FEATURES OF PERCEPTION OF URBAN SPACE IN THE HISTORICAL CENTER OF A LARGE CITY

2020 ◽  
Vol 5 (11) ◽  
pp. 24-29
Author(s):  
Anna Zhogoleva ◽  
◽  
Tatyana Polukeeva

The city develops over time, creating a continuous series of unique impressions from the perception of urban spaces. Many environmental parameters affect the perception of the urban environment, form the structures of perception and its atmospheric features. Socio-cultural knowledge of the city, expanding the glossary of architectural and urban planning theory, is engaged in the study of such parameters of the urban environment as the time factor of perception, anthropological parameters, the angle and scale of visual perception, urban gaps, which allows you to expand the idea of the city as a unique phenomenon and process. An attempt has been made to investigate the structure of the perception of the urban space of the central part of Samara.

AmeriQuests ◽  
2006 ◽  
Vol 2 (1) ◽  
Author(s):  
Justin Armstrong

This is a paper on street art and its role as a form of artistic insurrection that challenges popular understandings of public space and urban visual culture. I would like to think of it as a field guide to urban seeing, a means of revising the way in which we view the cityscape and its imagery. It is a way of imagining the city as a canvas onto which ideas may be inscribed and reinterpreted, where resistance percolates up to those who look for it. It is here, in what Kathleen Stewart has called a “place by the side of the road” that the work of the street artist exists, slowly gurgling up through the cracks in the sidewalk and briefly illuminated by the yellow-white glow of the street lights. Street art most often takes the form of adhesive stickers, spray-painted stencils, and wheat-pasted posters, and while it shares many similar aesthetic and cultural characteristics with graffiti, street art embodies a unique ideology. Graffiti represents a territorialization of space (‘tagging’, or reclaiming urban spaces through the use of pseudonyms as territorial markings); street art represents a reterritorialization of space. Rather than taking space, street art attempts to re-purpose the existing urban environment. This paper seeks to reflect the changing dynamic of urban space through an analysis of the practice of street art. By examining the roles that street artists play in disrupting the flow of visual noise in the city, I will illuminate the cultural value and significance of this form of urban artistic resistance.


2021 ◽  
Vol 16 (6) ◽  
pp. 631-640
Author(s):  
Wahda Shuker Al-Hinkawi ◽  
Nada Abdulmueen Hasan ◽  
Shireen Kamel Zedan

Baghdad’s historical center is a rich site of heritage and cultural values, yet it suffers from urban deterioration. Many urban spaces and historical structures are aging, which has caused a decline in the vitality and function of axes and open spaces. This research is based on the principle of facadism as one of the main approaches to the preservation and rehabilitation of historic and traditional buildings. The purpose is to address urban degradation and the spatial reconfiguration of urban space in a way that promotes its sustainability and revitalization. This research aims to formulate a theoretical framework that includes a list of interference patterns and their role in spatial reconfiguration. This will be applied to the spatial reconfiguration and development of Al-Rasheed Street in the historic center of Baghdad. A questionnaire elicited the opinions of experts, designers, and implementers in academic and executive institutions on the possibility of reshaping local spaces using facadism. The results of the questionnaire showed that experts support the possibility of adopting this method in spatial reconfiguration in order to intervene in the degradation of historical environments, and also to create a homogeneous and interconnected urban environment that prevents the eradication of cultural and urban heritage. By adopting the preservation of a façade in its various forms, considerations need to be made regarding its compatibility with the nature of the problems in the study area and the ineffectiveness of the pattern of dismantling and transferring a building to another place. This is due to the importance of the historical place and the need to preserve all its historical items within the fabric, in addition to the effectiveness of some detailed patterns in different items of formation.


Author(s):  
K. E. Aksenov ◽  
A. S. Zinovyev ◽  
K. A. Morachevskaya

The microdistrict principle of urban environment organization, developed in Soviet urban planning, formed a certain configuration of the placement of trade and services. However, the market transformations of the 1990s dramatically affected both the number of retail facilities and their location. The purpose of this research was to identify the effects of retail development for the functions and morphology of the microdistricts of Soviet construction. The work is based on empirical materials on St. Petersburg, where research was conducted based on the study of telephone books in the late 1980s, and field mapping of selected areas of the city. It was found that at the moment there was a rapprochement of the retail functions of the areas of mass housing construction and the historical center. The number and density of everyday demand objects in microdistricts increased many-fold, while goods and services of periodic demand came out on top in terms of the number of objects. Retail of episodic demand has ceased to obey the center-peripheral principle in placement. The Soviet principle of spatial monopoly was replaced by the principle of spatial competition, which significantly transformed the morphology of urban space.


