scholarly journals Performance Pedagogy: Performing Fluxus Pedagogy in a Contemporary Lithuanian Context

2020 ◽  
Vol 44 ◽  
pp. 152-163
Author(s):  
Marija Griniuk
Keyword(s):  
Participatory Art ◽  
Time Space ◽  
Practice Performance ◽  
Performance Pedagogy ◽  
Guest Lecturer ◽  
Historical Origin ◽  
And Performance ◽  
Definition Of ◽  
Reflexive Analysis ◽  
Archive Material

Educators practice performance pedagogy as the method where an educator/facilitator is seen as a performer or actor (Pineau 1994, p. 4). This paper presents an analysis of the historical roots of performance pedagogies in Fluxus pedagogies and performance pedagogy practices within participatory art events in Lithuania as exemplified by festivals AN88 (1988) and AN89 (1989). The case of my research rests on the contemporary implementation of performance pedagogy techniques during the course The Temporary Department of Time, Space, and Action for BA students at the Vilnius Academy of Arts in Lithuania. This research aims to define the concept theories within performance pedagogy in the art academy education, which developed behind the terms Human Semiotics (Andersen 2002), Hyper Performer,1 and InterMedia (Higgins 1984). This project was implemented using the strategy of critical utopian action research in the context of the Vilnius Academy of Arts. The empirical material was gathered during my employment as a guest lecturer and the implementation of my pedagogical internship at the Vilnius Academy of Arts.2These concept theories are defined through. a reflexive analysis of archive material on the historical origin of performance pedagogies, originating in Fluxus pedagogies, local Lithuanian participatory art, and data from the contemporary case of my project The Temporary Department of Time, Space and Action (2018), in the form of archive material, photographs, interviews, observations, notes, and my diary. The results of this research are the application of performance pedagogy concepts and terminology to the art and education projects and the definition of the key concept theories within this field. These results can be useful for artists and those practicing university pedagogy.

scholarly journals From the void, the night

IDEA JOURNAL ◽  
2017 ◽  
pp. 48-61
Author(s):  
Jen Archer-Martin ◽  
Lisa Munnelly
Keyword(s):  
Creative Thinking ◽  
Parallel Methods ◽  
Left Behind ◽  
Aotearoa New Zealand ◽  
Time Space ◽  
Binary Oppositions ◽  
Spatio Temporal ◽  
And Performance ◽  
Set Up ◽  
Definition Of

From the void, the night presents an unfolding encounter via a series of letters between two artist/designer/academics as they explore symbioses between their practices and thinking. The correspondence traverses topics that resonate with ideas of darkness, light, time, space, and sensation. Confronting spatial and epistemological boundaries, it begins to carve out a space of practice that embraces dark knowledge, material agency, and the unknown. The conversation begins with the discovery of an already-existing dialogue between bodies of work and thought stretching back to 2003-4, when, in separate efforts to transcend binary oppositions of figure/ground, inside/outside, nothingness/everything, two women made drawings on walls. 1 Unknown to one another at the time, both researchers were employing similar strategies to explore the embodied spatio-temporal performances of drawing and inhabitation – rhythm, repetition, sensation, and the field. These wall-drawings and the texts that accompanied them set up divergent practices that converged again in early 2017 at the Performing, Writing symposium. 2 Here, both undertook performance works 3 that employed drawing-as-writing, and sought to capture the spatial, temporal, material and affective unfoldings of durational practices. While the two works took very different forms, they shared parallel methods, establishing simple parameters for embracing the unknown of live practice. The six letters of the enclosed drawing-writing correspondence look to further this encounter, and explore how the two practices might rub against one another, approaching Tony Godfrey’s definition of a ‘drawing’ as ‘two objects or materials touch[ing] and evidence of their meeting [being] left behind.’ 4 The form of a ‘letter’ was taken loosely, considered as an assemblage that might contain writing, images, and other materials – a mode of ‘letter-writing’ that sits somewhere between writing, drawing and performance. Written over the course of two weeks in which they were the only form of communication between the pair, the letters are the raw product of an intensive creative exchange. While the authors are colleagues at the same College of Creative Arts, the correspondence presents a genuine temporal journey of getting to know one another’s creative thinking process, carving out a dynamic space of speculation about future practice. They reveal this process to be embodied and situated, with references to cultural events and indigenous understandings particular to Aotearoa New Zealand being entangled in the process of thinking-in-place. Intentionally presented here in their unrefined state, the letters are themselves a statement about resisting the pull of the light (of light-as-clarity). They are not writing-as-explanation but writing-as-drawing; a live material process of thinking-through and drawing-out. Gleefully inhabiting the dark space of not-knowing, they remain a dark, cloudy, lively mass of potential energy and material.          

