Video on Demand

Locked Out ◽  
2019 ◽  
pp. 73-94
Author(s):  
Evan Elkins
Keyword(s):  
Geographic Location ◽  
Video On Demand ◽  
Recent Attempt ◽  
The Internet ◽  
Illustrative Case ◽  
Cultural Resources ◽  
On Demand ◽  
Internet Age ◽  
Digital Entertainment ◽  
Regulatory Decisions

Chapter 3 explores how people engage the ideas of geography and belonging within geoblocked online video-on-demand platforms. A form of regional lockout for the internet age, geoblocking is the practice of barring a user from an online platform based on the user’s geographic location. Through illustrative case studies—geoblocking in Australia and New Zealand, the debates over the geoblocked BBC iPlayer platform, and the European Union’s recent attempt to ban geoblocking among its countries’ borders—this chapter argues that geoblocking represents an arena where consumers, industries, and regulators negotiate the realities of national and regional control over digital entertainment platforms versus fantasies of a globally open internet. The chapter shows that consumers’ vocalized frustrations about lack of access as well as industry and regulatory decisions about distribution and technology are based in ideas regarding the economic and cultural value of certain territories. This chapter illustrates how geoblocking structures inequalities in access to cultural resources.

scholarly journals The Creation of Beautiful Countryside in the Internet Age: Semantics, Theory and Path-Taking Yuan Ye as an Example

2021 ◽  
Vol 236 ◽  
pp. 05014
Author(s):  
Dong Yue ◽  
Li Gang ◽  
Wu Zhenzhi
Keyword(s):  
Rapid Development ◽  
Mobile Internet ◽  
Rural Culture ◽  
The Internet ◽  
Cultural Resources ◽  
Local Conditions ◽  
Internet Age ◽  
Urban Rural ◽  
Relationship Of ◽  
Design Ideas

With the advent of the Internet Age, the rapid development of modern rural construction and urban-rural integration, the revival of traditional culture and environmental improvement and many other factors, the multi-semantic social relationship of the beautiful countryside has been formed gradually based on the space, culture and locality. The reconstruction and reshaping of beautiful countryside in the Mobile Internet Age takes Yuan Ye as a theory and path to improve the quality of Internet rural culture, and combines the current technological innovation to expound such design ideas as poetic charm, adaptation to local conditions and so on in garden culture, injecting new design vitality to the inheritance of cultural resources and construction of modern rural society.

scholarly journals Aspek Hukum Pidana Penyiaran Film Tanpa Sensor oleh Netflix Sebagai Penyedia Layanan Subscription Video On Demand

2021 ◽  
Vol 4 (6) ◽  
pp. 2203
Author(s):  
Aushofi Zuhrotul Ulya
Keyword(s):  
Video On Demand ◽  
Legal Liability ◽  
The Internet ◽  
Legal Research ◽  
Conceptual Approach ◽  
Broadcast Media ◽  
Sensor Film ◽  
On Demand ◽  
Demand Service ◽  
Laws And Regulations

