The Unthinkable: Representation and the Encounter With Trauma

2020 ◽  
Vol 107 (6) ◽  
pp. 499-515
Author(s):  
Mariana Gaitini

The author explores the notion of representation and trauma, taking into account their negative manifestation in the mind, as memories without representation. In the face of massive trauma, the mind deploys dissociative mechanisms, so the experience remains unrepresented. Psychoanalytic technique has to expand its scope in order to meet-create these unrepresented forms. Alongside our classic technique, the analyst needs to work in a particular way—one that involves a regressive state to preverbal, or even prerepresentational areas within the analyst, allowing him or her to gain access to the traumatic zones. The integration of the trauma into the systems of representations depends on the possibility of the analyst to submit to a process of regression so as to offer a substrate on which hitherto unformed experience may assume form and become represented.

Author(s):  
Ronald Hoinski ◽  
Ronald Polansky

David Hoinski and Ronald Polansky’s “The Modern Aristotle: Michael Polanyi’s Search for Truth against Nihilism” shows how the general tendencies of contemporary philosophy of science disclose a return to the Aristotelian emphasis on both the formation of dispositions to know and the role of the mind in theoretical science. Focusing on a comparison of Michael Polanyi and Aristotle, Hoinski and Polansky investigate to what degree Aristotelian thought retains its purchase on reality in the face of the changes wrought by modern science. Polanyi’s approach relies on several Aristotelian assumptions, including the naturalness of the human desire to know, the institutional and personal basis for the accumulation of knowledge, and the endorsement of realism against objectivism. Hoinski and Polansky emphasize the promise of Polanyi’s neo-Aristotelian framework, which argues that science is won through reflection on reality.


2012 ◽  
pp. 19-34
Author(s):  
Francine Markovits
Keyword(s):  
The Face ◽  

Don't philosophers die just like all other men? In order to speak of the death of philosophers, why choose an author like Boureau-Deslandes, who collected anecdotes of insolence in the face of death? Undoubtedly, free minds could only disarm theology by joking about it. The mental, moral and playful mechanisms of the mind can be taken apart to reveal the bans inscribed in the conscience through the workings of institutions. Against the philosophies of melancholy, fear, death and power, a philosophy of banter is a cheerful philosophy, an ethics of taste that destabilises the rules. It is this practice of bantering insolence that turns temperament into virtue and a man into a philosopher.


Author(s):  
Alistair Graeme Fox

This essay explores how Ben Okri’s most recent novel, In Arcadia(2002), attempts to reconstruct the possibility of utopia in the face of a fragmentation of identity and destruction of determinate certainties affecting contemporary society in the aftermath of postmodernism. By tracing the intertextual relations existing between this work and earlier works in an intellectual/literary tradition that extends from Theocritus and Virgil through Dante, More, Milton, Sannazzaro, Sidney and others, Fox shows how Okri develops the proposition that men and women confronting an ‘empty universe where the mind spins in uncertainty and repressed terror’ can recover sanity through art. Even though, in Okri’s vision, the world may be ‘a labyrinth without an exit’, presided over by Death without any hint of transcendence, men and women, he concludes, can recover paradise through the ‘painting of the mind’ which can creative complete forms that can be fed into ‘spirit’s factory for the production of reality’. This generative activity, which is at the heart of the Arcadian vision, in Okri’s view, has the power to make life a place of ‘secular miracles’, despite the limitations imposed upon it by the realities of finitude and death. The essay concludes by suggesting that Okri’s concept of utopia is very close to Kant’s idea of Aufklärung as expounded by Michel Foucault –– that is, neither a world era, nor an event whose signs are perceived, nor the dawning of an accomplishment, but rather a process of which men and women are at once elements and agents, and which occurs to the extent that they decide to be its voluntary actors. While in some respects Okri’s vision is strikingly similar to certain of its antecedents, it is thus nevertheless distinctively postmodern in the ways in which it is inflected.


