STUDY OF DIGITAL ARCHITECTURE TECHNOLOGY: THEORY AND DEVELOPMENT

Abstract - In the beginning of the 20th century, computerization has developed rapidly affected in all aspects of human life. Computer is not only simplified everything, but it has become an instrument which turned into something that is never thought before. In architecture, digital technology is not only impacted on the architectural planning and design aspects but also on the manufactured finished product. This is the study of literature along with interpretation of the author discussing about the phenomenon of the digital architecture development related to the theory, philosophical study, its evolution and development, as well as a deeper analysis to a few studies on the digital technology especially in the realm of architecture.

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Perspective of Digital Architecture World

Applied Mechanics and Materials ◽

10.4028/www.scientific.net/amm.392.909 ◽

2013 ◽

Vol 392 ◽

pp. 909-912

Author(s):

Zhou Lin

Keyword(s):

Digital Technology ◽

Architectural Design ◽

Design Method ◽

Digital Design ◽

Digital Architecture ◽

Wide Range ◽

Aesthetic Consciousness ◽

Architectural Development ◽

The Aesthetic ◽

Architecture Development

Digital technology has played a crucial role in architectural development since being introduced in. Different application of digital design software has taken the place of traditional drawing. The innovated architecture design process has promoted a trend of space complexity. Advanced digital technology also produced a new design method; the computer can generate a unique building plan through the special program directly rather than the imagination of the human brain. Besides, digital technology has a wide range of applications in exploring the future architecture development, as well as virtual reality in the scheme deliberation and demonstration. The digital architecture has broken through the two-dimensional architectural design pattern and the aesthetic consciousness of the industrial era, and pushes the building industry development greatly.

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The Great Reform and the Fate of Capitalism in Russia (On the 150th Anniversary of the Emancipation Reform)

Voprosy Ekonomiki ◽

10.32609/0042-8736-2011-4-119-136 ◽

2011 ◽

pp. 119-136

Author(s):

M. Voeikov

Keyword(s):

20Th Century ◽

Historical Research ◽

150Th Anniversary ◽

In The Beginning

The paper deals with the problem of the establishment of capitalism in Russia in the late 19 - early 20th centuries. Using a wide array of historical research and documents the author argues that the thesis on the advanced state of capitalism in Russia in the beginning of the 20th century does not stand up to historical scrutiny, and the role of the famous Emancipation reform of 1861 appears to be of limited importance.

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Main Forms of Propagandistic Activities of the Right-Wing Parties (1904–1914)

Almanac “Essays on Conservatism” ◽

10.24030/24092517-2020-0-1-656-676 ◽

2020 ◽

Vol 102 ◽

pp. 656-676

Author(s):

Igor V. Omeliyanchuk

Keyword(s):

20Th Century ◽

Social Groups ◽

Right Wing ◽

Periodical Press ◽

Political Movement ◽

The People ◽

The Social ◽

The Right ◽

In The Beginning ◽

The 19Th Century

The article examines the main forms and methods of agitation and propagandistic activities of monarchic parties in Russia in the beginning of the 20th century. Among them the author singles out such ones as periodical press, publication of books, brochures and flyers, organization of manifestations, religious processions, public prayers and funeral services, sending deputations to the monarch, organization of public lectures and readings for the people, as well as various philanthropic events. Using various forms of propagandistic activities the monarchists aspired to embrace all social groups and classes of the population in order to organize all-class and all-estate political movement in support of the autocracy. While they gained certain success in promoting their ideology, the Rights, nevertheless, lost to their adversaries from the radical opposition camp, as the monarchists constrained by their conservative ideology, could not promise immediate social and political changes to the population, and that fact was excessively used by their opponents. Moreover, the ideological paradigm of the Right camp expressed in the “Orthodoxy, Autocracy, Nationality” formula no longer agreed with the social and economic realities of Russia due to modernization processes that were underway in the country from the middle of the 19th century.

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From Circles to Parties. Genesis of Party System in Russia in the Beginning of 20th Century

Almanac “Essays on Conservatism” ◽

10.24030/24092517-2020-0-1-464-470 ◽

2020 ◽

Vol 102 ◽

pp. 464-470

Author(s):

Kirill A. Solovyov

Keyword(s):

Political Parties ◽

20Th Century ◽

Party System ◽

Revolutionary Era ◽

The Public ◽

Party Organizations ◽

Political Forces ◽

In The Beginning

The article is devoted to the general patterns of political parties formation in Russia at the beginning of the 20th century. They were preceded by proto-party organizations that were far from being ideologically monolithic. Under the conditions of rapid differentiation of political forces, the existing alliances were often accidental and situational. They hung on to the legacy of the pre-revolutionary era, when the public was just “learning” to talk about politics, and the boundaries between different ideological structures were quite rather relative.

