CATEGORY OF EMPTINESS IN THE WORLD ARCHITECTURE: JAPAN, WEST, RUSSIA

2019 ◽  
Vol 4 (10) ◽  
pp. 20-25
Author(s):  
Marina Kursova ◽  
◽  
Evgeniya Repina
Keyword(s):  
Zen Buddhism ◽  
Russian Philosophy ◽  
Avant Garde ◽  
The World ◽  
Japanese Architecture ◽  
Art And Architecture

The article analyzes the philosophical and psychological meaning of the category of emptiness and its reflection in art and architecture. The sacred meaning of emptiness in Zen Buddhism and its influence on Japanese architecture are considered. Differences in interpretations of the concept of “emptiness” in Eastern, Western and Russian philosophy and architecture are analyzed, it is highlighted how echoes of Zen teachings and the category of emptiness contributed to the emergence of the empty canon in the avant-garde. The devaluation of “emptiness” in the aesthetics of modernity and its transformation under the conditions of postmodernism are considered. In the course of analyzing the attitude of the modern generation to the categories of emptiness and space, the preconditions for the return of the attitude to emptiness and space as sacred categories of architectural culture are revealed.

The Baroque and Philosophy

2018 ◽  
pp. 601-622
Author(s):  
Michael Moriarty
Keyword(s):  
Modern Philosophy ◽  
Early Modern ◽  
Visual Arts ◽  
Common Sense ◽  
The Self ◽  
Early Modern Philosophy ◽  
The World ◽  
Baroque Art ◽  
Art And Architecture

Although the concept “baroque” is less obviously applicable to philosophy than to the visual arts and music, early modern philosophy can be shown to have connections with baroque culture. Baroque style and rhetoric are employed or denounced in philosophical controversies, to license or discredit a certain style of philosophizing. Philosophers engage with themes current in baroque literature (the mad world, the world as a stage, the quest for the self) and occasionally transform these into philosophical problems, especially of an epistemological kind (are the senses reliable? how far is our access to reality limited by our perspective?) Finally, the philosophies of Malebranche and Berkeley, with their radical challenges to so-called common sense, and their explanation of conventional understandings of the world as based on illusion, have something of the disturbing quality of baroque art and architecture.

scholarly journals Vernacular traditions in Norwegian jewelry design - Past, present, future

2015 ◽  
Vol 8 (1) ◽  
Author(s):  
Astrid Skjerven
Keyword(s):  
Consumer Behavior ◽  
Reliable Indicator ◽  
Local Identity ◽  
Avant Garde ◽  
Economic Decisions ◽  
The World ◽  
Future Situation ◽  
Jewelry Design

Living in an era of globalization, the capability of communicating identity has become of greater importance than ever. This has increased our estimation of the vernacular, which represents an expression of a national or local identity. In Norway the vernacular tradition in silver jewelry is particularly strong. It has played an important role not only locally, but also in the constantly changing relation with the outside world, in accordance with the societal situation. It should therefore constitute a reliable indicator of how our country relates to the present process of globalization. The aim of the paper is to throw light on the relation between Norway’s role on the global scene and the use of the vernacular tradition in the development of jewelry design in general. It consists of a historical exploration that leads up to a discussion the present and future situation. Today there is a cleft between consumer behavior and avant-garde practice. In accordance with the global situation and Norway’s geopolitical situation of existing in the outskirts of political and economic decisions, the situation is characterized by a variety of practices, and by a slow acceptance of the vernacular values in the world of avant-garde practitioners.

DEVELOPMENT OF SHUCHOV’S IDEAS IN CONTEMPORARY JAPANESE ARCHITECTURE

2019 ◽  
Author(s):  
Н.А. Коновалова
Keyword(s):  
Seismic Resistance ◽  
The World ◽  
Japanese Architecture ◽  
Contemporary Architecture ◽  
Supporting Structures

