National Image Construction in Minority Theme Animation and Cigarette Painting Research

2021 ◽  
Vol 7 (5) ◽  
pp. 997-1007
Author(s):  
Shao Zhaopo

Objectives: Playing an important role in the history of Chinese animation art, the minority theme animation not only contains strong national spirit and historical tradition, but also has a close relation with social-historical evolution and the characteristics of its historical stage during its development, thus making ontology language more abundant in social changes. In this paper, the development of minority theme animation is described macroscopically according to the statistics and analysis on the output, theme and object of Chinese minority animation. The “pluralistic integration” theory-based systematic analysis on the relationship between minority theme animation and Chinese social-economical development, national literature and art, ethnic policy, ethnic culture, etc. helps us to outline the nationalimage of new China.In the development of Chinese animation, tobacco advertising is often involved in the form of anime painting. In this context, the presented cultural phenomenon and value shouldattract the attention of scholars.

Author(s):  
Ismail Ismail

There have been a lot of studies on the history and development of Islamic education in Indonesia conducted by various groups. At least, there are three important aspects that should be noted in this study. First, from the aspect of the region, the history of Islamic education in South Sumatera which has never been comprehensively studied since the colonial era. Second, related to theoretical assumption, the question of whether the development of the system and the modern Islamic institution in Palembang during colonial era tend to be dominated by Muslim reformers or Muslim traditionalists. Third, from the point of view of methodology which tends to be descriptive and chronological, though recently there arises an analytical approach in which the system and the institution are not seen as things that can stand on their own, but are attached to social, religious, cultural, and political aspects. It is this approach which will be used in this study. Therefore, this study will try to look into the relationship between various social changes in Palembang and the system and Islamic educational institutions in the colonial era.


2021 ◽  
Vol 236 ◽  
pp. 05058
Author(s):  
Zhu Guangyao ◽  
Wang Yandong

Since Hong Kong was once considered to be the front line of the Cold War against China in the Anglo-American world, its film and television productions have been a significant ideological battlefield. Especially at that time, the western digital film and television production had a strong impact on the construction of national ideology in Hong Kong. It is evident that the artistic strategy of China's national image formation in the region, as viewed through film and television productions, has a targeted cultural and strategic orientation value. In this regard, this paper presents the viewpoints from the perspective of the development history of Hong Kong's film and television productions as well as the successful experience of image construction in Europe and America since the mid-twentieth century.


2019 ◽  
Vol 40 ◽  
pp. 168
Author(s):  
Júlia Heloísa Souza Lima ◽  
Manoela Da Rosa Salvador ◽  
Schayane Dias Pereira

Based on the methodology applied in the discipline of Theory and History of Architecture and Urbanism IV, based on part of its programmatic content that approached the organization of the built environment resulting from the Industrial Revolution until the First World War, a fanzine was developed as an evaluative exercise of the subject to expose the knowledge produced. Under the title "Architecture and Revolution", the fanzine depicts the relationship between historical moments and architecture, specifically on the French and Russian Revolutions and the Neoclassical and Constructivist architectural styles. The material produced seeks through its graphic and visual organization to reflect on the occurrences and social changes of each period and its reflection in the architectural environment, employing on its pages the contrast of the characteristics of each movement. As a reference for the development of the graphic content, political posters of the 20th century were used, which present an expressive and innovative visual language in relation to the materials from which they were produced up to that time, mainly the Russian posters, which used to be based on French pamphlets and have their own language, used as a means of political persuasion.


2004 ◽  
Vol 12 ◽  
pp. 183-200
Author(s):  
Junghee Chang

Abstract. Translation and language studies in Korea have been very much influenced by the political and social changes in the country, which in turn affected by its geopolitical positioning. Although each stage of the developments in the language and translation shares the very influence of the social, political and economical changes in the country, language studies and Translation in Korea seem to have developed independently of each other. From Ancient Korea to the present day, language has been through many different developmental stages, from the borrowing from Old Chinese to the invention of hankul. As for translation activities, neighboring countries such as China and Japan have played a key role in the development of translation. They are the source of translation needs, as well as the indirect source of translation from other languages. This paper will give an overview of the history of Korean language and translations of Korean � translation both to and from Korean � by sketching the nation's history. It, however, does not aim to evaluate the relationship between the development of the language study and the translation activities. Rather, it aims to present a historical account of the two.


2021 ◽  
Vol 8 (2) ◽  
pp. 135-143
Author(s):  
Lucia Vigutto

The aim of this paper is to show the editorial relationship between the Einaudi publishing house and the Cooperative Education Association (MCE) during the second half of the Sixties. The members of the Association were looking for an editor willing to spread their pedagogical instances for the renewal of the Italian school and they found it in Einaudi. Thanks to the study of the correspondence and the documentation preserved in the Giulio Einaudi Editore Historical Archive, it has been possible to analyze a project of textbooks for the elementary school, made in collaboration with relevant members of the Association such as Gianni Rodari, Mario Lodi, Giuseppe Tamagnini and Bruno Ciari. The collections were never published, in part for financial reasons, but also because of the rising debate around the textbooks. The opinion of the Association in the late Sixties was changed: the point was not to renew the textbooks but to abolish them. Understanding the reasons of the end of this project might help to clarify the pedagogical impact of the cultural and social changes of that period, the relationship between education and politics. Moreover, it is not by chance that from the ashes of this project took shape The wrong country (Il paese sbagliato), a masterpiece written by Mario Lodi destined to become a classic for the history of education. 


