scholarly journals Zadarski gotički vezeni antependij u Budimpešti

Ars Adriatica ◽  
2014 ◽  
pp. 75 ◽  
Author(s):  
Silvija Banić

The Museum of Applied Arts (Iparművészeti Múzeum) at Budapest houses an embroidered Gothic antependium which belonged to the church of St Chrysogonus, which was the seat of the Benedictine Abbey at Zadar. At an unspecified time, the antependium became part of the collection of Zsigmund Bubics, an art historian, collector and the bishop of Košice in present-day Slovakia from 1887 to 1906, and was donated to the Museum of Applied Arts in 1909. It measures 94 by 190 cm. The majority of the antependium’s surface is filled with the figures of saints set beneath three pointed, Gothic arches. The central field is occupied by the enthroned Virgin with the Christ Child, in the left field is St Chrysogonus and in the right St Benedict. In the upper section of the antependium one can see the busts of two saints who might be identified as St Gregory the Pope and St Donatus. Along the lateral edges of this triptych-like antependium are vertical borders, at the centres of which are niches with two small standing female saints who wear crowns (St Scholastica and St Anastasia). To the left of the Virgin’s throne is the figure of a donor depicted kneeling with his hands clasped in prayer, which has unfortunately not been provided with an inscription. It is clear, however, that he is wearing the Benedictine habit with a somewhat over-emphasized hood falling down his back. The Benedictine donor might be identified as one of the abbots of the monastery of St Chrysogonus. It is suggested in the article that this may have been John de Ontiaco (Joannes de Onciache) from the bishopric of Lyon, who was the abbot of the monastery of St Chrysogonus from 1345 to 1377. The author argues that the antependium was produced in a weaving workshop in Venice during the late 1360s or early 1370s, on the basis of comparisons with similar contemporary painted and embroidered artworks. Based on the iconographic programme which was depicted on the antependium, but also on the information found in archival records, the author proposes that the antependium was made for the altar of St Chrysogonus which stood in the north apse of the abbey church. Although it has not been established when the antependium left Zadar, based on the similarities between the crimson satin fabric, which replaced the original surface on which the embroidery was applied, on the antependium from the Church of St Mary at Zadar, and the antependium from the Church of St Chrysogonus, it is stated that both interventions were made in the Benedictine Convent of St Mary at Zadar during a short period of time in the last quarter of the eighteenth century. This is also understood as evidence that at that time the antependium from the Church of St Chrysogonus was still being carefully kept at Zadar.

Archaeologia ◽  
1827 ◽  
Vol 21 ◽  
pp. 499-500 ◽  
Author(s):  
Robert T. Stothard
Keyword(s):  

The accompanying Drawing (Pl. XXII.), which I beg leave to exhibit to your Lordship and the Society, was made in the autumn of 1824, from an Effigy then lately discovered in the church of Stevenage in the county of Hertford.


Author(s):  
SREEDEVI A ◽  
MALAR RETNA A ◽  
ROBIN KUMAR SAMUEL

Objectives: The worldwide spread of COVID-19 is an emergent issue to be tackled. Currently, several works in various field have been made in rather short period. The present study aimed to assess bioactive compounds found in medicinal plants as potential COVID-19 Mpro inhibitors using molecular docking study. Methods: The docking analyses were performed by using Autodock, Discovery Studio Visualiser and Igemdock. Results: The binding energy obtained from the docking of 6LU7 with native ligand cupressuflavone is -8.9 kcal/mol. Conclusion: These findings will provide the opportunities to identify the right drug to combat COVID-19.


1997 ◽  
Vol 77 ◽  
pp. 243-289 ◽  
Author(s):  
Euan W. MacKie

The evolution of the single-storeyed mortared stone cottage in the western highlands of Scotland seems to mirror that of the upper strata of late seventeenth and eighteenth century clan society in the region, and in particular to reflect a little of the disintegration of that society after the two failed Stuart uprisings and its consequent gradual integration with the lowland economy. An analysis of the architectural history of the Ferry House (let to the ferryman as a combined inn and home for his family) at Port Appin provides a foundation for the survey. The earliest part of the building, probably thatched, may well date from the 1740s but already it had lintelled hearths with flues in each gable wall - a lowland urban feature. A major extension with a slate roof was built in about 1770 and the earlier part was probably also slated at this time and subdivided inside to provide rooms for wealthier guests. Thereafter only relatively minor internal improvements were made, in the newer half, until the early 1950s when piped water was introduced and a separate bathroom and kitchen built. The cottages were sold to incomers not long after.A study of other ferries in the area confirms that mortared cottages almost identical to those in Port Appin, and in identical situations, are still to be found at two of these. The one on the south side of the abandoned Rugarve ferry over Loch Creran can also be dated to between about 1750 and 1770 from historical evidence. Also at Rugarve, on the north side, are the remains of a more primitive thatched drystone cottage, probably an early ferry house, which is smaller than the others and lacks hearths with chimneys.


