scholarly journals Historiography of German Entrepreneurship in Siberia in the second half of the 19th and early 20th centuries

2021 ◽  
Vol 6 (4) ◽  
pp. 12-27
Author(s):  
Yurii M. Goncharov ◽  
Olga G. Klimova
Keyword(s):  
Driving Forces ◽  
Positive Influence ◽  
Entrepreneurial Activity ◽  
Scientific Methods ◽  
Ethnic Entrepreneurship ◽  
German Immigrants ◽  
State Economy ◽  
History Of ◽  
The 19Th Century ◽  
Agrarian Development

The historiography of ethnic entrepreneurship in pre-revolutionary Siberia has not yet been fully investigated. Individual works of researchers studied German entrepreneurship exclusively through the broader topic of foreign capital and its importance in the state economy. The subject of this article is historiography concerning the history of German entrepreneurship in the Siberian region. The purpose is to analyze the corresponding works on the history of entrepreneurial activity of the Germans in Siberia in the second half of the 19th – early 20th centuries. In this study both general and specialized scientific methods are used, which allowed to carry out a coherent analysis of the works of researchers on ethnic entrepreneurship in order to identify the main characteristics and approaches used. We have identified the characteristics and trends of German entrepreneurship considered by historians. German immigrants in Siberia in the second half of the 19th century became one of the main driving forces of the agrarian development in the region; they retained farms, acting both as independent merchants and as managers of firms. Historiographic analysis allows to formulate a conclusion about the positive influence of German entrepreneurship on the socio-economic development of Siberia in the period preceding the October Revolution. The article is of interest to researchers, teachers of history, and students of the humanities.

scholarly journals Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation

2021 ◽  
Author(s):  
Michaela Weiss ◽  
Miroslav Urbanec
Keyword(s):  
Popular Culture ◽  
21St Century ◽  
American Music ◽  
Cultural Impact ◽  
German Immigrants ◽  
History Of ◽  
Ring Cycle ◽  
The 19Th Century ◽  
Political Opinions ◽  
Or History

The paper discusses P. Craig Russell’s graphic adaptation of Richard Wagner’s dramatic tetralogy The Ring of the Nibelung. Originally, the series was released monthly by Dark Horse Comics (2000-2001), in 2014 it was published as a two-volume paperback. Wagner’s music has entered the American cultural scene in the second half of the 19th-century, predominantly due to the notable influence of German immigrants, and its impact is still vivid in the 21st-century. Despite the fact that American acceptance of Wagner was not universal and his political opinions are still disputed, his work has significantly affected the development of American music, poetry, and popular culture. Though Russell does not belong to the greatest formal innovators in comics, his merging of opera and comics turned out to be not only original but also a critically acclaimed format. Russell interprets the Ring Cycle as an essential predecessor of American superhero comics, thereby making the complex work feel familiar to wide audiences. His Ring Cycle adaptation includes behind-the-scenes production art, notes of the artist, or history of the opera itself. Drawing on the hybridity of both comics and opera, the paper discusses the visual aspects of the adaptation and the transmedial methods which Russell used to adapt opera and its effects into graphic novel. The main focus will on the illustration style and its cultural impact on the unifying social function of the comics medium, and, more importantly, the methods of transmission of sounds into the silent medium, with special attention paid to the meaning and visual form of the Wagnerian leitmotiv.

scholarly journals Galician Nationalism: History and Modernity

2020 ◽  
pp. 61-68
Author(s):  
Valentyna Hodlevska ◽  
Keyword(s):  
Intermediate Phase ◽  
Basque Country ◽  
Scientific Methods ◽  
Nationalist Movement ◽  
Current State ◽  
Analysis And Synthesis ◽  
History Of ◽  
General Scientific ◽  
The 19Th Century ◽  
Historical Methods

