scholarly journals Exploring the Identities of Greek Migrant Young Adults Through Their New Media Use: Combining Public Pedagogy, Participatory Narrative Inquiry, A/r/tography and Heteroglossia

2020 ◽  
pp. 20-30
Author(s):  
Melina Mallos

In the 21st century, transnational migration is increasingly commonplace alongside the proliferation of new media. Adolescent migrants are especially well versed in new media, and their interactions allow insights into identity representation and negotiation. We know from current research that a sense of self is likely to be affected and interrupted when migrating to a new country, but we do not know the ways young people with transnational identities, negotiate, shape and are shaped by new media. Using a Participatory Narrative Inquiry approach and arts-based research methods, this research will explore how Greek migrant youths living in Melbourne use new media to communicate and describe their identity. In sharing deeply personal narratives, what do the participants learn about new media’s role in their identity formation?

2021 ◽  
Author(s):  
Celina Dycke

<div>This qualitative research study explores the experiences, thoughts and feelings of mothers who have been given a mental health diagnosis. Using a narrative inquiry approach, semi-structured interviews were conducted with two mothers from Toronto. The study uncovers how sanist beliefs intersect with other sites of oppression, and the affect this has on mothers and their Mothering practices. Particular attention is paid to asking what the effects are on women who are assumed to be violent towards their children, due to a mental health diagnosis. It asks what this type of sanism and mental health profiling does to their sense of self, resilience and hope for their families and their futures.</div>


2021 ◽  
Author(s):  
Celina Dycke

<div>This qualitative research study explores the experiences, thoughts and feelings of mothers who have been given a mental health diagnosis. Using a narrative inquiry approach, semi-structured interviews were conducted with two mothers from Toronto. The study uncovers how sanist beliefs intersect with other sites of oppression, and the affect this has on mothers and their Mothering practices. Particular attention is paid to asking what the effects are on women who are assumed to be violent towards their children, due to a mental health diagnosis. It asks what this type of sanism and mental health profiling does to their sense of self, resilience and hope for their families and their futures.</div>


2020 ◽  
Vol 9 (2) ◽  
pp. 185-206
Author(s):  
Owen Gottlieb

Abstract In 2013, a boy with special needs used the video game Minecraft to deliver the sermon at his bar mitzvah at a Reform synagogue, an apparently unique ritual phenomenon to this day. Using a narrative inquiry approach, this article examines two rabbis’ negotiations with new media, leading up to, during, and upon reflection after the event. The article explores acceptance, innovation, and validation of new media in religious practice, drawing on Campbell’s (2010) framework for negotiation of new media in religious communities. Clergy biography, philosophy, and institutional context all impact the negotiations with new media. By providing context of a set of factors influencing a particular negotiation and validation of a ritual and educational innovation using new media, the article intends to demonstrate the importance of clergy narrative for understanding new media negotiations in religious settings, and in particular in progressive religious communities


Author(s):  
Danielle Treiber ◽  
Lize A. E. Booysen

Identity formation is a developmental milestone for adolescents, and their identities are constructed and re-constructed through their interactions with others and contextual factors in their environment. When considering adolescents with substance use disorders (SUD), often this developmental milestone is misappropriated, misunderstood, and misrepresented. The purpose of this article was to explore how adolescents with substance use disorders form identity and construct a sense of self. Firstly, we explored the identity formation and reconstruction of 20 female adolescents with SUDs based on an in-depth grounded theory methodology (GTM) which included a situational analysis (SA). Secondly, we offered a theoretical model to explain identity construction and reconstruction of adolescents with SUDs that emerged from this research. We conclude this article with practical implications for treatment, and care of adolescents with SUDs.


2009 ◽  
Vol 3 (2) ◽  
pp. 129-154
Author(s):  
HENRY SPILLER

AbstractThe powerful concept of orientalism has undergone considerable refinement since Edward Said popularized the term with his eponymous book in 1978. Orientalism typically is presented as a totalizing process that creates polar oppositions between a dominating West and a subordinate East. U.S. orientalisms, however, reflect uniquely North American approaches to identity formation that include assimilating characteristics usually associated with the Other. This article explores the complex relationship among three individuals—U.S. composer Charles T. Griffes, Canadian singer Eva Gauthier, and German-trained Dutch East Indies composer Paul J. Seelig—and how they exploited the same Javanese songs to lend legitimacy to their individual artistic projects. A comparison of Griffes's and Seelig's settings of a West Javanese tune (“Kinanti”) provides an especially clear example of how contrasting approaches manifest different orientalisms. Whereas Griffes accompanied the melody with stock orientalist gestures to express his own fascination with the exotic, Seelig used chromatic harmonies and a chorale-like texture to ground the melody in the familiar, translating rather than representing its Otherness. The tunes that bind Griffes, Gauthier, and Seelig are only the raw materials from which they created their own unique orientalisms, each with its own sense of self and its own Javanese others.