1999 ◽  
Vol 12 ◽  
pp. 533-547 ◽  
Author(s):  
Stuart Mews ◽  
Michael Mullett

THE contents of what was described in 1885 as ‘the most extensive and the most interesting of the old Grammar School Libraries of Lancashire’, the Burnley Grammar School Library, shed interesting light on the state of religious controversy in the north between the late sixteenth and the late seventeenth and early eighteenth centuries. The library, which, through the generosity of Burnley Grammar School and with the kind co-operation of the Lancashire County Library, is now on permanent loan at Lancaster University, forms, as presently constituted, a collection of 875 volumes, published mainly in the seventeenth century. It owes its foundation to, and, as we shall see, reflects the religious interests, aims, and viewpoint of, the Revd Henry Halsted (1641-1728), rector of Stansfield, in Suffolk, who left the whole of his personal library to the Burnley Grammar School in 1728. Shortly after Halsted’s death, the collection was augmented by a small addition of books presented by another clergyman, the Revd Edmund Towneley of Rowley, rector of Slaidburn, Lancashire. It is, therefore, essentially a clerical and religious library and provides an interesting example of what sort of material typical, affluent English incumbents of the Augustan and early Hanoverian period considered worthy of places on their study shelves. For purposes of comparison within the region, a collection by two laymen made in another northern town and, like the Halsted-Towneley collection, charitably gifted, the Petyt Library, built up to over two thousand volumes by two brothers in the first decade of the eighteenth century, and now housed within Skipton Public Library, with its heavy emphasis on divinity, can be profitably examined. In the essay that follows we shall consider the Burnley Collection as essentially that of its principal donor, Henry Halsted, and as enshrining his aims.


2007 ◽  
Vol 9 (3) ◽  
pp. 288-293
Author(s):  
Gregory K Cameron

In the life of the Anglican Communion today, an approach which expresses ‘ardour’, a response to the Gospel which tends towards freedom from institutional restraint, is favoured over an approach of ‘order’, which sees the regulation of the life of the church as itself a witness to the ordered will of God. There is both an ‘ardour of the left’, which seeks to loosen the restrictions of canon law to allow a greater ‘inclusiveness’, and an ‘ardour of the right’, which is prepared to override traditional understandings of jurisdiction in the defence of ‘orthodoxy’. The First Epistle to Clement bears witness to an ancient tradition of respect for order in the life of the church. The ‘Windsor Lambeth Process’ in the Anglican Communion – as developed by the Primates' Meeting at Dromantine in 2006, and affirmed at their meeting in 2007 at Dar es Salaam – furthers just such an ordered approach to the life of the Communion, by its requests to the North American Churches through due process, by the development of mechanisms to address questions of alternative episcopal oversight, by the Listening Process to address the moral questions under debate, and by the process to draft and adopt an Anglican Covenant. These initiatives are all intended to strengthen ‘the bonds of affection’, and to secure the future of the Anglican Communion as an international family of Churches.