The purpose of the article is to cover the history and determine the relevance of Galician nationalism. The origin and development of the nationalist movement in the region is analyzed. In our study general scientific and special historical and political science methods were applied. The general scientific methods (deductive and inductive, analysis and synthesis) were used as specific cognitive tools necessary to implement the principles of historicism, systematicism and objectivity. The general and special historical methods (historical-typological, statistical, comparative-historical, problem-chronological) allowed us to make a comprehensive analysis of the problem of Galician nationalism. The scientific novelty of the work lies in the fact that the author, for the first time in the national historical science, analyzes the features of Galician nationalism, the history of its development and the current state. Galician nationalism took shape in the 19th century. Among the predecessors of Galician nationalism, three movements can be distinguished: provincialism, federalism, and regionalism. Provincialism (later called Galicianism) was a movement that emerged in 1840 with the aim of protecting the integrity of the territory of Galicia. Regionalism became an intermediate phase in the evolution of the Galician movement between provincialism and nationalism. Galician federalism began to develop in 1865. The federalists argued that Galicia should be formed as a canton within Spain and that it be governed by its own cantonal constitution. Conclusions. As one of the four historic autonomous regions of Spain (along with Catalonia, the Basque Country and Andalusia), Galicia is significantly different in its understanding of its own nationalism. While Catalonia and the Basque Country strive for even greater independence, including threats of secession from the state, the nationalist movement in Galicia is becoming less tangible.

scholarly journals History of the specific musical movements in Ukraine in the XX century

2021 ◽  
Author(s):  
Liliya Niemtsova
Keyword(s):  
Twentieth Century ◽  
Music Education ◽  
Driving Forces ◽  
Art Music ◽  
Integrated System ◽  
Art Nouveau ◽  
Music Schools ◽  
Scientific Methods ◽  
History Of ◽  
Definition Of

The purpose of the article is to provide systematization and synthesis of data concerning the history of the separate directions of musical art in Ukraine in the XX century. Methodology. General scientific methods of research, analytical, typological, semantic, and comparative analysis - are applied to the terminological definition of a conceptual framework of the history of musical art and justification of its theoretical art criticism application. The scientific novelty consists in consideration of musical art in Ukraine in the XX century as a certain welfare community. Conclusions. The article considers the history of certain areas of musical art in Ukraine in the twentieth century. It was established that at the stage of the emergence of musical art in Ukraine, the initial music of a syncretic nature developed. This trend consisted in the fact that music, dance, song, and poetry were in constant unity and, accompanied both ceremonies, rites and rituals, and everyday life. During the twentieth century, Ukrainian music in a significant variety of genres and forms is widespread in our country and beyond. Ukrainian artists actively mastered classical European instrumental genres, including the Baroque suite, chamber sonata, trio, quartet, quintet. It was at this time that the aesthetics of the Art Nouveau era dictated an appeal to the style of impressionism, expressionism, and other directions of Art Nouveau (in association with traditional genres, forms, and means of musical expressiveness). This has had an appropriate impact on the field of music education. The development of Ukrainian professional music is associated with the evolution of Ukrainian statehood, which only in the 20th century received the driving forces for formation. This state dynamics influenced the development of Ukrainian culture (and musical art) as an integrated system that is necessary for the active development of the society of Ukraine and the international community as a whole. Speaking about the interaction following the results of the ХХ century of innovations and traditions (archaics) in the musical art of Ukraine, it should be pointed out that any tradition is an innovation in the past, and any innovation is potentially a tradition in the future. In addition, it is important that novelty and archaic in the composer's work should complement each other. It is through this trend that innovations in musical art differ significantly from innovations in technology, where a return to archaic cannot be considered an innovative development. Keywords: art, music, musical works, music schools, the ХХ century, directions, development innovations.

