Cross-space Consumption among Undocumented Chinese Immigrants in the United States

2016 ◽  
Vol 2 (2) ◽  
pp. 158-182 ◽  
Author(s):  
Min Zhou ◽  
Xiangyi Li
Keyword(s):  
New York ◽  
Social Status ◽  
Chinese Immigrants ◽  
The United States ◽  
Ethnographic Study ◽  
Social Value ◽  
Left Behind ◽  
Currency Exchange ◽  
The Social ◽  
International Migrants

We consider cross-space consumption as a form of transnational practice among international migrants. In this paper, we develop the idea of the social value of consumption and use it to explain this particular form of transnationalism. We consider the act of consumption to have not only functional value that satisfies material needs but also a set of nonfunctional values, social value included, that confer symbolic meanings and social status. We argue that cross-space consumption enables international migrants to take advantage of differences in economic development, currency exchange rates, and social structures between countries of destination and origin to maximize their expression of social status and to perform or regain social status. Drawing on a multisited ethnographic study of consumption patterns in migrant hometowns in Fuzhou, China, and in-depth interviews with undocumented Chinese immigrants in New York and their left-behind family members, we find that, despite the vulnerabilities and precarious circumstances associated with the lack of citizenship rights in the host society, undocumented immigrants manage to realize the social value of consumption across national borders and do so through conspicuous consumption, reciprocal consumption, and vicarious consumption in their hometowns even without being physically present there. We conclude that, while cross-space consumption benefits individual migrants, left-behind families, and their hometowns, it serves to revive tradition in ways that fuel extravagant rituals, drive up costs of living, reinforce existing social inequality, and create pressure for continual emigration.

scholarly journals The emotion-valuation constellation: multiple emotions are governed by a common grammar of social valuation

2019 ◽  
Author(s):  
Daniel Sznycer ◽  
Aaron Lukaszewski
Keyword(s):  
United States ◽  
Cultural Differences ◽  
The United States ◽  
Cross Cultural ◽  
Social Value ◽  
Social Emotions ◽  
The Social ◽  
Social Valuation ◽  
Common Architecture ◽  
Substantial Degree

Social emotions are hypothesized to be adaptations designed by selection to solve adaptiveproblems pertaining to social valuation—the disposition to attend to, associate with, and aid atarget individual based on her probable contributions to the fitness of the valuer. To steerbetween effectiveness and economy, social emotions need to activate in precise proportion to the local evaluations of the various acts and characteristics that dictate the social value of self and others. Supporting this hypothesis, experiments conducted in the United States and India indicate that five different social emotions all track a common set of valuations. The extent to which people value each of 25 positive characteristics in others predicts the intensities of: pride (if you had those characteristics), anger (if someone failed to acknowledge that you have thosecharacteristics), gratitude (if someone convinced others that you have those characteristics), guilt (if you harmed someone who has those characteristics), and sadness (if someone died who had those characteristics). The five emotions track local valuations (mean r = +.72) and even foreign valuations (mean r = +.70). In addition, cultural differences in emotion are patterned: They follow cultural differences in valuation. These findings suggest that multiple social emotions are governed (in part) by a common architecture of social valuation, that the valuation architecture operates with a substantial degree of universality in its content, and that a unified theoretical framework may explain cross-cultural invariances and cultural differences in emotion.

scholarly journals 4 Designing dying well: toward a new architectural approach of in-patient palliative care environments

2018 ◽  
Vol 8 (3) ◽  
pp. 361.1-361
Author(s):  
Annie Bellamy
Keyword(s):  
New York ◽  
Palliative Care ◽  
Design Research ◽  
Ethnographic Study ◽  
List Type ◽  
Yale University ◽  
Body Memory ◽  
The Social ◽  
The Individual ◽  
Architectural Research

