scholarly journals Displays of Socio-Cultural Priorities of the Lower Dnipro Ship-owners in the NaDisplays of Socio-Cultural Priorities of the Lower Dnipro Ship-owners in the Names of Coastal Sailors: the first quarter of the 20th centurymes of Coastal Sailors: the first quarter of the 20th century

2018 ◽  
Vol 1 ◽  
pp. 119
Author(s):  
Olexander Konyk

The report considers the informational possibilities of the documents of the Kherson State Archives for the knowledge of socio-cultural priorities and the real mechanisms of formation of social and national consciousness in the socio-professional group of the Lower Dnipro owners of coasting vessels. The study of the source base gives grounds to assert that the modern funds of the state institutions of the Russian Empire in the Kherson State Archives are only the remnants of the former departmental archives, and the most complete funds presenting the problems in the specified chronological framework, that is, the names of coastal merchant ships of the basin of the Lower Dnipro in the early twentieth century are the funds of Kherson port customs. If we are talking about the most ancient documents found on the subject today, then they are related to the end of the 18th century. Mostly they record the names of military frigates and large merchant ships that entered Kherson port and also have Greek and Turkish names. This allows for interesting parallels in the continuity of the tradition of names, in particular biblical and sacred history. In the main part of the message, the identified names are grouped and analyzed. The hierarchy of priority of ship-owners in the choice of names was as follows: in the first place are the names of their own, followed by the names that personify the biblical and evangelical heroes, saints (the absolute priority of St. Mychola), the fathers of the church, and others. Further in descending order are geographical names, social definitions and family relationships, qualitative definitions, general concepts, natural phenomena, names of historical figures and famous people, historical terms that denoted social division or specific occupations, Soviet and communist names, astronomical names or phenomena, names from the world of birds, names from mythology, fairy tales and Legend, ancient Ukrainian social concepts, ethnonyms, names of authors and literary heroes, names from natural history, exotic names rarely used in the region, names and titles of members of the Russian Imperial House, names from the world of fish, water creatures, names from vegetation and animal world and from the world of insects. The conclusion is that the statistics given in the text show the wide range of preferences of ship-owners, mostly conservative and often romantic and the ones that reflected real social and spatial self-determination, national, and in the Soviet times, more and more political priorities. The potential of the materials used in the study of the problem is far from being exhausted, so the topic remains promising for further research.

2020 ◽  
pp. 7-14
Author(s):  
N.V. Lobko

History of World War I that due to its global consequences started a new stage of development of European civilization still draws attention of many researchers. One of the most interesting topics for researchers is the topic of war imprisonment during the World War I. Stay of prisoners of war in the territory of Ukraine is a scantily studied issue. The objects of this study are prisoners of war who were in Lebedyn district of Kharkiv province during the World War I (1914–1918). The subject of the research is the legal status of prisoners of war, the protection of their rights and the observance of their duties. The author analyzed norms of international law and Russian legislation for regulation conditions of war imprisonment during the period of war. Using materials of Lebedyn District of Kharkiv Province, being deposited in the archives of Sumy Region, the author examines the legal status of prisoners of war, the protection of their rights and the observance of their duties. The position of prisoners of war during the World War I on Ukrainian lands as part of the Russian Empire was determined by the norms of international law and Russian legislation for regulation conditions of war imprisonment during the period of war. Using the archival sources kept in funds of the State Archives of Sumy Region, it was found that the rights of prisoners of war were generally ensured on the territory of the Lebedyn District of Kharkiv Province. However, there were not a few cases when Austrian and German prisoners suffered from hunger, domestic inconvenience and abuse by employers. There were also repeated violations of their duties by prisoners of war. The most common violations were refusal to work, leaving the workplace.