Demand for scientific methods of detecting crimes and criminals, i.e. the beginnings of forensic science in the structures of the Polish State Police

2019 ◽  
Vol Special Issue ◽  
pp. 57-69
Author(s):  
Magdalena Zubańska ◽  
Sławomir Zubański
Keyword(s):  
Forensic Science ◽  
Scientific Discipline ◽  
Law Enforcement Agencies ◽  
Scientific Methods ◽  
Expert Opinions ◽  
State Police ◽  
History Of ◽  
History Of Law ◽  
Criminal Protection ◽  
The 19Th Century

The history of forensic science (from Latin criminalis, concerning a crime) is inextricably linked to the history of law enforcement agencies. This science grew out of the needs of the law and serves its implementation to this day. Its interest is focused on the crime in concreto. As an independent scientific discipline, it developed only at the end of the 19th century and was connected with the date of publication of the work Handbuch fur Untersuchungsrichter, Polizeibeamte, Gendarmen u.s.w. by the Austrian investigating judge H. Gross in 1893. Its author noticed the correctness (very accurate) that every achievement in the field of natural sciences and technical sciences can serve the purpose of combating crime. W. Sobolewski is considered a precursor of Polish forensic science. In September 1919 he joined the State Police and started working as an inspection officer. Then he became the commander of the Main Police School and Officer School in Warsaw. In 1929 he was sent to Vienna for a forensic course. Then W. Sobolewski headed the Police Laboratory at the Headquarters of the Investigation Service in Warsaw, and since 1931 the Department of Investigation Technology, in which, at the request of the court, police authorities and military institutions, forensic expert opinions were carried out, including dactyloscopic, weapons and handwriting. They were of great evidential importance for the courts. It continues to be so today. Beginning in the interwar period, the Central Forensic Laboratory of the Police is a research institute recognized in Poland and abroad, which carries out tasks in the field of technical and criminal protection of the process of preventing and combating crime, among others, by performing research and implementation, comparative and expert work in the field of forensic science.

scholarly journals Russian Music Publishing Business: From Commerce to Philanthropy

2019 ◽  
Vol 16 (1) ◽  
pp. 40-49
Author(s):  
Olga V. Radzetskaya
Keyword(s):  
Production Capacity ◽  
Financial Economic ◽  
Entrepreneurial Activity ◽  
Music Publishing ◽  
Russian Music ◽  
Financial Activity ◽  
History Of ◽  
Russian Composers ◽  
The 19Th Century ◽  
Publishing Business

In the history of Russian music publi­shing business, there are some areas that require a further study of extensive factual material in terms of succession of times and generations, traditions and experience, individual and common. The process of Russian music publishing formation resul­ted in a unique thought-creating space, which united in a single whole the spiritual and the material, commerce and philanthropy. The economic side of the issue in this case is the most indicative, demonstrating the various analytical perspectives, which create an idea of the mechanisms of entrepreneurial activity in the market of production and marketing of non-printed products, the problems of innovative approach in the field of improving production capacity, the emergence of a whole galaxy of merchants-patrons-educators.Hence, “homo musicus” and “homo financicus” are outstanding representatives of the Russian music publishing business, which opens the prospect of studying personal profiles in the history of philanthropy and charity and creates prerequisites for understanding the unity of financial, economic and artistic spheres. The article aims to study the professional features that allow to determine the genesis of commercial and creative in the most successful music publi­shing business projects implemented in the second half of the 19th century. Of particular interest are the famous names, specifically, M.P. Belyaev, who was a symbol of high service to the musical art. Promoting the works of young Russian composers, providing them with all-round assistance and support, M.P. Belyaev became the first “musical missionary” and educator. His financial activity was deeply patriotic and connected with high spiritual ideals of service to society.These grounds can be used for further study of Russian music publishing business, philanthropy and charity in their inseparable interconnection.