Ars Adriatica ◽  
2012 ◽  
pp. 203
Author(s):  
Bojan Goja

Based on the book, the full title of which is Registro delle Administrationi de Signori Governatori di San Gerolimo della Nation Oltramarinna in Dalmatia et Albania, this paper discusses the altar of St Jerome in the church of St Simeon at Zadar. It is already known that the altar was commissioned and maintained by the confraternity of Croatian and Albanian soldiers (Croatti a cavallo and Soldati Albanesi) founded in 1675 at Zadar, who were in the service of the Venetian Republic. New archival research has established that on 26 September 1694 the confraternity authorized the expense of 200 silver ducats intended for two Venetian carvers, the Bettamelli brothers, as a down payment for the making of the altar. The work on the altar began in April 1696 and several local master craftsmen took part in it: Zanotti, Rodo and Radičić, as well as smith Rosini. Since the Bettameli brothers, the makers of the altar of St Jerome, are not mentioned in the records by their first names, it should be noted that an altar-maker of the name of Alberto Bettamelli from Venice was responsible for the construction of the high altar and its tabernacle in the cathedral of St Maurus at Maniago (Friuli), as we learn from a contract made in 1693. Alberto Bettamelli also made the tabernacle in the parish church at Marsure (Aviano, Friuli). Bortolo Betamelli (Bettamelli), a tagliapietra, is mentioned between 1646 and 1682 in the ledgers containing contracts of apprenticeship to various sculptors, stone-cutters and carvers kept by the Giustizia Vecchia, a magistracy which supervised the activities of Venetian guilds. Two tabernacles have been attributed to the Bettamelli workshop: one on the high altar of the parish church at Maniago Libero (Maniago, Friuli) of 1694, and one in the parish church at Provesano (Friuli). Based on the records about the construction of the altar of St Jerome, it can be suggested that the coat of arms (composed of a cartouche with a shield emblazoned with a left-facing rampant lion and the initials C.C.S.F. above) depicted on the east pillar of the altar base, previously linked to the members of the Civran family, refers to Šimun Fanfogna (Zadar, 7 April 1663 - Lendinara, 6 March 1707), a Zadar nobleman and distinguished commander in the Venetian army who was the caretaker of the altar. The altar of St Jerome together with the surrounding area inside the church aisle - also called the chapel of St Jerome - represented an isolated unit delineated by a balustraded rail which could be used separately from the rest of the church, on certain occasions and festivities, by the members of the confraternity as well as the representatives of local and regional Venetian government at Zadar, and ecclesiastical and other dignitaries. Numerous works on the decoration of the altar and chapel of St Jerome were carried out throughout the whole of the eighteenth century and large numbers of local craftsmen skilled in different arts were engaged in them. Over a number of years, the Registro mentions the builders Antonio Piovesana (1742) and Antonio Bernardini (1789), the altar-maker Girolamo Picco (1756), the marangon Domenico Tomaselli (1743), blacksmith Antonelli (1744) and the goldsmiths Zorzi Cullisich (1738), Nicolò Giurovich (1752) and Giuseppe (Josip) Rado (1755). A number of other interesting pieces of information concerning the decoration of the altar and the activity of the confraternity of St Jerome is also presented.


1999 ◽  
Vol 35 ◽  
pp. 320-332
Author(s):  
Martin Dudley

For nearly 900 years the Priory Church of St Bartholomew the Great has functioned as an expression of wider religious moods, movements, and aspirations. Founded in 1123 by Rahere, a courtier of Henry I, at a time when the Augustinian Canons gained a brief ascendancy over older forms of religious life, it represents the last flowering of English Romanesque architecture. The Priory was dissolved by Henry VIII, became a house of Dominicans under Mary, and saw the flames that consumed the Smithfield martyrs. Since Elizabeth’s reign it has been a parish church serving a small and poor but populous area within the City of London but outside the walls. Its history is fairly well documented. Richard Rich lived in the former Lady Chapel. Walter Mildmay worshipped, and was buried, there. John Wesley preached there. Hogarth was baptized there. Parts of the church had been turned over to secular use. There was a blacksmith’s forge in the north transept beyond the bricked-up arch of the crossing and the smoke from the forge often filled the building. A school occupied the north triforium gallery. The Lady Chapel was further divided, and early in the eighteenth century Samuel Palmer, a printer, had his letter foundry there. The young Benjamin Franklin worked there for a year in 172 s and recorded the experience in his autobiography. The church, surrounded by houses, taverns, schools, chapels, stables, and warehouses, was a shadow of its medieval glory; but between 1828 and 1897 it changed internally and externally almost beyond recognition. The process of change continued over the next forty years and indeed continues still. These changes in architecture and furnishings were closely linked to a changed attitude to medieval buildings, to issues of churchmanship, and to liturgical developments.


Author(s):  
Martijn van der Burg

AbstractThis chapter lays the foundation for an understanding of Napoleonic governance in the Netherlands and Northwest Germany. Dutch and German lands were governed in many different ways in the early modern age. During the eighteenth century attempts at reform were made in both areas, with varying results. The French Revolution was both admired and feared, especially as it became clear that the ‘liberation’ of Europe entailed aggressive expansionism. France’s growth showed the difficulties of imposing rules and practices on a hitherto foreign population. Which policies were effective, which not? True, German secularization and mediatization (the historic Reichsdeputationshauptschluss of 1803), and repeated coup d’états in the Batavian Republic, restructured governance on the right bank of the Rhine. Yet, both in the Netherlands and Northwest Germany, the combination of awe of, and fear for, the French Empire strengthened identity formation, whether local, regional, or national, which was not necessarily beneficial for future integration into France.