Картофелекопатель с ротационной сепарирующей поверхностью

2018 ◽  
Author(s):  
V.M. Alakin ◽  
G.S. Nikitin
Keyword(s):  
Performance Data ◽  
Pilot Studies ◽  
Research Results ◽  
Operating Modes ◽  
Analysis Of Results ◽  
Design Characteristics ◽  
And Performance ◽  
Definition Of

Приведены результаты исследований экспериментального картофелекопателя с ротационной сепарирующей поверхностью. Особое внимание уделяется обоснованию конструктивных параметров и определению рабочих характеристик нового сепарирующего устройства. На основе анализа результатов экспериментальных исследований определены наиболее оптимальные режимы работы экспериментального картофелекопателя.Research results of an experimental potato digger with rotational separating web are published in this article. Special attention is paid to definition of design characteristics and performance data of the new separating device. Admissible operating modes are defined on the basis of the analysis of results of pilot studies of the experimental potato digger.

Positive Workplaces

2009 ◽  
pp. 578-588
Author(s):  
Fred Luthans ◽  
Carolyn M. Youssef
Keyword(s):  
Organizational Behavior ◽  
Psychological Capital ◽  
Future Research ◽  
Positive Organizational Behavior ◽  
Performance Impact ◽  
Research Directions ◽  
Future Research Directions ◽  
And Performance ◽  
Definition Of ◽  
Psychological Capacities

Over the years, both management practitioners and academics have generally assumed that positive workplaces lead to desired outcomes. Unlike psychology, considerable attention has also been devoted to the study of positive topics such as job satisfaction and organizational commitment. However, to place a scientifically based focus on the role that positivity may play in the development and performance of human resources, and largely stimulated by the positive psychology initiative, positive organizational behavior (POB) and psychological capital (PsyCap) have recently been introduced into the management literature. This chapter first provides an overview of both the historical and contemporary positive approaches to the workplace. Then, more specific attention is given to the meaning and domain of POB and PsyCap. Our definition of POB includes positive psychological capacities or resources that can be validly measured, developed, and have performance impact. The constructs that have been determined so far to best meet these criteria are efficacy, hope, optimism, and resiliency. When combined, they have been demonstrated to form the core construct of what we term psychological capital (PsyCap). A measure of PsyCap is being validated and this chapter references the increasing number of studies indicating that PsyCap can be developed and have performance impact. The chapter concludes with important future research directions that can help better understand and build positive workplaces to meet current and looming challenges.

In quest of higher dimensions – Superstring Theory and the Calabi – Yau manifolds

2021 ◽  
Author(s):  
Deep Bhattacharjee ◽  
Sanjeevan Singha Roy
Keyword(s):  
String Theory ◽  
Higher Dimensions ◽  
Physical Reality ◽  
Space Time ◽  
Superstring Theory ◽  
Real Nature ◽  
Time Space ◽  
Klein Theory ◽  
Relative Notion ◽  
Definition Of