2011 ◽  
Vol 21 (2) ◽  
pp. 345-352 ◽  
Author(s):  
Sunil Bhatia

In this article, I re-examine Jerome Bruner’s vision of narrative psychology that he laid out over two decades ago. In particular, I argue that narrative inquiry must focus on identities located in sociocultural contexts of transnational movement and migration. The contact of self with multiple forms of otherness — both subtle and violent — play a significant role in identity formation. I discuss two examples from the Somalian and Indian diaspora to show how the study of these fractured, shifting, and hybridized identities provide a very valuable site from which narrative psychology has an opportunity to remake itself as a field that continues to be relevant in a world that is rapidly becoming transnational, diverse, and global.


2012 ◽  
Vol 40 (6) ◽  
pp. 833-851 ◽  
Author(s):  
Murad Ismayilov

Albeit often — and fairly — degraded in the world of high culture as a populist and politicized representation of music, the Eurovision Song Contest (ESC) — by sheer virtue of the populist and politicized nature of its essence — stands among the most consequential cultural encounters to which post-independence Azerbaijan has been exposed, in that the extent to which Baku's victory in the ESC-2011 — and the further developments this victory has generated — can potentially impact on, and contribute to, the very process of nation-building and national identity formation, with which this post-Soviet Muslim-majority country is currently struggling, is unparalleled by any of the state's earlier encounters of the kind. This paper focuses on, and examines, four intimately related ways in which the ESC and Azerbaijan's successful involvement with the latter worked to interfere with the country's nation-building: as a dubious factor in the evolution of the Western sense of self among Azerbaijanis; as a unifying force within the structure of the country's rapidly maturing civil society; as a medium working to open up a channel through which Western popular cultural elements could interfere with the evolving dynamics of, and work to globalize, indeed de-endogenize, indigenous Azerbaijani culture, on one hand, and unify the discursive realm within which the country's cultural domain is to further evolve, on the other; and, finally, as an important element serving to decouple the evolving processes within the country's cultural domain from the unfolding dynamics of conflict settlement and hence conducive to the diversification of public discourse in Azerbaijan.


2015 ◽  
Vol 8 (2) ◽  
pp. 147-173 ◽  
Author(s):  
Galia Sabar ◽  
Adam Rotbard

Based on extensive qualitative research, this paper focuses on lament ceremonies Eritrean asylum seekers in Israel performed in public parks in 2008–2014.1 Specifically, we expose social and political structures of this diaspora, including mechanisms of survival in a context of harsh living conditions, a fragile legal status and a hostile environment. Following Werbner’s analysis of diasporas as chaordic entities, having no single representation and fostering multiple identities, we show how chaordicness underlies this diaspora’s ability to survive and thrive in Israel, and to embrace the unique Eritrean trans-local nationalism. We highlight how these public religious rituals were transformed into contested sites of identity formation following Israeli struggles against them. Finally, we shed light on the role that such ceremonies play in shaping transnational identities, as well as how disenfranchised communities of asylum seekers aim for visibility and recognition in the public sphere.


Author(s):  
Daniel L. Smith-Christopher

Scholars working on the connection of literature, narrative, and trauma have made important connections between an individual’s ability to maintain a coherent sense of self (a personal narrative) and their own psychological and social well-being. Some literary expressions from traumatic circumstances, therefore, can be read as individual attempts to repair personal narratives. The biblical book of Lamentations may well be such an exercise in narrative repair. Using these ideas to introduce ways of reading the biblical book of Lamentations, the chapter makes the connection with African American blues traditions as another form of narrative repair very much in the spirit of the biblical material. In fact, the comparison with the blues may well lead to new reading strategies for Lamentations as well.


2018 ◽  
Vol 6 (8) ◽  
pp. 1
Author(s):  
Enny Ingketria

From the Dutch colonial era until the end of Suharto administration, Chinese Indonesians have perpetually been the victims of racial prejudice and negative stereotyping addressed by pribumi. However, the most difficult situations and unpleasant experiences occurred under Suharto's New Order, where the forced assimilation policy was implemented and Chinese Indonesians at that time were drawn to Chinese films and series to search for their Chinese-ness, while escaping reality. The previous researches did not provide comprehensive studies on the identity formation of Chinese Indonesians in Post-Suharto era, especially after the reformation era, under different presidents. Therefore, the subjective reality of third and fourth generations of Chinese Indonesians who spent their adolescence and/or adulthood over the course of Susilo Bambang Yudhoyono (SBY)’s tenure has been explored in this study. From the constructive nature of reality to the situational constraints that shape inquiry, the Chinese Indonesians were indeed more emotionally expressive, supported by a more stable political and economic condition, exposure to the new media, and enhanced bilateral partnership between China and Indonesia. The use of new media in disseminating the Chinese cultural values through the media product, as well as the Chinese cultural practice publicly held by mostly Chinese communities in Indonesia became the influential factors in connecting those younger generations of Chinese Indonesia to their heritage. Ethnic pride and cultural long-distance nationalism can be eventually observed.


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