scholarly journals KAJIAN NEW HISTORICISM NOVEL KUBAH KARYA AHMAD TOHARI

2017 ◽  
Vol 17 (1) ◽  
pp. 111
Author(s):  
Chalifatus Sahliyah
Keyword(s):  
Literary Texts ◽  
New Historicism ◽  
The Novel ◽  
Historical Knowledge ◽  
Historical Representation ◽  
The Past ◽  
Reading Technique ◽  
Before And After ◽  
Research Procedure ◽  
Figurative Speech

This study aims to describe the representation of (1) Indonesian history, (2) culture, and (3) economy in the novel Kubah. The novel, written by Ahmad Tohari, is analyzed using New Historicism, in which non-literary texts are drawn on to understand the literary text being analyzed. The research procedure involves: (1) parallel reading technique, that is reading both the novel and the non-literary texts simultaneously, (2) analysis, as shown in the data presentation and discussion, involving parallel reading in which events in the novel are highlighted and related to the non-literary texts; and (3) drawing conclusion based on the analysis of historical, cultural and economic facts contained in the novel, which have been cross-checked against the non-literary texts of similar topics. The results of the analysis include: (1) historical representation of the recruitment, the hiding, the arrest, and the exile of PKI (Indonesian communist parti) members before and after the 1965 tragedy; (2) cultural representation of the Javanese, as indicated in the language use, figurative speech and the Javanese tembang; and (3) economic representation as signaled by the weakening of the economic condition after the 1965 tragedy. The use of new historicism in analyzing the novel Kubah is expected to broaden the readers’ historical knowledge, thus avoiding the bitter experiences in the past to repeat themselves in the future.Keywords: new historicism, representation, history, culture, economy

scholarly journals The Royal Descent and the Past Glory of the Demak Sultanate as the Builders of Coastal Javanese Resistance in the Novel Penangsang (Tembang Rindu Dendam)

2021 ◽  
Vol 317 ◽  
pp. 04022
Author(s):  
Sukarjo Waluyo ◽  
Redyanto Noor ◽  
Ratna Asmarani
Keyword(s):  
Social Environment ◽  
Past History ◽  
Literary Texts ◽  
16Th Century ◽  
New Historicism ◽  
The Novel ◽  
The Past ◽  
Take Back ◽  
Father's Rights ◽  
The Relationship

Arya Penangsang was a Duke of Jipang who ruled in the mid-16th century. He is the grandson of Sultan Patah, the founder of the Sultanate of Demak. The Babad Tanah Djawi tells the story of Arya Penangsang killing Pangeran Mukmin to take back his father's rights. Pajang's attack succeeded in killing Arya Penangsang. The bad image of Arya Penangsang was built by the Sultanate of Pajang. Meanwhile, the Mataram Sultanate, Surakarta Palace, and Yogyakarta Palace continued for hegemony. Meanwhile, for the coastal community of Java, Arya Penangsang is a respected figure. The object of research is the novel Penangsang (Tembang Rindu Dendam) which was published in 2010. The purpose of this study is to explain the problem of resistance, namely disobedience in the context of the relationship between power and domination [1]. This study uses library and ethnographic methods by utilizing this new historicism (NH) approach which links literary texts with non-literature. The results of this study indicate three important messages. First, people interpret their social environment in terms of their past history. Second, Arya Penangsang is a prince who became a local hero. Third, past history is a builder of cultural ties.

Tom Stoppard, New Historicism, and Estrangement in Travesties

2005 ◽  
Vol 21 (3) ◽  
pp. 230-240 ◽  
Author(s):  
Zekiye Er
Keyword(s):  
English Language ◽  
Literary Texts ◽  
New Historicism ◽  
Incomplete Knowledge ◽  
Tom Stoppard ◽  
The Past ◽  
Linear Approach ◽  
Language And Literature

New historicism rewrites history from different viewpoints in order to prove that the past is inaccessible, and all historians can do is to work on incomplete knowledge, aware of the fact that a teleological, linear approach to their subject is misleading. In this study, Zekiye Er aims not only to analyze Tom Stoppard's Travesties from a new historicist stance, but also to utilize a new historicist approach to an understanding of what Stoppard is doing in the play, in the light of the striking parallels between Stoppard's technique and the new historicist critics' methods of analyzing history and literary texts. She concludes that Stoppard himself plays the role of a new historicist while writing a brilliant comedy of ideas. Zekiye Er received her PhD for a dissertation on Stoppardian drama from Ankara University in 2004. She has been working as a lecturer in the Department of English Language and Literature of Gaziantep University since 1993.

scholarly journals ARTIKULASI IDENTITAS LOKAL CEPU DALAM NOVEL PENANGSANG: TEMBANG RINDU DENDAM KARYA NASSIRUN PURWOKARTUN (TINJAUAN NEW HISTORICISM)

SUAR BETANG ◽  
2020 ◽  
Vol 15 (1) ◽  
pp. 69-78
Author(s):  
Sukarjo Waluyo
Keyword(s):  
Literary Theory ◽  
Social Problems ◽  
Historical Novel ◽  
New Historicism ◽  
Main Concern ◽  
The Novel ◽  
Local Identity ◽  
Text Data ◽  
The Past ◽  
Literary Research