Higher dimensions are impossible to visualize as the size of dimension varies inversely proportional to its level. The more the dimension ranges, the least its size. We are a set of points living in a particular point of space and a particular frame of time. i.e, we live in space-time. The space has more dimensions that meets the human eye. We are living in a world of hyper-space. Our world being a smaller dimension is floating in higher dimensions. The quest for the visually of higher dimensions has been a fantasy to mankind but this aspect of nature is completely locked. We can transform dimensions i.e., from higher to lower dimensions, or from lower to higher dimensions, but only through mathematics. The relative notion of mathematics helps us to do the thing, which is perhaps impossible in the experimental part of physical reality. Humans being an element of 3 Dimensions – length, breath, height can only perceive one higher dimensions, that is space-time. but beyond that the notion of dimension itself changes. The dimensions got curled up in every intersection of the coordinates of space in such a way that the higher dimensions remain stable to us. But in reality it is highly unstable. In the higher dimensions, above 4, the space is tearing apart and joining again spontaneously, but the tearing portion itself covered by 2 dimensional Branes which acts as a stabilizer for the unstable dimensions. Dimensions will get smaller and smaller with the space-time interwoven in it. But at Planks length that is 10^-33 meter, the notion of space-time itself breaks down thereby making impossible for the higher dimensions to coexist along with space. Without space, there will be no identity of any dimension. The space itself is the fabric for the milestone of residing higher dimensions. Imagine our room, which is 3 dimensional. But what is there inside the room. The space and of course the time. Space-time being a totally separate entity is not quite separate when compared with other dimensions because it makes the residing place for the higher dimensions or the hyperspace itself. We all are confined within a lower dimensional world within a randomness of higher dimensions. Time being alike like space is an arrow which has the capability of slicing space into different forms. Thereby taking a snapshot of our every nano-second we vibrate within space-time. As each slice of time represents each slice of space, similarly each slice of space represents each slice of time. The nature of space-time is beyond human consciousness. It is the identity by which we breathe, we play, we survive. It is the whole localization of species that encompasses itself with space thereby making space-time a relative quantity depending upon the reference frame. The only thing that can encompass space-time or even change the relative definition of space-time is the speed, the speed far beyond the speed of light. The more the speed, the less the array of time flows. Space-time being an invisible entity makes the other dimensions visible residing in it only into the level of 3, that is l, b, h. After that there is a infamous structure formed by the curling of higher dimensions called CALABI-YAU manifold. This manifold depicts the usual nature of the dimensional quadrants of the higher order by containing a number of small spherical spheres inside it. The mathematics of string theory is still unable to solve the genus and the containing spheres of the manifold which can be the ultimate quest for the hidden dimensions. Hidden, as, the higher dimensions are hidden from human perspective of macro level but if we probe deeper into the fabric of the space-time of General Relativity then we will find the 5th dimension according to the Kaluza-Klein theory. And if we probe even deeper into it at the perspective of string theory we will be amazed to see the real nature of quantum world. They are so marvelously beautiful, they contain so many forms of higher dimensions ranging from 6 to 10. And even many more of that, but we are still not sure about it where they may exist in a ghost state. After all, the quantum nature is far more beautiful that one can even imagine with a full faze of weirdness.

Trained Helping Behaviors and Group Performance

1991 ◽  
Vol 68 (3_suppl) ◽  
pp. 1291-1298
Author(s):  
Nancy J. Stone ◽  
Molly E. O'Gorman
Keyword(s):  
Group Performance ◽  
Group Members ◽  
Helping Behaviors ◽  
And Performance ◽  
Definition Of ◽  
Crossword Puzzles

96 students assigned to 32 groups were trained in seeking information to judge whether particular helping behaviors would increase application of the behavior found positively correlated with performance. Three-person groups worked crossword puzzles which decreased in difficulty over two trials. Training significantly increased seeking behaviors and performance (reduced errors). Helping behaviors were also more useful when the task was difficult and not helpful when the task was easy, which supports the notion that helping behaviors may even be debilitating under certain circumstances. More research is needed to establish a functional definition of helping behaviors and to investigate the use of helping behaviors on tasks requiring interdependence among group members.

scholarly journals Open-book accounting and trust: influence on buyer-supplier relationship

