scholarly journals E o palhaço o que é? É uma mulher

2019 ◽  
Vol 4 (7) ◽  
pp. 127
Author(s):  
Priscila Romana Moraes de Melo
Keyword(s):  
Political Power ◽  
The Political ◽  
De Se ◽  
Artistic Work ◽  
The City

ResumoEste ensaio traz a fala de uma mulher que descobre em si um palhaço, mesmo atuando, há 13 anos, como palhaça. O encontro com o palhaço Uisquisito ocorreu em 2012, no grupo de teatro Palhaços Trovadores, do qual faço parte há 10 anos. A partir disso, atuar na palhaçaria com gêneros diferentes, feminino e masculino, trouxe-me reflexões não só na arte do palhaço, fato de ter dois palhaços, mas sobretudo, de se provocar discussões do que é uma mulher que tem um palhaço, que em suas primeiras experimentações faz leituras de poemas-manifestos. Com um olhar de pesquisadora para meu fazer artístico, escrever e ler poemas-manifestos se tornou uma característica do Uisquisito. Seus escritos sempre relacionados aos contextos políticos atuais da cidade de Belém, muitos referentes a falta de investimentos na área da cultura, ao descaso com os artistas, as limitações de acesso aos teatros e outros espaços para o movimento artístico na cidade. O Uisquisito me faz pensar na potência política que a comicidade tem, tanto no ato transgressor de uma mulher ser palhaça e ser palhaço por desejo, não por imposição, como era no circo antigamente, quanto na força de provocar reflexões sobre os contextos políticos na atualidade, trazendo o teatro, a comicidade e a palhaçaria como uma forte arma de discussão.AbstractThis essay brings the speech of a woman who discovers in herself a male clown, even though she has been acting for 13 years as a female clown. The meeting with the clown Uisquisito took place in 2012, in the theater group Palhaços Trovadores, which I have been a part of for the last 10 years. Acting through different gender in clowns brought me reflections, not only in the art of clown, in the fact of having two them, but most of all, provoking discussions of what is a woman who has a male clown, who in his first experiments performed poem-manifest readings. With a researcher’s eye at my artistic work, writing and reading poems-manifest has become a feature of Uisquisito. His writings are related to the current political contexts at the city of Belém, referring mainly to investments in the cultural area, neglect of artists, limitations of theaters and spaces for the artistic movement in the city. Uisquisito makes me think about the political power comedy has, first in the transgressing act of a woman being a being a male clown by desire, not by imposition, as it used to be in the circus of old. Second, in the force of provoking reflections on the political contexts nowadays, bringing the theater, comedy and clownery as a strong weapon of discussion.

scholarly journals El Sudario de Oviedo: historia antigua y moderna. The Shroud of Oviedo: ancient and modern history

2017 ◽  
Vol 11 (11) ◽  
pp. 89
Author(s):  
Andrea Nicolotti
Keyword(s):  
Middle Ages ◽  
Eleventh Century ◽  
Political Power ◽  
Eighth Century ◽  
The Political ◽  
Modern History ◽  
The Media ◽  
The City ◽  
Different Parts ◽  
Sobre Todo

Resumen: En la Edad Media, había una gran variedad de sudarios venerados en distintas zonas del mundo cristiano. El sudario de Oviedo, tejido en torno al siglo VIII d.C, aparece registrado en las fuentes a partir del último cuarto del siglo XI y forma parte de las reliquias conservadas en la catedral de la ciudad. Su existencia puede considerarse uno de los efectos de los esfuerzos conjuntos que el clero y la política realizaron para proveer una legitimación histórica y propagandística a la supremacía de la sede de Oviedo. En los últimos cincuenta años, como consecuencia de la poderosa propaganda efectuada por algunos exponentes de una pseudo-ciencia conocida como “sindonología”, el Sudario de Oviedo goza de creciente fama, sobre todo mediática, y es presentado como si fuera una reliquia auténtica, es decir, como el verdadero sudario que envolvió la cabeza de Jesús de Nazaret.Abstract: In the Middle Ages, there was a great variety of shrouds venerated in different parts of the Christian world. The Sudarium of Oviedo, woven around the eighth century AD, is recorded in the sources as from the last quarter of the eleventh century and is one of the relics preserved in the cathedral of the city. Its existence can be considered one of the effects of the joint efforts that the clergy and the political power made to provide a historical and propagandistic legitimation to the supremacy of Oviedo’s bishopric. In the last fifty years, as a result of the powerful propaganda carried out by some exponents of a pseudo-science known as “syndonology”, the Sudarium of Oviedo enjoys a growing fame, especially in the media, and it is presented as if it were an authentic relic, that is, as the true shroud that wrapped the head of Jesus of Nazareth.