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TRADITION AND INNOVATION IN MODERN KAZAKH POETRY (XX century and independence)

BULLETIN Series of Philological Sciences ◽

10.51889/2021-2.1728-7804.15 ◽

2021 ◽

Vol 76 (2) ◽

pp. 118-128

Author(s):

Sh. Kuttybaev ◽

◽

Е. Abdimomynov ◽

Keyword(s):

20Th Century ◽

Large Scale ◽

Point Of View ◽

Soviet Period ◽

Evolutionary Development ◽

Spiritual Values ◽

Literary Traditions ◽

New Perspective ◽

National Poetry ◽

In The Beginning

The article analyzes views on innovation in the literary science of the early twentieth century and the work of Alash representatives in an era that is a period filled with profound changes and large-scale innovations in Kazakh society. In addition, works related to freedom, enlightenment, politics, spiritual values, the position of the people as a whole and social changes are considered the idea of independence and continuity. On the way of evolutionary development of the Kazakh literature, artistic power, thematic and ideological character, substantial and stylistic features of poetry of poets in the beginning of the XX century and during the Great Patriotic War, in subsequent years and years of independence are discussed in detail. In addition, on the basis of literary traditions and novelty, the works of prominent poets of Kazakh poetry of the 20th century and Independence are considered and comprehensively characterized, i.e. internal motives, the content of life phenomena in national poetry are analyzed in close connection with the works of poets. The original vision of the traditional and differentiated in the literature of the Soviet period in the works of poets from a new perspective, from the point of view of today. In addition, the works of outstanding poets of Kazakh poetry in the period of the 20th century and independence are considered on the basis of classical tradition and novelty in literature.

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Invázna ekológia

Biológia, ekológia, chémia ◽

10.31262/1338-1024/2021/25/4/1-9 ◽

2021 ◽

Vol 25 (4) ◽

pp. 1-9

Author(s):

Pavol Eliáš

Keyword(s):

Introduced Species ◽

20Th Century ◽

Science Policy ◽

21St Century ◽

Rapid Development ◽

Invasion Biology ◽

Current Development ◽

New Science ◽

Invasion Species ◽

In The Beginning

Invasion ecology was established as a science of invasion of animals and plants in the beginning of the second half of the 20th century by English ecologist Charles Sutherland Elton (1900-1991). Rapid development of the field of ecology is evident since the end of last century and following decades of 21st century. The paper deals with current development, diversity of concepts and hypotheses, including critiques of invasion terminology, invasion species concepts, introduced species as bad species and xenophobe appeared related to aliens as invaders. Invasion biology was an attempt to integrate alien animals and plants research into one science. In last decade new science of invasions is developed, characterised by multi- and interdisicplinarity, supported by social and economy sciences. To facilitate generalisations, and to improve the link between science, policy, and management, numerous frameworks have been developed in an attempt to unify different concepts and definitions.

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VISUALISASI PEREMPUAN PADA LUKISAN TRADISIONAL TIONGHOA DI INDONESIA (Analisis karya-karya seni lukis Lee Man Fong dan Chiang Yu Tie)

Panggung ◽

10.26742/panggung.v27i2.254 ◽

2017 ◽

Vol 27 (2) ◽

Author(s):

Ariesa Pandanwangi ◽

Nuning Damayanti

Keyword(s):

20Th Century ◽

Visual Arts ◽

Social Life ◽

Research Method ◽

Qualitative Method ◽

The Social ◽

In The Beginning ◽

Social Area

ABSTRACT Both Lee Man Fong - a male painter - and Chiang Yu Tie - a female painter - are Chinese who migrated to Indonesia. In the beginning of the 20th century, Lee Man Fong lived in Bali while Chiang Yu Tie lived in Java. Many of their artworks were collected by the National Palace and many government officers. The questions of this research are visualization of the women as the object of paintings of both artists and gesture of the women in the paintings of both artists. The purpose of the research is to enrich the documentary infrastructure about women as object in the social area of visual arts which has not been studied much. The research method that will be used is qualitative method with purpose sampling. The result of the research will show that both artists are very familiar with a particular social life during their stay in a certain place, so that their perceptions are focused in excavating the women object in their artworks.Keywords: Chiang Yu Tie, Chinese, Lee Man Fong, Painting, Woman.ABSTRAK Lee Man Fong adalah pelukis laki-laki dan Chiang Yu Tie adalah pelukis perempuan. Keduanya adalah orang Tionghoa yang merantau ke Indonesia. Pada tahun 1900 an Lee Man Fong tinggal di Bali sedangkan Chiang Yu Tie tinggal di Jawa Barat. Karya keduanya banyak dikoleksi oleh Istana Negara juga oleh pejabat pemerintahan. Penelitian ini untuk mengetahui visualisasi perempuan yang dijadikan objek pada lukisan tradisional tionghoa dan gestur perempuan pada objek karya seni lukis kedua seniman tersebut. Tujuan penelitian ini adalah untuk melengkapi infrastruktur pendokumentasian tentang objek perempuan dalam medan sosial seni rupa yang belum banyak dibahas. Metode penelitian ini adalah metode kualitatif dengan purpose sampling. Hasil penelitian ini memperlihatkan bahwa kedua seniman tersebut sangat akrab dengan lingkungan sosial ketika mereka tinggal disuatu daerah, sehingga pengamatannya banyak di fokuskan pada penggalian objek perempuan dalam karya seni lukisnya.Kata kunci: Chiang Yu Tie, Lee Man Fong, Perempuan, Seni lukis, Tionghoa.

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