AbstractThe new broadcast media is broadcast digitization in the form of a platform accessed via the internet network. Netflix as a provider of the Subscription Video on Demand service broadcasts uncensored films which result in the films being against the culture and laws and regulations in Indonesia because they contain pornography to violence even though there is an obligation to be censored by a film before the film will be shown. This research is a legal research that analyzes the uncensored film broadcasting activities carried out by Netflix according to the laws and regulations in Indonesia and Netflix's legal liability for uncensored film broadcasting by using a statutory approach and a conceptual approach. From this research it was found that Netflix broadcasts uncensored films in Indonesia in violation of the statutory provisions concerning Broadcasting, Film, Pornography, and ITE. However, Netflix does not automatically account for all provisions of the laws and regulations because the locus of broadcasting activities carried out by Netflix cannot be reached by all the provisions of the laws and regulations.Keywords: Film Broadcasting; Netflix; Film Censorship; Internet.AbstrakMedia penyiaran baru merupakan digitalisasi penyiaran dalam bentuk platform yang diakses melalui jaringan internet. Netflix sebagai penyedia layanan Subscription Video on Demand menyiarkan film tanpa sensor yang mengakibatkan filmnya bertentangan dengan budaya dan peraturan perundang-undangan di Indonesia karena bermuatan pornografi hingga kekerasan padahal terdapat kewajiban untuk dilakukan sensor film dikeluarkan oleh lembaga sensor film sebelum film akan dipertunjukkan. Penelitian ini merupakan penelitian hukum yang menganalisis kegiatan penyiaran film tanpa sensor yang dilakukan oleh Netflix menurut peraturan perundang-undangan di Indonesia dan pertanggungjawaban hukum Netflix terhadap penyiaran film tanpa sensor dengan mengggunakan pendekatan undang-undang dan pendekatan konseptual. Dari penelitian ini ditemukan bahwa Netflix melakukan penyiaran film tanpa sensor di Indonesia melanggar ketentuan peraturan perundang-undangan tentang Penyiaran, Perfilman, Pornografi, dan ITE. Namun, tidak serta merta semua ketentuan peraturan perundang-undangan yang dilanggar dapat dipertanggungjawabkan pada Netflix karena locus kegiatan penyiaran yang dilakukan oleh Netflix tidak dapat dijangkau semua ketentuan peraturan perundang-undangan. Kata Kunci: Penyiaran Film; Netflix; Sensor Film; Internet.

scholarly journals TELEVISION MARKET DEVELOPMENT DURING THE COVID-19 PANDEMIC

2020 ◽  
Vol 10 (86) ◽  
Author(s):  
Hennadii Mitrov ◽  
Keyword(s):  
Service Providers ◽  
Video On Demand ◽  
The Internet ◽  
Positive Effects ◽  
On Demand ◽  
Main Requirement ◽  
Depth Analysis ◽  
The World ◽  
Streaming Services ◽  
Television Market

The article covers the issues surrounding the global Internet TV market’s evolution during the COVID-19 pandemic. The rapid changes in the modern Internet television market mean that an in-depth analysis of its development strategies is necessary for further development. The article goes over current trends that affect the development of the industry, and the factors that have led to its changes listed. Today, the main directions of the development of Internet television include multi-screen, video on demand, and the evolution of streaming platforms. This phenomenon became possible by the growing convergence of the Internet and television. The main driving force of the industry has become the so-called streaming services that provide content to subscribers anywhere and anytime — the main requirement to access it being the Internet. The battle for audiences has become truly international. But due to quarantine in many countries, most viewers have drastically changed their habits. Home entertainment has been taking first place, and television became one of them. For the first time in years, TV channel ratings have doubled, movie premieres have been delayed, and sports events around the world have come to a standstill. Audiences turned to those who could offer them the best content. The article examines trends caused by the pandemic, such as a significant increase in Internet traffic, the halting of movie and TV series production, a decrease in the number of sports games and related events, streaming services changing their tariff plans, and the subscription payment model taking leadership in the video-on-demand market. Both the negative and positive effects of these factors on television service providers’ activities, as well as the new habits of subscribers are analyzed. This situation has completely changed the industry, but it has only helped the business of large and local operators. Companies around the world have had to improve their service in a matter of weeks. These changes in the market would have taken years under normal conditions, but the pandemic has significantly accelerated the progress of Internet television and made it possible for end-users to get high-quality services.