Divorce, wedding, and murder

2017 ◽  
Author(s):  
David M. Bergeron
Keyword(s):  
Political Power ◽  
Thomas Middleton ◽  
Francis Bacon ◽  
The Political ◽  
City Of London ◽  
The City ◽  
Thomas Campion ◽  
Earl Of Essex

This chapter focuses mainly on the Robert Carr-Frances Howard relationship, her divorce from the Earl of Essex, and subsequent marriage to Carr in an elaborate wedding on 26 December. This marriage solidified the political power of the Howard family. For the wedding, Thomas Campion wrote the first masque, and Jonson wrote two masques. The celebration extended into the City of London in early January with a procession to the Merchant Taylors’ Hall, which included a play, a banquet, a masque by Thomas Middleton, and other entertainments. On 6 January, the court witnessed the performance of Masque of Flowers, financed by Francis Bacon. Only Frances Howard and possibly Carr knew that Thomas Overbury, Carr’s friend, had been murdered in the Tower at her instigation. Not until 1615 did others learn of this plot.

Kinēsis, Navies, and the Power Trap in Thucydides

2017 ◽  
Author(s):  
Arlene W. Saxonhouse
Keyword(s):  
Political Power ◽  
Static Condition ◽  
The Political ◽  
Political Leaders ◽  
The City

In the Archaeology of his History, Thucydides traces those factors that led to the rise of the cities that face one another in the war that he records. Foremost among them is the navy. I contend that this focus on the navy as the basis of political power captures for Thucydides the connection between movement and power: possession of power is not a static condition but always entails the unending search for more power, allowing the cities who possess navies/power no respite from constant motion. In contrast to what I call the “power trap” that ultimately leads to the destruction of the city engaged in the constant motion of pursuing power after power stands the permanence of the speech, the logoi, of the historian who can offer an “everlasting possession” such as eludes the political leaders of cities such as Athens caught up as they are in the power trap.

Rembrandts boedelafstand: een institutionele en politieke benadering

Pro Memorie ◽  
2019 ◽  
Vol 21 (1) ◽  
pp. 72-89
Author(s):  
Cornelis Marinus
Keyword(s):  
Political Power ◽  
City Government ◽  
The Political ◽  
Power Structures ◽  
Political Opposition ◽  
Personal Influence ◽  
New Perspective ◽  
The City

Summary This contribution studies the cessio bonorum of painter Rembrandt van Rhijn in relation to the relevant rules and institutions of Amsterdam. In the Rembrandt case the procedural rules on the cessio bonorum were followed to a large extend. In regard to the beweysinge, a few weeks before the application for the cessio, it seems more convincing that it should be interpreted as a promise than as a conveyance of the house he owned. This new perspective on the beweysinge, however, does not alter the fact that it seems likely that there was a conflict between the Orphans Chamber (serving the interests of Titus) and the Insolvency Chamber (serving the interests of the creditors, and among them especially the former burgomaster Cornelis Witsen). Arguments for this are derived from: 1) the new bylaw issued by the Orphans Chamber shortly after Rembrandt’s application for the cessio, 2) the appointment of the renowned lawyer Louis Crayers as guardian of Titus (instead of Jan Verwout), and 3) the position of Titus’ preferential claim in the concursus creditorum. Crenshaw has stated that this conflict was decided by the personal influence of Cornelis Witsen. This contribution defends that Witsen only could enforce the sale of the house because of the institutional and political power structures within the city government. Witsen belonged to the powerful reigning faction of Cornelis de Graeff, whereas the majority of the officials in the Orphans Chamber belonged to the ‘political opposition’. In the end it was especially Witsen who profited from the sale (at the expense of Titus).