1874 ◽  
Vol 20 (91) ◽  
pp. 387-409
Author(s):  
J. Milner Fothergill

The relations of body and mind are becoming not only much more comprehensible, but even much better understood, since science has shaken off the incubus of theological teaching as to the severance of soul and body. As long as the mind was something separated from the body, or only united to it by slack and loosely fitting ties, mental phenomena could have nothing to do with bodily conditions—insanity was a disease of the soul; and the monk, standing over a miserable lunatic chained to a staple in a wall, and flogging him in order to make him cast his devil out, was a logical outcome of this hypothesis, however repugnant to more recent and correcter views. The baneful psychology of theologians is now thoroughly undermined, and the erroneous and mischievous superstructure is cracking and gaping on every side, and ere long the ground occupied by a crumbling ruin will be covered by a gradually growing erection based on a foundation of facts, and reared by an expanding intelligence. The union of psychology and physiology is the closing of the circuit, in one direction, of the pursuit after knowledge, and forms the initiation of a rational and intelligible comprehension of the mind and of its relation to corporeal conditions. How such mistaken and false ideas of the word melancholia, as those entertained by the monk as an alienist physician, could have attained their sway in the face of such maxim as mens sana in corpore sano, only becomes intelligible when we remember the ignorance, the superstitious prejudices, the contempt for the knowledge of the natural man, which ever characterise the theological mind, and which found their highest expression during the monkish supremacy of the dark ages—that interval of black ignorance which intervened betwixt the decadence of Latin civilisation and that intellectual evolution, the Renaissance, which indicated the advent of the reign of human intelligence. Slowly but surely was the emancipation of the intellect from the fetters of priestly tyranny achieved, as death thinned the ranks of its opponents, and the grim despotism of Torquemada and his coadjutors waned into the pettier and less terrible persecution of more recent ecclesiastics, and the tremendous grip of hierarchical supremacy gradually merged into the palsied, nerveless grasp of a doting and dying theology, the mere spectre of its former self. Curious men were the Church's leaders of the middle ages. In their cathedrals the light of day was only permitted to enter to a limited extent, and that too through the medium of coloured glass, so as to produce the “dim religious light,” while artificial lights burnt up before their altars; so were their minds closed to the natural light of the human understanding, and artificially illumined by the creations of their diseased imaginations, amidst whose coloured rays the white light of truth was always obscured, if not rarely utterly lost. But in the mortality of man lies the hope, the salvation of truth.


2012 ◽  
Vol 14 (1) ◽  
pp. 29-52
Author(s):  
Lisa Farley

The evacuation of British children during World War II is read alongside the legend of the ‘Pied Piper’ after which the mass migration was officially named. While virtually every British account of World War II makes mention of the evacuation, most are silent on the question of its ominous title: ‘Operation Pied Piper’. This paper traces the legend's key theme – on influencing and being influenced – as it surfaces in the writing of one child analyst and one social worker charged with the responsibility of leading a family of five hostels for British youth. At a time when Hitler's deadly regime reached unprecedented heights across the Channel, the legend of the ‘Pied Piper’ becomes a highly suggestive metaphor for thinking about D. W. Winnicott and Clare Britton's writing on what authority could mean in the face of leadership gone terribly wrong. Quite another, profoundly intimate loss of leadership haunts their words as well: Sigmund Freud, in exile from Hitler's Europe and leader of the psychoanalytic movement, died in London just weeks after the first wave of Blitz evacuations. It is in this context that Winnicott and Britton articulated a theory of authority that could address the losses of history without at the same time demanding the loss of the mind.


Author(s):  
Albert R. Jonsen

The problem that I will discuss in this essay is marvellously illustrated in the title given to me by the editors. The word “interface” is itself part of the jargon of technology, the technospeak needed by those who develop, use, and discuss functions, things, and relationships that had not existed previously in the human world. They must make up new words to describe new realities (and, unfortunately, allow new and ugly words to obscure old ones). An “interface” presumably describes the way in which one electronic system contacts another so that the first energizes the second. In the old world of human experience, an “interface” is impossible. The face of one human being is visible to another; two faces, smiling or frowning at each other, communicate. The mind behind one face can interpret the movements of another. Never does one human face interpenetrate or merge with another.


eLife ◽  
2021 ◽  
Vol 10 ◽  
Author(s):  
Pengfei Xu ◽  
Haoze V Yu ◽  
Kuo-Chang Tseng ◽  
Mackenzie Flath ◽  
Peter Fabian ◽  
...  

The specification of cartilage requires Sox9, a transcription factor with broad roles for organogenesis outside the skeletal system. How Sox9 and other factors gain access to cartilage-specific cis-regulatory regions during skeletal development was unknown. By analyzing chromatin accessibility during the differentiation of neural crest cells into chondrocytes of the zebrafish head, we find that cartilage-associated chromatin accessibility is dynamically established. Cartilage-associated regions that become accessible after neural crest migration are co-enriched for Sox9 and Fox transcription factor binding motifs. In zebrafish lacking Foxc1 paralogs, we find a global decrease in chromatin accessibility in chondrocytes, consistent with a later loss of dorsal facial cartilages. Zebrafish transgenesis assays confirm that many of these Foxc1-dependent elements function as enhancers with region- and stage-specific activity in facial cartilages. These results show that Foxc1 promotes chondrogenesis in the face by establishing chromatin accessibility at a number of cartilage-associated gene enhancers.


