scholarly journals Rhetoric appropriateness in view of contemporary media communication and journalism

Author(s):  
Monika Worsowicz

In the article, I present deliberations on the theme of the rhetorical category of appropriateness in the context of its original sources and contemporary media practice. Upon presenting the theory formed in line with the understanding developed in antiquity, I accept as a functional division for the purpose of the discussion the prépon/aptum (decorum) division, i.e. into the historical and literary notion, and appropriateness as a general principle of rhetorical communication to subsequently present a discussion organised on the basis of three theses: 1) The major factor defining the rhetorical model of appropriateness is the mass nature of media communication in the presence of freedom of speech, a democratic system of authority, and economic liberalism; 2) The on-going presence of disputes regarding the appropriateness of public behaviour is a manifestation not as much of its norm-building potential as of the functional approach – of senders, participants of the reported events, and message receivers – towards media communication, which inevitably results in a distinct over-representation of messages the content of which applies to the manifestations of inappropriateness; 3) The appropriateness principle is associated with the difficult task for the receiver to understand her/his role in the world of the media, and its various consequences. I posit that the principle does, in fact, indicate certain criteria which can become a basis for classifying specific messages as those which do or do not meet the requirements of rhetorical tact, yet it does not enable one to define an a priori applicable borderline between appropriateness and inappropriateness in contemporary media. Therefore, it seems that the settlement of any doubts and dilemmas associated with appropriateness ought to be founded on a good upbringing-based social stance and a system of values, i.e. maturity achieved regardless of the influence of the media.

2020 ◽  
Vol 1 (1) ◽  
pp. 32-41
Author(s):  
Aurelius Fredimento ◽  
John M. Balan

The development and the progress of media communication at the present is a fact of the knowledge and the technology development that must be accepted. It presence like the flowing water which has a fast current that brings also two influences both positive and negative that must be accounted for the members of the Catholic Students Community Of St. Martinus Ende (KMK St. Martinus Ende). Both positive and negative influences the media community like a kinetic energy or a power attraction that attract  them in a tiring ambiquity. Let them walk alone without escort of a decisive compass where they should have a rightist attitude and responsible. On the point, the guidance and assistance of the church is an  offering  if the church will be born a generation  of the future  of the  church  that is mature and has a certain quality  based  on the growth  and the development  of acuteness and inner  to determine the attitude to the development of media communication. The process of sharpening of mind and the sharpeness of the participants can be realized by giving some activities such as: awareness, deepening and even  the sharpeness of the actor of  media communication as an  alternative of reporting work of the God Kingdom for human beings. It becomes the main moving spirit or activator  for the board of KMK Of St. Martinus Ende  to plan and boring  about the activity of catechism. The activity rise the method of Amos.  By this method, the participants are invited to build a deeply reflection that based on thein real experiences about the media communication, while keep on self opening to the God planning will come  to them  and  give them via  the commandment of God.  The commandment  of God  come to light, inspiration, motivate, power and critics to the  participants about the using of the media communication as a media of the commandment of the kingdom of God  to the world that is more progress and development lately.


2016 ◽  
Vol 41 (1) ◽  
Author(s):  
Stéphane Couture ◽  
Gretchen King ◽  
Sophie Toupin ◽  
Becky Lentz