Literature of a cultural product always interacts with social problems, including issues of locality and local identity. The problem of local identity in the novel Penangsang: Tembang Rindu Dendam is the main concern in this study. The background of the local locality and identity of Cepu which became the center of the Duchy of Jipang in the past was the setting of a place, as well as a space where the final historical and cultural journey of the power of the Demak Sultanate took place. This novel was written in 2010 by Nassirun Purwokartun. This historical novel invites us to rethink Cepu's locality and local identity, which has been a legacy of past generations. Articulation of identity and locality issues seem to be the attention voiced in this novel as well as being an instrument or instrument of articulation. This study uses the New Historicism approach, one literary theory that views history, art, and other things in society has the same degree as the text data in literature. It is hoped that literary research will get the context of the problem in accordance with the situation of the community.

scholarly journals The sense of space and Arctic nature in Cora Sandel’s Kranes konditori: interiør med figurer (Krane’s Café: An Interior with Figures)

2020 ◽  
Vol 12 (2) ◽  
pp. 89-106
Author(s):  
Raluca-Daniela Răduț
Keyword(s):  
Literary Criticism ◽  
The Arctic ◽  
The Novel ◽  
Interior Space ◽  
Literary Genres ◽  
The Past ◽  
Spatial Approach ◽  
Reading Technique ◽  
The One ◽  
Almost All

The paper combines the close reading technique of the novel Kranes konditori: Interiør med figurer (Krane’s Café: An Interior with Figures, 1946), written by the classic Norwegian writer Cora Sandel (1880-1974) with a spatial approach which aims to present the past and the present of the novel’s main character, Katinka Stordal. The action takes place in a small town situated in northern Norway, at Krane’s Café. It is worth noting how topography, the seasons of the year, the Arctic climate and nature are gradually reflected in the novel. On the one hand, the novel is placed at the crossroads of a spatial perspective and the literary criticism, which has in its centre Krane’s Café, the place where almost all the characters are brought together and which is the most suggestive and representative interior space of the novel. On the other hand, the subtitle An Interior with Figures strengthens the idea of a mixture of literary genres which includes elements from novel and drama. Moreover, it resembles the title of a work of art, for instance, a painting where all the characters are simply figures animated by the beauty of the Arctic scenery.

Music in The Architect of Ruins, a postmodern novel by Herbert Rosendorfer

2019 ◽  
Vol 1 (11) ◽  
pp. 155-164
Author(s):  
Agnieszka Roguska
Keyword(s):  
Literary Work ◽  
Literary Texts ◽  
The Novel ◽  
The Past ◽  
Don Giovanni ◽  
Postmodern Novel ◽  
Music Piece ◽  
Construction Pattern ◽  
Musical Elements ◽  
As If

Herbert Rosendorfer’s work entitled The Architect of Ruins fits in the postmodern novel trend. Its connections with culture texts include references to literary texts and music pieces. The most important references of the first type seem to be the ones to Jan Potocki’s novel The Saragossa Manuscript. The existence of music compositions in the novel by Rosendorfer, a witter and a musicologist in one person, functions on a number of levels. Here it is worth to mention the concept coined by the Polish scholar Michał Głowiński according to which music may appear in a novel on three levels – when it is an element of the plot, when it constitutes a topic by itself, and when the work of music referred to acquires a symbolic dimension in the context of a music piece. These three literary situations can easily be found in Rosendorfer’s book. What is particularly important and interesting, however, is applying a construction pattern taken from the field of music in a literary work. Such a possibility, i.e., musical elements functioning in in a literary piece, is described in Andrzej Hejmej’s Musicality of a Literary Work. In The Architect of Ruins construction references fit in the specificity of a postmodern novel: as stated by Magdalena Janoszka, Potocki’s The Saragossa Manuscript, which was an important inspiration for Rosendorfer, should be classified as a polyphonic novel. According to Bachtin’s concept, a word does not a exist in an isolated and independent way, but it is an answer to other words written in the past. As a writer and musicologist, Rosendorfer skilfully moves in the field of references to music and literary works – e.g. Mozart’s Don Giovanni and the literary thread of Giacomo Casanova’s Memoirs. In his book, the Austrian writer presents the profiles of musicians – a virtuoso (whom music lovers are desperate to hear live – in vain), an organist performing a truly postmodern Musiquiana, and a vampiric composer stealing every new composition written by his student. This way, in The Architect of Ruins music becomes the material with which the author of the novel co-creates his work as if with literary motifs.

scholarly journals Historicity and theology, and the quest for historical Jesus1

1999 ◽  
Vol 55 (4) ◽  
Author(s):  
P. A. Geyser
Keyword(s):  
Public Discourse ◽  
Historical Jesus ◽  
New Historicism ◽  
Pragmatic Approach ◽  
Historical Knowledge ◽  
The Past ◽  
Working Definition ◽  
Dialectical Approach ◽  
Definition Of ◽  
Radical Relativism

