Fictions of Phenomenology: Husserl and Musil

2019 ◽  
Vol 23 (1) ◽  
pp. 302-318
Author(s):  
Kristina Mendicino

Abstract Despite the express intentions of his phenomenological investigations, the radical significance of Edmund Husserl’s discussions of signs and meaning may reside in their exposure of the ways in which language remains structurally alien to the field of subjectivity and cognition. If this would mean that a phenomenological theory of cognition could not guide the study of literary language, however, fiction may nonetheless turn out to be one of the most important sources for phenomenological »Erkenntnis«, albeit in a different way than Husserl could have meant in his famous affirmation of fiction in phenomenological research: as the exposure of its limits, and as the further explication of a field where, as Jacques Derrida would write, »every present subject can be absent.« This possibility is explored in the present contribution through an analysis of Robert Musil’s Der Mann ohne Eigenschaften.

2012 ◽  
Vol 43 (1) ◽  
pp. 13-35 ◽  
Author(s):  
Magnus Englander

Abstract In this article, interviewing from a descriptive, phenomenological, human scientific perspective is examined. Methodological issues are raised in relation to evaluative criteria as well as reflective matters that concern the phenomenological researcher. The data collection issues covered are 1) the selection of participants, 2) the number of participants in a study, 3) the interviewer and the questions, and 4) data collection procedures. Certain conclusions were drawn indicating that phenomenological research methods cannot be evaluated on the basis of an empiricist theory of science, but must be critiqued from within a phenomenological theory of science. Some reflective matters, experienced by the phenomenological researcher, are also elaborated upon.


Author(s):  
Heath Williams

I show some problems with recent discussions within qualitative research that centre around the “authenticity” of phenomenological research methods. I argue that attempts to restrict the scope of the term “phenomenology” via reference to the phenomenological philosophy of Husserl are misguided, because the meaning of the term “phenomenology” is only broadly restricted by etymology. My argument has two prongs: first, via a discussion of Husserl, I show that the canonical phenomenological tradition gives rise to many traits of contemporary qualitative phenomenological theory that are purportedly insufficiently genuine (such as characterisations of phenomenology as “what-its-likeness” and presuppositionless description). Second, I argue that it is not adherence to the theories and methods of prior practitioners such as Husserl that justifies the moniker “phenomenology” anyway. Thus, I show that the extent to which qualitative researchers ought to engage with the theory of philosophical phenomenology or adhere to a particular edict of Husserlian methodology ought to be determined by the fit between subject matter and methodology and conclude that qualitative research methods still qualify as phenomenological if they develop their own set of theoretical terms, traditions, and methods instead of importing them from philosophical phenomenology.


Author(s):  
N. V. Larcher ◽  
I. G. Solorzano

It is currently well established that, for an Al-Ag alloy quenched from the α phase and aged within the metastable solvus, the aging sequence is: supersaturated α → GP zones → γ’ → γ (Ag2Al). While GP zones and plate-shaped γ’ are metastable phases, continuously distributed in the matrix, formation of the equilibrium phase γ takes place at grain boundaries by discontinuous precipitation (DP). The crystal structure of both γ’ and γ is hep with the following orientation relationship with respect to the fee α matrix: {0001}γ′,γ // {111}α, <1120>γ′,γ, // <110>α.The mechanisms and kinetics of continuous matrix precipitation (CMP) in dilute Al-Ag alloys have been studied in considerable detail. The quantitative description of DP kinetics, however, has received less attention. The present contribution reports the microstructural evolution resulting from aging an Al-Ag alloy with Ag content higher than those previously reported in the literature, focusing the observations of γ' plate-shaped metastable precipitates.


1997 ◽  
Vol 7 (12) ◽  
pp. 1817-1828 ◽  
Author(s):  
P. Gisse ◽  
M. Sidir ◽  
V. L. Lorman ◽  
R. Farhi ◽  
J. Pavel ◽  
...  