2021 ◽  
Vol 11 (19) ◽  
pp. 8821
Author(s):  
Leandro Dihl ◽  
Leandro Cruz ◽  
Nuno Gonçalves

The identification of a person is a natural way to gain access to information or places. A face image is an essential element of visual validation. In this paper, we present the Card3DFace application, which captures a single-shot image of a person’s face. After reconstructing the 3D model of the head, the application generates several images from different perspectives, which, when printed on a card with a layer of lenticular lenses, produce a 3D visualization effect of the face. The image acquisition is achieved with a regular consumer 3D camera, either using plenoptic, stereo or time-of-flight technologies. This procedure aims to assist and improve the human visual recognition of ID cards and travel documents through an affordable and fast process while simultaneously increasing their security level. The whole system pipeline is analyzed and detailed in this paper. The results of the experiments performed with polycarbonate ID cards show that this end-to-end system is able to produce cards with realistic 3D visualization effects for humans.


2020 ◽  
Vol 17 (3) ◽  
pp. 283-311
Author(s):  
Ireneusz Ziemiński

Tematem artykułu jest złożony obraz epidemii cholery w noweli Tomasza Manna Śmierć w Wenecji. W części pierwszej, poświęconej symbolice zarazy, indyjska cholera została zinterpretowana jako znak ludzkiej skończoności (śmiertelności) oraz przejaw degeneracji artysty, który – prowadząc wcześniej ascetyczny tryb życia – zakochał się w kilkunastoletnim chłopcu. W ten sposób indyjska cholera staje się symbolem buntu ciała przeciwko duchowi, co znajduje także swoje odzwierciedlenie na płaszczyźnie kultury zachodniej (rozum, dyscyplina), ulegającej wpływom wschodnim (zmysły, żywiołowość). W jakiejś zatem mierze nowelę Manna można odczytywać w duchu dyskursu kolonialnego, zgodnie z którym Wschód jest postrzegany jako zagrożenie dla Europy; w ocenie narratora bowiem źródłami indyjskiej cholery są klimat oraz niski poziom medycyny w Indiach. W części drugiej, poświęconej postawom ludzi wobec epidemii, ukazana została polityka władz miasta wobec zbiorowego zagrożenia; pomimo coraz większej liczby zgonów i zachorowań politycy uspokajają mieszkańców, że sytuacja jest pod kontrolą, a rygory higieniczne wynikają z ostrożności. Powodem takiego kłamstwa (powtarzanego także przez mieszkańców Wenecji) jest groźba bankructwa ludzi żyjących z turystyki. Panująca epidemia jest też okazją do napadów rabunkowych, a nawet morderstw, przestępcy wierzą bowiem, że w zaistniałych okolicznościach pozostaną bezkarni. Obraz ten sugeruje, że człowiek jest istotą egoistyczną, w warunkach zagrożenia bardziej troszczącą się o własny los aniżeli o los innych ludzi. “So There Is No Malady in Venice?” The Image of an Epidemic in Thomas Mann’s Short Story Death in Venice The topic of the paper is the complex image of a cholera epidemic in Thomas Mann’s short story Death in Venice. In the first part of the text, devoted to the symbolism of the disease, Asiatic cholera is interpreted as a symbol of human finitude (mortality) and a manifestation of the degeneration of the artist, who, having previously led an ascetic life, falls in love with a teenage boy. Asiatic cholera becomes a symbol of the body rebelling against the mind, which is also reflected on the level of Western culture (reason, discipline) succumbing to Eastern influences (sense, spontaneity). Therefore, Mann’s story can be interpreted from the perspective of colonial discourse, according to which the East is perceived as a threat to Europe; in the narrator’s view, the source of Asiatic cholera is the climate of India and its poor level of medical knowledge. In the second part, devoted to human attitudes towards the epidemic, the article presents the local government’s policy towards the collective threat; despite the growing number of deaths and infections, the politicians are calming people down, claiming that the situation is completely under control and any sanitary restrictions are introduced as a mere precaution. The reason behind the lie (also repeated by the inhabitants of Venice) is the threat of bankruptcy faced by the people who make their living from tourism. The epidemic is also an opportunity for robberies and even murders, because criminals believe that in these circumstances they will remain unpunished. This pessimistic image suggests that humans are egoistic and care more about their own fate than the fate of others when standing in the face of danger.


2016 ◽  
Vol 16 (4) ◽  
pp. 1-13 ◽  
Author(s):  
Jane Taylor Wilson

A growing body of groundbreaking research shows that gratitude has the power to heal, energize, and transform lives by enhancing people psychologically, spiritually, physically, and cognitively. This study contributes to the study of gratitude by exploring its impact on focus and resilience in learning. Specifically, this study examines the impact that practicing gratitude has on college students’ ability to focus in class and remain resilient in the face of difficulties while learning.


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