scholarly journals Architrave Slab of the Entrance into the Gate Church of Funa

Author(s):  
Vladimir Petrovich Kirilko ◽  

The gate church of the Theodorite castle near the village of Funa appeared in 1459 and existed to 1778. Left unattended later on, it became decayed, quickly dilapidated, and finally turning into ruin after the earthquake of 1927. The experts’ conclusions concerning its origin are based mainly on the typical features of the architectonics and carved decoration of the structure, correlated with the traditions of Armenian architecture and Seljuk ornamentation. The most exquisite architectural detail of the building is the large slab with relief ornamentation that overlapped from outside the doorway of the south entrance. Two iconographic sources are published for the first time to supply new information about the slab in question along with the results of a substantive study of a large fragment of the artefact which was found by chance outside the castle short time ago. Almost a half of the composition that adorned the outermost part of the architrave survived. Its completely lost middle part can be reconstructed reliably by the photograph taken by N. N. Klepinin and the drawing by D. M. Strukov. The ornamental motif of the slab is one of the most popular in mediaeval art, being typical of the eastern decorative tradition. It is still not possible to discover the origin and exact date of the architrave which was secondary used in the church of 1459. Stylistically, structurally, and technologically it is comparable with carved architectural details of many main buildings of the capital town of Theodoro, which were erected in the 1420s. Therefore, the slab in question possibly has the same chronology, but still it could be made even earlier.

PMLA ◽  
2011 ◽  
Vol 126 (3) ◽  
pp. 685-692
Author(s):  
Nguyễn-Võ Thu-Hương

Whoever goes down to Bà Ria and happens by the cemetery in the sand at the village of Phu'ó'c Lě, I beg you to go in that cemetery and look for the grave with a cross painted half black, half white, by the side of the Church of Martyrs–to visit that grave lest it become pitiful. Because it has been two years since anyone visited or cast as much as a glance.—Nguyễn Trong QuanSO opens nguyễn trọng quản's thẩy lazaro phiển (“lazaro phiển” 22). The narrative begins at an obscure gravesite evokes the life of a man as both victim of state violence and perpetrator of private deaths. Lazaro Phiển is a ictional work written in the romanized script and was published in Saigon in 1887 in a novelistic format almost forty years before Hoàng Ngọc Phách's Tố Tâm. Yet the latter, published in Hanoi in 1925, is oten touted in official literary history as the first modern Vietnamese novel. Although Nguyễn Trọng Qu.n's narrative revolves around the recovery of an elided story, the author could not have anticipated the elision of his work from a nationalist literary genealogy that locates the origin of modern Vietnamese literature in the North. he elision was part of a general omission of works from the South in the last decades of the nineteenth century and irst two decades of the twentieth. his genealogy was by no means limited to the Democratic Republic of Vietnam in the North but was also perpetuated in the Republic of Vietnam in the South ater independence and the partitioning of the country into North and South in 1954


Author(s):  
Mikhail A. Rogov ◽  
◽  
Julia N. Savelieva ◽  
Olga V. Shurekova ◽  
◽  
...  

The results of integrate biostratigraphic study of Upper Jurassic deposits of the clay pit near the village of Valy (Syzran district, Samara region) are presented. For the first time a bed-by-bed description was made and the subdivision of the section into zones, subzones and biohorizons by ammonites was established. Bauhini and Kitchini zones (Bayi subzone) are established in the Lower Kimeridgian, while Upper Kimmeridgian is represented by Autissiodorensis zone only. In the Lower Volgian Sokolovi and Pseudoscythica zones were recognized, while the Middle Volgian is represented by the Panderi zone. The age of the regionally developed unconformity at the base of the Trazovo Formation has been clarified. As in the sections located to the south from studied section, this unconformity is located in the base of the Autissiodorensis zone, overlying different Oxfordian and lower Kimmeridgian. For the first time for Kimmeridgian of Central Russia in the marlstone band of the Kitchini zone (bayi biohorizon) solitary corals conditionally attributed to the genus Trochocyathus were found. Along with corals other warm-water taxa (belemnites Hibolithes, rare ammonites Taramelliceras) were found in the same bed, suggesting deposition of this bed during the short-time warming event. 6 biostratigraphic units (zone and beds with fauna) were recognized by ostracods, along with 2 dinocyst-based units (assemblage and zone) which are compared with the stratigraphic subdivisions by these groups, previously proposed for the Kimeridgian and Volgian stages of the Russian Platform. The paleo-ecological analysis has allowed to assume, that sediments have accumulated in the conditions of warm shallow eutrophic basin with depth to 50 m, with gradual increase of eutrophy through time. At some levels, short-term episodes of severe shallowing or freshening are recorded by ostracods.