Neither a ‘hospital’ nor a ‘home’; the in-patient hospice has a unique architectural identity remaining largely undocumented. There is a plethora of architectural research regarding more common-place healthcare buildings such as hospitals and care-homes. (RIBA n.d) However the architecture of in-patient hospices is misunderstood in the role it can play in supporting the holistic principles of palliative care as backdrops for ‘not just a good death but a good life to the very end’ (Gawande 2014, pg. 245).Reconciling the social and spatial this research aims to establish an authentic identity for in-patient hospices; developing opportunities and situations for environments that become ‘sympathetic extensions of our sense of ourselves’ (Bloomer KC + Moore CW 1977, pg. 78) enabling those at the end of their life to dwell with dignity.An ethnographic study involving practise led design research; the research engages with experiences of the researcher and users of Welsh in-patient hospices alongside interrogations of existing architectural strategies. This inter-disciplinary methodology will provide a ‘back and forth’ movement to reflect with the community of practise upon design projects and fieldwork.Foundation work concluded that ‘homely’ is a too broad and subjective concept with which to define meaningful architectural responses for the variety of users and uses of in-patient hospices. Building upon this initial visits to Welsh in-patient hospices and design primers of key moments of inhabitation aims to provide conclusions on how architecture can create and balance the individual phenomenological experiences and needs of patients family and staff.References. RIBA. Health buildings and hospitals [Online] (n.d). Available at https://www.ribabookshops.com/books/health-buildings-and-hospitals/010503/ (Accessed: 31 May 2018). Gawande A. Being mortal: Medicine and what matters in the end2014;245. New York: Metropolitan Books Henry Holt and Company.. Kent BC, Charles MW. Body memory and architecture1977;78. New Haven & London: Yale University Press.

Changing public opinion about gender activates group threat and opposition to feminist social movements among men

2021 ◽  
pp. 136843022110488
Author(s):  
Adrian Rivera-Rodriguez ◽  
Greg Larsen ◽  
Nilanjana Dasgupta
Keyword(s):  
Social Movements ◽  
Public Opinion ◽  
Social Status ◽  
Gender Equality ◽  
Social Value ◽  
Group Threat ◽  
The Social ◽  
Compensatory Reactions ◽  
Traditional Masculinity ◽  
Feminist Movements

Two studies examined whether men’s perception of the declining value of traditional masculinity activates social status, realistic, and symbolic threat, and in turn motivates opposition to feminist social movements. In Study 1, men’s perception that their ingroup is losing value across several social spheres was associated with social status and realistic threat, both of which were associated with opposition to feminist movements. Study 2, an experiment, presented men with public opinion data showing a 30-year decline in the degree to which Americans value traditional masculinity or no decline. Information about the declining value of masculinity activated status threat, which motivated less support for feminist movements. Among men who highly identified as masculine, this same information reduced support for feminist movements through symbolic threat. In sum, perceived decline in the social value of traditional masculinity creates status anxiety about the ingroup’s future and motivates compensatory reactions against gender equality.

Dudley, Jane (1912–2001)

2018 ◽  
Author(s):  
Victoria Phillips Geduld
Keyword(s):  
New York ◽  
Professional Training ◽  
Modern Dance ◽  
The United States ◽  
London School ◽  
Contemporary Dance ◽  
Martha Graham ◽  
Dance Movement ◽  
The Social ◽  
Political Works

Jane Dudley, a key figure in the radical dance movement of the 1930s, was a choreographer who developed her own distinctive voice within the modern dance idiom and an educator who trained numerous dancers both in the United States and in England. An early member of the New Dance Group (NDG), she oversaw the creation of group works such as Strike (1934), while choreographing solos such as Time is Money (1934), in which she used the modern dance idiom to embody a worker’s oppression on the assembly line. A striking performer, Dudley joined the Martha Graham Company in the mid-1930s. At the same time, she continued to develop her own repertoire, in part through the Dudley–Maslow–Bales Trio, whose founders—Sophie Maslow, William Bales, and herself—remained committed to the social ideals of the 1930s long after they had abandoned the making of overtly political works. Dudley’s loyalty to NDG extended over several decades during which it became a major New York training venue, offering inexpensive classes and professional training to promising students, including many African Americans. From 1970 to 2000, Dudley directed the London School of Contemporary Dance, transforming it into one of Europe’s leading modern dance institutions.