Author(s):  
María-Eugenia Prieto-Flores ◽  
Mark W. Rosenberg

A growing body of research has shown that barriers in the urban environment can be disabling by reducing the ability of older people to manage independently in the community, but also because they can negatively affect health by limiting the possibilities to move outside the home. In this study, we ask how obstacles in the urban environment are associated with the need for help to go to places in the community. To respond to this question, we used the Annual Household Survey of the City of Buenos Aires, Argentina 2018, which had a specific questionnaire for people with disabilities. From this sample, we selected adults aged 65 years or older with difficulties in at least one of six domains: vision; hearing; upper and lower body mobility; cognition; self-care; and communication. The final sample consisted of 513 persons (weighted = 109,316). First, we conducted a principal component analysis identifying three factors from variables of obstacles to access and use the urban environment: transportation; outdoor spaces; and information. Second, through a logistic regression model, we observed a direct relationship between these factors and the need for help to move in the community, controlling for sociodemographic characteristics, health status, and number of disabilities. This paper provides evidence on the significance of improving urban spaces to reduce dependent mobility. In Latin America, cities still face many challenges in becoming more age-friendly.


2021 ◽  
pp. 32-43
Author(s):  
Maria Skivko

The subject of this research is tourist attractiveness of the walking rout of a section of a single street in Samara. The object of this research is such characteristics of the route as visual attractiveness, convenience and safety, atmosphere, and uniqueness. This article provides the analysis of urban space and environment on the example of a specific street in the city of Samara. The selected section directly connects the railway station, which is the place of daily arrival and transit tourists, and the Volga promenade – as one of the main symbols of the city and the center of attraction for locals and visitors. The goal of this research consists in the analysis of the existing conditions for the tourist route, which can be improved and extended for increasing the overall assessment of tourism infrastructure. The empirical framework of this research synthesizes the approaches towards interpretation of the psychogeography of the city and towards the analytics of individual experience in the urban environment. The field notes and information analysis allow examining the potential of a tourist route in this section, as well as making recommendations for increasing tourist attractiveness and development of tourism infrastructure of the city. Such pattern can be applied in the research of large and small cities for assessing the current situation and efficient planning of tourism infrastructure in the future. The author formulates the categories of tourist attractiveness that reflect physical, psychological and emotional characteristics of feasibility of urban environment for local tourism. The scientific novelty of this work consists in the development of categories for the analysis based on the key approaches of Paul Kidwell and Colin Ellard towards studying psychogeography of the city and architecture of the urban environment.


2007 ◽  
Vol 21 (1) ◽  
pp. 87-99
Author(s):  
Caragh Wells

This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.


ILUMINURAS ◽  
2014 ◽  
Vol 15 (36) ◽  
Author(s):  
Urpi Montoya Uriarte

Este trabalho se insere no que se chama hoje de antropologia da cidade, que se preocupa com a forma como os citadinos – em sua condição alternada de usuários, moradores, transeuntes ou consumidores – fazem a cidade (Agier, 2011). Nossa compreensão de cidade está marcada pela recente teoria do espaço no interior da Geografia (Massey, 2012) e nossa compreensão da produção do espaço se baseia na teoria de Henri Lefebvre, especialmente em seu La production de l´espace (1974). Com esta bagagem teórica, propomos uma antropologia dos espaços urbanos preocupada com a forma como os espaços na cidade são produzidos por pessoas comuns ou homens ordinários. Os dados empíricos analisados provêm de uma etnografia de dois micro-espaços na cidade de Salvador. As leituras teóricas destes micro-espaços nos levam a afirmar a atualidade e força dos espaços diferenciais que emergem no espaço abstrato, a significação política dos espaços apropriados e a vigência do valor de uso e as relações costumeiras na cidade contemporânea.Palavras-chave: Espaços urbanos. Produção do espaço. Espaços diferenciais. Apropriação de espaços. Valor de uso.Production of urban space by ordinary men: anthropology of two micro-spaces in the city of SalvadorAbstractThis work is part of what is today called anthropology of the city, that is concerned with how the townspeople – in their alternating condition of users, residents, bystanders or consumers – make the city (Agier, 2011). Our understanding of the city is marked by the recent theory of space inside the geography (Massey, 2012) and our understanding of the production of space is based on the theory of Henri Lefebvre, especially in its The production of the space (1974). With this theoretical background, we propose an anthropology of urban spaces concerned with how the spaces in the city are made by ordinary people or ordinary men . The data analyzed come from an ethnographic study of two micro-spaces in the city of Salvador. The theoretical interpretations of these micro-spaces lead us to affirm the relevance and strength of differential spaces that emerge in the abstract space, the political significance of the appropriate spaces and the duration of use value and customary relations in the contemporary city.Keywords: Urban spaces. Production of space. Differential spaces. Appropriation of spaces. Use value.  