2018 ◽  
Vol 53 (4) ◽  
pp. 597-621 ◽  
Author(s):  
Lara Cristina Francisco de Almeida Fehr ◽  
Welington Rocha
Keyword(s):  
Data Gathering ◽  
Structured Interview ◽  
Information Value ◽  
Open Book ◽  
Information Process ◽  
Content Type ◽  
And Performance ◽  
Definition Of ◽  
New Research ◽  
Supplier Relationship

PurposeThis paper aims to discuss the role of open-book accounting (OBA) and trust on buyer–supplier relationship satisfaction. The objective of this paper is to analyze how OBA and trust influence satisfaction on the relationship between suppliers and buyers in the Brazilian automotive sector’s supply chain.Design/methodology/approachThe research has been developed based on a qualitative strategy, characterized as explanatory. Data gathering has been conducted through document analysis and semi-structured interview, and content analysis has been used for discourse analysis.FindingsResults show that OBA is unilateral, imposed by the auto manufacturer, representing a selective information process, as suppliers try to protect their information value as far as possible. Trust is partial and cooperation is not spontaneous, both driven by the search for benefits. OBA may yield a positive or a negative outcome with regard to the social and the economic overall satisfaction of suppliers, depending on how the information is used by auto manufacturer.Originality/valueThe main contribution of this article is to provide an understanding of the difficulties of applying the OBA in companies and of the factors that may influence its operation and performance, impacting on satisfaction and continuity of relationships. The paper also contributes with the proposal of a clearer and more objective definition of OBA. Being the intention that new research in this area can be developed from a delimited, clear and objective definition of OBA, allowing better understanding on the subject and comparison among research studies.

Through the prototypes of through: A corpus-based cognitive analysis

2018 ◽  
Vol 6 (1) ◽  
pp. 43-70
Author(s):  
Gaëtanelle Gilquin ◽  
Andrew McMichael
Keyword(s):  
Empirical Evidence ◽  
Cognitive Linguistics ◽  
Theoretical Concept ◽  
Prepositional Phrase ◽  
Cognitive Analysis ◽  
Frequency Of Use ◽  
Starting Point ◽  
Historical Origin ◽  
Definition Of ◽  
L1 Acquisition

Abstract This paper empirically tests a number of criteria proposed in the literature to identify the prototype of a linguistic category in order to see how they compare with each other - and what this can tell us about the concept of prototypicality. The item under investigation is through, and the starting point is an intuition-based definition of prototypical through. The different criteria are frequency of use, ease of elicitation, historical origin, patterns in L1 acquisition and patterns in L2 use. All instances of through retrieved for testing each of these criteria are classified according to a taxonomy couched in Construction Grammar terms. The findings confirm the special status of the intuition-based prototype of through (the [X moves through Y] construction) according to some of the criteria, but also reveal divergent results, in particular a central use of the instrumental prepositional phrase with through. Conclusions are drawn about the theoretical concept of prototypicality and its possible multi-faceted nature, and more generally about the place of empirical evidence in Cognitive Linguistics.

scholarly journals INFLUENCE EXTERNAL INFLUENCES ON THE ACCURACY OF TEMPERATURE CONCRETE FEATURES AND PERFORMANCE MEASUREMENT WITH INFRARED TECHNOLOGY IN THE AGING MONOLITHIC STRUCTURES

2017 ◽  
Vol 2 (3) ◽  
pp. 57-65
Author(s):  
Антохин ◽  
Pavel Antokhin ◽  
Дьяконов ◽  
Igor Dyakonov
Keyword(s):  
Measurement Errors ◽  
High Efficiency ◽  
Technological Development ◽  
Infrared Technology ◽  
Concrete Temperature ◽  
Allowable Range ◽  
Processing Information ◽  
And Performance ◽  
Definition Of ◽  
Monolithic Structures