1983 ◽  
Vol 25 (1) ◽  
pp. 50-82 ◽  
Author(s):  
Charles Camic

The nature of the relationship between ideas and the social conditions in which they develop has long been among the central concerns of fields like the sociology of knowledge, the sociology of intellectuals, and the social history of ideas. For generations, scholars in these areas have hotly debated the proper way of characterizing the form of this relationship and how it should be conceptualized and studied. With few exceptions, however, there has been an astonishing consensus on one matter: fundamental intellectual reorientations have almost invariably been seen as the product—whether simple or complex—of one or more major social changes. As far as it has gone, this perspective has led to extremely important conclusions, but except among the psychoanalytically inclined, it has remained strangely and regrettably silent on the specific micro-level processes by which macro-level social changes actually translate into changes in ideas.


Author(s):  
Barbara Michalak-Pikulska ◽  
Waïl S. Hassan

This chapter traces the origins of the novelistic tradition in Oman. It first considers the history of prose writing in Oman, focusing on the undisputed pioneer of Omani fiction, ‘Abd Allah al-Ṭ ā’ī (1927–1973). It then discusses the works of major contemporary novelists such as Sayf bin Sa‘īd al-Sa‘dī and Su‘ūd bin Sa‘d al-Muẓaffar. The chapter explores some of the themes used in the Omani novel, including social changes, the perceived loss of moral values, and the relationship between city and countryside. It also discusses the beginning of Omani women’s literature and the contributions of women authors such as Emily Ruete, Badriyya al-Shiḥ ḥ ī’s, Jūkha al-Ḥ ārthī, and Ghāliya F. T. Āl Sa‘īd.


Author(s):  
Adele Lindenmeyr

Among the most striking manifestations of the rapid social changes taking place now in the Soviet Union under Gorbachev is the reemergence, after decades of apparent extinction, of genuine voluntary associations, including organized charity. There has never been a better time to explore the history of these phenomena, which are often overlooked in studies of pre-revolutionary Russia. An examination of the tsarist government's policy towards voluntarism, focusing not on politically challenging movements but on charity, can shed much light on the history of the relationship between the state and voluntary public initiative. While the autocracy's suspicion of voluntarism waxed and waned from the eighteenth through the early twentieth centuries, an underlying and highly significant trend can be discerned. Like the sorcerer's apprentice, the autocracy ended up losing effective control over the voluntarism it had initially, beginning with Catherine II, encouraged Russian society to embrace.


2021 ◽  
Vol 16 (3) ◽  
pp. 29-36
Author(s):  
Eszter Anna Nyúl ◽  

The recently published book of studies aims to tell the story of the mountaineers of the past, showing their relationship with the Alpine landscape through their writings, drawings and photographs. It takes us from the early expeditions to the speed climbers of the present day, while answering many questions: among others what attracted the lovers of rocks, what did they hope for and fear on their journeys through the high mountains. The book is multidisciplinary, the authors are mostly historians and archivists, but there are also sociologists, geographers, economists, ethnologists and philosophers of art among them. The history of mountaineering shows the impact of alpinism on the development of the lagging regions, the relationship between town and country, the imprint of social changes, as well as the explanation of the orientation towards new, untrodden paths and unknown landscapes. Given the above, alpine tourism developments should not only consider climate change, but also the social and psychological processes that attract people to the mountains.


Paleobiology ◽  
1980 ◽  
Vol 6 (02) ◽  
pp. 146-160 ◽  
Author(s):  
William A. Oliver

The Mesozoic-Cenozoic coral Order Scleractinia has been suggested to have originated or evolved (1) by direct descent from the Paleozoic Order Rugosa or (2) by the development of a skeleton in members of one of the anemone groups that probably have existed throughout Phanerozoic time. In spite of much work on the subject, advocates of the direct descent hypothesis have failed to find convincing evidence of this relationship. Critical points are:(1) Rugosan septal insertion is serial; Scleractinian insertion is cyclic; no intermediate stages have been demonstrated. Apparent intermediates are Scleractinia having bilateral cyclic insertion or teratological Rugosa.(2) There is convincing evidence that the skeletons of many Rugosa were calcitic and none are known to be or to have been aragonitic. In contrast, the skeletons of all living Scleractinia are aragonitic and there is evidence that fossil Scleractinia were aragonitic also. The mineralogic difference is almost certainly due to intrinsic biologic factors.(3) No early Triassic corals of either group are known. This fact is not compelling (by itself) but is important in connection with points 1 and 2, because, given direct descent, both changes took place during this only stage in the history of the two groups in which there are no known corals.


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