scholarly journals Undivided object: language, ethnography and sources

2011 ◽  
Vol 8 (1) ◽  
pp. 510-535
Author(s):  
Heloisa Pontes
Keyword(s):  
Social History ◽  
Cultural Production ◽  
Social Processes ◽  
Intellectual Life ◽  
Object Language ◽  
The Social ◽  
The World ◽  
History Of ◽  
Basic Argument ◽  
The Relationship

This article argues that anthropology should not avoid studying the world of art and the specialized fields of cultural production. To do this it is necessary to examine the relationship between ethnography, language and social processes, as well as the way in which we make use o four sources (written, oral and visual) in our research. While this is the basic argument of the text, it also moves into a discussion of the sources that are available for the social history of the theater and Brazilian intellectual life from 1940 to 1960: photographs, interviews, reminiscences, biographies, autobiographies as well as books and theater repertories.

Framing The Fosters: jokes, racism and Black and Asian voices in British comedy television

2017 ◽  
Author(s):  
Gavin Schaffer
Keyword(s):  
Social History ◽  
Cultural Production ◽  
Racial Politics ◽  
Black British ◽  
Stand Up Comedy ◽  
The Social ◽  
History Of ◽  
Post War ◽  
Cultural Leaders ◽  
The Relationship

This chapter interrogates the relationship between television comedy, power and racial politics in post-war Britain. In a period where Black and Asian Britons were forced to negotiate racism as a day-to-day reality, the essay questions the role played by television comedy in reflecting and shaping British multicultural society. Specifically, this chapter probes Black and Asian agency in comedy production, questioning who the joke makers were and what impact this had on the development of comedy and its reception. The work of scholars of Black and Asian comedy television such as Sarita Malik, and of Black stand-up comedy such as Stephen Small, has helped us to understand that Black- and Asian-led British comedy emerged belatedly in the 1980s and 1990s, hindered by the historical underrepresentation of these communities in British cultural production and the disinclination of British cultural leaders to address this problem. This chapter uses these scholarly frames of reference, alongside research that addresses the social and political functions of comedy, to re-open the social history of Black British communities in post-war Britain through the story of sitcom.

Jewish Mysticism

2007 ◽  
Author(s):  
Rachel Elior
Keyword(s):  
Social History ◽  
Mystical Experience ◽  
Jewish People ◽  
Decisive Role ◽  
Religious Thought ◽  
Jewish Mysticism ◽  
Alternative Perspective ◽  
The Social ◽  
The World ◽  
The Relationship

Mysticism is one of the central sources of inspiration of religious thought. It is an attempt to decode the mystery of divine existence by penetrating to the depths of consciousness through language, memory, myth, and symbolism. By offering an alternative perspective on the world that gives expression to yearnings for freedom and change, mysticism engenders new modes of authority and leadership; as such it plays a decisive role in moulding religious and social history. For all these reasons, the mystical corpus deserves study and discussion in the framework of cultural criticism and research. This book is a lyrical exposition of the Jewish mystical phenomenon. Its purpose is to present the meanings of the mystical works as they were perceived by their creators and readers. At the same time, it contextualizes them within the boundaries of the religion, culture, language, and spiritual and historical circumstances in which the destiny of the Jewish people has evolved. The book conveys the richness of the mystical experience in discovering the infinity of meaning embedded in the sacred text and explains the multivalent symbols. It illustrates the varieties of the mystical experience from antiquity to the twentieth century. The translations of texts communicate the mystical experiences vividly and make it easy for the reader to understand how the book uses them to explain the relationship between the revealed world and the hidden world and between the mystical world and the traditional religious world, with all the social and religious tensions this has caused.

Art and its Objects: William Ivins and the Reproduction of Art

1987 ◽  
Vol 35 (1_suppl) ◽  
pp. 65-98
Author(s):  
Gordon Fyfe
Keyword(s):  
Social Construction ◽  
Social History ◽  
Visual Communication ◽  
Fine Art ◽  
Modes Of Representation ◽  
The Social ◽  
Photographic Reproduction ◽  
History Of ◽  
Art Reproduction ◽  
The Relationship

This paper is a critique of the contribution of William Ivins's Prints and Visual Communication (1953) to an understanding of the meaning of fine art reproductions. Ivins showed that photographic reproduction was constructed in relation to, and displaced, older ways of reproducing art which were carried out by handicraft engravers. His analysis alerts us to the fact that ambiguity characterized art reproduction before photographs. Art reproductions, then, were interpretations in line based on conventional modes of representation – what Ivins calls a visual syntax. In this respect he enhances our understanding of the social construction of the artist. For Ivins the social history of reproduction seems to end with the camera. This completed an individuation of creativity ushered in with the Renaissance, but which was always qualified by the interfering visual syntax of craftsmen-interpreters. It is argued that the value of Ivins's account resides in its reconstruction of the relationship between handicraft engraving, fine art reproduction and aesthetic objects that have long since slipped from our consciousness.