CounterText ◽  
2015 ◽  
Vol 1 (2) ◽  
pp. 232-269 ◽  
Author(s):  
Ivan Callus

In this essay Ivan Callus provides some reflections on literature in the present. He considers the tenability of the post-literary label and looks at works that might be posited as having some degree of countertextual affinity. The essay, while not setting itself up as a creative piece, deliberately structures itself unconventionally. It frames its argument within twenty-one sections that are self-contained but that also echo each other in their attempt to develop an overarching argument which draws out some of the challenges that lie before the countertextual and the post-literary. Punctuating the essay and contributing to its unconventional take on the practice of literary criticism is a series of exercises for the reader to complete, if so wished; the essay makes no attempt, however, to suggest that a countertextual criticism ought to make a routine of such devices. The separate sections contain reflections on a number of texts and writers, among them, and in order of appearance, Hamlet, Anthony Trollope, Jacques Derrida, The Time Machine, Don Quixote, Mark Z. Danielewski, Mark B. N. Hansen, Gunter Kress, Scott's Reliquiae Trotcosienses, W. B. Yeats, Kate Tempest, David Jones, Anne Michaels, Bernice Eisenstein, Paul Auster, J. M. Coetzee, Billy Collins, Deidre Shauna Lynch, Tim Parks, Tom McCarthy – and Hamlet again. The essay's length fulfils a performative function but also facilitates as extensive a catalogue of aspects of the countertextual in literature and elsewhere as is feasible or as might be dared at this stage.


Derrida Today ◽  
2014 ◽  
Vol 7 (1) ◽  
pp. 79-101
Author(s):  
Joanna Hodge

This essay responds to the Nancean account of presentation, evoked in the opening citation, in order to trace out in Nancy's enquiries a disruption of Husserlian presentation, and a re-thinking of materiality on the edge of classical phenomenology. It stages a non-encounter between the writings of Jean-Luc Nancy and of Jacques Derrida in relation to a third term, the Lacanian conception of the ‘real’. Thereby it can be shown how these writings touch on each other, in response to phenomenology and to psychoanalytical theory, but do not engage. All the same, the claim to be made is that the writings of Nancy and Derrida converge in forming a third option, alongside the secularised phenomenologies of Sartre and Merleau-Ponty and the Christian phenomenologies of Jean-Luc Marion and Michel Henry, by marking up the event of Lacan's reformulation of Freud's psychoanalytical theorising.


Derrida Today ◽  
2018 ◽  
Vol 11 (2) ◽  
pp. 196-210 ◽  
Author(s):  
Stella Gaon

Jacques Derrida regularly appeals to an affirmative gesture that is ‘prior’ to or more ‘originary’ than the form of the question, and this suggests one way to understand deconstruction's critical force. The ‘Yes, yes’, he says, situates a ‘vigil or beyond of the question’ with respect to an ‘irreducible responsibility’. Some Derrida scholars therefore construe the double affirmation as a source or ground of critique. In this paper, I refute this suggestion. While an originary ‘Yes, yes’ or ‘come’ (viens) does open the fields of (for example) ‘inheritance’, language, or ‘holistic webs’, I argue, it only marks (will have marked) the processes of différance or of trace that make signification possible in general. No thing, as such, is thereby affirmed. This is why the originary affirmation cannot be said to constitute, in itself, the imperative (il la faut) of the logic (la logique) of ethical-political critique. To explain why a certain ethical imperative can be associated with deconstruction, one must determine why one is always already subject to a vigil that opens critique to its own possibility. One must also determine how the affirmative gesture relates to deconstruction's critical force.


Derrida Today ◽  
2010 ◽  
Vol 3 (1) ◽  
pp. 21-36
Author(s):  
Grant Farred

‘The Final “Thank You”’ uses the work of Jacques Derrida and Friedrich Nietzsche to think the occasion of the 1995 rugby World Cup, hosted by the newly democratic South Africa. This paper deploys Nietzsche's Zarathustra to critique how a figure such as Nelson Mandela is understood as a ‘Superman’ or an ‘Overhuman’ in the moment of political transition. The philosophical focus of the paper, however, turns on the ‘thank yous’ exchanged by the white South African rugby captain, François Pienaar, and the black president at the event of the Springbok victory. It is the value, and the proximity and negation, of the ‘thank yous’ – the relation of one to the other – that constitutes the core of the article. 1


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