Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation
The paper discusses P. Craig Russell’s graphic adaptation of Richard Wagner’s dramatic tetralogy The Ring of the Nibelung. Originally, the series was released monthly by Dark Horse Comics (2000-2001), in 2014 it was published as a two-volume paperback. Wagner’s music has entered the American cultural scene in the second half of the 19th-century, predominantly due to the notable influence of German immigrants, and its impact is still vivid in the 21st-century. Despite the fact that American acceptance of Wagner was not universal and his political opinions are still disputed, his work has significantly affected the development of American music, poetry, and popular culture. Though Russell does not belong to the greatest formal innovators in comics, his merging of opera and comics turned out to be not only original but also a critically acclaimed format. Russell interprets the Ring Cycle as an essential predecessor of American superhero comics, thereby making the complex work feel familiar to wide audiences. His Ring Cycle adaptation includes behind-the-scenes production art, notes of the artist, or history of the opera itself. Drawing on the hybridity of both comics and opera, the paper discusses the visual aspects of the adaptation and the transmedial methods which Russell used to adapt opera and its effects into graphic novel. The main focus will on the illustration style and its cultural impact on the unifying social function of the comics medium, and, more importantly, the methods of transmission of sounds into the silent medium, with special attention paid to the meaning and visual form of the Wagnerian leitmotiv.