Göçmen edebiyatında din ve kimlik yansımaları -Fakir Baykurt’un Yarım Ekmek Romanında Din ve Gelenek-

2015 ◽  
Vol 2 (1) ◽  
pp. 117-145
Author(s):  
İsmail Güllü
Keyword(s):  
The Political ◽  
The Novel ◽  
Cultural Shock ◽  
Turkish Literature ◽  
Socialist Realist ◽  
Long Time ◽  
Societal Structure ◽  
Immigrant Religion ◽  
Turks In Germany ◽  
The City

Yarım aşırı aşan bir geçmişe sahip Almanya’ya göç olgusu beraberinde önemli bir edebi birikimi (Migrantenliteratur) de getirmiştir. Farklı adlandırmalar ile anılan bu edebi birikim, kendi içinde de farklı renkleri de barındıran bir özelliğe sahiptir. Edebi yazını besleyen en önemli kaynaklardan biri toplumdur. Yazarın içinde yaşadığı toplumsal yapı ve problemler üstü kapalı veya açık bir şekilde onun yazılarına yansımaktadır. Bu bağlamda araştırma, 50’li yaşlarında Almanya’ya giden ve ömrünün sonuna kadar orada yaşayan, birçok edebi ve düşünsel çalışması ile Türk edebiyatında önemli bir isim olan Fakir Baykurt’un “Koca Ren” ve Yüksek Fırınlar” adlı romanları ile birlikte Duisburg Üçlemesi’nin son kitabı olan “Yarım Ekmek” romanında ele aldığı konu ve roman kahramanları üzerinden din ve gelenek olgusu sosyolojik bir yaklaşımla ele alınmaktadır. Toplumcu-gerçekçi çizgide yer alan yazarın, uzun yıllar yaşadığı Türkiye’deki siyasi ve ideolojik geçmişi bu romanda kullandığı dil ve kurguladığı kahramanlarda kendini göstermektedir. Romanda Almanya’nın Duisburg şehrinde yaşayan Türklerin yeni kültürel ortamda yaşadıkları çatışma, kültürel şok, arada kalmışlık, iki kültürlülük temaları ön plandadır. Yazar romanda sadece Almanya’daki Türkleri ele almamakta, aynı zamanda Türkiye ile hatta başka ülkeler ile de ilişkilendirmeler yaparak bireysel ve toplumsal konuları ele almaktadır. Araştırmada, romanda yer alan dini ve geleneksel unsurlar sosyolojik olarak analiz edilmiştir. Genel anlamda bir göç romanı olma özelliği yanında Yarım Ekmek romanında dini, siyasi ve ideolojik birçok yorum ve tartışma söz konusudur. Romandaki bu veriler, inanç, ritüel, siyaset ve toplumsal boyutlarda kategorize edilerek ele alınmıştır.  ENGLISH ABSTRACTReligion and identity reflections in literature of immigrant: Religion and Tradition in Fakir Baykurt’s novel Yarım EkmekThe immigration fact which has nearly half century in Germany have brought a significant literal accumulation (Migrantenliteratur) in its wake. This literal accumulation, which is named as several denominations, has a feature including different colours in itself. One of the most important source snourishing literature is society. Societal structure and problems that the writer lives inside, directly or indirectly reflect on his/her compositions. In this context, the matter of religion and tradition by way of the issue and fictious characters in the novel of Fakir Baykurt who went to Germany in her 50’s and lived in there till his death and who is a considerable name in Turkish literature with his several literal and intellectual workings; “Yarım Ekmek” which is the third novel of Duisburg Trilogy with “Koca Ren” and “Yüksek Fırınlar” are discussed sociologically in the study. The political and ideological past of the socialist realist lined writer in Turkey where he spent his life for a long time, manifest itself on the speech and fictious characters of novel. In the novel, themes of new Turks’ conflict, cultural shock, being in the middle, bi culturalism in their new cultural nature in Duisburg which is the city they live in. The writer not only deals with Turks in Germany but also personal and social subjects via comparing them to Turkey and even other countries. In the study, religious and traditional elements analyzed sociologically. Besides the speciality of being a migration novel in general, there are a lot of religious, political and ideological interpretations and discussions in the novel. These datum in the novel are examinated in the context of belief, ritual, politics and social categorisation. 