Author(s):  
Evgenij Vodyasov

В статье публикуются итоги исследований мусульманских захоронений на могильнике «Тоянов городок», который является одним из самых ранних памятников ислама в Нижнем Притомье. Делается вывод, что в середине – второй половине XVII в. на кладбище сосуществовали две разные группы мусульманских захоронений. Первая группа мусульманских захоронений объединяет безынвентарные погребения с положением умерших головой на северо-запад с доворотом лица направо. Сделан вывод, что эта традиция не характерна для погребального обряда Нижнего Притомья и является привнесенной с территории Тарского Прииртышья. Появление на «Тояновом городке» захоронений с северо-западной ориентацией связано с переселением в окрестности Томска чатских татар в первой трети – середине XVII в. Для второй группы характерно соблюдение киблы положением умершего головой на юго-восток с доворотом лица налево. Инвентарь в этих захоронениях присутствует, что отражает пережитки доисламских верований. Происхождение этой группы захоронений объясняется трансформацией местного погребального обряда. Во второй половине XVII в. происходит исчезновение курганного способа захоронения, и растет количество безынвентарных погребений в связи с укреплением новой веры. При этом в обряде фиксируются пережитки доисламских верований, что само по себе закономерно для распространения любой религии в мире. Автор приходит к заключению, что на рубеже XVII–XVIII вв. исчезает обычай укладывать умерших головой на юго-восток, и «северо-западная» кибла вытесняет местную традицию. В начале XVIII в. в погребальном обряде происходят существенные перемены: окончательно исчезают курганные насыпи, могилы становятся глубже, появляются ниши (подбои), чего не отмечалось в более ранних мусульманских некрополях. Перемены связаны с прибытием мусульманского населения из Поволжья и Предуралья и их расселением в Татарской Слободе. С начала XVIII в. вплоть до рубежа XIX–XX в. мусульманский обряд унифицировался и существовал в неизменном виде.The article presents the results of research on Muslim burials in the hillfort named ‘Toyanov gorodok’ – one of the oldest Islamic sites in the Lower Tom region. The conclusion is drawn that in the middle to the second half of the seventeenth century, two different groups of Muslim burials coexisted here. The first group of the Muslim burials encompasses graves with no inventory, with the deceased placed with their heads to the north-west and their faces turned to the right. It is concluded that this tradition is not consistent with the burial rite spread in the Lower Tom and was brought in from outside, namely, the Tar Irtysh region. The emergence of such burials in the Toyanov Gorodok was associated with the settlement of the Chat Tatars on the outskirts of Tomsk in the first third to the middle seventeenth century. Characteristic of the second group was the placement of the deceased according to the Qiblah, with the head turned to the south-east and the face turned to the left. Some inventory was found in these burials, which is indicative of pre-Islamic beliefs. The origins of this group are accounted for by the transformation of the local burial rite. In the second half of the seventeenth century, the kurgan type of burials disappeared, whereas the number of burials with no inventory grew due to the strengthening of the new faith. At the same time, the vestiges of pre-Islamic beliefs can be seen in the burial rite, which in itself is natural for the spread of any religion in the world. The author concludes that at the turn of the seventeenth to the eighteenth centuries, the rite of placing the deceased with their heads to the south-east ceased to exist, and the ‘Qiblah north-west orientation’ replaced the local tradition. In the early eighteenth century, the burial rite changed significantly: the kurgan type of burials ceased to exist completely, the graves became deeper, and grave niches started to appear which were not reported to be found in older Muslim necropolises. These changes were connected with the arrival of the Muslim population from the Volga and the Ural regions and its settlement in the Tatar Sloboda. From the early eighteenth century up until the turn of the nineteenth to the twentieth centuries, the Muslim rite was consolidated and remained unchanged since.


1983 ◽  
Vol 104 ◽  
pp. 127-129
Author(s):  
A. N. Lasenby ◽  
R. D. Davies

Considerable astronomical interest attaches to sensitive measurements of temperature fluctuations of the microwave background on scales of a few arcmins to a few degrees. We describe here the first in a series of experiments being carried out at Jodrell Bank which are aimed at providing reliable and repeatable information on these angular scales. The first experiment used the MK II 25m dish at λ6 cm and covered scales from 10 arcmin (the beamwidth) to 60 arcmin (twice the beamthrow). At this relatively long wavelength, the atmosphere has negligible effect on the observations and day to day repeatability consistent with receiver noise alone was obtained. The observations were made in wagging mode near the North Celestial Pole (NCP) so that the two beams alternately traced out a reference circle on the sky, radius 30 arcmin, over the course of 24 hours. The NCP field was chosen since a high sensitivity discrete source survey (Pauliny-Toth et al. 1978) was already available covering the area. This meant that antenna temperatures around the reference circle could be corrected for any source induced effects ≳0.4 mK. In addition control observations were made at positions 30 arcmin East and West of the central field, so that systematic effects due to interaction of telescope sidelobes with objects in the immediate telescope environment, could be monitored and removed.


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