Articult ◽  
2020 ◽  
pp. 92-103
Author(s):  
Sergey S. Pankratov ◽  

The article is devoted to the problem of attribution of individual works of the commercial and industrial partnership “P.I. Olovyanishnikov's sons”. The article describes for the first time previously unknown divisions of the Partnership, such as the icon painting studio, painting, embroidery and carpentry workshops, brocade factory, and indicates sources confirming their existence. The date of creation of the Church utensils factory in Moscow has been revealed. For the first time, the structure of the Partnership, its staff and their qualifications are analyzed. The relationship between the Partnership and the Stroganov school is revealed. The article analyzes the relationship between Olovyanishnikov and other manufacturers of art products and the artist M.V. Nesterov. The article describes the principles of product separation depending on its artistic merits. We consider the profile reference materials printed publications of the enterprise, which contain information about the types of products of the Partnership.


Biologia ◽  
2011 ◽  
Vol 66 (4) ◽  
Author(s):  
Aleksander Bielecki ◽  
Katarzyna Palińska ◽  
Joanna Cichocka ◽  
Ron Beenen ◽  
Iwona Jeleń ◽  
...  

AbstractFor the first time, Piscicola brylinskae was described from Lake Vechten in the village of Bunnik, near Utrecht — The Netherlands. Until now, P. brylinskae has been found in Poland in Lake Maróz and in the Łyna River near Olsztyn (the northern part of Warmian-Masurian voivodeship). Thanks to proper conservation the coloration of P. brylinskae was described for the first time. Applying 32 indexes resulted that P. brylinskae clustered to Caspiobdella fadejewi. Analysis based on 113 non-metric characteristics has shown that P. brylinskae is most similar to Piscicola margaritae. Though, P. brylinskae do not form with P. margaritae dichotomic branching nor with any other species from this cluster, it could confirm that it is an individual species of the Piscicola genus.


1999 ◽  
Vol 35 ◽  
pp. 275-288
Author(s):  
Neil Dickson

The Brethren movement had its origins in the early nineteenth century in Ireland and the south of England, first appearing in Scotland in 1838. The morning meeting gave quintessential expression to the piety of the members and was central to its practice. In the 1870s a former Presbyterian who was looking for the ideal pattern of the Church witnessed his first meeting in the village of K-. Converted in the revivals of the 1860s, he was eventually to join the movement.


1911 ◽  
Vol 17 ◽  
pp. 215-249
Author(s):  
H. A. Ormerod ◽  
E. S. G. Robinson

The following notes were made by us on a short journey in Pamphylia during March 1911.It had been our intention on reaching Adalia about the middle of the month to go at once into Lycia, but the lateness of the season made the higher ground impossible, and it seemed better to spend a short time in examining the country in the immediate neighbourhood of Adalia, much of which was still imperfectly known (Fig. 1).The best description of the Pamphylian plain is that given by Lanckoronski. From the Kestros to the Melas stretches a low-lying, swampy plain, traversed by three great rivers which come down from the Pisidian highlands, feverish in summer, and during the winter months impossible for wheeled traffic. To the west of the Kestros rises a rocky plateau of travertine some hundred feet above sea-level, on which stands the town of Adalia (Attaleia) on cliffs above the sea, which diminish towards the west. To the north of Adalia rises a third level, which viewed from the south, resembles a high raised beach, running roughly parallel with the present coast as far as the village of Barsak. To the east of that point the hills turn in a north-easterly direction and sink gradually down towards the Kestros. The western part of the plateau is crossed by two main roads, leading respectively to Istanoz and Buldur.