This research-in-brief summarizes activities of our research delegation to the 2015 World Social Forum (WSF) in Tunis, including our participation in two associated events: the World Forum on Free Media (WFFM) and preparatory meetings for an eventual global Internet Social Forum (ISF). The WFFM and ISF provided rich terrain for our delegation to document and study contemporary struggles around communication media and technology issues. We report on these encounters as a way to foreground the many similar opportunities available to Canadian media, communication, and technology scholars at annual WSFs, in particular, the WSF coming to Montréal in August 2016. Notably, the 2016 WSF will be the first forum held since its inception in 2001 outside the global south.Ce texte résume les activités de notre délégation de recherche lors du Forum social mondial (FSM) de Tunis. Ces activités incluaient notre participation à deux événements associés : le Forum mondial des médias libres (FMML) et des rencontres préparatoires pour un éventuel Forum social d’Internet (FSI). Ces rencontres ont constitué de riches terrains pour documenter et étudier les luttes contemporaines concernant les médias et la communication. Ce compte-rendu vise à faire connaître aux médias et aux chercheurs canadiens les multiples opportunités offertes lors des forums sociaux annuels, en particulier lors du prochain Forum social mondial qui se déroulera à Montréal en août 2016. Ce forum sera le premier à se dérouler à l’extérieur du Sud global depuis sa création en 2001.


2019 ◽  
Vol 25 (25) ◽  
pp. 88-107
Author(s):  
Agata Szuba Szuba

The contemporary media message can be perceived in two perspectives: an active one, in which women perform a role of journalists and editors, and a passive perspective, in which they become a part of media message. The latter aspect is the most controversial for many reasons. Walter Lippmann defines a stereotype as an image created in the mind which allows a subordination of a certain fragment of reality a priori. The media’s visible, negative influence on women has them create a reality beyond the boundaries of acceptance, presenting it in a way the audience expects. A new kind of feminism appears, i.e. one which answers the receiver’s needs (succumbing to the expectations and exposing to the view), and a question appears – whether in the time of the feminist legacy, thereby changes resulting from the development of the media, feminists should gain their own unique style? In a way this begins to happen. Due to the development of the media, women gained an unrestricted possibility to express their views, and the reception and availability of the media lifts the restrictions and causes an inconspicuous person to please and sweep the crowd and his or her voice to be impossible to be ignored in the discourse.


Kultura ◽  
2020 ◽  
pp. 221-233
Author(s):  
Divna Vuksanović

Along with studying the world of culture, Milena Dragićević Šešić has also dealt with reflections in the field of media theory. These two parallel lines of study, as well as long-term teaching activities in the designated areas, in my opinion, represent a paradigm, where they approach each other, conflict and fight for the dominance of two different value systems existing today. In principle, on the side of culture and its interests and possibilities, M. D. Šešić does not fall into the trap of technophobia, but, on the other hand, does not fetishize the existing media reality. By analysing the current media scene - either theoretically or practically, the author Šešić discreetly supports culture in its struggle for a more equal status in relation to the media dictum, in the era of the rule of modern communication technologies. Without disputing the idea and practice of accelerated technical and technological progress, M. D. Šešić critically valorises the world of media, advocating a cultural value paradigm in the field of the media communication.


2020 ◽  
pp. 117-128
Author(s):  
I. N. Ponomarenko ◽  
N. A. Segal ◽  
Y. N. Bychina ◽  
S. A. Mospan

The article is devoted to the identification of the asymmetric basis of explication of temporal oppositions in the Russian-language media discourse. The semantic-pragmatic potential of linguistic units representing the antithesis of “past / future” and its textual explicators is established and analyzed. Given the specifics of linguistic and extralinguistic factors, the features of modeling the current political picture of the world are revealed. It is emphasized that the asymmetry of the media discourse, which has become the subject of scientific research only in the last decade, is dictated by the manipulative orientation of media texts. An analysis of practical material allows us to conclude that the media texts of the beginning of the XXI century are a priori asymmetric and are built on both communicative and linguistic asymmetries, which consist primarily in the contraposition of linguistic and contextual antonyms that reflect polar political views and aspirations. The asymmetry of images of the past and future and the ambiguity of connotations inherent in the linguistic representatives of these images allow us to talk about the variability of the value component of the key categories of the political picture of the world and prove its dynamic nature.


