Etude complémentaire de manuscrits des transcriptions et des enregistrements sonores algériens de Béla Bartók

2012 ◽  
Vol 53 (1-3) ◽  
pp. 323-340
Author(s):  
Mehdi Trabelsi
Keyword(s):  
Folk Music ◽  
Source Material ◽  
Bela Bartok ◽  
Special Significance ◽  
Sound Recordings ◽  
Cd Rom ◽  
The Subject ◽  
New Research ◽  
First Time

When travelling in and around Biskra, Algeria, in 1913, Béla Bartók recorded almost two hundred melodies on phonograph cylinders. Bartók’s unique research was the subject of my PhD dissertation at the Sorbonne in Paris in 2003. The dissertation was based on about half of Bartók’s Arab collection available at the time at the Budapest Bartók Archives. In the meantime in 2006, the CD-ROM Bartók and Arab Folk Music has made for the first time available all the surviving transcriptions and sound recordings, which represent Bartók’s collection almost in its entirety. The article summarizes new research into the source material which has recently become available and points out the special significance of his study of Arab folk music for ethnomusicological research into the Maghreb.

scholarly journals THE FIRST OPERA OF THE TURKISH WORLD "LEYLI AND MAJNUN’’

2021 ◽  
Vol 13 (2) ◽  
pp. 305-320
Author(s):  
Ömer TÜRKMENOĞLU ◽  
Zümra AZİZOĞLU
Keyword(s):  
Folk Music ◽  
Western Music ◽  
Tonal Structure ◽  
Music And Literature ◽  
The Public ◽  
History Of ◽  
The Subject ◽  
Many Sources ◽  
First Time ◽  
The City

The Turkish world's opera history gave its first example in 1908 with the opera "Leyli and Majnun" by Azerbaijani composer Üzeyir Hacıbeyli. According to many sources, "Leyli and Majnun" is described as the first opera of the Turkish world and the Islamic world, and the east. The most important feature of this opera is the masterful synthesis of classical western music and folk music. The opera, which was composed for the first time in this way, influenced the east with its staging and ensured that the art of opera was adopted by the public. The great composer Uzeyir Hajibeyli was born in the city of Shusha in Azerbaijan, which was developed in the field of literature and music and called the "natural conservatory." He developed his existing talent here and built it on solid foundations. He was interested in music and literature, wrote many books, articles, and was a writer for newspapers. The subject of the opera Leyli and Majnun is taken from Fuzuli's "Leyli and Majnun" poetry of the same name. At the age of 13, the composer decided to write this opera, influenced by the theater show "At the tomb of Majnun Leyli'' which he watched in Shusha, his home city. He started working on opera in 1907 when he was only 22 years old. By bringing a different perspective to opera, he used the tonal structure of western music with 'mugham,' also known as Azerbaijani folk music. This type of opera is also called "Mugam Opera.'' The opera, which was composed and performed despite the conditions of the period, preserved its originality by combining two cultures and was performed many times in other countries. Operas from the Turkish world are rarely staged in our country, and there is a need for such an article because the opera "Leyli and Majnun" has not been staged much in Turkey and there are very few theses, articles, and books about it. In this study; Different titles have been created such as the history of Azerbaijan opera, the life of Uzeyir Hajibeyli, the composer's process of creating the opera, and the content of the opera Leyli and Majnun. Keywords: Leyli and Majnun, Uzeyir Hajibeyli, Turkish World, Opera

scholarly journals Ideation for New Ventures: The Reasonings-Outcomes Matrix, Models and Tools

2021 ◽  
Author(s):  
Meir Russ
Keyword(s):  
New Ventures ◽  
New Product ◽  
New Venture ◽  
New Venture Creation ◽  
Venture Creation ◽  
The Matrix ◽  
New Ideas ◽  
The Subject ◽  
New Research ◽  
First Time

The paper summarizes in a step by step ‘recipe’ format a model of developing new ideas (Ideation) that can be used to form a new venture or develop a new product. The proposed ‘recipes’ are widely used and can be applied in tandem with other prevalently available models or tools. The intention of the paper is also to serve as a resource for entrepreneurs and innovators, and the links and references munificently used in the paper are serving this purpose. The author has used the outline and the tools described here in numerous Ideation classes taught for over a decade in several countries around the world. The paper’s intention is not to conduct a systematic review on the subject of new venture creation or propose new research agenda (for that, see for example Shepherd et al., 2021). The purpose is to provide an effective and efficient set of tools, models and techniques that can assist the entrepreneur in her journey to create and achieve her dreams. One such tool is the matrix of Reasonings-Outcomes introduced here for the first time.