Dimensions ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 183-202
Author(s):  
Sergiy Ilchenko

Abstract This contribution elaborates upon the appropriation of urban space in spatiotemporal and procedural interventions in the example of the city of Kharkiv, as well as the impact of urban space on the process of how various groups rediscover and use various parts of the city. Being moved during collective actions - in the sense of feeling urged to move along - goes beyond routine practices by influencing the city and its perception. It seems that these general processions, celebrations, and festive activities of the residents are their contributions to the process of »urban renaissance« - the rebirth of interest in the urban way of life. Since public spaces reflect the historical inheritance of local communities, joint transformative actions such as, »appropriation «, »production«, and »governance« of urban spaces are considered. This article advocates for the practice of domestication of urban space by the local community, as well as the need for the existence of »urban lagoons« - free (unregulated) areas of the city used as resources for urban development and interaction of citizens.


2017 ◽  
pp. 93-97
Author(s):  
A. M. Tormakhova

One of the leading trends in contemporary cultural studies is the appealto the field of visual. Thepurpose of the article is to investigate the range of problems associated withthe existence, functioning of various visual practices in the urban space and the disclosure of the specifics of communication carried out through their intermediation. In urban space, there are many forms, such as monumental architecture, urban sculpture, outdoor illumination, landscape art, street art, graffiti and others. These artifacts are the subject of cultural research within different disciplines - aesthetics, cultural studies, design, and art. It may be noted that in recentdecades, significant development gets such a direction as Urban Studies, in which the focus of research serves the city. The methodology of the study includes an appeal to an interdisciplinary approach that relies on the achievements of practical cultural studies, Urban studies,and aesthetics theory by Ukrainian and Western authors. Scientific novelty consists in analyzing the connection ofactual visual practices presented in the urban space and forming of Internet activity, which facilitates the mutual influence of these spheres one on another. The author noted that urban space is gradually becoming not only interactive, but also fully assuming the characteristics of WEB 2.0, which means active rethinking and transforming the environment, urban residents involvement in decision-making that becomes a norm of everyday life. City is a kind of text that reflects changing tastes, politicaland economic factors in visualform. Town and city public spaces play an important role in shaping the interaction within society. One of the pressing problems of practical cultural studies in general and urban areas in particular, should be integrated into organization of the urban environment and design the image of the city. The practical significance lies in the fact that the results of the research can beused in developing the urban sphere in particular and in actualizing the issue of organizing the urban environment and constructing the image of the city.


2021 ◽  
Vol 15 (4) ◽  
pp. 475-482
Author(s):  
Parvin Partovi ◽  
Kebria Sedaghat Rostami ◽  
Amir Shakibamanesh

In the crowded cities of the present age, public spaces can provide a quiet area away from the hustle and bustle of the city that citizens can interact with by incorporating utility features and meeting human needs and Relax there. Small urban spaces are among the most important and effective urban spaces to achieve this goal. Because these spaces due to their small size and lower costs (compared to larger spaces) for construction can be created in large numbers and distributed throughout the city. In this way, citizens will be able to reach a public urban space on foot in a short time. If these spaces are well designed, they can encourage people to stay in and interact with each other. It is not difficult to identify and experience high-quality successful places, but identifying the reasons for their success is difficult and even more difficult, understanding if similar spaces in other places can be considered successful. This question is important because public space with deep social content is considered a cultural product. Public space is the product of the historical and socio-cultural forces of society. Therefore, one of the most important issues that should be considered in the study of public spaces and the reasons for their success is the cultural context. In Iranian cities that have been influenced by the values and principles of Islam,recognizing Islamic principles and their role in shaping public spaces can lead us to desirable results. The purpose of this article is to develop a conceptual model of successful small urban spaces with an emphasis on cultural issues, especially in Iranian-Islamic cities. In this regard, the effective criteria for the success of urban spaces in general and small urban spaces in particular in the two categories of Western countries and Iranian Islamic cities were examined and then, taking into account the criteria derived from cultural theorists, the conceptual model of research with 38 subcriteria is provided.


Sign in / Sign up

Export Citation Format

Share Document