Colonización y colonialidad: un estudio de Alcalá de Guadaíra.

Colonization processes have their continuation in the colonized person, a phenomenon studied by psychiatrists Fanon and Memmi in the 1960s. Currently, this phenomenon is defined as coloniality and is made up of three dimensions: the coloniality of power, knowledge and being. For this study, we wondered if the conquest of Andalusia continued in coloniality, and if so whether it has consequences today. To address these issues, we analyzed the coloniality of power and being and their consequences in the population of Alcalá de Guadaíra using the bibliographic sources that exist in that locality. The results indicate that it is a population with no history prior to the conquest, structured in poor workers and wealthy landowners, with collective trauma, sheltered in family and religion, and without cultural references. The current consequences of this coloniality are observed in the loss of historical heritage, the preservation of a fractured population of rich and poor, and no memory of the trauma experienced. The recovery of historical consciousness is identified as one of the keys to overcoming this coloniality

Colonialismo Cultural: Arte y Escritura en Al Ándalus a partir de 1492.

Relationships among visual signs, society and memory reveal the dominant cultural order in a given context as well as the causes that maintain it (influence and imposition) and the effects on the population where it occurs (alienation and cultural resilience). Therefore, it is possible to identify deeper social processes with a purely visual and symbolic reading. Visual signs (two-dimensional), in addition to configuring the way space is understood (three-dimensional), reflect social and political dynamics (the time factor). To have a more complete vision of the moment and context, it is necessary to interrelate art with sociology and history. In the specific case of al-Andalus, there is a turning point at which there are changes in visuality that are mainly reflected in writing (Arabic and Latin), the use of symbols (the Mudejar, the cross) and the organization of the spaces designated for art (temples, museums, exhibition halls); hence, these changes function as visual indexes of social dynamics that reach to the present day. The visual supports the social and vice versa, configuring and maintaining a certain worldview. If there is visual continuity, there is continuity in the social sphere.

La Dimensión Social del Colonialismo Interno. El caso gallego.

The thesis of internal colonialism reveals the realities that different populations face, and posits that even populations that are within the core central regions of the capitalist world-system are victims of certain exploitation models more typical of the colonial periphery. This article reviews this thesis about internal colonialism with the aim of freeing it from its rigid structuralism and bringing it closer to other perspectives, such as the post-colonialist and decolonialist views, which could ultimately enhance its usefulness as a theoretical tool. Furthermore, this paper addresses the need for an exploration of the social dimension that accompanies internal colonialism, somewhat neglected by the traditional thesis, in light of a conceptual proposition that emphasizes the genesis and transformation of different colonial identities and highlights internal colonialism as an identityfixing dispositive. Finally, this paper briefly examines the Galician case of internal colonialism to demonstrate the potential offered by this new theoretical approach.

Descolonización del Conocimiento y Pensamiento Andaluz Descolonial.

The aim of this contribution is to recapitulate the scenario of Andalusian studies and Andalusian intellectual traditions from the early tradition of social sciences to Andalusian decolonial theory. The methodology used is a comprehensive review of all the currents of Andalusian critical thinking of the last two centuries to connect Andalusian critical theory with the theoretical proposals of the decolonial shift. It is concluded that Andalusian decolonial thinking is the legacy of the Andalusian intellectual tradition of the last two centuries.

La Antropología Andaluza en el contexto de las Antropologías Mediterráneas.

This article deals with the history of Andalusian anthropology from the second half of the 19th century to the present. We also address the connections of this anthropological tradition with others in the Mediterranean area as well as with others in the Spanish sphere to achieve a greater appreciation of those traditions of thought outside of hegemonic scopes. From the time of folklore studies, we go on to the ethnological stage and to the consolidation of anthropological studies. In so doing, we observe the different stages and topics of investigation, from popular culture to community studies, identity and the relationship between global and local scopes in the present world.

Decolonizando Tarteso en el estudio de la Protohistoria mediterránea.

Tartessus has been one of the most controversial subjects in Spanish historiography for the last five centuries, although its mentions date back to the 7th century BC. In this work we analyze how the concept of Tartessus has been extrapolated to each context of historiographic production, and the different uses that have been made of it. To do this, we examine works that deal with the theme and context of Tartessus and analyze the discourse to understand how the historical narrative of the present has been colonizing the past of the southern peninsula. Such analysis has led us to discern that Tartessus, with its colonial connotations, has functioned as a hinge between the north and the south of the peninsula and as the scene of the struggle between east and west within the Mediterranean framework. Hence, Andalusian protohistory has served as a legitimizing basis for claims of the north over the south.

La Alteridad en el Pensamiento Descolonial de Enrique Dussel.

Latin American decolonialism has a prominent place in current criticism of Eurocentrism in the social sciences and humanities. This paper raises the problem of alterity in the decolonial thinking of Enrique Dussel through the hermeneutical exegesis of three main categories: exteriority, living work and victim. The purpose of this research is to determine the continuities and discontinuities of this problem in the theoretical work of the ArgentineMexican philosopher. As our theoreticalmethodological framework, we consider the notions of the de-colonial attitude and the Latin American hermeneuticphilosophical approach to liberation. In the conclusions, we show that the concept of alterity appears in Dussel’s early work associated with Levinasian ethical language. Later, a shift towards an economic-material reflection is evidenced in his mature work as a means to historically understand the oppression and exclusion of peripheral countries.

La Historia del Arte Argentino a la luz de los Estudios Decoloniales.

At the end of the last century, colonial, postcolonial and decolonial studies set in motion a “detachment” from the dominant modes of knowledge acquisition in the social sciences and humanities. In the 1990s, Latin American intellectuals debated the colonial side of modernity and the cultural, theoretical and practical hegemony that the central countries maintained. In the field of art, this resulted in the problematization of the Eurocentric canons present in the artistic system and the lack of independent theoretical and visual thinking. In light of these problems, this article investigates one of the features of coloniality in force in the Histories of the Visual Arts “with capital letters” in Latin America and particularly in Argentina; that is, the neutralization of diversity in the construction of a national art. To this end, we have used the transdisciplinary qualitative methodology, which articulates different areas of knowledge (history, anthropology, philosophy, sociology, art history) from a decolonial interpretive perspective. In the theoretical analysis and historiographical reflection, a decentration is observed in the history of national art promoted by the Institute of Aesthetic Research (Faculty of Arts, National University of Tucumán), which interrupts the disciplinary canon favoring the emergence of the American, in both the folkloric and the ancestral.

Emancipación, Descolonización y Uso del Derecho.

In this paper we defend the proposition that the law, which has emerged since the 16th century (in conjunction with State, capitalism and subject), maintains an eminently colonial root and has as its objective its own expansion. We propose the term matrix of legalcolonial intelligibility to explain how a naturalization of the legal phenomenon is produced and used to construct the fiction of its universality and its timelessness. From this concept of law, we consider the place of subjectivity in the question of emancipation and decolonization, concluding with the need to think of the category “use” as a line of escape from the matrix of legal-colonial intelligibility