Win the match and vote for me: the politicisation of Ghana's Accra Hearts of Oak and Kumasi Asante Kotoko football clubs

2009 ◽  
Vol 47 (1) ◽  
pp. 19-39 ◽  
Author(s):  
Kevin S. Fridy ◽  
Victor Brobbey
Keyword(s):  
Cultural Politics ◽  
Social History ◽  
Football Clubs ◽  
The Social ◽  
History Of ◽  
The Relationship ◽  
Common Perception ◽  
Athletic Competitions

ABSTRACTThere is a common perception in Ghana that Accra Hearts of Oak is the soccer club of the National Democratic Congress, and Kumasi Asante Kotoko that of the New Patriotic Party. In this paper we explore the roots of these perceptions by examining the social history of these two clubs specifically, and the Ghanaian soccer league system in general, with an eye for the actors, practices and events that injected political airs into purportedly ‘apolitical’ athletic competitions. With this social history clearly defining the popularly perceived ‘us’ versus ‘them’ of the Hearts/Kotoko rivalry, we analyse on the basis of a modest survey some of the assumptions these widely held stereotypes rely upon. We find that ethnicity and location matter both in terms of predicting one's affinity for a given soccer club and partisan inclinations. These factors do not, however, completely dispel the relationship between sports and politics as spurious. Though not conclusive, there is enough evidence collected in the survey to suggest that one's preferred club, even when controlling for ethnicity and location, does have an effect on one's partisan leanings, or perhaps vice versa. This finding highlights the independent role that often-understudied cultural politics can play.

scholarly journals The professionalization of Brazilian nursing in the written media of the end of the nineteenth century: a gender analysis

2011 ◽  
Vol 19 (5) ◽  
pp. 1265-1271 ◽  
Author(s):  
Tiago Braga do Espírito Santo ◽  
Taka Oguisso ◽  
Rosa Maria Godoy Serpa da Fonseca
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Professional School ◽  
Gender Analysis ◽  
The Social ◽  
The World ◽  
History Of ◽  
The Media ◽  
The Creation ◽  
The Relationship

The object is the relationship between the professionalization of Brazilian nursing and women, in the broadcasting of news about the creation of the Professional School of Nurses, in the light of gender. Aims: to discuss the linkage of women to the beginning of the professionalization of Brazilian nursing following the circumstances and evidence of the creation of the Professional School of Nurses analyzed from the perspective of gender. The news articles were analyzed from the viewpoint of Cultural History, founded in the gender concept of Joan Scott and in the History of Women. The creation of the School and the priority given in the media to women consolidate the vocational ideal of the woman for nursing in a profession subjugated to the physician but also representing the conquest of a space in the world of education and work, reconfiguring the social position of nursing and of woman in Brazil.

scholarly journals RELATIONS BETWEEN MOSQUE AND SOCIAL HISTORY OF ISLAMIC EDUCATION

2019 ◽  
Vol 16 (1) ◽  
pp. 142-153
Author(s):  
Anna Triayudha ◽  
Rateh Ninik Pramitasary ◽  
Hermansyah Akbar Anas ◽  
Choirul Mahfud
Keyword(s):  
Social History ◽  
Growth And Development ◽  
Early Period ◽  
Islamic Education ◽  
The Social ◽  
History Of ◽  
And Function ◽  
Relationship Of ◽  
The Relationship ◽  
Role And Function

The growth and development of Islamic Education is inseparable from the growth of institutions. The Prophet made it happen by establishing institutions that had a role in developing and advancing Islamic education, one of which was a mosque. Research on the relationship of mosques with the social history of Islamic education is discussed by using descriptive qualitative methods that are oriented to literature review. This paper shows that in the early period of Islamic education, the Prophet provided exemplary by building and empowering mosques. The example of the Prophet continued with the Caliphs afterwards until the present era. The mosque was built by the Prophet from the Al Haram mosque located in Makkah, Quba Mosque located in Quba, Nabawi mosque located in Medina and so on. The role and function of the mosque at that time was as a place of prayer, a place of prayer, a place for discussion or deliberation, a meeting place to develop a war strategy and others related to the problems and needs of Muslims. From time to time, the role or function of the mosque has changed slightly. In essence, mosques are currently influencing the development of the social history of Islamic education in Indonesia.