Applying analytical procedures for performance audit of customs authorities

2020 ◽  
Vol 19 (6) ◽  
pp. 1035-1055 ◽  
Author(s):  
S.V. Pankova ◽  
V.V. Popov
Keyword(s):  
Distance Method ◽  
Scientific Methods ◽  
Scientific Hypothesis ◽  
Financial Audit ◽  
Promising Area ◽  
History Of ◽  
Performance Audit ◽  
Analytical Procedures ◽  
And Performance ◽  
Customs Administration

Subject. The article considers the development of a set of methods and indicators of economic analysis, which can be used for performance audit of customs authorities, using the Volga Customs Administration case. Objectives. The aim is to justify the use of analytical procedures to rank the effectiveness of customs payments for the purpose of performance audit of customs authorities. Methods. We employ general scientific methods of research, i.e. dialectical and monographic methods, logical analysis, comparison, as well as the Euclidean distance method. Results. We reviewed works by Russian and foreign scholars on the history of customs audit development and internal financial control of customs authorities, gave scientific credence to attributing the system of customs payment and performance to the indicators of economic activity of customs authorities. Due to the lack of methods for assessing the performance of customs authorities, the use of analytical procedures during the performance audit seems to be a promising area. Conclusions. When verifying the scientific hypothesis put forward in the study, we established that the introduction and development of the ranking system for the performance of customs authorities related to the collection of customs duties can contribute to effective financial audit of customs authorities in general.

Historian of the Russian State Library. In Memory of L.M. Koval (1933—2020)

2020 ◽  
Vol 69 (2) ◽  
pp. 167-172
Author(s):  
Margarita Y. Dvorkina
Keyword(s):  
20Th Century ◽  
Foreign Languages ◽  
Library History ◽  
Russian State ◽  
Great Patriotic War ◽  
History Of ◽  
Publishing Houses ◽  
October 17 ◽  
State Library ◽  
The 19Th Century

The article is devoted to the memory of Lyudmila Mikhailovna Koval (October 17, 1933 – February 15, 2020), historian, Head of the History sector of the Russian State Library (RSL) and the Museum of Library history. The author presents brief biographical information about L.M. Koval, the author of more than 350 scientific and popular scientific works in Russian and in 9 foreign languages. She published 29 books in Publishing houses “Nauka”, “Kniga”, “Letniy Sad”, ”Pashkov Dom”, most of the works are dedicated to the Library. Special place in the work of L.M. Koval is given to the Great Patriotic War theme. The article considers the works devoted to the activities of Library staff during the War period. L.M. Koval paid much attention to the study of activities of the Library’s Directors. She prepared books and articles about the Directors of the Moscow Public and Rumyantsev Museums and Library from the end of the 19th century and almost to the end of the 20th century: N.V. Isakov, D.S. Levshin, V.A. Dashkov, M.A. Venevitinov, I.V. Tsvetaev, V.D. Golitsyn, A.K. Vinogradov, V.I. Nevsky, N.M. Sikorsky. The author notes contribution of L.M. Koval to the study of the Library’s history. Specialists in the history of librarianship widely use bibliography of L.M. Koval in their research. The list of sources contains the main works of L.M. Koval, and the Appendix includes reviews of publications by L.M. Koval and the works about her.

MASJID BESAR RAJA HAJI ABDUL GHANI PULAU BURU KEPULAUAN RIAU

2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Nurman Kholis
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
19Th Century ◽  
Qualitative Research Methods ◽  
District Level ◽  
History Of ◽  
Chinese Buddhists ◽  
The Right ◽  
The 19Th Century ◽  
Level Government

