The Legend of Jump Mountain: Narrative Dispossession of the Monacan in Postcolonial Virginia

2012 ◽  
Vol 36 (3) ◽  
pp. 99-116
Author(s):  
Jay Vest
Keyword(s):  
Nineteenth Century ◽  
Local History ◽  
Native People ◽  
Burial Mound ◽  
Early Nineteenth Century ◽  
Popular Imagination ◽  
North Central ◽  
Post Colonial ◽  
Implicit Stereotypes ◽  
Indian Country

In north central Virginia there is a local tale - The Legend of Jump Mountain, which purports to explain the origins of the Hayes Creek Indian Burial Mound. A highly romantic legend, it immortalizes post colonial intertribal warfare during the early nineteenth century while ignoring the antiquity of the mound and the local descendants of its aboriginal creators. It is not at all uncommon to find such romantic tales in Indian country where the Native people have become invisible and there remain significant tribal artifacts common to the landscape. However, the standing claim to authenticity remains a matter of significant concern. In this essay, the author considers the tale's effectiveness assessing Indian origins, local history and tribal heritages, as well as the implicit stereotypes and the romantic illusion that it may generate in the popular imagination.

scholarly journals COLLABORATORS, COLLABORATION, AND THE PROBLEMS OF EMPIRE IN NAPOLEONIC ITALY, THE OPPIZZONI AFFAIR, 1805–1807

2016 ◽  
Vol 60 (2) ◽  
pp. 385-407 ◽  
Author(s):  
AMBROGIO A. CAIANI
Keyword(s):  
Nineteenth Century ◽  
Active Agent ◽  
Local History ◽  
The Other ◽  
Direct Control ◽  
Early Nineteenth Century ◽  
Fine Line ◽  
History Of ◽  
Made In ◽  
Going Native

ABSTRACTThe recent bicentennial commemorations of the Napoleonic empire have witnessed a proliferation of new studies. Scholars now possess much more sophisticated conceptual tools than in past decades with which to gauge the problems faced by French imperial administrators throughout Europe. Well-trodden concepts, like centre/periphery or collaboration/resistance, have been reinvigorated by more sophisticated understandings of how rulers and ruled interacted in the early nineteenth century. This article argues that, while much progress has been made in understanding problems of ‘resistance’, there is more to be said about the other side of the same coin, namely: ‘collaboration’. Using the micro/local history of a scandal in Napoleonic Bologna, this article wishes to reaffirm that collaboration was an active agent that shaped, and often shook, the French imperial project. The biggest problem remained that, despite ‘good intentions’, collaborators sometimes simply did not collaborate with each other. After all, imperial clients were determined to benefit from the experience of empire. The centre was often submerged by local petty squabbles. This article will use a specific micro-history in Bologna to highlight the extent to which Napoleonic empire builders had to thread a fine line between the impracticalities of direct control and the dangers of ‘going native’.

scholarly journals Diwan Sawan Mal’s Administrative System in Multan Province 1821-1844

2020 ◽  
Vol 1 (2) ◽  
pp. 147-159
Author(s):  
Aftab Hussain Gilani ◽  
Ahmad Ali ◽  
Samia Khalid ◽  
Muhammad Afzal
Keyword(s):  
Nineteenth Century ◽  
Local History ◽  
Native People ◽  
Administrative System ◽  
The Right ◽  
Selection Of

Under the Sikh period, several reforms were introduced in Multan to collect revenue for the Sikh State and Military. They improved land revenue, built many wells and perpetual canals under the governorship of Sawan Mal and his son Mulraj. This study focuses on Land Revenue, irrigation, and agrarian system that was prevailing in Multan during the period of Sawan Mal (1821-44). The reason behind the selection of this era and area is that the revenue system adopted by him has unique significance because he not only provided the right direction for future policies but also gave peace and calm to the native people. At that time, Multan was an important unit of Punjab where policies were formulated at a higher level and translated into action throughout Punjab. It has been tried to break new ground, challenging the viewpoint of previous writers about the local history in the first half of the nineteenth century.

scholarly journals ZMIIV AND ZMIIV POVIT IN REFLECTION OF THE LOCAL NOBILITY

2020 ◽  
pp. 29-35
Author(s):  
O. M. Obchenko
Keyword(s):  
Nineteenth Century ◽  
Historical Development ◽  
Local Communities ◽  
Local History ◽  
Modern History ◽  
Early Nineteenth Century ◽  
Urban Identity ◽  
History Of ◽  
Xix Century ◽  
The Town

The study of local communities is important in modern history. Local history helps to understand the peculiarities of the historical development of the regions and their inhabitants. The article examines statistical and socio-cultural information about the small town of Zmiiv in the early nineteenth century. The article analyzes the plan of the town of Zmiiv and the seal of the town of Zmiiv. The composition of the city’s residents is also analyzed and compared with the Chuhuiv town. Town Zmiiv is located in the Kharkiv region. In the XIX century Zmiiv was the district (povit) center. Analysis of the town’s development shows that gradual processes of modernization have begun in Zmiiv. Beyond to statistics, the ideas of the local gentleman Fedir Krychevsky about the town and its history are analyzed. Krychevsky lived in Zmiv in the early nineteenth century. Krychevsky’s reasoning helps us to understand how provincial nobles imagined an ideal city in the early nineteenth century. The local nobility formed the local urban identity. It was a premodern town in reality and in their imagination as well. He was the head of the local nobility. It is possible to reconstruct the stereotypes of this nobleman about the town of Zmiiv. The province is a place where urban and rural cultures interact. Nowhere is this more visible than in province town. Zmiiv is a typical town in eastern Ukraine. Exploring its features will help to better understand the history of this region.