2020 ◽  
Vol 2020 (4/2020(773)) ◽  
pp. 82-94
Author(s):  
Kazimierz Wolny-Zmorzyński

Over the past three decades, under the infl uence of the development of electronic techniques and changes in the awareness of media recipients arising from the freedom of speech, reportage has evolved and a new genre, i.e. a viral article, has occurred. After 1989, reporters, relishing the hint of freedom, began to depart from the habits of the passing (authoritarian) epoch and make changes to the poetics of the genre. These changes concern the following spheres: the topic taken up by reporters; the form (structure, shape); the language; the reporter’s attitudes; the media. Before 1989, journalistic texts had been addressed to the educated reader who was able to understand many overtones, understatements, and hints, and currently, authors of reportages and viral articles talk about the reality and the world surrounding them in a straightforward manner, apply the simplest stylistic solutions and devices in order to fi nd the shortest way to the recipient’s imagination, and thus to the largest possible group of readers.


2021 ◽  
Vol 03 (06) ◽  
pp. 521-530
Author(s):  
Zainab Abd Ali MUHSEN

The fashion is the interface of the world for human communication and the overlap of cultures, and globalization in contemporary fashion can have a positive impact as it is important in the development of design and executive awareness to achieve the job through economic and cultural development, stressing that the role of the contemporary designer artist is the continuous communication between the global heritage and the new visions used in the present and the aesthetics of design. Fashion and clothing are considered as the language full of symbols, which reflects the (identities) of human societies, because of the different environments in which they are present, as the costume is the title of world cultures as each environment of the world has special costumes that distinguish it, although it shares the fact that it is inspired by the traditional heritage of that region, and expresses the environment in which women live, and this is reflected in many forms of executive model technology carried by different costumes. Although they vary from region to region due to the demographics of the environment, tastes are multiplied by media communication with different peoples and civilizations. They are any costumes that tell the history of human beings from the beginning to the present. In recent times, a phenomenon has emerged characterized by a return to heritage and typical.


Religions ◽  
2020 ◽  
Vol 11 (5) ◽  
pp. 239
Author(s):  
Antonio Baraybar-Fernández ◽  
Sandro Arrufat-Martín ◽  
Rainer Rubira-García

Over the past few years, we have seen significant changes in religious values and practices. This article describes and analyzes communication strategies carried out by the Spanish Episcopal Conference—i.e., Conferencia Episcopal Española (CEE)—through social media. For this, we have followed up the conference’s activity on Twitter, Facebook, and YouTube for the last three years. Along with the evolution of followers, we identify and assess the messages that have received the majority of likes and the content that has generated the most controversy. At the same time, a comparison has been made between activity in the media in which the above-mentioned institution participates in Spain and the rest of the Episcopal Conferences in Latin America. Results allow us to obtain a diachronic vision of the CEE strategies on social media in order to generate a strong virtual community and on how it tries to connect with the thoughts and feelings of followers. In conclusion, it can be confirmed that social media is one of the most enthusiastic and outstanding platforms for Catholics to demonstrate their commitment to their Church, by which they form a common space to share and celebrate their vision of the world.


2020 ◽  
Vol 81 (5) ◽  
pp. 55-60
Author(s):  
V. E. Zamaldinov

The article considers word-building neologisms as a reflection of the current epidemic situation in the world. The material for the analysis was mass media texts. The sociocultural aspect of the language of the media led to the emergence of a large number of new nominations. The author makes an attempt to single out the common ways of word formation (prefixation, suffixation) and notes the expansion of affixoids. With the help of neologisms, journalists express a negative attitude towards the epidemic situation in the world, exert a psychological influence on the reader, ironically comprehend the surrounding reality, bring media communication closer to speaking, and designate high-tech phenomena. The author describes such occasional methods of word formation as contamination, tmesis, interword overlapping and substitutional derivation. The study reveals that occasional derivative means allow journalists to achieve a comic effect, attract the attention of the addressee; violating the principle of the integrity of the word, as well as to express negative expression. Structural-semantic and derivational types of analysis of innovations are carried out. It is concluded that extralinguistic factors have a great impact on the language.


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