Abstract. Many Muslims in the Riau Islands do not know the history of the development of Islamic theory from the center of power to spread to various corners. This is as the existence of the Great Mosque of Raja Haji Abdul Ghani (MBRHAG) on Buru Island, Karimun. Thus, to uncover the existence of this mosque, qualitative research methods are used so that history, architecture, and socio-religious functions can be known. Based on the results of the study it was concluded that the establishment of MBRHAG was initiated by Raja Haji Abdul Ghani. He was the first Amir (sub-district level government) of the kingdom of Riau-Lingga on Buru Island, in the 19th century. The architecture is a Chinese. Therefore, on the right side of this mosque is around 200 m, there is also the Sam Po Teng Temple and the Tri Dharma Dewa Bumi. Thus, the close location of the mosque with Chinese and Confucian worship houses's shows a harmonious relationship between Malay Muslims and Chinese Buddhists. In fact, in the continuation of this relationship there was information that a Chinese Buddhist had joined a Muslim friend to fast for half a month of Ramadan.Keywords: Mosque, Malay Muslims, Chinese Buddhists/Confucians, Harmonious RelationsAbstrak. Umat Islam di Kepulauan Riau banyak yang tidak mengenal sejarah perkembangan ajaran Islam dari pusat kekuasaan hingga tersebar ke berbagai pelosok. Hal ini sebagaimana keberadaan Masjid Besar Raja Haji Abdul Ghani (MBRHAG) di Pulau Buru, Karimun. Dengan demikian, untuk mengungkapkan keberadaan masjid ini digunakan metode penelitian kualitatif  agar dapat diketahui sejarah, arsitektur, dan fungsi sosial keagamaannya.  Berdasarkan hasil penelitian diperoleh kesimpulan bahwa pendirian MBRHAG diprakarsai oleh Raja Haji Abdul Ghani. Ia adalah Amir (pemerintah setingkat kecamatan) pertama kerajaan Riau-Lingga di Pulau Buru, pada abad ke-19. Adapun arsitekturnya adalah seorang Tionghoa. Karena itu, di sebelah kanan masjid ini sekitar 200 m juga terdapat Kelenteng Sam Po Teng dan cetya Tri Dharma Dewa Bumi. Dengan demikian, dekatnya lokasi masjid dengan rumah ibadah umat Tionghoa dan Khonghucu ini menunjukkan hubungan yang harmonis antara muslim Melayu dengan Budhis Tionghoa. Bahkan, dalam kelangsungan hubungan ini terdapat informasi seorang Buddhis Tionghoa pernah ikut temannya yang beragama muslim untuk berpuasa selama setengah bulan Ramadhan.Kata Kunci: Masjid, Muslim Melayu, Buddhis/Khonghucu Tionghoa, Hubungan Harmonis

FORMATION AND DEVELOPMENT OF RURAL ARCHITECTURE IN THE FORMER KETSKAYA VOLOST

2020 ◽  
Vol 22 (2) ◽  
pp. 9-28 ◽  
Author(s):  
E. V. Sitnikova
Keyword(s):  
Cultural Heritage ◽  
18Th Century ◽  
Scientific Methods ◽  
Architectural Analysis ◽  
Tomsk Region ◽  
History Of ◽  
The Rich ◽  
Rural Architecture ◽  
The Village ◽  
Rich History

The article considers the historical and cultural heritage of villages of the former Ketskaya volost, which is currently a part of the Tomsk region. The formation of Ketsky prison and the architecture of large settlements of the former Ketskaya volost are studied. Little is known about the historical and cultural heritage of villages of the Tomsk region and the problems of preserving historical settlements of the country.The aim of this work is to study the formation and development of the village architecture of the former Ketskaya volost, currently included in the Tomsk region.The following scientific methods are used: a critical analysis of the literature, comparative architectural analysis and systems analysis of information, creative synthesis of the findings. The obtained results can be used in preparation of lectures, reports and communication on the history of the Siberian architecture.The scientific novelty is a study of the historical and cultural heritage of large settlements of the former Ketskaya volost, which has not been studied and published before. The methodological and theoretical basis of the study is theoretical works of historians and architects regarding the issue under study as well as the previous  author’s work in the field.It is found that the historical and cultural heritage of the villages of the former Ketskaya volost has a rich history. Old historical buildings, including religious ones are preserved in villages of Togur and Novoilinka. The urban planning of the villages reflects the design and construction principles of the 18th century. The rich natural environment gives this area a special touch. 

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