Anti-Witchcraft Cults in Asante: An Essay in the Social History of an African People

1981 ◽  
Vol 8 ◽  
pp. 125-154 ◽  
Author(s):  
T.C. McCaskie
Keyword(s):  
Twentieth Century ◽  
Social History ◽  
Time Perspective ◽  
Social Anthropology ◽  
African People ◽  
The Social ◽  
History Of ◽  
African Context ◽  
The Relationship ◽  
Causative Link

There is a considerable literature dealing with the phemenon of twentieth-century anti-witchcraft cults among the Akan peoples of Ghana, and notably the Asante. This literature is written from the disciplinary perspective of social anthropology and it may be divided into two interpretative views of the matter. The first espouses the theory that such cults are ‘new’--creations of the twentieth century--in that they represent a reflexive response to the social disorientation assumed to have been engendered by colonial overrule. The second questions the causative link between the twentieth century and increased anomie, and suggests the location of such cults in a time perspective reaching back into the distant--but undefined--pre-colonial past. For a social historian interested in the problem of witchcraft and its suppression this literature presents a resistant difficulty. It concerns itself with the material appurtenances and the impressionistic ‘psychohistory’ of cult practices, but it is almost entirely bereft of historical data and it indulges in generalizations erected upon the flimsiest of factual considerations. McLeod, who has ably reviewed this literature, has commented upon this deficiency with regret, but--at least so far--has done little to rectify it.In this paper I am concerned with the discrete history--social, economic and political--of three important anti-witchcraft cults that flourished in Asante between the late 1870s adn the late 1920s; in chronological order these were, domankama (‘The Creator’), aberewa (‘The Old Woman’) and hwe me so (‘Watch Over Me’). In discussing these cults as historical phenomena I seek to explicate or otherwise to dissolve some of the generalizations evident in the existing literature. I seek too to say something concerning the construction of a valid Asante (and African) social history, the relationship between social history and social anthropology in the African context, and the significance for the historian of Africa of socio-cultural phenomena such as witchcraft.

scholarly journals AYAT-AYAT TENTANG RELASI LAKI-LAKI DAN PEREMPUAN DALAM AL-QUR’AN: Analisis Struktural Levi-Strauss

2016 ◽  
Vol 8 (2) ◽  
pp. 111
Author(s):  
Nur Faizah
Keyword(s):  
Social Institution ◽  
Social Processes ◽  
Muslim Community ◽  
Field Of Study ◽  
Men And Women ◽  
Salvation History ◽  
The Social ◽  
History Of ◽  
The Relationship

Religion is a social institution, especially for the Muslim community in general, determine the dynamics of the entire development community. In many cases the social processes that marginalizing women, intentionally or not, often involving religion as elements forming knowledge about relationships between men and women are unequal, and often used as a source of theological legitimacy of the above indisputable fact that marginalize women. During this time, the field of study of the Qur’an many scholars dominated philology and history. This led to a prolonged confusion between the text and the history of salvation history, which is implicit in it. This needs to be solved, with the view that the text of the Qur'an and his commentary as an expression of the views of Islam. This is where the importance of the legacy of structuralism in a given interpretation. By using Levi-Strauss' structuralism, an attempt to determine the relationship webs in the narrative, the relationship is either syntagmatic or paradigmatic, to find hidden messages or messages that are deepest in the verses of the Qur’an.  [Agama merupakan institusi sosial, terutama untuk masyarakat muslim pada umumnya, sangat menentukan seluruh perkembangan dinamika masyarakat. Dalam banyak kasus proses sosial yang memarginalisasikan perempuan, sengaja atau tidak, sering melibatkan agama sebagai unsur pembentuk pengetahuan tentang relasi laki-laki-perempuan yang timpang dan seringkali dijadikan sumber legitimasi teologis yang tidak terbantahkan atas kenyataan yang menyudutkan perempuan. Selama ini, bidang kajian al-Qur’an banyak didominasi sarjana filologi dan sejarah. Ini memunculkan kerancuan berkepanjangan antara sejarah teks tersebut dan sejarah penyelamatan, yang secara implisit terkandung di dalamnya. Hal ini perlu dipecahkan, dengan memandang bahwa teks al-Qur’an dan tafsirnya sebagai ungkapan pandangan-pandangan Islam. Di sinilah pentingnya strukturalisme dalam memberi kekayaan khazanah penafsiran. Dengan menggunakan strukturalisme Levi-Strauss, sebuah upaya untuk mengetahui jaring-jaring relasi dalam narasi, baik relasi tersebut bersifat sintagmatik maupun paradigmatik, untuk mengetahui hidden message atau pesan terdalam yang terdapat dalam ayat-ayat al-Qur’an.]