Mitigation for minors: Exploring the nuances of social constructs and legal status in structuring sentences for youthful offenders

2017 ◽  
Vol 20 (4) ◽  
pp. 498-522
Author(s):  
Megan C Kurlychek
Keyword(s):  
New York ◽  
Social Status ◽  
Legal Status ◽  
New York State ◽  
Social Constructs ◽  
Sentencing Decisions ◽  
The Social ◽  
The Individual ◽  
A Minor ◽  
Youthful Offender

New York State is one of only two states in the nation that processes all 16- and 17-year-old defendants as adults. Contrary to this seemingly punitive stance, the state also maintains a Youthful Offender Statute that requires mitigated punishments for youths up to their 19th birthday upon court designation of youthful offender status. This study empirically examines the individual and combined impact of the social status of being a “minor” and the legally awarded status of being designated a youthful offender, upon adult court sentencing decisions framing the discussion within broader conceptualizations of youthfulness, culpability, and punishment. Utilizing a population of all youths ages 16–21 whose cases were disposed in New York between 2000 and 2006, this study finds the legally defined status of youthful offender to provide much greater mitigation at sentencing than the more general social status of being a minor. Findings are discussed as they relate to categorical and individualized assessments of culpability. In addition, as the study finds individualized assessments of culpability to be related to factors such as gender and race, broader implications for the role of court assigned statuses and mitigation of punishment are offered.

Fired by the Ideal

2018 ◽  
Author(s):  
Marcella Bencivenni
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
Historical Context ◽  
The United States ◽  
Late Nineteenth Century ◽  
Italian Immigration ◽  
The Social ◽  
Late Nineteenth ◽  
The Ideal

This chapter details the social, political and historical context out of which Italian anarchism emerged in New York City. Embracing a transnational approach, she charts the movement's early roots, its main leaders, geopolitical spaces and distinctive subculture starting from the late nineteenth century when the great Italian immigration to the United States began through the 1920s when the movement started to decline under the blows of governmental repression and postwar nativist calls for 100 percent Americanism.

‘To really trust [...] we had to be open with ourselves and each other’: Community building through Spring Awakening

2020 ◽  
Vol 14 (1) ◽  
pp. 95-111
Author(s):  
Julie K. Hagen ◽  
Jennifer Thomas
Keyword(s):  
United States ◽  
New York ◽  
Focus Group ◽  
Community Building ◽  
The United States ◽  
Musical Theatre ◽  
Ethnographic Study ◽  
Spring Awakening ◽  
Narrative Ethnography ◽  
The Subject

The purpose of this ethnographic study was to better understand how participation in St. Lawrence University’s (New York, the United States) production of Spring Awakening served as a means of intimate and broader community building. This narrative ethnography investigated the director and a focus group of actors involved in the production of Spring Awakening. Analyses of the data revealed four themes: content, interconnectedness, emotion and vulnerability and magic. St. Lawrence University students welcomed and embraced the language, the music and the subject matter presented to them in the content of Spring Awakening. The willingness with which the students opened up to conversation and community continued to resonate with them in an interconnectedness that seemingly had more depth and more meaning than other productions they have worked on, including other musical theatre productions.

Drowning Voices and Drowning Shoreline: A Riverside View of the Social and Ecological Impacts of the St. Lawrence Seaway and Power Project

Rural History ◽  
1999 ◽  
Vol 10 (2) ◽  
pp. 235-257 ◽  
Author(s):  
Heather M. Cox ◽  
Brendan G. DeMelle ◽  
Glenn R. Harris ◽  
Christopher P. Lee ◽  
Laura K. Montondo
Keyword(s):  
United States ◽  
New York ◽  
Twentieth Century ◽  
Private Sector ◽  
The United States ◽  
Ecological Impacts ◽  
Commercial Vehicles ◽  
The Social ◽  
Power Project ◽  
St Lawrence River

The St. Lawrence Seaway and Power Project was a massive restructuring of the St. Lawrence River bordering Canada and the United States. The river had always been used for human transportation, and a shipping canal for commercial vehicles was constructed and enhanced throughout the nineteenth century. However, the river grew increasingly incapable of handling an international fleet composed of larger boats during the twentieth century. Proposals to undertake major renovations for shipping were debated at the highest levels of policy for several decades. Finally, the St. Lawrence River was substantially altered during the 1950s. These changes created a Seaway able to accommodate vessels with deeper drafts and permitted the development of hydro-electric generating facilities through the construction of dikes and dams. All of this activity involved numerous agencies in the governments of the United States, Canada, the Iroquois Confederacy, New York, Ontario, other states and provinces, as well as commercial and industrial entities in the private sector.

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