citadinos – em sua condição alternada de usuários, moradores, transeuntes ou consumidores – fazem a cidade (Agier, 2011). Nossa compreensão de cidade está marcada pela recente teoria do espaço no interior da Geografia (Massey, 2012) e nossa compreensão da produção do espaço se baseia na teoria de Henri Lefebvre, especialmente em seu La production de l´espace (1974). Com esta bagagem teórica, propomos uma antropologia dos espaços urbanos preocupada com a forma como os espaços na cidade são produzidos por pessoas comuns ou homens ordinários. Os dados empíricos analisados provêm de uma etnografia de dois micro-espaços na cidade de Salvador. As leituras teóricas destes micro-espaços nos levam a afirmar a atualidade e força dos espaços diferenciais que emergem no espaço abstrato, a significação política dos espaços apropriados e a vigência do valor de uso e as relações costumeiras na cidade contemporânea.Palavras-chave: Espaços urbanos. Produção do espaço. Espaços diferenciais. Apropriação de espaços. Valor de uso.Production of urban space by ordinary men: anthropology of two micro-spaces in the city of SalvadorAbstractThis work is part of what is today called anthropology of the city, that is concerned with how the townspeople – in their alternating condition of users, residents, bystanders or consumers – make the city (Agier, 2011). Our understanding of the city is marked by the recent theory of space inside the geography (Massey, 2012) and our understanding of the production of space is based on the theory of Henri Lefebvre, especially in its The production of the space (1974). With this theoretical background, we propose an anthropology of urban spaces concerned with how the spaces in the city are made by ordinary people or ordinary men . The data analyzed come from an ethnographic study of two micro-spaces in the city of Salvador. The theoretical interpretations of these micro-spaces lead us to affirm the relevance and strength of differential spaces that emerge in the abstract space, the political significance of the appropriate spaces and the duration of use value and customary relations in the contemporary city.Keywords: Urban spaces. Production of space. Differential spaces. Appropriation of spaces. Use value.  

scholarly journals NEGOTIATED URBAN SPACE AT MANGGARAI STATION JAKARTA: THE APPROPRIATION OF SPACE BY BAJAJ DRIVERS

2018 ◽  
Vol 45 (1) ◽  
pp. 9 ◽  
Author(s):  
Yulia Nurliani Lukito ◽  
Rumishatul Ulya
Keyword(s):  
Everyday Life ◽  
Urban Space ◽  
Public Transportation ◽  
Urban Spaces ◽  
Production Of Space ◽  
Urban Informality ◽  
Use Of Space ◽  
Specific Mode ◽  
The City ◽  
Limited Possibility

This paper aims to investigate the negotiation between the “formal” and the “informal” urban space in Jakarta through the examination of use of space of marginalized transportation of bajaj – a three-wheeled public transportation. Bajaj drivers continuously and creatively create their use of space and territory as the result of the limitation of space. Creativity in using space emerges as a way to get available space and this activity results in the appropriation of urban space. The basis of such appropriation is how to survive in urban space and such condition is characterized by negotiation, flexibility and adaptability. In high-density Jakarta city, it is necessary for bajaj drivers – who have only limited possibility in using strategic urban space – to use both the formal and the informal to sustain the city at large. An analysis of how bajaj drivers negotiated urban spaces around Manggarai Station reveals the appropriation of urban space that relies on temporality, tactics and negotiation of rules of access among users. In this paper, we analyze how urban informality as an ‘organizing logic’ results in a specific mode of the production of space. The analysis of negotiations of space around Manggarai Station is intended to contribute to an understanding of how informal and negotiated spaces, which shape everyday life in the city, are inseparable parts of formal and designed spaces in the city of Jakarta.

scholarly journals Cities in Asia by and for the People

2018 ◽  
Keyword(s):  
Urban Space ◽  
Active Role ◽  
Urban Spaces ◽  
Community Life ◽  
Ordinary People ◽  
Capitalist Production ◽  
The People ◽  
Alternative Spaces ◽  
The City

This book examines the active role of urban citizens in constructing alternative urban spaces as tangible resistance towards capitalist production of urban spaces that continue to encroach various neighborhoods, lanes, commons, public land and other spaces of community life and livelihoods. The collection of narratives presented here brings together research from ten different Asian cities and re-theorises the city from the perspective of ordinary people facing moments of crisis, contestations, and cooperative quests to create alternative spaces to those being produced under prevailing urban processes. The chapters accent the exercise of human agency through daily practices in the production of urban space and the intention is not one of creating a romantic or utopian vision of what a city "by and for the people" ought to be. Rather, it is to place people in the centre as mediators of city-making with discontents about current conditions and desires for a better life.