Making History: The State's Intervention in Urban Religious Disputes in the North- Western Provinces in the Early Nineteenth Century

1993 ◽  
Vol 27 (1) ◽  
pp. 179-203 ◽  
Author(s):  
Katherine Prior
Keyword(s):  
Nineteenth Century ◽  
Public Life ◽  
Local History ◽  
Colonial Administration ◽  
Early Nineteenth Century ◽  
The Public ◽  
The North ◽  
History Of ◽  
North Western

In the nineteenth century the towns and cities of the North-Western Provinces witnessed a huge expansion in public expressions of Hindu identity: temples mushroomed, new processions graced the streets and the cow attained new prominence as a symbol of Hindu piety. Rarely, if ever, were such activities motivated by anti-Muslim sentiment, but they could provoke ill-will between Hindus and Muslims, especially in the towns where Islamic government, buildings and festivals had previously set the tone for the public life of their inhabitants. The colonial administration was a powerful but ill- informed force, able either to suppress or to protect the new display, and its responses were crucial in determining people's understanding of their rights to public religious expression.For the first half of the nineteenth century the British tried to preserve the balance of religious display in each town and city as they had found it, but this goal required that individual officers piece together a local history from imperfect sources and then invest it with the authority of the new state. It is easy enough to delineate the simplistic and sometimes crass categorizations that the agents of colonialism employed to explain Indians' religious sensibilities. What I want to do here, however, is show how their fundamentally novel reconstructions of a town's history of public religious display could feed back into Indians' own reading of their past and hence their future, even long after the British had abandoned their pursuit of a locality's ‘established usage’.

Escape from Catastrophe: The Saami’s Experience with Smallpox in Eighteenth- and Early-Nineteenth-Century Sweden

1997 ◽  
Vol 21 (1) ◽  
pp. 1-25
Author(s):  
Peter Sköld
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Native People ◽  
Early Nineteenth Century ◽  
Swedish Population ◽  
Northern Norway ◽  
Mortality Figure ◽  
Period 2

This article, which deals with the Saami’s experience with smallpox in the three northern Swedish parishes of Jokkmokk, Gällivare, and Enontekis during the latter half of the eighteenth century and the first decades of the nineteenth century, focuses on these epidemiologic questions: (1) Why were the Saami—a native people living in northern Norway, Sweden, Finland, and Russia—not affected by smallpox until this period? (2) What happened once smallpox was introduced into the area? (3) Did the Saami’s experience with smallpox differ from that of the rest of the Swedish population? (4) If so, what were the most important differences? (5) And how are they to be explained? Finding the answers to these questions requires considering whether smallpox inevitably resulted from the number of susceptible people and whether the disease affected other aspects of demography besides mortality (Figure 1).

Borrowing As A Tool To Fill The Ideological Thoughts: The Role Of Code-Mixing In An American Brat By Bapsi Sidhwa And The Escape By Qaisra Shiraz

2020 ◽  
Vol 3 (II) ◽  
Keyword(s):  
Short Story ◽  
English Language ◽  
English Literature ◽  
Native People ◽  
British Imperialism ◽  
Native Languages ◽  
Post Colonial ◽  
Bapsi Sidhwa ◽  
Code Mixing ◽  
Language And Literature

This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason of these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.

Borrowing As A Tool To Fill The Ideological Thoughts: The Role Of Code-Mixing In An American Brat By Bapsi Sidhwa And The Escape By Qaisra Shiraz

2019 ◽  
Keyword(s):  
Short Story ◽  
English Language ◽  
English Literature ◽  
Native People ◽  
British Imperialism ◽  
Native Languages ◽  
Post Colonial ◽  
Bapsi Sidhwa ◽  
Code Mixing ◽  
Language And Literature

This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason for these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.

A history of some fruit models in wax and other materials: scientific teaching aids and courtly table decorations

2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck
Keyword(s):  
Nineteenth Century ◽  
Fruit Trees ◽  
Visual Aids ◽  
Early Nineteenth Century ◽  
Teaching Aids ◽  
Scientific Teaching ◽  
Glass Marble ◽  
History Of ◽  
By Products ◽  
Wax Models

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.

The development of natural history in early nineteenth century Ireland

1985 ◽  
Vol 1985 (1) ◽  
pp. 13-27 ◽  
Author(s):  
Helena C. G. Ross ◽  
Robert Nash
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Early Nineteenth Century
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