Implantação do Serviço de IPTV em uma rede acadêmica: Um Estudo de Caso na Faculdade Católica do Tocantins

2021 ◽  
Vol 3 (5) ◽  
pp. 3230-3240
Author(s):  
Aline Diniz De Oliveira ◽  
Joaquim Pires De Oliveira ◽  
Kayllah Cunha Dos Santos ◽  
Stéphany Moraes Martins ◽  
Umbelina Macedo Dos Santos Filha
Keyword(s):  
Mobile Devices ◽  
Video Streaming ◽  
Communication Networks ◽  
Video On Demand ◽  
The Internet ◽  
Digital Television ◽  
Web Page ◽  
On Demand ◽  
Vod Server

Soluções baseadas em redes de comunicação podem ser aplicadas nas mais diversas áreas, tais como a Televisão Digital e comunicação entre dispositivos móveis. O presente artigo se propõe a descrever os estudos e experimentos realizados no desenvolvimento de um servidor IPTV na Faculdade Católica do Tocantins (FACTO) para distribuir conteúdo institucional na Internet, utilizando um servidor Video on Demand (VoD) e uma página web como meio de acesso ao streaming de vídeo disponibilizados pelo servidor.   Solutions based on communication networks can be applied in the most diverse areas, such as Digital Television and communication between mobile devices. This paper proposes to describe the studies and experiments carried out in the development of an IPTV server at Faculdade Católica do Tocantins (FACTO) to distribute institutional content on the Internet, using a Video on Demand (VoD) server and a web page as a means to access the video streaming made available by the server.

No More Drama

2021 ◽  
pp. 274-299
Author(s):  
Álvaro J. Rojas-Lamorena ◽  
Salvador del Barrio-García ◽  
Juan Miguel Alcántara-Pilar
Keyword(s):  
Video On Demand ◽  
Academic Work ◽  
The Internet ◽  
Television Series ◽  
Television Drama ◽  
On Demand ◽  
Television Content

The undeniable development of the television series sector in recent years has resulted in viewers having access to a large amount of television content, thanks largely to the development of technologies such as the internet and the emergence of video on demand. Given the scarcity of academic works that categorise these television contents, this chapter comes to conceptually delimit the television drama genre, as well as its different sub-genres. With this, the authors seek to centralise in a single academic work the main characteristics of each dramatic sub-genre that causes a series to be ascribed to a certain category, serving as a guide for potential academic works related to this growing sector.

Video-on-Demand as Public Service Television

2018 ◽  
Author(s):  
Catherine Johnson
Keyword(s):  
Public Service ◽  
Video On Demand ◽  
The Internet ◽  
High Quality ◽  
Commercial Media ◽  
Air Content ◽  
On Demand ◽  
Television Content ◽  
Quality Programming ◽  
The Uk

Public service broadcasters (PSBs) are operating in a media landscape in which the increased convergence of the Internet and television has blurred the distinctions between broadcast and on-demand TV. In this environment, people can switch easily between live/linear and on-demand viewing within the same interface and access television content through a range of online and Internet-connected services. This chapter suggests that the case for PSB becomes stronger as traditional broadcast and Internet services merge. In a fully commercial media landscape, economically disadvantaged audiences are under-served because they are less able to pay for services and less attractive to advertisers. By providing free-to-air content, PSBs ensure that video-on-demand serves all of the UK public with high-quality programming that entertains, educates, and informs.

scholarly journals A SURVEY ON CHURN ANALYSIS AND PREDICTION IN VIDEO ON DEMAND

2017 ◽  
Vol 10 (13) ◽  
pp. 158
Author(s):  
Venkatraman R ◽  
Ramesh Ragala
Keyword(s):  
Motion Pictures ◽  
Video On Demand ◽  
The Internet ◽  
Consumer Loyalty ◽  
On Demand ◽  
Television Shows ◽  
Churn Analysis

Consumer loyalty is a key measure of achievement. Despondent clients will not be staying around the service. When there are unhappy clients once in a while voice their disappointment before leaving. Streaming administration, motion pictures, and television shows are gushing over the internet, not being downloaded, so we should be associated with the internet all through your watch instantly experience. Hence, to help them recognize to “disappointed clients” from the get-go in their relationship. Doing as such would permit streaming administration to find a way to enhance “client’s joy” before it’s excessively late. To distinguish the purposes behind clients who are producing from the spilling administration furthermore anticipating what number of clients will get stick around the gushing administration. 

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