scholarly journals Sensing the City - Mapping the Beat. A rhythmanalysis of music-making in Wellington and Copenhagen

2021 ◽  
Author(s):  
◽  
Katie Rochow
Keyword(s):  
Everyday Life ◽  
Urban Space ◽  
Urban Spaces ◽  
Social Production ◽  
Mental Maps ◽  
Aotearoa New Zealand ◽  
Music Making ◽  
Meaningful Experiences ◽  
Analytical Tools ◽  
The City

<p>The idea of rhythm has figured as a key conceptual and empirical motif in current research on (urban) space, place and everyday life. Urban spaces are considered polyrhythmic fields, a compound of varied everyday life and spatial rhythms, which produce a particular, but ever-changing, complex mix of heterogeneous social interactions, mobilities, imaginaries and materialities (Edensor 2010). Music-making in the city therefore constitutes and is constituted by a plurality of urban rhythms including the movement between different locations as well as regular temporal patterns of events, activities, experiences and practices as well as energies, objects, flora and fauna which shape the music-maker’s mundane ‘pathways’ through the city. Based on current ethnographic fieldwork in the urban spaces of Wellington (Aotearoa/New Zealand), and Copenhagen (Denmark) this project proposes a way of capturing, understanding and interpreting the multi-faceted rhythmical layout of urban spaces. It will do so by introducing a rhythmanalytical methodology, which draws on interviews, participant generated photographs and mental maps as analytical tools for capturing the interwovenness of socialities, atmospheres, object, texts and images in people’s everyday lives and in this way affords opportunities for attending to the multiple rhythms underlying music-making in the city. The use of cartographic and photographic means of representing these rhythmical dimensions allows us to better attend to an affective register that is often overlooked in studies of music-making. It makes visible some of the ways in which places, from the home to the studio to the performance venue and points in-between form a connective tissue, which anchors the music-makers to the city as well as lends the city its ambience, and, more importantly, its affective charge. As such, the manner in which mood, feeling, a “sense of place,” is evoked through the visual representation of music-makers’ everyday life suggests how the scenic aspects of the city work to simultaneously frame, mediate and facilitate meaningful experiences of place. Consequently, this study documents, through a unique medley of research methods, the way in which music-making serves as a vehicle for the social production of place and the creation of an affective attachment to that place both individual and collective.</p>

scholarly journals Kroppen och den motsägelsefulla staden

Budkavlen ◽  
2020 ◽  
Vol 98 ◽  
pp. 9-38
Author(s):  
Kristofer Hansson
Keyword(s):  
Urban Space ◽  
The Body ◽  
Urban Spaces ◽  
Potential Conflict ◽  
Persons With Disabilities ◽  
Strong Focus ◽  
Economic Strategies ◽  
The One ◽  
Opening And Closing ◽  
The City

The Body and the Divergent CityCulture analytic perspectives on disability and urban spaces Kristofer Hansson The city is constrained by a variety of strategies and in this article, two such strategies are highlighted: economic strategies and accessibility strategies. These strategies may function in the same urban space, but this article highlights those places where there is a potential conflict between these two. This is done mainly through ethnographic observations following people with disabilities, and focuses on what is hidden or trivialized in practices in the city. It is argued, that already in the spatiality there is often an inherent conflict between, on the one hand, a desire to create an accessible city, and on the other hand, to create a city with a strong focus on market-oriented economic growth. These two strategies create friction, which essentially becomes visible when individuals with a disability must exhibit a certain creativity to deal with obstacles or constraints that arise.What this creativity can thus make visible are the solutions that individuals use to progress and be present in the city. At the same time, it also says something about the limitations and obstacles that exist in the city. Thus, the divergent city does not become an urban space where a multitude of bodies can be on equal terms, but instead a place where cultural and material boundaries arise that control the room by opening and closing in a constantly ongoing process. Through the two strategies the article presents an analysis of practices that can problematize The Convention on the Rights of Persons with Disabilities which states the need “to ensure to persons with disabilities access, on an equal basis with others, to the physical environment” (Article 9 – Accessibility).

scholarly journals Sensing the City - Mapping the Beat. A rhythmanalysis of music-making in Wellington and Copenhagen

2021 ◽  
Author(s):  
◽  
Katie Rochow
Keyword(s):  
Everyday Life ◽  
Urban Space ◽  
Urban Spaces ◽  
Social Production ◽  
Mental Maps ◽  
Aotearoa New Zealand ◽  
Music Making ◽  
Meaningful Experiences ◽  
Analytical Tools ◽  
The City