Author(s):  
Т. Ю. Закурина ◽  
Т. Е. Ершова

Археологическое исследование крепостного рва юго-восточной части Окольного города Псковской крепости позволило получить новую информацию по его хронологии и периодизации. Раскопками впервые были изучены значительные по площади участки рва и городского посада. В ходе исследований установлен порядок и время засыпки рва, реконструированы его границы длиной более 80 м, выделены периоды бытования, определены конструктивные особенности отдельных участков. В составе крепостного рва периода реконструкции крепости начала XVIII в. выделены участки первоначального рва, ширина которого составляла более 20 метров. Archaeological research of the South-Eastern part of the suburb of Pskov fortress moat allowed the researchers to obtain new information on its chronology and periodization. Significant areas of the moat and the suburb have been excavated for the first time. The archaeological study has established the way and the time of the moat filling. The boundaries with a length of over 80 m were reconstructed, the periods of existence allocated, structural features of particular parts determined. The areas of the original moat, more than 20 meters wide, were singled out within the fortress moat of the reconstruction period of the early XVIIIth century


Ars Adriatica ◽  
2011 ◽  
pp. 97
Author(s):  
Ivan Josipović

The author attributes the chancel screen gable from the Trogir Town Museum, discovered in the pavement of the vestibule of the destroyed pre-Romanesque hexaconchal church of St Mary at Trogir to the Trogir stonecarvers’ workshop. The arguments for such an attribution are found in the visual and stylistic analysis of the gable and  in the analogies with other similar fragments of pre-Romanesque reliefs which have already been attributed to the same workshop. This demonstrates a similar concept in the layout on the gables from Trogir and Bijaći, while more obvious stylistic parallels for the Trogir gable are found on the chancel screen arches and architraves from  Pađene, Brnaze, Malo polje of Trogir and Otres, but also those from Krković and Ostrovica. In addition, two fragmented reliefs which have been inserted as spolia in east wall of the parish church of St George at Pađene near Knin are also attributed to the same workshop. These fragments have been measured and photographed in more detail for the first time for this paper. The analysis of their decoration has resulted in the conclusion that these fragments belonged to a widely distributed type of chancel screen pilasters, with a somewhat more complex decoration consisting of a dense interlaced mesh of three-strand bands.  Finally, the gable from the Trogir Town Museum, and other stylistically similar relief from Trogir, have been brought into a stronger connection with the church of St Mary, and its original liturgical furnishings in particular. Following from such a conclusion, as well as the fact that the same workshop produced liturgical installations in another hexaconchal church at Brnaze near Sinj, the author dates both structures to the period when the workshop was active (the first quarter of the ninth century), and places the construction of almost all Dalmatian hexaconchs in a relatively short time frame from the end of the eighth century to mid-ninth century.


2004 ◽  
pp. 257-269 ◽  
Author(s):  
Gordana Tomovic

In the church of Saint George in the village Gornji Kozjak near Stip on the fresco-icon of Jesus Christ Antiphonetes (the Guarantor) on the south face of the northwest pier there was found the graphite inscription made by the scribe Nestor in the time of despot Tornik. The analysis and the quality of fresco painting as well as the morphology of letters indicate the period between the last decades of XIII and the very beginning of the XIV century. These enable the identification of despot Tornik with the famous apostate from Byzantium Kotanitzes Tornikios who twice run over to Serbian territory. Together with Serbian troops he has been devastating the border region between Serbia and Byzantium for nearly twenty years (1280-1299). He led exciting and adventurous life and become settled in the lower valley of the river Bregalnica. His long Serbian episode was finished when the king Milutin changed his political orientation towards Byzantium and Kotanitzes became too heavy burden for both sides. He was sacrificed and delivered to Byzantine emperor Andronicus II in 1299, when long negotiations about the wedding between the king Milutin and the Byzantine child ? princess Simonida were completed. Kotanitzes was still in prison in 1306. .


Author(s):  
Marco Ruffilli

The Armenian prince Ašot II Bagratuni (685/686-688/689 d.C.) placed in the church he himself founded in the village of Daroynkʽ a Byzantine icon mentioned in the Armenian historical sources as an image of the «Incarnation of Christ», coming from «the West». The years of the principate of Ašot partly coincide with those of the first of the two reigns of Justinian II, the emperor who for the first time issued monetary coins with the image of Christ impressed, and presided in 692 d.C. the Quinisext Council ‘in Trullo’, whose canon no. LXXXII dealt with the representation of the Saviour’s body. The case of Ašot is an example of the worship of icons in the late 7th century Armenia, and contributes to witnes both the circulation of this kind of artifacts in the armenian territories, and the the impact of the contemporary reflections about the Incarnation of Christ and the sacred images; in agreement, moreover, with the condemnation of the iconoclastic theses expressed in the Armenian treatise attributed to Vrtʽanēs Kʽertʽoł.


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