Welsh church history: sources and problems

1975 ◽  
Vol 11 ◽  
pp. 293-300
Author(s):  
Nigel Yates
Keyword(s):  
Twelfth Century ◽  
Primary Source ◽  
Church History ◽  
Language Barrier ◽  
Source Material ◽  
Ecclesiastical History ◽  
History Of ◽  
The Subject ◽  
First Time

When one considers how intimately the ecclesiastical history of Wales has been bound up with that of England from at least the twelfth century until the disestablishment of the Welsh church in 1920, it is perhaps surprising that the subject should present as many problems as it does to those approaching it for the first time, especially to those familiar with the sources of English ecclesiastical history. It will not, of course, be possible in a paper of this length to consider fully all the problems involved, and I wish therefore to confine myself to four which seem to me to be absolutely basic. They are the shortage of primary source material; the lack of competent monographs on many topics; the language barrier which faces those unfamiliar with Welsh; and the dangers inherent in what may be called the ‘Welsh Nationalist’ approach to Welsh ecclesiastical history.

Maps of a Nation? The Digitized Ordnance Survey for New Historical Research

2021 ◽  
Author(s):  
Kasra Hosseini ◽  
Katherine McDonough ◽  
Daniel van Strien ◽  
Olivia Vane ◽  
Daniel C S Wilson
Keyword(s):  
Source Material ◽  
Historical Research ◽  
Primary Sources ◽  
Historical Inquiry ◽  
Sources Of Information ◽  
Ordnance Survey ◽  
Item Level ◽  
The Subject ◽  
Quality Maps ◽  
First Time

Abstract Although the Ordnance Survey has itself been the subject of historical research, scholars have not systematically used its maps as primary sources of information. This is partly for disciplinary reasons and partly for the technical reason that high-quality maps have not until recently been available digitally, geo-referenced, and in color. A final, and crucial, addition has been the creation of item-level metadata which allows map collections to become corpora which can for the first time be interrogated en masse as source material. By applying new Computer Vision methods leveraging machine learning, we outline a research pipeline for working with thousands (rather than a handful) of maps at once, which enables new forms of historical inquiry based on spatial analysis. Our ‘patchwork method’ draws on the longstanding desire to adopt an overall or ‘complete’ view of a territory, and in so doing highlights certain parallels between the situation faced by today’s users of digitized maps, and a similar inflexion point faced by their predecessors in the nineteenth century, as the project to map the nation approached a form of completion.

“Bartók always called me Latin”: The Influence of Béla Bartók on László Lajtha's life and art

2007 ◽  
Vol 48 (1-2) ◽  
pp. 215-223 ◽  
Author(s):  
Emőke Tari Solymosi
Keyword(s):  
Folk Music ◽  
Film Music ◽  
Hungarian Academy ◽  
Compositional Style ◽  
Bela Bartok ◽  
Mutual Respect ◽  
French Academy ◽  
Latin Culture

Abstract Bartók's influence on his outstanding Hungarian contemporary, László Lajtha (1892–1963) remains as yet largely unresearched. Lajtha studied with Bartók at the Royal Hungarian Academy of Music and went on to become a composer, folk music researcher, versatile teacher, international cultural ambassador, and member of the French Academy. The two men's friendship and mutual respect lasted throughout Bartók's life. Among the leading musicians of the time, it was Bartók who first expressed his high opinion of the younger composer's talent. Bartók's influence can be observed in almost every field of Lajtha's work. For example, it was Bartók who recommended that Lajtha choose Paris as the place to complete his studies, which fostered in turn Lajtha's orientation toward Latin culture. Following in Bartók's footsteps, Lajtha became one of the greatest folk music collectors and researchers in Hungary, and this music also exerted a significant effect on his compositional style. Bartók recommended that the director Georg Hoellering commission Lajtha to write film music, which became an important new genre for the latter. A large number of documents — especially the unpublished letters from László Lajtha to John S. Weissmann, one of his former students — offer proof that Bartók's inspiration and practical assistance were of paramount importance to the development of Lajtha's career, oeuvre, and aesthetics.

Biographical Studies of G.I. Gurdjieff

2016 ◽  
Vol 11 (1) ◽  
pp. 10-35
Author(s):  
Joseph Azize
Keyword(s):  
Comparative Research ◽  
Source Material ◽  
Future Studies ◽  
The Third ◽  
The Subject

The various published biographies and biographical notices of G.I. Gurdjieff (c.1865-1949) are of diverse style, quantity and content. While some have made considerable contributions to the subject, most attempts have reacted for or against Gurdjieff’s status as what might call an ‘Enlightened Master’. Little biographical writing on Gurdjieff has questioned the scope, reliability and prejudices of the sources. Further, possible resources have been neglected. The development in Gurdjieff’s ideas is often overlooked, his life is not sufficiently related to that development, and the lack of comparative research has failed to highlight Gurdjieff’s unique contributions. This article is structured in four parts. The first is an introduction, followed by an overview of existing biographical studies of Gurdjieff. The third part addresses bias in these studies, and this is followed by suggestions for future studies. It is concluded that fieldwork regarding the biography of Gurdjieff has been hampered by imperfect methodology. However, with better use of the source material, some of which has only recently been discovered, and a rigorous use of sources, a more balanced and nuanced picture of Gurdjieff’s life, and the development of his ideas and methods, should emerge.

