Western Literature at Century's End: Sketches in Generation X, Los Angeles, and the Post-Civil Rights Novel

2003 ◽  
Vol 72 (3) ◽  
pp. 405-413 ◽  
Author(s):  
Krista Comer
Keyword(s):  
Los Angeles ◽  
Civil Rights ◽  
Science Fiction ◽  
Generation X ◽  
Cultural Context ◽  
Racial Formations ◽  
The Status ◽  
Detective Stories ◽  
Under Construction ◽  
Post Civil Rights

Since the early 1990s several "serious" southern California writers have begun writing science fiction, detective stories, mysteries, comic satires, even magical realism, finding freshly relevant ways to represent western life at century's end. Through novels by Sandra Tsing Loh and Cynthia Kadohata, I locate this turn to the popular within a larger political and cultural context we might call "post-Civil Rights." In such novels, texts do not take racial alterity as a starting, radically disruptive fact, although they do not claim that America has outgrown racism. Rather, a new racial subject and/or series of racial formations is under construction, invested in updating and reformulating the status of the nonwhite racial other, to account for the enormity of change in recent years, especially the place of youth within globalization discourse.

From Chanky-Chank to Yankee Chanks

2017 ◽  
Author(s):  
Mark F. Dewitt
Keyword(s):  
Ethnic Identity ◽  
Civil Rights ◽  
Young Generation ◽  
Politics Of Identity ◽  
The World ◽  
The Status ◽  
Post Civil Rights ◽  
Cajun Music

The diatonic button accordion has been played by musicians the world over, but it has attained a uniquely prominent status in Louisiana Cajun culture. Over the decades, this one particular type of accordion has served as a tabula rasa onto which have been projected changing views of Cajun music and the status of Cajun ethnic identity. This chapter shows how the changing politics of identity in post-civil rights America has enabled Cajuns to turn the accordion's (and their own) “chanky-chank” (low-class) stigma into a powerful symbol of ethnic identity and pride. Cajuns' renewed interest in and valuation of accordion music has also spilled over to a young generation of musicians, including non-Cajun “Yankee chank” accordion players.

“Living in Each Other's Pockets”: The Navigation of Social Distances by Middle Class Families in Los Angeles

2006 ◽  
Vol 5 (4) ◽  
pp. 425-450 ◽  
Author(s):  
Alesia F. Montgomery
Keyword(s):  
Los Angeles ◽  
Civil Rights ◽  
Middle Class ◽  
Low Income ◽  
Spatial Mobility ◽  
Urban Core ◽  
Two Cities ◽  
Hollywood Movies ◽  
Post Civil Rights ◽  
Middle Class Families

In Hollywood movies and dystopian critiques, Los Angeles is two cities: one wealthy, white, and gated, the other impoverished, dark, and carceral. This depiction verges on caricature, eliding the diversity and maneuvers of the region's middle class. Drawing upon ethnographies of middle class families (black, white, Latino, Asian) in affluent areas of West Los Angeles and the Valley and in the low‐income areas that are located south and east of downtown Los Angeles, I explore how and why, and at what costs, parents engage in daily maneuvers to place their children in beneficial settings across the region's vast sprawl. I describe these maneuvers that resemble a game of “musical chairs” as selective flight. In contrast to middle class flight to the suburbs, selective flight involves diurnal rather than residential shifts. Enabling middle‐class families who reside amidst the crumbling infrastructure of the urban core to chase cultural capital and physical safety in ever‐receding advantaged areas, the post‐Civil Rights State expands spatial mobility yet does not close racial distances. The pursuit of ever‐receding spaces of advantage is particularly paradoxical and burdensome for black middle‐class parents.

scholarly journals “The Dude Abides”: How "The Big Lebowski" Bowled Its Way from a Box Office Bomb to Nation-Wide Fests

Text Matters ◽  
2012 ◽  
pp. 76-93
Author(s):  
Katarzyna Małecka
Keyword(s):  
Los Angeles ◽  
Civil Rights ◽  
Racial Minorities ◽  
The Internet ◽  
Historical Time ◽  
Historical Events ◽  
Mistaken Identity ◽  
Cultural Event ◽  
Box Office ◽  
The Status

