scholarly journals The creative path of academician of the russian academy of sciences A.V. Reshetnikov at the department of sociology of medicine, health economics and health insurance

2020 ◽  
Vol 19 (2) ◽  
pp. 102-103
Author(s):  
Nina G. Shamshurina

The article presents a brief history of the formation of the Department of Sociology of Medicine, Health Economics and Health Insurance, created at Sechenov University by Academician of the Russian Academy of Sciences A.V. Reshetnikov. The forward-looking vision of the scientific and educational process of the permanent head of the department helps the team to develop, creatively grow, and discover new areas of work. Actualization of socio-humanitarian knowledge, annual updating of bachelors and masters degree programs for more than twenty years has attracted generations of young researchers in the field of sociology of medicine, health economics, and intelligent systems in sociology to the department.

2020 ◽  
Vol 19 (2) ◽  
pp. 92-101
Author(s):  
Andrey V. Reshetnikov ◽  
Nadezhda V. Prisyazhnaya

The article is the quintessence of a detailed conversation, that is, an interview by the author with an academician of the Russian Academy of Sciences, Doctor of Medical Sciences, Doctor of Sociological Sciences, the founder of modern sociology of medicine in Russia, and the Director of the Institute of Social Sciences of Sechenov University Andrey V. Reshetnikov. The interview was officially conducted on the occasion of the academician A.V. Reshetnikovs birthday. However, other reasons for conducting this interview were as follows: the increased interest of the professional community in the history of the formation of the sociology of medicine a young but already established branch of big sociology the need for researchers to discuss the theory as a tool for learning the fundamental principles of the development of modern society; and the need to determine strategic guidelines and coordinate the vectors of scientific research in line with the discipline. At the same time, the tireless, painstaking work of Andrey Veniaminovich on the development of the scientific school of the sociology of medicine, the formation of a team of like-minded people, and the strengthening of Russian and international relations between medical sociologists are inspiring examples of the realization of a professional vocation.


2019 ◽  
Vol 14 (1-2) ◽  
pp. 295-297
Author(s):  
Sergej A. Borisov

For more than twenty years, the Institute of Slavic Studies of the Russian Academy of Sciences celebrates the Day of Slavic Writing and Culture with a traditional scholarly conference.”. Since 2014, it has been held in the young scholars’ format. In 2019, participants from Moscow, St. Petersburg, Kazan, Togliatti, Tyumen, Yekaterinburg, and Rostov-on-Don, as well as Slovakia, the Czech Republic, Hungary, and Romania continued this tradition. A wide range of problems related to the history of the Slavic peoples from the Middle Ages to the present time in the national, regional and international context were discussed again. Participants talked about the typology of Slavic languages and dialects, linguo-geography, socio- and ethnolinguistics, analyzed formation, development, current state, and prospects of Slavic literatures, etc.


2020 ◽  

The book was compiled on the materials of the scientific conference “Anthropomorphic and zoomorphic representations of nations and states in the Slavic cultural discourse” (2019), held at the Institute of Slavic Studies of the Russian Academy of Sciences (Moscow) and devoted to the history of the nations’ personifications and generalized ethnic images in period of “imagined communities” formation. This process is reconstructing on verbal and visual sources and by methods of various disciplines. The historical evolution of such zoomorphic incarnations of nations as an Eagle (in the Polish patriotic poetry of the first third of the 19th cent), a Falcon (in the South Slavic and Czech cultures in the 19th cent), a Griffin (during the formation of the Cassubian ethnocultural identity) is considered. The animalistic national representations in the Estonian caricature of the interwar twenty years of the 20th cent., so as the functioning of the Bear’s allegory as a symbol of Russia in modern Russian souvenir products are analyzed. The originality of zoomorphic symbolism in Polish and Soviet cultures is shown оn the examples of para- and metaheraldic images in XXth cent. The transformation of the verbal and visual images of “Mother Russia” personifications in Russian Empire was reconstructed. The evolution of various allegories of ethnic “Self” and “Others” is presented by caricatures of 19th – 20th cent. in Slovenian periodic and in Russian “Satyricon” journal (1914–1918).


2018 ◽  
Vol 10 (4) ◽  
pp. 1-9
Author(s):  
A. D. Gvishiani ◽  
E. O. Kedrov ◽  
Y. S. Lyubovtseva ◽  
J. Bonnin

2020 ◽  
Vol 12 (4) ◽  
pp. 1-27
Author(s):  
A. D. Gvishiani ◽  
Y. S. Lyubovtseva ◽  
E. O. Kedrov ◽  
Y. V. Barykina

Author(s):  
Дмитрий Владимирович Иванов

Еще в 2009 г. удалось выявить в фонде Музея антропологии и этнографии (Кунсткамеры) РАН ряд буддийских экспонатов Кунсткамеры XVIII в. Письма Миллера к Лубсан-тайше и ламе Дзоржия, опубликованные А.Х. Элертом, консультация XXIV Пандито Хамбо-ламы Аюшеева и инструкции Миллера переводчику Илье Яхонтову, хранящиеся в Санкт-Петербургском филиале архива АН, позволили прояснить точную дату приобретения артефактов и имя первособирателя Дамба-Даржа (Даржай) Заяева, ставшего в 1764 г. I Пандито Хамбо-ламой. Автор статьи определил особенности художественного стиля, получившие дальнейшее развитие в бурятской живописи. Проведены параллели в композиции, стиле, характерных деталях изображения со скульптурой, выполненной в долоннорском стиле. Также описан еще один предмет коллекции небольшая буддийская танка, подаренная в 1783 г. Академии наук III Пандито Хамбо-ламой Лубсан-Жимба Ахалдаевым. Статья рассказывает об истории этой танки, а также ее стилистических особенностях, колорите, деталях изображения, композиции. Back in 2009, it was possible to identify a number of Buddhist exhibits of the 18th century Kunstkamera at the fund of the Museum of Anthropology and Ethnography (Kunstkamera) of the Russian Academy of Sciences. Mllers letters to Lubsan Taisha and Lama Dzorzhia published by A.Kh. Elert, consultation of the XXIV Pandito Khambo-Lama Ayusheev and Mllers instructions to the translator Ilya Yakhontov, stored in the St. Petersburg branch of the Academy of Sciencess archive made it possible to clarify the exact date of acquisition of the artifacts and the name of the first selector Damba-Darzha (Darzhai) Zayaev, who became I Pandito Khambo-lama in 1764. The author of the article identified the features of the artistic style that were further developed in Buryat painting. He saw parallels in composition, style, characteristic details of the image with a sculpture made in the Dolonnor style. Another collection item is also described a small Buddhist icon, donated to the Academy of Sciences by III Pandito Khambo-Lama Lubsan-Zhimba Akhaldaev in 1783. The article tells about the history of this Thangka, as well as its stylistic features, color, details of the image, composition.


Sign in / Sign up

Export Citation Format

Share Document