2021 ◽  
Vol 30 ◽  
pp. 45-49
Author(s):  
Victor Tvircun ◽  

Thе present publication is the first in historiography to highlight the unknown pages from the biography of Maria Andreevna Kantakuzino, wife of Foma (Toma) Kantakuzino, Major General of the Russian Army, an associate of Peter the Great. The research is based on documents discovered by the author in the State archives of the Russian Federation. The hallmark of this article is the fact, that the biographical data of Maria Cantacuzino are disclosed in the context of the political events of the 1st quarter of the 18th century, as well as her personal ties and correspondence with statesmen of the Russian Empire, the author reflects the issue of the financial situation of the countess in Russia. At the same time, the publication sheds light on the previously unknown biographical data of Maria Cantacuzino – the time and conditions of her arrival in Russia, the place of residence, as well as the date of her death. This publication, on the basis of archival documents discovered and introduced into scientific circulation, makes it possible to show the property status and possessions of the Cantacuzino family in Russia in the first half of the 18th century, as well as their fate after the death of the owners.


Author(s):  
Jack Zipes

If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread—or why so many people cannot resist its appeal, no matter how it changes or what form it takes. This book presents a provocative new theory about why fairy tales were created and retold—and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, the book presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making its case, the book considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's “Bluebeard”; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, this book provides a powerful theory of how and why they evolved—and why we still use them to make meaning of our lives.


Author(s):  
Alexander В. Arlukevich

The article reflects the processes of concentration and territorial deployment of troops of the Russian Empire in Belarus during the existence of the Vilna and Warsaw military districts after the end of the uprising of 1863–1864. The analysis of the reasons for the concentration of formations and units of the Russian army in the region, taking into account the current military-political situation in Europe and socio-political processes that took place within the Belarusian provinces themselves, allowed the author to determine the goals and tasks of the troops that were solved by the latter in Belarus from the middle 1860s to the beginning of the World War I. This research is based on a wide range of sources that were first introduced into scientific circulation, identified by the author in the archives and book repositories of Russia and Belarus. The author identifies the causes and preconditions of creation of system of territorial administration of the armed forces of the Russian Empire in Belarus. The process of creating organizational structures of the Vilna military district and the composition of the military contingent stationed in Belarus and the locations of individual parts and units of the Russian army within the borders of Belarusian provinces are discovered. The author identifies the causes of changes in the composition and the scheme of territorial deployment of troops during the period of military districts.On the basis of a comparison of the results obtained in the study of the above aspects of the subject, the author tried to give an overall assessment of the role and place of Belarusian lands in the system of ensuring military-strategic interests of the Russian Empire, as well as the role of the army in political life of Belarus in the second half of the 1860s until the outbreak of the World War I.


Author(s):  
L. S. Gushchian ◽  

The mechanisms of formation of the Iranian funds of the Russian Ethnographic Museum are analyzed in the article. The series of collections acquired at the beginning of the 20th century for this collection, indicates the relevant interest towards the multi-ethnic culture of Iran, in which female images, with an outstandingly exotic character for Europeans, have a special place. The accompanying archival materials of the collections, in particular, the correspondence between expeditionist-collector S.  Ter-Avetisyan, a student of the Imperial St. Petersburg university, and the curator of the museum K. Inostrantsev, demonstrate, on the one hand, the wide range of research programs of the orientalist s tudents at the beginning of the last century, and on the other, a researcher’s high status in the Russian Empire


Res Rhetorica ◽  
2020 ◽  
Vol 7 (4) ◽  
pp. 2-16
Author(s):  
Lucyna Aleksandrowicz-Pędich

The article explores Dara Horn’s novel The World to Come as an expression of the trauma of Jewish-American community related to its experiences of anti-Semitism in the Soviet Union, in the American army, of communist involvement and threats of modern terrorism. These issues are built into a complex narrative of family relationships, mixing fictional characters with historical figures. The analysis demonstrates how Horn’s textual strategies of silence and darkness represent the cultural trauma.