The issue of history and historicity is reviewed in this article. The efforts of New Historicism is brought to bear on this question in an effort to find a way out of the impasse created by the modernist demand for objectivity and the postmodern resignation to radical relativism. The possibility of historiography is explored in conjunction with the pragmatic approach and leads to the conclusion that a kind of historical knowledge is attainable which can be described as useful even if not perfect. The author concurs with Crossan and his working definition of history as the past reconstructed interactively by the present through argued evidence in public discourse. The intersubjective nature of any historical enterprise leads the author to the conclusion that the search for the historical Jesus can only be done in the dialectical approach of a both ... and: both the historical Jesus and the kerygmatic Christ

scholarly journals Zayd Mutee Dammaj's Approach to History in The Hostage

2018 ◽  
Author(s):  
AWEJ for Translation & Literary Studies ◽  
Abdulrahman Mokbel Mahyoub Hezam
Keyword(s):  
Analytical Approach ◽  
Historical Novel ◽  
Traditional Approach ◽  
New Historicism ◽  
The Novel ◽  
New Approach ◽  
Narrative Art ◽  
The Past ◽  
Historically Situated ◽  
Natural Historian

The study examines Dammaj’s The Hostage (1984), the most famous Yemeni novel, as a historical novel. The study aims to investigate the concept of history used by the writer in the novel and compare it to the concept of traditional approach and the concept of new historicism. The researcher used the analytical approach to show the complexity of The Hostage as a historically situated text, as a creation of the re-thinking, on the part of Dammaj of the concept of history. The natural integration of history and fiction makes Dammaj a natural historian, extracting and presenting a single kernel of meaning. With his narrative art, he is trying to manipulate a continuous parallel between contemporaniety and antiquity. The novel is an attempt by the present in the form of fiction to give a meaning to the past in the form of history. The study concludes that Dammaj was able to use a new approach to history which is his own and which puts him closer to new historicism of European decent.

scholarly journals “Sarajevo. Plan grada”: the specifics of the chronotope

2020 ◽  
pp. 412-422
Author(s):  
Evgeniia V. Shatko
Keyword(s):  
Bosnia And Herzegovina ◽  
Historical Memory ◽  
The Novel ◽  
The Past ◽  
Key Space ◽  
Before And After ◽  
History Of ◽  
Kingdom Of Yugoslavia ◽  
The City

The scene of the novel written by M. Jergović “Sarajevo. Plan grada” (2015) — the writer’s hometown, the key space for all his writing. It’s some sort of a fl uid romanized map. The novel describes several cultural and historical Sarajevoes at the same time, such as an Ottoman city, and Austro-Hungarian, and Sarajevo during the Kingdom of Yugoslavia, and a city of the Tito era, and then Sarajevo before and after the war of the 1990s. in Bosnia and Herzegovina. The space of the city in the novel is the past of the today’s city, marked for the author by political and ideological attempts to recode and even erase the historical memory. The fragmented text of the novel consists of personal memories, literary plots, the history of the city, refl ections on memory and obliteration — it is a monument dedicated to the old, disappearing or even already dis-appeared Sarajevo. According to E. Kazas, Jergović created the most voluminous, comprehensive and most reliable image of Sarajevo in Bos-nian literature.

scholarly journals FAKTA SEJARAH DALAM NOVEL DHARMAGANDUL KARYA SRI WINTALA ACHMAD (KAJIAN NEW HISTORICISM)

2019 ◽  
Vol 2 (2) ◽  
pp. 43-49
Author(s):  
Mustika Mustika ◽  
Elmy Selfiana Malik
Keyword(s):  
Literary Texts ◽  
New Historicism ◽  
The Novel ◽  
Data Presentation ◽  
Historical Reality ◽  
The People

This research aims to describe the historical facts in the novel of Dharmagandul by Sri Wintala This study aims to describe the historical facts in the novel of Dharmagandul by Sri Wintala Achmad which was set in the Majapahit Kingdom. The novel was examined using the New Historicism approach, which used non-literary texts combined with literary texts to be analyzed. The procedures of this study included: (1) parallel reading techniques, namely techniques performed by reading literary texts (novels) with non-literary texts; (2) the analysis used includes data presentation and discussion. The analysis used in studying the novel Dharmagandul by Sri Wintala Achmad was paralleled by non-literary texts relating to events in the novel; and (3) presentation of the conclusions from the results of the analysis. The results of the study included: (1) the applying of Dyah Pitaloka by Patih Gajah Mada to Prabu Hayam Wuruk; (2) Wikramawardhana's post-HayamWuruk power; (3) Paregreg war; and (4) Sri Ratu Suhita's revenged against Raden Gajah. The results of the study of historical facts in the novel Dharmagandul are expected to provide knowledge that literature can be born from historical reality and this research is expected to be a lesson for the people of Indonesia to not repeat the bitter events that have occurred during the Majapahit kingdom. Keyword: historical facts, Dharmagandul, new historicism, Majapahit

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