СОЦИАЛЬНАЯ КОНФЛИКТОЛОГИЯ: ТЕОРЕТИКО-ИСТОРИЧЕСКИЙ АСПЕКТ

2020 ◽  
Vol 15 (2) ◽  
pp. 68
Author(s):  
А. Н. Сухов
Keyword(s):  
Theory And Practice ◽  
Important Task ◽  
Social Conflicts ◽  
Psychological Approach ◽  
Structure Dynamics ◽  
History Of ◽  
The Subject ◽  
First Time

This given article reveals the topicality not only of destructive, but also of constructive, as well as hybrid conflicts. Practically it has been done for the first time. It also describes the history of the formation of both foreign and domestic social conflictology. At the same time, the chronology of the development of the latter is restored and presented objectively, in full, taking into account the contribution of those researchers who actually stood at its origins. The article deals with the essence of the socio-psychological approach to understanding conflicts. The subject of social conflictology includes the regularities of their occurrence and manifestation at various levels, spheres and conditions, including normal, complicated and extreme ones. Social conflictology includes the theory and practice of diagnosing, resolving, and resolving social conflicts. It analyzes the difficulties that occur in defining the concept, structure, dynamics, and classification of social conflicts. Therefore, it is no accident that the most important task is to create a full-fledged theory of social conflicts. Without this, it is impossible to talk about effective settlement and resolution of social conflicts. Social conflictology is an integral part of conflictology. There is still a lot of work to be done, both in theory and in application, for its complete design. At present, there is an urgent need to develop conflict-related competence not only of professionals, but also for various groups of the population.

Performance Management Transformation

2020 ◽  
Keyword(s):  
Organizational Performance ◽  
Performance Management ◽  
High Performance ◽  
Best Practice ◽  
Call To Action ◽  
Daily Work ◽  
The Past ◽  
Great Debate ◽  
The Subject ◽  
New Research

No other talent process has been the subject of such great debate and emotion as performance management (PM). For decades, different strategies have been tried to improve PM processes, yielding an endless cycle of reform to capture the next “flavor-of-the-day” PM trend. The past 5 years, however, have brought novel thinking that is different from past trends. Companies are reducing their formal processes, driving performance-based cultures, and embedding effective PM behavior into daily work rather than relying on annual reviews to drive these. Through case studies provided from leading organizations, this book illustrates the range of PM processes that companies are using today. These show a shift away from adopting someone else’s best practice; instead, companies are designing bespoke PM processes that fit their specific strategy, climate, and needs. Leading PM thought leaders offer their views about the state of PM today, what we have learned and where we need to focus future efforts, including provocative new research that shows what matters most in driving high performance. This book is a call to action for talent management professionals to go beyond traditional best practice and provide thought leadership in designing PM processes and systems that will enhance both individual and organizational performance.

Thermodynamics in Geochemistry

1993 ◽  
Author(s):  
Greg M. Anderson ◽  
David A. Crerar
Keyword(s):  
Teaching Experience ◽  
Graduate Level ◽  
Years Of Teaching Experience ◽  
The Subject ◽  
First Time

This textbook and reference outlines the fundamental principles of thermodynamics, emphasizing applications in geochemistry. The work is distinguished by its comprehensive, balanced coverage and its rigorous presentation. The authors bring years of teaching experience to the work, and have attempted to particularly address those areas where other texts on the subject have provided inadequate coverage. A thorough review of the necessary mathematics is presented early on, both as a refresher for those with a background in university calculus, and for the benefit of those coming to the subject for the first time. The text is written for students in advanced undergraduate or graduate-level geochemistry as well as for all researchers in this field.

Anisotropic Elasticity

1996 ◽  
Author(s):  
T. T. C. Ting
Keyword(s):  
Composite Materials ◽  
Elastic Constants ◽  
Piezoelectric Materials ◽  
Anisotropic Materials ◽  
Anisotropic Elasticity ◽  
Stress Singularities ◽  
Comprehensive Survey ◽  
The Subject ◽  
Key Topics ◽  
First Time

Anisotropic Elasticity offers for the first time a comprehensive survey of the analysis of anisotropic materials that can have up to twenty-one elastic constants. Focusing on the mathematically elegant and technically powerful Stroh formalism as a means to understanding the subject, the author tackles a broad range of key topics, including antiplane deformations, Green's functions, stress singularities in composite materials, elliptic inclusions, cracks, thermo-elasticity, and piezoelectric materials, among many others. Well written, theoretically rigorous, and practically oriented, the book will be welcomed by students and researchers alike.

Sign in / Sign up

Export Citation Format

Share Document