Author(s):  
Ekaterina А. Rychkova ◽  

The development of folk crafts in Russia was closely connected with the formation of handicrafts museums that performed complex tasks of preserving, studying and promoting folk art. The study of their history today is one of the problems that have not yet been sufficiently studied in museology. Handicrafts museums were considered by researchers primarily in the general historical context of the influence of state policy and provincial zemstvos on the development of handicraft industry in Russia. However, the phenomenon of handicrafts museums remains insufficiently studied from the point of view of history and the theory of museum work. The type of the handicrafts museum has not yet been singled out as an actual form of the museum institution of the last quarter of the XIX – the first third of the XX centuries, which spread in several provinces of the Russian Empire. The purpose of the article is to review the main activities of the Moscow Handicrafts Museum - an example of the formation of new types of museums in Russia and their influence on the development of folk crafts in the second half of the 19th century – the first third of the 20th centuries. Moscow Handicrafts Museum opened in 1885. His task was to fully promote the development of folk art and the implementation of handicrafts. One of the main features and goals of creating the Handicrafts Museums in the Russian Empire was the formation of an established system of state patronage over the peasants who were freed from serfdom and promotion of their involvement in the new sector of the economy. The museum staff formed the museum collection, actively participated in organizing the training of folk craftsmen, arranging production workshops, became intermediaries in the art market, and was engaged in active exhibition work around the world, especially at large industrial fairs. In the 1890–1910s, the case started in Moscow spread quickly to almost the whole country. Handicrafts museums immediately arose in several provinces of Russia. One of the program documents of that period was the concept of the development of the Handicrafts Museum, proposed in a report of Sergey Morozov in 1910. Thus, at the beginning of the twentieth century in Moscow, the structure of an effective museum was formed, aimed at systematic work with folk crafts and successfully involving a wide range of partners: artists and scientists, merchants and foreign industrialists. Thanks to the assistance of handicrafts museums in Russia in the late XIX – early XX centuries traditional folk crafts were able to survive and be adequately represented throughout the world. The aesthetic significance of folk art has been recognized. The study of folk art has become an important subject of scientific research. All aspects of the multifaceted history of the formation and development of handicrafts museums and their role in the socio-economic and cultural development of Russia are of great scientific interest and require careful further study.


Author(s):  
Ann Brooks

This chapter explores the idea of the bluestockings and other women writers and how they were partially enfranchised by the expansion of print culture in the 18th century. Many of the bluestockings were published writers. Indeed, Elizabeth Montagu and Elizabeth Carter showed that women could succeed in areas traditionally defined as areas where men excelled. Regardless of the success of these women writers — and probably as a result of it — at the start of the 19th century, the combined social and intellectual prominence of so many intelligent women was responded to with both resentment and disgust by many men. Nevertheless, the establishment of a recognized and significant presence of women in the ‘world of letters’ paved the way for a wide range of social and political commentary from women writers such as Jane Austen, George Eliot, and, later, Virginia Woolf.


Author(s):  
Vitor Guilherme de Oliveira ◽  
Luís Leonardo Horne Curimbaba Ferreira ◽  
Marcos Antônio dos Reis ◽  
Peter Miura Nakachima ◽  
André Luis Pereira

Refractories have been very important for humankind development enabling the manufacturing of a wide range of materials. Primary industries demanding refractories include the manufacturing of steel, non-ferrous metals, glass, lime, cement, ceramics, petrochemicals and incineration. Refractory grade bauxites (RGBs) are high-alumina materials used as aggregates in shaped and unshaped refractory linings suitable to with stand high temperature heating and a corrosive environment. Despite the wide availability of bauxite ores in the world, few countries can supply a bauxite with refractory grades. Guyana, China and Brazil have emerged as suppliers for the refractory industry and the peculiarities of each bauxite from these countries impact directly on the refractory performance.


Author(s):  
Magdalena Bednarek

From the 18th century on Arabian Nights  has been influencing European imaginary, especially culture and literature. It created European vision of the Orient as well. In the 20th century popular culture gave high recognisability to many elements of Arabian Nights (such as characters: Sindbad, Aladdin or magical artefacts: a flying carpet, magic lamp). Scheherazade as an allegory for narrative art became the most important figure for scholars studying the book. The paper shows how two contemporary book cycles make intertextual links to Arabian Nights . Orphan’s Tale  by Catherynne M. Valente, Harun and the Sea of stories  and Luka and the fire of Life by Salman Rushdie rewrite the elements of Arabian Nights , such as characters, artefacts and linguistic allusion to the Orient. However, the narration in the works by both writers is completely different: Valente recreated a sophisticated device of narration known from the book, whereas Rushdie gave his novels a simple, linear composition. Scheherazade’s gift to spin story out of a life is needed for different aims. For Rushdie telling fairy tales is useful in writing about life of literature itself, for Valente it is important for creating an alternative to the patriarchal vision of the world.


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