At the present stage of technological development, where low labor intensity are highly valued, high efficiency and representativeness of measurements, a convenient means of storing and processing information, the infrared (IR) thermometry recaptures more and more space. The exact definition of the concrete temperature (with an error of 1 °C or less, usually defined by the sensor) is extremely complicated: Instrumental errors superimposed on the error measurement method used, on the errors associated with the arrangement of the measurement sites, etc. In relative terms, the rates of heating-cooling, in the absolute, the range of allowed temperatures when exposed concrete such accuracy looks obviously excessive and unjustified technically and economically. Considering the IR technique as a means postroechnyh control the concrete temperature, and when performing measurements using its implementation should be tailored to suit the IR measurements and factors that can lead to significant measurement errors. Since these factors can greatly affect the measurement result. Reliability indirect MOTB (method of determining the temperature of the concrete) with pyrometers is achieved by using the calculated accurate according to a certain type of decks and compliance with the measurement rules to ensure the work of this relationship within the allowable range of accuracy.

scholarly journals Smart Skin Envelope

2011 ◽  
Author(s):  
Rosa Romano
Keyword(s):  
State Of The Art ◽  
Innovation Process ◽  
Research Programme ◽  
Energy Performance ◽  
Indoor Environments ◽  
Performance Parameters ◽  
Skin Envelope ◽  
And Performance ◽  
Definition Of ◽  
Smart Skin

The Smart Skin Envelope research analyses the recent revolution that has taken place in the sector of planning and production of smart skin components, made up of dynamic layers. The aim is to identify the technological, functional, qualitative and performance parameters that guide the decisions of the actors in the innovation process. It explores the factors that drive them to develop solutions and proposals designed to transform the envelope of the building from a static to a dynamic element, featuring interoperable components that can interact with the input from the outdoor and indoor environments, in relation to which the smart skin acts as a system of boundary and delimitation. The proposed research programme explores in particular the sector of Smart Envelopes, setting as its priority objective the identification and definition of the energy performance, both through analysis of the state of the art and through the development of a facade component that is dynamic in terms of the adaptive variability of its performance.

scholarly journals Towards a New Pacific Theatre: Practice‐Led Enquiry into a Model of Theatre Making that Relates  to the Geography, Cultures and Spiritual Values of  Aotearoa/New Zealand

2021 ◽  
Author(s):  
◽  
Bert Van Dijk
Keyword(s):  
New Zealand ◽  
Performing Arts ◽  
Ethical Issues ◽  
Specific Work ◽  
Site Specific ◽  
Devised Theatre ◽  
Aotearoa New Zealand ◽  
Intercultural Performance ◽  
Time Space ◽  
And Performance

<p>This practice‐led research enquiry sets out to develop and test a model of theatre practice that relates to the unique geographic, cultural and spiritual dimensions of Aotearoa/New Zealand. In this practice, actors are connected with their body and the earth (they have feet), archetypal qualities inherent in nature and culture are incorporated into training and performance (return of the gods), a sense of adventure and risk‐taking is emphasized, and the practice relates to the multiple cultures and communities of Aotearoa/New Zealand. Presence, defined as the ability to be sensorially alive in the moment, and site‐specific performance, a creative response to locality, emerged as two of the key strategies to connect with self, other and the environment.  By investigating selected principles, strategies and values from the indigenous, pre‐European, Māori performing arts (whare tapere), devised theatre, the Michael Chekhov technique, and Japanese Noh theatre, an intercultural approach to site specific theatre evolved that interweaves the four pathways of collaboration, connection, exploration and transformation and their corresponding values. After considering the political and ethical issues of intercultural performance a number of principles to guide the process of intercultural exchange were formulated and tested. A vital component of this study was the creative development and performance of Ex_isle of Strangers – a site‐specific work developed in response to the tangible and intangible dimensions of Matiu/Somes Island. The research generated moments of practice that investigated the creative potential of residential devising processes and the transformative value of audience mobility in performances that involve physical and metaphorical journeying. These moments provided the participants (performers and spectators) time, space and opportunity to interact with one another and with the site they occupied, thus significantly increasing their level of physical and mental engagement with the work.</p>

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