Imitating Africans, Listening for Angels

2021 ◽  
Vol 38 (2) ◽  
pp. 141-182
Author(s):  
Andrew A. Cashner
Keyword(s):  
Native American ◽  
Social History ◽  
Harmonious Society ◽  
Spanish Empire ◽  
The People ◽  
The Social ◽  
Local Contexts ◽  
The World ◽  
African Slaves ◽  
History Of

Church ensembles of Spaniards across the Spanish Empire regularly impersonated African and other non-Castilian characters in the villancicos they performed in the Christmas Matins liturgy. Although some scholars and performers still mistakenly assume that ethnic villancicos preserve authentic Black or Native voices, and others have critiqued them as Spaniards’ racist caricatures, there have been few studies of the actual music or of specific local contexts. This article analyzes Al establo más dichoso (At the happiest stable), an ensaladilla composed by Juan Gutiérrez de Padilla for Christmas 1652 at Puebla Cathedral. In this performance his ensemble impersonated an array of characters coming to Christ’s mangers, including Indian farm laborers and African slaves. The composer uses rhythm to differentiate the speech and movement of each group, and at the climax he even has the Angolans and the angels sing together—but in different meters. Based on the first edition of this music, the article interprets this villancico within the social and theological context of colonial Puebla and its new cathedral, consecrated in 1649. I argue that through this music, members of the Spanish elite performed their own vision of a hierarchical and harmonious society. Gutiérrez de Padilla was himself both a priest and a slaveholder, and his music elevates its characters in certain ways while paradoxically also mocking them and reinforcing their lowly status. Building on Paul Ricoeur’s concept of the “three worlds of the text,” the article compares the representations imagined within the musical performance with archival evidence for the social history of the people represented and the composer’s own relationships with them (the world behind the text). Looking to the world projected “in front of” the text, I argue that these caricatured representations both reflected and shaped Spaniards’ attitudes toward their subjects in ways that actively affected the people represented. At the same time, I argue that Spanish representations mirrored practices of impersonation among Native American and African communities, especially the Christmastide Black Kings festivals, pointing to a more complex and contradictory vision of colonial society than what we can see from the slaveholder’s musical fantasy alone.

The Words of Ina Beasley: Glimpses from a Life in British Sudan

Hawwa ◽  
2010 ◽  
Vol 8 (3) ◽  
pp. 317-347
Author(s):  
Rogaia Mustafa Abusharaf
Keyword(s):  
Human Rights ◽  
Social History ◽  
Female Circumcision ◽  
Multiple Roles ◽  
Social Rights ◽  
The Social ◽  
History Of ◽  
Women And Children ◽  
Women And Girls ◽  
The Relationship

AbstractThis essay presents a woman whose ideas not only signifies a challenge to conventional approaches to the relationship between colonialism and feminism, but also enables us to appreciate the intricacies and diversities of colonial experiences and the multiple roles played by individuals who wielded some level of authority in a colonised society. Since this essay is a tribute to Ina Beasley, it reproduces substantial excerpts from her papers on the subjects that engaged her most deeply during her Sudan service. Her writings shed new light on the social history of human rights during the Condominium, which matters both to scholars and to concerned citizens. In recognition of Ina Beasley, who devoted her life to improving the lives of women and children in a society rife with hardship and discriminatory practices, the essay addresses her work on education and its relevance to eradicating female circumcision that was universally practiced at the time. The essay begins with a brief discussion of Sudanese politics at the time of her arrival and then examines her work as educator who managed to craft several influential programs to empower women and girls. The rest of the paper focuses on her reproductive health advocacy as exemplified in a formidable body of work that articulated her activities and approaches to social rights.

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