‘Imagined San Francisco’: Unpacking Urban Regime Theory through Interactive Cartography

2017 ◽  
Vol 11 (1) ◽  
pp. 126-143
Author(s):  
Ocean Howell
Keyword(s):  
San Francisco ◽  
Political Power ◽  
Regime Theory ◽  
Commercial Development ◽  
Urban Regime Theory ◽  
Digital Mapping ◽  
Urban Regime ◽  
Historical Processes ◽  
The City ◽  
Interactive Cartography

American urban historians have begun to understand that digital mapping provides a potentially powerful tool to describe political power. There are now important projects that map change in the American city along a number of dimensions, including zoning, suburbanization, commercial development, transportation infrastructure, and especially segregation. Most projects use their visual sources to illustrate the material consequences of the policies of powerful agencies and dominant planning ‘regimes.’ As useful as these projects are, they often inadvertently imbue their visualizations with an aura of inevitability, and thereby present political power as a kind of static substance–possess this and you can remake the city to serve your interests. A new project called ‘Imagined San Francisco’ is motivated by a desire to expand upon this approach, treating visual material not only to illustrate outcomes, but also to interrogate historical processes, and using maps, plans, drawings, and photographs not only to show what did happen, but also what might have happened. By enabling users to layer a series of historical urban plans–with a special emphasis on unrealized plans–‘Imagined San Francisco’ presents the city not only as a series of material changes, but also as a contingent process and a battleground for political power.

The Gallic Singularity and the Royal Mistress

2020 ◽  
Vol 38 (1) ◽  
pp. 44-66
Author(s):  
Christine Adams
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Soft Power ◽  
Political Power ◽  
The Political ◽  
Marie Antoinette ◽  
Louis Xvi ◽  
Relationship Of ◽  
The Relationship ◽  
Political Realm

The relationship of the French king and royal mistress, complementary but unequal, embodied the Gallic singularity; the royal mistress exercised a civilizing manner and the soft power of women on the king’s behalf. However, both her contemporaries and nineteenth- and early twentieth-century historians were uncomfortable with the mistress’s political power. Furthermore, paradoxical attitudes about French womanhood have led to analyses of her role that are often contradictory. Royal mistresses have simultaneously been celebrated for their civilizing effect in the realm of culture, chided for their frivolous expenditures on clothing and jewelry, and excoriated for their dangerous meddling in politics. Their increasing visibility in the political realm by the eighteenth century led many to blame Louis XV’s mistresses—along with Queen Marie-Antoinette, who exercised a similar influence over her husband, Louis XVI—for the degradation and eventual fall of the monarchy. This article reexamines the historiography of the royal mistress.

Se perdre afin de se retrouver : l'importance du passage entre l’absence et la présence dans Œdipe sur la route de Henry Bauchau

2012 ◽  
pp. 116-123
Author(s):  
Alicja Ślusarska
Keyword(s):  
Human Nature ◽  
Meaning Of Life ◽  
The Road ◽  
De Se ◽  
The City ◽  
Oedipus At Colonus

Retracing in his novel the labyrinthine journey that leads Oedipus from the place of his abomination (Thebes) to the city of his future glory (Colonus), Henry Bauchau fills the emptiness between Sophocles’s Oedipus the King and Oedipus at Colonus. Bauchau’s hero, a powerful king, loses everything and stabs his eyes out when the cruel truth about his real identity is revealed. Blind, homeless, devoid of meaning of life, Oedipus leaves on a journey to pass away anywhere. However, his way to death turns out to be, thanks to benevolent presence of others and art’s liberating power, the road to personal elucidation. The story of Bauchau’s Oedipus, who finally recognizes himself as a truly human, is based therefore on the passage between absence and presence, between darkness and lucidity, on the union of contradictions which symbolize the complexity of human nature. This paper attempts to analyse different representations of absence in Bauchau’s novel. Afterwards, the article focuses on the ways which facilitate Oedipus’s road leading from depersonalization to rediscovery of his own identity.

Introduction National Liberalisms in Illiberal States

2018 ◽  
Author(s):  
Mark I. Vail
Keyword(s):  
Labor Market ◽  
Economic Reform ◽  
Political Power ◽  
The Political ◽  
Financial Policies ◽  
Neoliberal Reform ◽  
Theoretical Approaches

This chapter situates the book in theoretical and empirical contexts. It provides a brief overview of competing theoretical approaches to explaining trajectories of economic reform in continental Europe in the era of austerity and transnational neoliberalism since the early 1990s. Since standard analyses of “neoliberal” reform fail to capture these dynamics of economic reform in continental Europe, as do conventional institutionalist and interest-based accounts, it argues for an approach that emphasizes the political power of ideas and highlights the influence of national liberal traditions—French “statist liberalism,” German “corporate liberalism,” and Italian “clientelist liberalism.” It provides a brief overview of the remainder of the book, which uses a study of national liberal traditions to explain trajectories of reform in fiscal, labor-market, and financial policies in France, Germany, and Italy, three countries that have rejected neoliberal approaches to reform in a neoliberal age.

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