Since Blood Simple, the first film they wrote and directed together, the Coen Brothers have been working their way up in the film world and, in spite of their outside-the-mainstream taste for the noir and the surreal, have earned a number of prestigious prizes. After Fargo, one of their most critically acclaimed films, expectations were high, and when the Brothers released their next bizarre venture, most critics rushed to measure it against Fargo’s success. Consequently, The Big Lebowski, the Coens’ 1998 neo-noir detective comedy, was considered an incoherent, “unsatisfactory” medley of genres and styles and a box office bomb, and nothing hinted that this unorthodox story of mistaken identity, featuring a pot-smoking, unemployed character named the Dude as its “hee-ro,” would gain a following. Yet, since its 1998 DVD release, The Big Lebowski has been hailed as the first cult film of the Internet, continuously inspiring versatile cultural phenomena as nonconformist in their nature as the movie itself. This essay examines particular factors which initially might have been responsible for alienating the audience only to help The Big Lebowski become a peculiar cultural event in later years. It looks at The Big Lebowski’s characters, the historical time and place of the film’s action as well as at various external historical events, phenomena, places and people such as, for example, the Port Huron Statement, the Reagan-Bush era, Los Angeles and its immigration issues, racial minorities, civil rights activists, the Western genre and, last but not least, Arnold Schwarzenegger. Reflecting the film’s oddities, this bag of cultural idiosyncrasies appears to provide some plausible explanations for The Big Lebowski’s unexpected, against-all-odds rise from the marginal position of a critical and commercial failure to the status of a cult classic and cultural landmark.

scholarly journals New York, San Francisco and Los Angeles: A Cultural Map of the Beat Generation

Linguaculture ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 19-31
Author(s):  
Andreea Cosma
Keyword(s):  
New York ◽  
Los Angeles ◽  
Civil Rights ◽  
San Francisco ◽  
Beat Generation ◽  
Political Movements ◽  
Second Wave Feminism ◽  
The Status ◽  
American Society ◽  
Traditional Norms

This paper explores the topographical and socio-cultural developments during the Golden Age in New York, Los Angeles and San Francisco, three Beat Generation epicenters, which determined the deconstruction of traditional norms. Modifications at both city and society levels were represented by the emergence of countercultures, such as the Beat. The visibility received by urban problems, due to the increase in social demonstrations and activism, fostered the formation of a unified front that demanded equality and encouraged social and political movements, such as the Civil Rights and the Second Wave Feminism. The socio-political challenges which the American society was confronted with from the 1950s to the 1970s in these three cities, also reveal a few problems regarding the status of the Beats as well as of minorities in metropolises.

Asian Americans: Filipinos

2014 ◽  
Author(s):  
Paula T. Morelli ◽  
Alma Trinidad ◽  
Richard Alboroto
Keyword(s):  
United States ◽  
New York ◽  
Los Angeles ◽  
Civil Rights ◽  
San Francisco ◽  
Cultural Context ◽  
The United States ◽  
The Philippines ◽  
Filipino Americans ◽  
Social Work Practitioners

Filipinos are the second largest group of Asians in the United States; more than 3.4 million Filipino Americans live primarily within the largest U.S. continental cities (including Los Angeles, San Francisco, Chicago, New York) and Hawaii. Annexation of the Philippines, following the Philippine-American War (1899–1902), granted Filipinos unrestricted immigration to the United States as “American nationals” without right to U.S. citizenship. Throughout this more than one-hundred-year relationship, Filipinos in the United States endured discrimination, race-based violence, and a series of restrictive federal legislation impacting civil rights and immigration. Filipinos may present with a distinctly Western orientation in areas such as values and contemporary ideas; however, their traditional social and cultural characteristics contrast considerably with mainstream American culture. This entry provides a brief historic, geopolitical and cultural context to facilitate the work of social work practitioners.

Emigrant Psychoanalysts in the USA and the FBI Archives

2004 ◽  
Vol 6 (1) ◽  
pp. 75-92 ◽  
Author(s):  
James E. Goggin
Keyword(s):  
United States ◽  
Civil Rights ◽  
National Socialism ◽  
Cultural Context ◽  
Due Process ◽  
The United States ◽  
External Threats ◽  
The Usa ◽  
The Rich ◽  
New Nation

Interest in the fate of the German psychoanalysts who had to flee Hitler's Germany and find refuge in a new nation, such as the United States, has increased. The ‘émigré research’ shows that several themes recur: (1) the theme of ‘loss’ of one's culture, homeland, language, and family; and (2) the ambiva-lent welcome these émigrés received in their new country. We describe the political-social-cultural context that existed in the United States during the 1930s, 1940s and 1950s. Documentary evidence found in the FBI files of three émigré psychoanalysts, Clara Happel, Martin Grotjahn, and Otto Fenichel, are then presented in combination with other source material. This provides a provisional impression of how each of these three individuals experienced their emigration. As such, it gives us elements of a history. The FBI documents suggest that the American atmosphere of political insecurity and fear-based ethnocentric nationalism may have reinforced their old fears of National Socialism, and contributed to their inclination to inhibit or seal off parts of them-selves and their personal histories in order to adapt to their new home and become Americanized. They abandoned the rich social, cultural, political tradition that was part of European psychoanalysis. Finally, we look at these elements of a history in order to ask a larger question about the appropriate balance between a liberal democratic government's right to protect itself from internal and external threats on the one hand, or crossover into the blatant invasion of civil rights and due process on the other.