Идеи В.Г. Шухова в свое время стали настоящей революцией в архитектуре. Спустя десятилетия они не только не потеряли своей актуальности, но и нашли применение во многих странах мира, в том числе в Японии. Японцы первыми оценили перспективность изобретений великого русского инженера и стали использовать сетчатые оболочки и несущие конструкции на их основе в архитектуре. Главными причинами использования сетчатых оболочек Шухова в архитектуре Новейшего времени является повышение сейсмостойкости зданий и возможность получения новых, более сложных форм перекрытий. В современной японской архитектуре можно встретить ряд ярких примеров, раскрывающих влияние на нее идей инженера В.Г. Шухова и развитие идей русского инженера местными мастерами. Ideas of V.G. Shuchov were revolutionary for his times. Decades passed but these ideas haven’t lost their relevence and found applications in many countries all over the world, including Japan. Japanese were the first ones who acknowledged the perspectivity of great russian engineer’s inventions and started using retinas and supporting structures based on them in architecture. Main reasons of using Shuchov’s retinas in contemporary architecture are increase of seismic resistance in structures and possibility to gain new, more complicated forms of overlays. In contemporary architecture of Japan there are numerous examples, that reveal the influence on it created by V.G. Shuchov and development of russian engineer’s ideas by local masters.

A major study on Ottoman architecture in Hungary

1982 ◽  
Vol 45 (1) ◽  
pp. 67-73
Author(s):  
Géza Fehérvári
Keyword(s):  
Eastern Europe ◽  
European Countries ◽  
Classical Period ◽  
East European ◽  
The Balkans ◽  
South Eastern ◽  
The World ◽  
Ottoman Architecture ◽  
South Eastern Europe ◽  
Art And Architecture

Recent years have witnessed an increasing interest in Turkish art and architecture, an interest that embraces not only the monuments in Turkey proper but also those which were erected in south-eastern Europe during the Ottoman occupation. Thus a few years ago, when in conjunction with the World of Islam Festival a symposium was held in Edinburgh dedicated to Islam in the Balkans, the participants dealt with Islamic monuments in Bulgaria, Rumania, Greece and Yugoslavia. The Ottoman monuments of Hungary are admittedly not as numerous as those of these south-east European countries; nevertheless,they represent the achievements of a period which is justifiably called the ‘classical’ period in Ottoman art.

Kazuo Ohno's World from Without and Within. By Kazuo Ohno and Yoshito Ohno. Translated by John Barrett. Middletown, CT: Wesleyan University Press, 2004; pp. 344. $34.95 paper.

2005 ◽  
Vol 46 (2) ◽  
pp. 315-317
Author(s):  
Kurt Wurmli
Keyword(s):  
Academic Research ◽  
Modern Dance ◽  
Deep Understanding ◽  
Research Centers ◽  
The West ◽  
Avant Garde ◽  
Art Form ◽  
The World ◽  
Inside View ◽  
Scholarly Attention

Kazuo Ohno and Tatsumi Hijikata are recognized as the most influential creators of the contemporary Japanese dance form known today as butoh. Since its wild and avant-garde beginnings in the late 1950s, butoh has evolved into an established and appreciated art form throughout the world. Despite its popularity and strong influences on the international modern dance world, butoh only recently became an accepted subject for academic research in Japan as well as in the West. With the new opening of butoh research centers and archives—such as the Ohno Dance Studio Archives at BANK ART 1929 in Yokohama, the Kazuo Ohno Archives at Bologna University in Italy, and the Hijikata Tatsumi Archives at Keio University in Tokyo—serious scholarly attention has been given to the art of butoh's founders. However, the lack of firsthand sources by butoh artists reflecting their own work still poses great limitations for a deep understanding of the art form. Kazuo Ohno's World from Without and Within is not only the first full-length book in English about the master's life and work, but also offers a rare inside view of butoh.

scholarly journals Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu

2020 ◽  
Author(s):  
Susanne Klengel
Keyword(s):  
Blind Spot ◽  
First World War ◽  
World War ◽  
Avant Garde ◽  
Artistic Production ◽  
The First World War ◽  
The World ◽  
Famous Book ◽  
Spanish Flu ◽  
First World

The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past.

scholarly journals Sztuka i architektura dla II Rzeczypospolitej

2020 ◽  
Vol 147 (4) ◽  
pp. 869-881
Author(s):  
Andrzej Szczerski
Keyword(s):  
World War I ◽  
Modern Art ◽  
Dynamic Processes ◽  
Art Patronage ◽  
World War ◽  
Leading Role ◽  
State Administration ◽  
The World ◽  
Administrative Structures ◽  
Art And Architecture