<p>The idea of rhythm has figured as a key conceptual and empirical motif in current research on (urban) space, place and everyday life. Urban spaces are considered polyrhythmic fields, a compound of varied everyday life and spatial rhythms, which produce a particular, but ever-changing, complex mix of heterogeneous social interactions, mobilities, imaginaries and materialities (Edensor 2010). Music-making in the city therefore constitutes and is constituted by a plurality of urban rhythms including the movement between different locations as well as regular temporal patterns of events, activities, experiences and practices as well as energies, objects, flora and fauna which shape the music-maker’s mundane ‘pathways’ through the city. Based on current ethnographic fieldwork in the urban spaces of Wellington (Aotearoa/New Zealand), and Copenhagen (Denmark) this project proposes a way of capturing, understanding and interpreting the multi-faceted rhythmical layout of urban spaces. It will do so by introducing a rhythmanalytical methodology, which draws on interviews, participant generated photographs and mental maps as analytical tools for capturing the interwovenness of socialities, atmospheres, object, texts and images in people’s everyday lives and in this way affords opportunities for attending to the multiple rhythms underlying music-making in the city. The use of cartographic and photographic means of representing these rhythmical dimensions allows us to better attend to an affective register that is often overlooked in studies of music-making. It makes visible some of the ways in which places, from the home to the studio to the performance venue and points in-between form a connective tissue, which anchors the music-makers to the city as well as lends the city its ambience, and, more importantly, its affective charge. As such, the manner in which mood, feeling, a “sense of place,” is evoked through the visual representation of music-makers’ everyday life suggests how the scenic aspects of the city work to simultaneously frame, mediate and facilitate meaningful experiences of place. Consequently, this study documents, through a unique medley of research methods, the way in which music-making serves as a vehicle for the social production of place and the creation of an affective attachment to that place both individual and collective.</p>

scholarly journals Being-in-the-City: A Phenomenological Approach to Technological Experience 

2009 ◽  
Vol 1 (2) ◽  
pp. 349-366 ◽  
Author(s):  
Jason Wasiak
Keyword(s):  
Everyday Life ◽  
Urban Space ◽  
Phenomenological Approach ◽  
Theoretical Framework ◽  
The Body ◽  
City Space ◽  
The Everyday ◽  
Phenomenological Perspective ◽  
Technological Experience ◽  
The City

This paper examines dynamics surrounding the negotiation and articulation of the body-technology relationship necessarily characterizing the experience of being-in-the-city. Nowhere is everyday experience more mediated by technology than in the city. Being-in-the-city involves being embodied by technology at levels ranging from micro to macro. Despite the fact that technologies are constantly evolving in city space, relations with technology tend to become quickly normalized — mundane — transparent. Given this normalization as well as the sheer pervasiveness of technology in constituting city space it is important to examine the ways in which technology comes to shape the experiential contexts of everyday life. In urban space, technologies result is new sights to be seen, sounds to be heard, smells to be smelt, textures to be felt, as well as altogether new modes of experiencing the everyday. In exploring the dynamics surrounding the ongoing, multi-layered negotiation and articulation of the body-technology relationship necessarily characterizing the experience of being-in-the-city a phenomenological perspective is adopted. Heidegger’s writing on technology, Merleau-Ponty’s writing on embodiment and perception, and Don Ihde’s writing on the body and technology contribute to a theoretical framework for a phenomenological examination of the experiential implications of being-in-the-city, a technological ecology.

scholarly journals Pop Up Cafe as a Creative Generator in Jakarta

2015 ◽  
Vol 6 (3) ◽  
pp. 343
Author(s):  
Albertus Prawata
Keyword(s):  
Urban Space ◽  
Urban Spaces ◽  
Economic Activities ◽  
The Public ◽  
The People ◽  
The Government ◽  
The Impact ◽  
The City ◽  
Capital Intensive

The government has a strong role to make plans and shape the city. The planning establishment by the government is based on capital-intensive strategic actions, so they can shape the urban spaces according to acertain set of values. These values are made clearly in the patterns of resource consumption. However, they often create a hierarchical gap between the people and the communities. In the city, the economy becomes the basis of how the urban spaces are shaped and created. New economic activities often have the impact in degrading the quality of the spaces. As a result, the city will lose its attractions, and people feel alienated and they become aesthetically unpleasant. The purpose of this paper is to discuss the interaction and appreciation of creative users and the citizens of the city towards the urban spaces, and how they will encourage endless collaboration amongst local citizens to create thoughtful and meaningful designs for the public. The discussion and arguments will be based on some creative activities such as pop up café/store. It has the importance to be a creative generator and become the urban fabric that support the city and be a part of the sustainable cityconcept. The engagement and ideas from the creative activities can be a strong foundation of a good urban space, that have the power to re-shape the city spaces to be more livable. Therefore, it can also bring a new identity and vibrant atmosphere to a certain area as well as to the city.

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