Unification and Its Discontents

2016 ◽  
Vol 93 (2) ◽  
pp. 4-16
Author(s):  
Brian Kovalesky
Keyword(s):  
Public Schools ◽  
School District ◽  
Los Angeles ◽  
School Districts ◽  
Civil Rights ◽  
Working Class ◽  
Los Angeles County ◽  
The State ◽  
White Working Class ◽  
City Schools

In the late 1950s and early 1960s, during the height of protests and actions by civil rights activists around de facto school segregation in the Los Angeles area, the residents of a group of small cities just southeast of the City of Los Angeles fought to break away from the Los Angeles City Schools and create a new, independent school district—one that would help preserve racially segregated schools in the area. The “Four Cities” coalition was comprised of residents of the majority white, working-class cities of Vernon, Maywood, Huntington Park, and Bell—all of which had joined the Los Angeles City Schools in the 1920s and 1930s rather than continue to operate local districts. The coalition later expanded to include residents of the cities of South Gate, Cudahy, and some unincorporated areas of Los Angeles County, although Vernon was eventually excluded. The Four Cities coalition petitioned for the new district in response to a planned merger of the Los Angeles City Schools—until this time comprised of separate elementary and high school districts—into the Los Angeles Unified School District (LAUSD). The coalition's strategy was to utilize a provision of the district unification process that allowed citizens to petition for reconfiguration or redrawing of boundaries. Unification was encouraged by the California State Board of Education and legislature in order to combine the administrative functions of separate primary and secondary school districts—the dominant model up to this time—to better serve the state's rapidly growing population of children and their educational needs, and was being deliberated in communities across the state and throughout Los Angeles County. The debates at the time over school district unification in the Greater Los Angeles area, like the one over the Four Cities proposal, were inextricably tied to larger issues, such as taxation, control of community institutions, the size and role of state and county government, and racial segregation. At the same time that civil rights activists in the area and the state government alike were articulating a vision of public schools that was more inclusive and demanded larger-scale, consolidated administration, the unification process reveals an often-overlooked grassroots activism among residents of the majority white, working-class cities surrounding Los Angeles that put forward a vision of exclusionary, smaller-scale school districts based on notions of local control and what they termed “community identity.”

The Cosmic Mystery Tour

2019 ◽  
Author(s):  
Nicholas Mee
Keyword(s):  
Science Fiction ◽  
Particle Physics ◽  
Cultural Context ◽  
Big Bang ◽  
Galactic Centre ◽  
Red Giants ◽  
Extraterrestrial Life ◽  
Modern Physics ◽  
Recent Developments ◽  
The Universe

The Cosmic Mystery Tour is a brief account of modern physics and astronomy presented in a broad historical and cultural context. The book is attractively illustrated and aimed at the general reader. Part I explores the laws of physics including general relativity, the structure of matter, quantum mechanics and the Standard Model of particle physics. It discusses recent discoveries such as gravitational waves and the project to construct LISA, a space-based gravitational wave detector, as well as unresolved issues such as the nature of dark matter. Part II begins by considering cosmology, the study of the universe as a whole and how we arrived at the theory of the Big Bang and the expanding universe. It looks at the remarkable objects within the universe such as red giants, white dwarfs, neutron stars and black holes, and considers the expected discoveries from new telescopes such as the Extremely Large Telescope in Chile, and the Event Horizon Telescope, currently aiming to image the supermassive black hole at the galactic centre. Part III considers the possibility of finding extraterrestrial life, from the speculations of science fiction authors to the ongoing search for alien civilizations known as SETI. Recent developments are discussed: space probes to the satellites of Jupiter and Saturn; the discovery of planets in other star systems; the citizen science project SETI@Home; Breakthrough Starshot, the project to develop technologies to send spacecraft to the stars. It also discusses the Fermi paradox which argues that we might actually be alone in the cosmos

Blackness as Riot Control: Managing Civic Unrest Through Black Appeal Programming and Black Celebrity

2020 ◽  
pp. 152747642098582
Author(s):  
Philip Scepanski
Keyword(s):  
Los Angeles ◽  
Civil Rights ◽  
Public Service ◽  
Hip Hop ◽  
Black Identity ◽  
Martin Luther ◽  
Cosby Show ◽  
Riot Control

During the uprising that followed the police killing of George Floyd in 2020, black hip-hop artist Killer Mike appeared on television to ask that people remain nonviolent and in their homes. Similar events took place years earlier. James Brown performed a live concert on WGBH to keep Boston peaceful following Martin Luther King’s assassination in 1968. During the 1992 Los Angeles uprising, both The Cosby Show and The Arsenio Hall Show were used to similar ends. These examples demonstrate the ways in which television has activated black identity to quell certain forms of civil rights protest and implicate televisual discourses of liveness, domesticity, and public service.

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