Art and architecture for the Second Polish Republic The period of the Second Polish Republic was a time of dynamic processes of unification and modernisation. They were also reflected in art and architecture. This should not come as a surprise given the fact that Polish artists were involved in the struggle for independence on the battlefields, while they also documented Polish military efforts during the World War I. Later on, they held positions in the state administration, especially in the administrative structures responsible for art patronage and education; finally, they were also active in the field of national propaganda. The authorities of the Second Polish Republic appreciated the importance of modern art, especially that the restoration of independence coincided with a debate about the various definitions of the Polish national style. This debate, which involved supporters of vernacular stylisation and those who promoted modernism, found its complex reflection in the Polish General Exhibition in Poznańin 1929. The exhibition confirmed that the leading role in the process of modernisation was assumed by architecture and urban planning.

scholarly journals “It is not a miracle, but grief...”: representations of Sergey Kozlov's on soteriological mission of the woman (based on the novella “Mother-Masha”)

2021 ◽  
pp. 46-52
Author(s):  
Alena Petrovna Kashkareva
Keyword(s):  
Comprehensive Analysis ◽  
Russian Philosophy ◽  
Russian History ◽  
Female Images ◽  
Textual Space ◽  
The World ◽  
National Salvation

This article analyzes the views of the contemporary Ugric writer Sergey Kozlov pertaining to mission of the women in 1990s – 2000s, which was the turning period for the country. The novella “Mother-Masha” demonstrates that it textual space, namely the woman becomes the symbol of justice of the Christian fabric of life, and is reflected in the sincere desire of the protagonist to establish good and justice in the world. The author contemplates on S. Kozlov's ideological and artistic views upon the role of the woman at the time of major transformations in the Russian history. Reference to the writer’s fictional prose, diaries, and interviews allows revealing the peculiarities of his axiological position in the context of the Russian philosophy of femininity. The scientific novelty of this research is substantiated by the need for articulation of the problem related to the study of specificity of female images in the creative heritage of Siberian writer Sergey Kozlov. Comprehensive analysis of the writer's novella “Mother-Masha” included into the book “Duty Angel” (2011) is carried out. The article introduces the sources, such as diary notes and interview materials, which have not been previously used in studying the works of S. Kozlov. The conclusion is made that soteriological mission was imposed on Mother Masha – the woman who proliferated the Divine Commandments to the world and is associated with the symbol of national salvation.

The ideologist Yu.N. Govorukha-Otrok and the philosopher N.Ya. Grot: polemics of 1890–1891

2021 ◽  
pp. 123-137
Author(s):  
Аleksandr А. Ermichev ◽  
Keyword(s):  
Public Life ◽  
Editorial Policy ◽  
Subsequent Development ◽  
Russian Philosophy ◽  
First Year ◽  
Evaluative Judgments ◽  
Political Preferences ◽  
The World ◽  
History Of ◽  
Xix Century

The article analyzes a little-known episode in the history of Russian philoso­phy – the polemic of the editor of the journal “Questions of Philosophy and Psy­chology” N.Ya. Grot and the outstanding publicist of the conservative newspaper “Moskovskie Vedomosti” Yu.N. Govorukha-a boy who spoke under the pseudo­nym Yu. Nikolaev. The controversy took place in the first year of the magazine’s existence, when the principle and direction of the editorial policy were deter­mined. Yu.N. Govorukha-Otrok, sharing together with N.Ya. Grotto hope that the journal will lead to the formation of Russian national philosophy, insisted on the conscious circulation of the publication to the Slavophile tradition, defining the end goal of philosophical search for the creation of the Orthodox meta­physics meet the needs of aboriginal people's lives. His opponent, N.Ya. Grot, was a typical representative of the liberalism of the 80s of the XIX century, which was undecided in its socio-political preferences. Being a neophyte of meta­physics, the editor of “Questions” proceeded from an understanding of the ratio­nal nature of philosophical knowledge and justified the variety of directions of philosophical searches. He gave the pages of his magazine to the positivist authors from the liberal populist camp, which was completely unacceptable to his opponent. Thus, the circumstances of public life complicated the nature of the polemic on the issues of theoretical content and introduced social-evaluative judgments into it. Talker-Boy considered the polemic as an episode of the world-historical struggle of Christianity with the eudaemonistic idea of progress. The article claims that the subsequent development of Russian philosophy in the early twentieth century confirmed the correctness of the editorial line of the journal.

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